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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2FF00 it is the complementary color #1D00FF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2FF00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2FF00 shade: #E7FF00, #F8FF0E, #FFFF21, #FFFF34 and #FFFF47

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2FF00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2FF00 shade: #E2FF00, #D1ED00, #C0DB00, #AFC900 and #9EB700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2FF00 shade: #E2FF00, #FFD700, #FF9200, #FF4D00 and #FF0800

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2FF00 shade: #E2FF00, #9DFF00, #58FF00, #13FF00 and #00FF31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2FF00 shade matches the following richer shades: #E2FF00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2FF00 shade: #E2FF00, #D2EA14, #C2D529, #B2C13D and #A2AC52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2FF00 shade: #FF9000, #FFD400, #E5FF00, #A1FF00 and #5DFF00

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2FF00 shade: #98AC00, #BDD500, #E2FF00, #E6FF29 and #EBFF52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2FF00 shade: #E2FF00, #00FF4C and #B200FF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2FF00 shade: #E2FF00, #00E5FF and #FF00E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2FF00 shade: #E2FF00, #00FF4C, #1900FF and #FF00B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2FF00 shade: #E2FF00, #00FF99, #1900FF and #FF0066

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 100 / 0

HEX #E2FF00

RGB 226 255 0

HSL 66.82, 1%, 0.5%

LAB 95.03, -33.31, 91.98

 

Complementary color

CMYK 89 / 100 / 0 / 0

HEX #1D00FF

RGB 29 0 255

HSL 246.82, 1%, 0.5%

LAB 32.88, 79.38, -106.89

 

CMYK 9 / 0 / 100 / 0

HEX #E7FF00

RGB 231 255 0

HSL 65.65, 1%, 0.5%

LAB 95.37, -31.31, 92.39

 

CMYK 3 / 0 / 95 / 0

HEX #F8FF0E

RGB 248 255 14

HSL 61.74, 1%, 0.53%

LAB 96.62, -24.31, 92.87

 

CMYK 0 / 0 / 87 / 0

HEX #FFFF21

RGB 255 255 33

HSL 60, 1%, 0.56%

LAB 97.18, -21.19, 91.18

 

CMYK 0 / 0 / 80 / 0

HEX #FFFF34

RGB 255 255 52

HSL 60, 1%, 0.6%

LAB 97.24, -20.74, 87.3

 

CMYK 0 / 0 / 72 / 0

HEX #FFFF47

RGB 255 255 71

HSL 60, 1%, 0.64%

LAB 97.32, -20.07, 82

 

CMYK 11 / 0 / 100 / 0

HEX #E2FF00

RGB 226 255 0

HSL 66.82, 1%, 0.5%

LAB 95.03, -33.31, 91.98

 

CMYK 12 / 0 / 100 / 7

HEX #D1ED00

RGB 209 237 0

HSL 67.09, 1%, 0.46%

LAB 88.98, -31.9, 86.94

 

CMYK 12 / 0 / 100 / 14

HEX #C0DB00

RGB 192 219 0

HSL 67.4, 1%, 0.43%

LAB 82.84, -30.47, 81.84

 

CMYK 13 / 0 / 100 / 21

HEX #AFC900

RGB 175 201 0

HSL 67.76, 1%, 0.39%

LAB 76.61, -29.02, 76.65

 

CMYK 14 / 0 / 100 / 28

HEX #9EB700

RGB 158 183 0

HSL 68.2, 1%, 0.36%

LAB 70.27, -27.56, 71.37

 

CMYK 11 / 0 / 100 / 0

HEX #E2FF00

RGB 226 255 0

HSL 66.82, 1%, 0.5%

LAB 95.03, -33.31, 91.98

 

CMYK 0 / 16 / 100 / 0

HEX #FFD700

RGB 255 215 0

HSL 50.59, 1%, 0.5%

LAB 86.93, -1.92, 87.14

HEX #FFD700

CMYK 0 / 43 / 100 / 0

HEX #FF9200

RGB 255 146 0

HSL 34.35, 1%, 0.5%

LAB 70.75, 33.77, 76.28

HEX #FF9200

CMYK 0 / 70 / 100 / 0

HEX #FF4D00

RGB 255 77 0

HSL 18.12, 1%, 0.5%

LAB 58.57, 65.05, 69.44

HEX #FF4D00

CMYK 0 / 97 / 100 / 0

HEX #FF0800

RGB 255 8 0

HSL 1.88, 1%, 0.5%

LAB 53.42, 79.56, 67.28

HEX #FF0800

CMYK 11 / 0 / 100 / 0

HEX #E2FF00

RGB 226 255 0

HSL 66.82, 1%, 0.5%

LAB 95.03, -33.31, 91.98

 

CMYK 38 / 0 / 100 / 0

HEX #9DFF00

RGB 157 255 0

HSL 83.06, 1%, 0.5%

LAB 91.09, -58.88, 87.26

 

CMYK 65 / 0 / 100 / 0

HEX #58FF00

RGB 88 255 0

HSL 99.29, 1%, 0.5%

LAB 88.73, -77.4, 84.39

 

CMYK 93 / 0 / 100 / 0

HEX #13FF00

RGB 19 255 0

HSL 115.53, 1%, 0.5%

LAB 87.8, -85.57, 83.26

 

CMYK 100 / 0 / 81 / 0

HEX #00FF31

RGB 0 255 49

HSL 131.53, 1%, 0.5%

LAB 87.84, -84.79, 76.12

 

CMYK 11 / 0 / 100 / 0

HEX #E2FF00

RGB 226 255 0

HSL 66.82, 1%, 0.5%

LAB 95.03, -33.31, 91.98

 

CMYK 11 / 0 / 100 / 0

HEX #E2FF00

RGB 226 255 0

HSL 66.82, 1%, 0.5%

LAB 95.03, -33.31, 91.98

 

CMYK 10 / 0 / 91 / 8

HEX #D2EA14

RGB 210 234 20

HSL 66.73, 0.84%, 0.5%

LAB 88.26, -29.89, 84.62

 

CMYK 9 / 0 / 81 / 16

HEX #C2D529

RGB 194 213 41

HSL 66.63, 0.68%, 0.5%

LAB 81.41, -26.06, 74.58

 

CMYK 8 / 0 / 68 / 24

HEX #B2C13D

RGB 178 193 61

HSL 66.82, 0.52%, 0.5%

LAB 74.79, -22.11, 61.58

 

CMYK 6 / 0 / 52 / 33

HEX #A2AC52

RGB 162 172 82

HSL 66.67, 0.35%, 0.5%

LAB 67.87, -16.68, 44.54

 

CMYK 0 / 44 / 100 / 0

HEX #FF9000

RGB 255 144 0

HSL 33.88, 1%, 0.5%

LAB 70.32, 34.8, 76.01

 

CMYK 0 / 17 / 100 / 0

HEX #FFD400

RGB 255 212 0

HSL 49.88, 1%, 0.5%

LAB 86.18, -0.4, 86.61

 

CMYK 10 / 0 / 100 / 0

HEX #E5FF00

RGB 229 255 0

HSL 66.12, 1%, 0.5%

LAB 95.24, -32.11, 92.22

 

CMYK 37 / 0 / 100 / 0

HEX #A1FF00

RGB 161 255 0

HSL 82.12, 1%, 0.5%

LAB 91.28, -57.55, 87.48

 

CMYK 64 / 0 / 100 / 0

HEX #5DFF00

RGB 93 255 0

HSL 98.12, 1%, 0.5%

LAB 88.85, -76.39, 84.54

 

CMYK 12 / 0 / 100 / 33

HEX #98AC00

RGB 152 172 0

HSL 66.98, 1%, 0.34%

LAB 66.66, -24.78, 68.48

 

CMYK 11 / 0 / 100 / 16

HEX #BDD500

RGB 189 213 0

HSL 66.76, 1%, 0.42%

LAB 80.96, -28.89, 80.34

 

CMYK 11 / 0 / 100 / 0

HEX #E2FF00

RGB 226 255 0

HSL 66.82, 1%, 0.5%

LAB 95.03, -33.31, 91.98

 

CMYK 10 / 0 / 84 / 0

HEX #E6FF29

RGB 230 255 41

HSL 67.01, 1%, 0.58%

LAB 95.37, -31.13, 87.47

 

CMYK 8 / 0 / 68 / 0

HEX #EBFF52

RGB 235 255 82

HSL 66.94, 1%, 0.66%

LAB 95.91, -27.54, 76.41

 

CMYK 11 / 0 / 100 / 0

HEX #E2FF00

RGB 226 255 0

HSL 66.82, 1%, 0.5%

LAB 95.03, -33.31, 91.98

 

CMYK 100 / 0 / 70 / 0

HEX #00FF4C

RGB 0 255 76

HSL 137.88, 1%, 0.5%

LAB 87.99, -82.93, 67.94

 

CMYK 30 / 100 / 0 / 0

HEX #B200FF

RGB 178 0 255

HSL 281.88, 1%, 0.5%

LAB 47.86, 87.87, -81.61

 

CMYK 11 / 0 / 100 / 0

HEX #E2FF00

RGB 226 255 0

HSL 66.82, 1%, 0.5%

LAB 95.03, -33.31, 91.98

 

CMYK 100 / 10 / 0 / 0

HEX #00E5FF

RGB 0 229 255

HSL 186.12, 1%, 0.5%

LAB 83.58, -36.46, -25.52

 

CMYK 0 / 100 / 10 / 0

HEX #FF00E5

RGB 255 0 229

HSL 306.12, 1%, 0.5%

LAB 58.9, 94.79, -48.59

 

CMYK 11 / 0 / 100 / 0

HEX #E2FF00

RGB 226 255 0

HSL 66.82, 1%, 0.5%

LAB 95.03, -33.31, 91.98

 

CMYK 100 / 0 / 70 / 0

HEX #00FF4C

RGB 0 255 76

HSL 137.88, 1%, 0.5%

LAB 87.99, -82.93, 67.94

 

CMYK 90 / 100 / 0 / 0

HEX #1900FF

RGB 25 0 255

HSL 245.88, 1%, 0.5%

LAB 32.76, 79.34, -107.09

 

CMYK 0 / 100 / 30 / 0

HEX #FF00B2

RGB 255 0 178

HSL 318.12, 1%, 0.5%

LAB 56.56, 88.91, -23.04

 

CMYK 11 / 0 / 100 / 0

HEX #E2FF00

RGB 226 255 0

HSL 66.82, 1%, 0.5%

LAB 95.03, -33.31, 91.98

 

CMYK 100 / 0 / 40 / 0

HEX #00FF99

RGB 0 255 153

HSL 156, 1%, 0.5%

LAB 88.84, -72.53, 34.94

 

CMYK 90 / 100 / 0 / 0

HEX #1900FF

RGB 25 0 255

HSL 245.88, 1%, 0.5%

LAB 32.76, 79.34, -107.09

 

CMYK 0 / 100 / 60 / 0

HEX #FF0066

RGB 255 0 102

HSL 336, 1%, 0.5%

LAB 54.26, 82.89, 18.86

 

Description

Color code: HEX #E2FF00 | qconv.com Color code: HEX #E2FF00 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 255 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 255 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 100 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 100% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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