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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FFB5FD it is the complementary color #004A02. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FFB5FD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FFB5FD shade: #FFB5F8, #FFC7FF, #FFD9FF, #FFEBFF and #FFFDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FFB5FD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FFB5FD shade: #FFB5FD, #EEA3EA, #DD91D7, #CC7FC4 and #BB6DB1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FFB5FD shade: #FFB3FD, #FFB3E8, #FFB3D4, #FFB3BF and #FFB3B3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FFB5FD shade: #FFB3FD, #ECB3FF, #D8B3FF, #C3B3FF and #B3B3FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FFB5FD shade matches the following richer shades: #FFB3FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FFB5FD shade: #FFB3FD, #F9B9F7, #F3BFF1, #ECC5EB and #E6CBE6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FFB5FD shade: #D7B3FF, #ECB3FF, #FFB3FE, #FFB3E9 and #FFB3D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FFB5FD shade: #FF60FB, #FF89FC, #FFB3FD, #FFDCFE and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FFB5FD shade: #FFB5FD, #FFC3B3 and #B3FFE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FFB5FD shade: #FFB5FD, #FEFFB3 and #B3FEFF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FFB5FD shade: #FFB5FD, #FFC3B3, #B3FFB4 and #B3EEFF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FFB5FD shade: #FFB5FD, #FFDAB3, #B3FFB4 and #B3D7FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 1 / 0

HEX #FFB5FD

RGB 255 181 253

HSL 301.62, 1%, 0.85%

LAB 82.59, 38.08, -24.94

 

Complementary color

CMYK 100 / 0 / 97 / 71

HEX #004A02

RGB 0 74 2

HSL 121.62, 1%, 0.15%

LAB 26.45, -35.09, 33.11

 

CMYK 0 / 29 / 3 / 0

HEX #FFB5F8

RGB 255 181 248

HSL 305.68, 1%, 0.85%

LAB 82.42, 37.19, -22.52

 

CMYK 0 / 22 / 0 / 0

HEX #FFC7FF

RGB 255 199 255

HSL 300, 1%, 0.89%

LAB 86.67, 29, -19.82

 

CMYK 0 / 15 / 0 / 0

HEX #FFD9FF

RGB 255 217 255

HSL 300, 1%, 0.93%

LAB 90.83, 19.56, -13.56

 

CMYK 0 / 8 / 0 / 0

HEX #FFEBFF

RGB 255 235 255

HSL 300, 1%, 0.96%

LAB 95.12, 10.21, -7.19

 

CMYK 0 / 1 / 0 / 0

HEX #FFFDFF

RGB 255 253 255

HSL 300, 1%, 1%

LAB 99.51, 1.01, -0.73

 

CMYK 0 / 29 / 1 / 0

HEX #FFB5FD

RGB 255 181 253

HSL 301.62, 1%, 0.85%

LAB 82.59, 38.08, -24.94

 

CMYK 0 / 32 / 2 / 7

HEX #EEA3EA

RGB 238 163 234

HSL 303.2, 0.69%, 0.79%

LAB 76.26, 38.76, -24.52

 

CMYK 0 / 34 / 3 / 13

HEX #DD91D7

RGB 221 145 215

HSL 304.74, 0.53%, 0.72%

LAB 69.84, 39.47, -24.08

 

CMYK 0 / 38 / 4 / 20

HEX #CC7FC4

RGB 204 127 196

HSL 306.23, 0.43%, 0.65%

LAB 63.34, 40.21, -23.6

 

CMYK 0 / 42 / 5 / 27

HEX #BB6DB1

RGB 187 109 177

HSL 307.69, 0.36%, 0.58%

LAB 56.76, 40.97, -23.05

 

CMYK 0 / 30 / 1 / 0

HEX #FFB3FD

RGB 255 179 253

HSL 301.58, 1%, 0.85%

LAB 82.16, 39.12, -25.6

 

CMYK 0 / 30 / 9 / 0

HEX #FFB3E8

RGB 255 179 232

HSL 318.16, 1%, 0.85%

LAB 81.47, 35.5, -15.38

 

CMYK 0 / 30 / 17 / 0

HEX #FFB3D4

RGB 255 179 212

HSL 333.95, 1%, 0.85%

LAB 80.88, 32.32, -5.48

 

CMYK 0 / 30 / 25 / 0

HEX #FFB3BF

RGB 255 179 191

HSL 350.53, 1%, 0.85%

LAB 80.33, 29.26, 5.06

 

CMYK 0 / 30 / 30 / 0

HEX #FFB3B3

RGB 255 179 179

HSL 0, 1%, 0.85%

LAB 80.04, 27.66, 11.13

 

CMYK 0 / 30 / 1 / 0

HEX #FFB3FD

RGB 255 179 253

HSL 301.58, 1%, 0.85%

LAB 82.16, 39.12, -25.6

 

CMYK 7 / 30 / 0 / 0

HEX #ECB3FF

RGB 236 179 255

HSL 285, 1%, 0.85%

LAB 80.34, 33.58, -29.61

 

CMYK 15 / 30 / 0 / 0

HEX #D8B3FF

RGB 216 179 255

HSL 269.21, 1%, 0.85%

LAB 78.5, 27.46, -32.61

 

CMYK 24 / 30 / 0 / 0

HEX #C3B3FF

RGB 195 179 255

HSL 252.63, 1%, 0.85%

LAB 76.72, 21.2, -35.5

 

CMYK 30 / 30 / 0 / 0

HEX #B3B3FF

RGB 179 179 255

HSL 240, 1%, 0.85%

LAB 75.48, 16.62, -37.52

 

CMYK 0 / 30 / 1 / 0

HEX #FFB3FD

RGB 255 179 253

HSL 301.58, 1%, 0.85%

LAB 82.16, 39.12, -25.6

 

CMYK 0 / 30 / 1 / 0

HEX #FFB3FD

RGB 255 179 253

HSL 301.58, 1%, 0.85%

LAB 82.16, 39.12, -25.6

 

CMYK 0 / 26 / 1 / 2

HEX #F9B9F7

RGB 249 185 247

HSL 301.88, 0.84%, 0.85%

LAB 82.68, 33, -21.66

 

CMYK 0 / 21 / 1 / 5

HEX #F3BFF1

RGB 243 191 241

HSL 302.31, 0.68%, 0.85%

LAB 83.27, 26.8, -17.62

 

CMYK 0 / 17 / 0 / 7

HEX #ECC5EB

RGB 236 197 235

HSL 301.54, 0.51%, 0.85%

LAB 83.84, 20.22, -13.62

 

CMYK 0 / 12 / 0 / 10

HEX #E6CBE6

RGB 230 203 230

HSL 300, 0.35%, 0.85%

LAB 84.61, 14.12, -9.86

 

CMYK 16 / 30 / 0 / 0

HEX #D7B3FF

RGB 215 179 255

HSL 268.42, 1%, 0.85%

LAB 78.41, 27.16, -32.75

 

CMYK 7 / 30 / 0 / 0

HEX #ECB3FF

RGB 236 179 255

HSL 285, 1%, 0.85%

LAB 80.34, 33.58, -29.61

 

CMYK 0 / 30 / 0 / 0

HEX #FFB3FE

RGB 255 179 254

HSL 300.79, 1%, 0.85%

LAB 82.19, 39.3, -26.08

 

CMYK 0 / 30 / 9 / 0

HEX #FFB3E9

RGB 255 179 233

HSL 317.37, 1%, 0.85%

LAB 81.5, 35.67, -15.87

 

CMYK 0 / 30 / 16 / 0

HEX #FFB3D5

RGB 255 179 213

HSL 333.16, 1%, 0.85%

LAB 80.91, 32.47, -5.98

 

CMYK 0 / 62 / 2 / 0

HEX #FF60FB

RGB 255 96 251

HSL 301.51, 1%, 0.69%

LAB 66.97, 77.95, -48.07

 

CMYK 0 / 46 / 1 / 0

HEX #FF89FC

RGB 255 137 252

HSL 301.53, 1%, 0.77%

LAB 73.66, 60.18, -38.14

 

CMYK 0 / 30 / 1 / 0

HEX #FFB3FD

RGB 255 179 253

HSL 301.58, 1%, 0.85%

LAB 82.16, 39.12, -25.6

 

CMYK 0 / 14 / 0 / 0

HEX #FFDCFE

RGB 255 220 254

HSL 301.71, 1%, 0.93%

LAB 91.51, 17.81, -12.03

 

CMYK 0 / 29 / 1 / 0

HEX #FFB5FD

RGB 255 181 253

HSL 301.62, 1%, 0.85%

LAB 82.59, 38.08, -24.94

 

CMYK 0 / 24 / 30 / 0

HEX #FFC3B3

RGB 255 195 179

HSL 12.63, 1%, 0.85%

LAB 83.73, 19.27, 16.34

 

CMYK 30 / 0 / 11 / 0

HEX #B3FFE2

RGB 179 255 226

HSL 157.11, 1%, 0.85%

LAB 94.57, -29.22, 6.42

 

CMYK 0 / 29 / 1 / 0

HEX #FFB5FD

RGB 255 181 253

HSL 301.62, 1%, 0.85%

LAB 82.59, 38.08, -24.94

 

CMYK 0 / 0 / 30 / 0

HEX #FEFFB3

RGB 254 255 179

HSL 60.79, 1%, 0.85%

LAB 98.37, -11.69, 36.3

 

CMYK 30 / 0 / 0 / 0

HEX #B3FEFF

RGB 179 254 255

HSL 180.79, 1%, 0.85%

LAB 95.03, -22.61, -7.86

 

CMYK 0 / 29 / 1 / 0

HEX #FFB5FD

RGB 255 181 253

HSL 301.62, 1%, 0.85%

LAB 82.59, 38.08, -24.94

 

CMYK 0 / 24 / 30 / 0

HEX #FFC3B3

RGB 255 195 179

HSL 12.63, 1%, 0.85%

LAB 83.73, 19.27, 16.34

 

CMYK 30 / 0 / 29 / 0

HEX #B3FFB4

RGB 179 255 180

HSL 120.79, 1%, 0.85%

LAB 93.62, -37.52, 28.6

 

CMYK 30 / 7 / 0 / 0

HEX #B3EEFF

RGB 179 238 255

HSL 193.42, 1%, 0.85%

LAB 90.76, -14.7, -14.22

 

CMYK 0 / 29 / 1 / 0

HEX #FFB5FD

RGB 255 181 253

HSL 301.62, 1%, 0.85%

LAB 82.59, 38.08, -24.94

 

CMYK 0 / 15 / 30 / 0

HEX #FFDAB3

RGB 255 218 179

HSL 30.79, 1%, 0.85%

LAB 89.23, 7.31, 23.98

 

CMYK 30 / 0 / 29 / 0

HEX #B3FFB4

RGB 179 255 180

HSL 120.79, 1%, 0.85%

LAB 93.62, -37.52, 28.6

 

CMYK 30 / 16 / 0 / 0

HEX #B3D7FF

RGB 179 215 255

HSL 211.58, 1%, 0.85%

LAB 84.69, -2.87, -23.37

 

Description

Color code: HEX #FFB5FD | qconv.com Color code: HEX #FFB5FD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 181 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 181 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 1 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 1% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to PANTONE®

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