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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF7ED2CE it is the complementary color #00812DCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF7ED2CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF7ED2CE shade: #FF7ECDCE, #FF90E0CE, #FFA2F3CE, #FFB4FFCE and #FFC6FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF7ED2CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF7ED2CE shade: #FF7ED2CE, #EE6CBFCE, #DD5AACCE, #CC4899CE and #BB3686CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF7ED2CE shade: #FF80D3, #FF80B0, #FF808E and #FF8080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF7ED2CE shade: #FF80D3, #FF80F5, #E780FF, #C480FF and #A280FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF7ED2CE shade matches the following richer shades: #FF80D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF7ED2CE shade: #FF80D3, #F58ACF, #EA94CC, #E09EC9 and #D6A9C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF7ED2CE shade: #E680FF, #FF80F7, #FF80D5, #FF80B3 and #FF8091

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF7ED2CE shade: #FF2DB6, #FF56C4, #FF80D3, #FFA9E1 and #FFD2EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF7ED2CE shade: #FF7ED2, #FFC480 and #80FFF7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF7ED2CE shade: #FF7ED2, #D5FF80 and #80D5FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF7ED2CE shade: #FF7ED2, #FFC480, #80FFAA and #80BBFF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF7ED2CE shade: #FF7ED2, #FFEA80, #80FFAA and #8095FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 14 / 0

HEX #FF7ED2CE

RGBA 255 126 210 0.81

HSLA 320.93, 1%, 0.75%, 0.81

LABA 70.06, 58.76, -20.6, 0.81

 

Complementary color

CMYK 81 / 0 / 53 / 40

HEX #00812DCE

RGBA 0 129 45 0.81

HSLA 140.93, 1%, 0.25%, 0.81

LABA 46.83, -48.78, 36.18, 0.81

 

CMYK 0 / 41 / 16 / 0

HEX #FF7ECDCE

RGBA 255 126 205 0.81

HSLA 323.26, 1%, 0.75%, 0.81

LABA 69.89, 58.05, -18.08, 0.81

 

CMYK 0 / 35 / 10 / 0

HEX #FF90E0CE

RGBA 255 144 224 0.81

HSLA 316.76, 1%, 0.78%, 0.81

LABA 73.93, 52.15, -22.45, 0.81

 

CMYK 0 / 30 / 4 / 0

HEX #FFA2F3CE

RGBA 255 162 243 0.81

HSLA 307.74, 1%, 0.82%, 0.81

LABA 78.21, 46.18, -26.25, 0.81

 

CMYK 0 / 24 / 0 / 0

HEX #FFB4FFCE

RGBA 255 180 255 0.81

HSLA 300, 1%, 0.85%, 0.81

LABA 82.44, 38.96, -26.23, 0.81

 

CMYK 0 / 18 / 0 / 0

HEX #FFC6FFCE

RGBA 255 198 255 0.81

HSLA 300, 1%, 0.89%, 0.81

LABA 86.44, 29.52, -20.16, 0.81

 

CMYK 0 / 41 / 14 / 0

HEX #FF7ED2CE

RGBA 255 126 210 0.81

HSLA 320.93, 1%, 0.75%, 0.81

LABA 70.06, 58.76, -20.6, 0.81

 

CMYK 0 / 44 / 16 / 5

HEX #EE6CBFCE

RGBA 238 108 191 0.81

HSLA 321.69, 0.79%, 0.68%, 0.81

LABA 63.89, 59.35, -19.55, 0.81

 

CMYK 0 / 48 / 18 / 11

HEX #DD5AACCE

RGBA 221 90 172 0.81

HSLA 322.44, 0.66%, 0.61%, 0.81

LABA 57.72, 59.81, -18.29, 0.81

 

CMYK 0 / 52 / 20 / 16

HEX #CC4899CE

RGBA 204 72 153 0.81

HSLA 323.18, 0.56%, 0.54%, 0.81

LABA 51.58, 60.03, -16.76, 0.81

 

CMYK 0 / 58 / 23 / 22

HEX #BB3686CE

RGBA 187 54 134 0.81

HSLA 323.91, 0.55%, 0.47%, 0.81

LABA 45.53, 59.84, -14.82, 0.81

 

CMYK 0 / 50 / 17 / 0

HEX #FF80D3

RGB 255 128 211

HSL 320.79, 1%, 0.75%

LAB 70.46, 57.96, -20.56

 

CMYK 0 / 50 / 31 / 0

HEX #FF80B0

RGB 255 128 176

HSL 337.32, 1%, 0.75%

LAB 69.35, 53.25, -2.66

 

CMYK 0 / 50 / 44 / 0

HEX #FF808E

RGB 255 128 142

HSL 353.39, 1%, 0.75%

LAB 68.5, 49.5, 15.24

 

CMYK 0 / 50 / 50 / 0

HEX #FF8080

RGB 255 128 128

HSL 0, 1%, 0.75%

LAB 68.21, 48.2, 22.69

 

CMYK 0 / 50 / 17 / 0

HEX #FF80D3

RGB 255 128 211

HSL 320.79, 1%, 0.75%

LAB 70.46, 57.96, -20.56

 

CMYK 0 / 50 / 4 / 0

HEX #FF80F5

RGB 255 128 245

HSL 304.72, 1%, 0.75%

LAB 71.75, 63.27, -37.3

 

CMYK 9 / 50 / 0 / 0

HEX #E780FF

RGB 231 128 255

HSL 288.66, 1%, 0.75%

LAB 69.22, 58.54, -46.94

 

CMYK 23 / 50 / 0 / 0

HEX #C480FF

RGB 196 128 255

HSL 272.13, 1%, 0.75%

LAB 65.27, 49.32, -53.42

 

CMYK 36 / 50 / 0 / 0

HEX #A280FF

RGB 162 128 255

HSL 256.06, 1%, 0.75%

LAB 61.95, 40.8, -58.92

 

CMYK 0 / 50 / 17 / 0

HEX #FF80D3

RGB 255 128 211

HSL 320.79, 1%, 0.75%

LAB 70.46, 57.96, -20.56

 

CMYK 0 / 50 / 17 / 0

HEX #FF80D3

RGB 255 128 211

HSL 320.79, 1%, 0.75%

LAB 70.46, 57.96, -20.56

 

CMYK 0 / 44 / 16 / 4

HEX #F58ACF

RGB 245 138 207

HSL 321.31, 0.84%, 0.75%

LAB 70.94, 49.39, -17.73

 

CMYK 0 / 37 / 13 / 8

HEX #EA94CC

RGB 234 148 204

HSL 320.93, 0.67%, 0.75%

LAB 71.58, 40.23, -15.23

 

CMYK 0 / 29 / 10 / 12

HEX #E09EC9

RGB 224 158 201

HSL 320.91, 0.52%, 0.75%

LAB 72.57, 31.08, -12.19

 

CMYK 0 / 21 / 7 / 16

HEX #D6A9C6

RGB 214 169 198

HSL 321.33, 0.35%, 0.75%

LAB 74.03, 21.18, -8.47

 

CMYK 10 / 50 / 0 / 0

HEX #E680FF

RGB 230 128 255

HSL 288.19, 1%, 0.75%

LAB 69.1, 58.27, -47.13

 

CMYK 0 / 50 / 3 / 0

HEX #FF80F7

RGB 255 128 247

HSL 303.78, 1%, 0.75%

LAB 71.83, 63.6, -38.26

 

CMYK 0 / 50 / 16 / 0

HEX #FF80D5

RGB 255 128 213

HSL 319.84, 1%, 0.75%

LAB 70.53, 58.26, -21.56

 

CMYK 0 / 50 / 30 / 0

HEX #FF80B3

RGB 255 128 179

HSL 335.91, 1%, 0.75%

LAB 69.44, 53.62, -4.22

 

CMYK 0 / 50 / 43 / 0

HEX #FF8091

RGB 255 128 145

HSL 351.97, 1%, 0.75%

LAB 68.56, 49.79, 13.64

 

CMYK 0 / 82 / 29 / 0

HEX #FF2DB6

RGB 255 45 182

HSL 320.86, 1%, 0.59%

LAB 58.52, 84.08, -22.35

 

CMYK 0 / 66 / 23 / 0

HEX #FF56C4

RGB 255 86 196

HSL 320.95, 1%, 0.67%

LAB 63.26, 73.83, -23.11

 

CMYK 0 / 50 / 17 / 0

HEX #FF80D3

RGB 255 128 211

HSL 320.79, 1%, 0.75%

LAB 70.46, 57.96, -20.56

 

CMYK 0 / 34 / 12 / 0

HEX #FFA9E1

RGB 255 169 225

HSL 320.93, 1%, 0.83%

LAB 79.08, 39.57, -15.19

 

CMYK 0 / 18 / 6 / 0

HEX #FFD2EF

RGB 255 210 239

HSL 321.33, 1%, 0.91%

LAB 88.73, 20.42, -8.28

 

CMYK 0 / 51 / 18 / 0

HEX #FF7ED2

RGB 255 126 210

HSL 320.93, 1%, 0.75%

LAB 70.06, 58.76, -20.6

 

CMYK 0 / 23 / 50 / 0

HEX #FFC480

RGB 255 196 128

HSL 32.13, 1%, 0.75%

LAB 83.07, 13.2, 42.09

 

CMYK 50 / 0 / 3 / 0

HEX #80FFF7

RGB 128 255 247

HSL 176.22, 1%, 0.75%

LAB 92.94, -37.21, -7.06

 

CMYK 0 / 51 / 18 / 0

HEX #FF7ED2

RGB 255 126 210

HSL 320.93, 1%, 0.75%

LAB 70.06, 58.76, -20.6

 

CMYK 16 / 0 / 50 / 0

HEX #D5FF80

RGB 213 255 128

HSL 79.84, 1%, 0.75%

LAB 94.83, -32.53, 55.78

 

CMYK 50 / 16 / 0 / 0

HEX #80D5FF

RGB 128 213 255

HSL 199.84, 1%, 0.75%

LAB 81.51, -14.67, -28.46

 

CMYK 0 / 51 / 18 / 0

HEX #FF7ED2

RGB 255 126 210

HSL 320.93, 1%, 0.75%

LAB 70.06, 58.76, -20.6

 

CMYK 0 / 23 / 50 / 0

HEX #FFC480

RGB 255 196 128

HSL 32.13, 1%, 0.75%

LAB 83.07, 13.2, 42.09

 

CMYK 50 / 0 / 33 / 0

HEX #80FFAA

RGB 128 255 170

HSL 139.84, 1%, 0.75%

LAB 91.24, -53.52, 30.04

 

CMYK 50 / 27 / 0 / 0

HEX #80BBFF

RGB 128 187 255

HSL 212.13, 1%, 0.75%

LAB 74.41, -0.82, -39.42

 

CMYK 0 / 51 / 18 / 0

HEX #FF7ED2

RGB 255 126 210

HSL 320.93, 1%, 0.75%

LAB 70.06, 58.76, -20.6

 

CMYK 0 / 8 / 50 / 0

HEX #FFEA80

RGB 255 234 128

HSL 50.08, 1%, 0.75%

LAB 92.43, -6.22, 53.62

 

CMYK 50 / 0 / 33 / 0

HEX #80FFAA

RGB 128 255 170

HSL 139.84, 1%, 0.75%

LAB 91.24, -53.52, 30.04

 

CMYK 50 / 42 / 0 / 0

HEX #8095FF

RGB 128 149 255

HSL 230.08, 1%, 0.75%

LAB 64.41, 20.79, -55.16

 

Description

Color code: HEX #FF7ED2CE | qconv.com Color code: HEX #FF7ED2CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 126 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 126 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 14 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 14% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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