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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF6E79 it is the complementary color #009186. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF6E79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #FF6E79: #FF6E74, #FF8087, #FF929A, #FFA4AD and #FFB6C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF6E79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #FF6E79: #FF6E79, #EE5C66, #DD4A53, #CC3840 and #BB262D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 53 / 0

HEX #FF6E79

RGB 255 110 121

HSL 355.45, 1%, 0.72%

LAB 64.8, 56.08, 22.01

 

Complementary color

CMYK 100 / 0 / 8 / 43

HEX #009186

RGB 0 145 134

HSL 175.45, 1%, 0.28%

LAB 54, -34.99, -3.45

 

CMYK 0 / 57 / 55 / 0

HEX #FF6E74

RGB 255 110 116

HSL 357.52, 1%, 0.72%

LAB 64.7, 55.69, 24.72

 

CMYK 0 / 50 / 47 / 0

HEX #FF8087

RGB 255 128 135

HSL 356.69, 1%, 0.75%

LAB 68.35, 48.83, 18.96

 

CMYK 0 / 43 / 40 / 0

HEX #FF929A

RGB 255 146 154

HSL 355.6, 1%, 0.79%

LAB 72.33, 41.78, 13.9

 

CMYK 0 / 36 / 32 / 0

HEX #FFA4AD

RGB 255 164 173

HSL 354.07, 1%, 0.82%

LAB 76.57, 34.74, 9.46

 

CMYK 0 / 29 / 25 / 0

HEX #FFB6C0

RGB 255 182 192

HSL 351.78, 1%, 0.86%

LAB 81.03, 27.83, 5.53

 

CMYK 0 / 57 / 53 / 0

HEX #FF6E79

RGB 255 110 121

HSL 355.45, 1%, 0.72%

LAB 64.8, 56.08, 22.01

 

CMYK 0 / 61 / 57 / 7

HEX #EE5C66

RGB 238 92 102

HSL 355.89, 0.81%, 0.65%

LAB 58.78, 56.95, 24.38

 

CMYK 0 / 67 / 62 / 13

HEX #DD4A53

RGB 221 74 83

HSL 356.33, 0.68%, 0.58%

LAB 52.83, 57.64, 27.16

 

CMYK 0 / 73 / 69 / 20

HEX #CC3840

RGB 204 56 64

HSL 356.76, 0.59%, 0.51%

LAB 47.02, 58.02, 30.45

 

CMYK 0 / 80 / 76 / 27

HEX #BB262D

RGB 187 38 45

HSL 357.18, 0.66%, 0.44%

LAB 41.44, 57.83, 34.34

 

CMYK 0 / 57 / 53 / 0

HEX #FF6E79

RGB 255 110 121

HSL 355.45, 1%, 0.72%

LAB 64.8, 56.08, 22.01

 

CMYK 0 / 51 / 56 / 0

HEX #FF7C70

RGB 255 124 112

HSL 5.03, 1%, 0.72%

LAB 67.16, 48.84, 30.2

 

CMYK 0 / 42 / 56 / 0

HEX #FF9370

RGB 255 147 112

HSL 14.69, 1%, 0.72%

LAB 71.76, 37.38, 36.1

 

CMYK 0 / 33 / 56 / 0

HEX #FFAB70

RGB 255 171 112

HSL 24.76, 1%, 0.72%

LAB 77.01, 24.94, 42.68

 

CMYK 0 / 24 / 56 / 0

HEX #FFC370

RGB 255 195 112

HSL 34.83, 1%, 0.72%

LAB 82.63, 12.4, 49.51

 

CMYK 0 / 57 / 53 / 0

HEX #FF6E79

RGB 255 110 121

HSL 355.45, 1%, 0.72%

LAB 64.8, 56.08, 22.01

 

CMYK 0 / 57 / 53 / 80

HEX #331618

RGB 51 22 24

HSL 355.86, 0.4%, 0.14%

LAB 11.58, 14.83, 5.28

 

CMYK 0 / 57 / 53 / 60

HEX #662C30

RGB 102 44 48

HSL 355.86, 0.4%, 0.29%

LAB 26.27, 26.51, 10.11

 

CMYK 0 / 57 / 52 / 40

HEX #994249

RGB 153 66 73

HSL 355.17, 0.4%, 0.43%

LAB 39.83, 37.07, 13.93

 

CMYK 0 / 57 / 52 / 20

HEX #CC5861

RGB 204 88 97

HSL 355.34, 0.53%, 0.57%

LAB 52.6, 46.82, 18.07

 

CMYK 0 / 57 / 53 / 0

HEX #FF6E79

RGB 255 110 121

HSL 355.45, 1%, 0.72%

LAB 64.8, 56.08, 22.01

 

CMYK 7 / 0 / 56 / 0

HEX #EEFF70

RGB 238 255 112

HSL 67.13, 1%, 0.72%

LAB 96.36, -24.43, 65.08

 

CMYK 56 / 29 / 0 / 0

HEX #70B5FF

RGB 112 181 255

HSL 211.05, 1%, 0.72%

LAB 72.04, -0.89, -43.18

 

CMYK 0 / 57 / 53 / 0

HEX #FF6E79

RGB 255 110 121

HSL 355.45, 1%, 0.72%

LAB 64.8, 56.08, 22.01

 

CMYK 51 / 0 / 56 / 0

HEX #7CFF70

RGB 124 255 112

HSL 114.97, 1%, 0.72%

LAB 90.31, -62.85, 56.55

 

CMYK 56 / 51 / 0 / 0

HEX #707CFF

RGB 112 124 255

HSL 234.97, 1%, 0.72%

LAB 57.15, 32.3, -66.82

 

CMYK 0 / 57 / 53 / 0

HEX #FF6E79

RGB 255 110 121

HSL 355.45, 1%, 0.72%

LAB 64.8, 56.08, 22.01

 

CMYK 7 / 0 / 56 / 0

HEX #EEFF70

RGB 238 255 112

HSL 67.13, 1%, 0.72%

LAB 96.36, -24.43, 65.08

 

CMYK 56 / 0 / 5 / 0

HEX #70FFF3

RGB 112 255 243

HSL 174.97, 1%, 0.72%

LAB 92.33, -41.32, -5.95

 

CMYK 50 / 56 / 0 / 0

HEX #8070FF

RGB 128 112 255

HSL 246.71, 1%, 0.72%

LAB 55.48, 42.42, -69.46

 

CMYK 0 / 57 / 53 / 0

HEX #FF6E79

RGB 255 110 121

HSL 355.45, 1%, 0.72%

LAB 64.8, 56.08, 22.01

 

CMYK 24 / 0 / 56 / 0

HEX #C3FF70

RGB 195 255 112

HSL 85.17, 1%, 0.72%

LAB 93.58, -40.58, 61.18

 

CMYK 56 / 0 / 5 / 0

HEX #70FFF3

RGB 112 255 243

HSL 174.97, 1%, 0.72%

LAB 92.33, -41.32, -5.95

 

CMYK 33 / 56 / 0 / 0

HEX #AB70FF

RGB 171 112 255

HSL 264.76, 1%, 0.72%

LAB 59.4, 51.66, -62.94

 

Description

Color code: HEX #FF6E79 | qconv.com Color code: HEX #FF6E79 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 110 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 110 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 53 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 53% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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