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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF6C6300 it is the complementary color #00939C00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF6C6300. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF6C6300 shade: #FF6C5E00, #FF7E7100, #FF908400, #FFA29700 and #FFB4AA00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF6C6300. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF6C6300 shade: #FF6C6300, #EE5A5000, #DD483D00, #CC362A00 and #BB241700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF6C6300 shade: #FF6A61 and #FF6161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF6C6300 shade: #FF6A61, #FF9561, #FFBF61, #FFEA61 and #E9FF61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF6C6300 shade matches the following richer shades: #FF6A61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF6C6300 shade: #FF6A61, #F2756E, #E5817A, #D98C87 and #CC9794

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF6C6300 shade: #FF61AD, #FF6183, #FF6961, #FF9361 and #FFBD61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF6C6300 shade: #FF1C0E, #FF4338, #FF6A61, #FF918A and #FFB8B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF6C6300 shade: #FF6C63, #D7FF61 and #6198FF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF6C6300 shade: #FF6C63, #61FF69 and #6961FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF6C6300 shade: #FF6C63, #D7FF61, #61F7FF and #8861FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF6C6300 shade: #FF6C63, #A8FF61, #61F7FF and #B861FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #FF6C6300

RGBA 255 108 99 0

HSLA 3.46, 1%, 0.69%, 0

LABA 64.07, 55.4, 33.45, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #00939C00

RGBA 0 147 156 0

HSLA 183.46, 1%, 0.31%, 0

LABA 55.35, -28.98, -14.09, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF6C5E00

RGBA 255 108 94 0

HSLA 5.22, 1%, 0.68%, 0

LABA 63.99, 55.09, 36.12, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF7E7100

RGBA 255 126 113 0

HSLA 5.49, 1%, 0.72%, 0

LABA 67.56, 47.94, 30.16, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF908400

RGBA 255 144 132 0

HSLA 5.85, 1%, 0.76%, 0

LABA 71.47, 40.59, 24.87, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFA29700

RGBA 255 162 151 0

HSLA 6.35, 1%, 0.8%, 0

LABA 75.66, 33.23, 20.18, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFB4AA00

RGBA 255 180 170 0

HSLA 7.06, 1%, 0.83%, 0

LABA 80.07, 26.01, 16.03, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF6C6300

RGBA 255 108 99 0

HSLA 3.46, 1%, 0.69%, 0

LABA 64.07, 55.4, 33.45, 0

 

CMYK 0 / 0 / 0 / 0

HEX #EE5A5000

RGBA 238 90 80 0

HSLA 3.8, 0.82%, 0.62%, 0

LABA 58.1, 56.42, 36.07, 0

 

CMYK 0 / 0 / 0 / 0

HEX #DD483D00

RGBA 221 72 61 0

HSLA 4.13, 0.7%, 0.55%, 0

LABA 52.22, 57.28, 39.05, 0

 

CMYK 0 / 0 / 0 / 0

HEX #CC362A00

RGBA 204 54 42 0

HSLA 4.44, 0.66%, 0.48%, 0

LABA 46.5, 57.81, 42.37, 0

 

CMYK 0 / 0 / 0 / 0

HEX #BB241700

RGBA 187 36 23 0

HSLA 4.76, 0.78%, 0.41%, 0

LABA 41.04, 57.75, 45.71, 0

 

CMYK 0 / 58 / 62 / 0

HEX #FF6A61

RGB 255 106 97

HSL 3.42, 1%, 0.69%

LAB 63.7, 56.17, 34.09

 

CMYK 0 / 62 / 62 / 0

HEX #FF6161

RGB 255 97 97

HSL 0, 1%, 0.69%

LAB 62.23, 60.07, 32.24

 

CMYK 0 / 58 / 62 / 0

HEX #FF6A61

RGB 255 106 97

HSL 3.42, 1%, 0.69%

LAB 63.7, 56.17, 34.09

 

CMYK 0 / 42 / 62 / 0

HEX #FF9561

RGB 255 149 97

HSL 19.75, 1%, 0.69%

LAB 71.97, 35.3, 44.25

 

CMYK 0 / 25 / 62 / 0

HEX #FFBF61

RGB 255 191 97

HSL 35.7, 1%, 0.69%

LAB 81.5, 13.43, 55.37

 

CMYK 0 / 8 / 62 / 0

HEX #FFEA61

RGB 255 234 97

HSL 52.03, 1%, 0.69%

LAB 92.12, -8.51, 67.13

 

CMYK 9 / 0 / 62 / 0

HEX #E9FF61

RGB 233 255 97

HSL 68.35, 1%, 0.69%

LAB 95.87, -27.44, 70.66

 

CMYK 0 / 58 / 62 / 0

HEX #FF6A61

RGB 255 106 97

HSL 3.42, 1%, 0.69%

LAB 63.7, 56.17, 34.09

 

CMYK 0 / 58 / 62 / 0

HEX #FF6A61

RGB 255 106 97

HSL 3.42, 1%, 0.69%

LAB 63.7, 56.17, 34.09

 

CMYK 0 / 52 / 55 / 5

HEX #F2756E

RGB 242 117 110

HSL 3.18, 0.84%, 0.69%

LAB 63.94, 47.41, 26.74

 

CMYK 0 / 44 / 47 / 10

HEX #E5817A

RGB 229 129 122

HSL 3.93, 0.67%, 0.69%

LAB 64.77, 37.67, 20.8

 

CMYK 0 / 35 / 38 / 15

HEX #D98C87

RGB 217 140 135

HSL 3.66, 0.52%, 0.69%

LAB 65.95, 28.72, 14.88

 

CMYK 0 / 26 / 27 / 20

HEX #CC9794

RGB 204 151 148

HSL 3.21, 0.35%, 0.69%

LAB 67.36, 19.45, 9.38

 

CMYK 0 / 62 / 32 / 0

HEX #FF61AD

RGB 255 97 173

HSL 331.14, 1%, 0.69%

LAB 64.02, 66.78, -8.85

 

CMYK 0 / 62 / 49 / 0

HEX #FF6183

RGB 255 97 131

HSL 347.09, 1%, 0.69%

LAB 62.88, 62.56, 13.66

 

CMYK 0 / 59 / 62 / 0

HEX #FF6961

RGB 255 105 97

HSL 3.04, 1%, 0.69%

LAB 63.53, 56.61, 33.88

 

CMYK 0 / 42 / 62 / 0

HEX #FF9361

RGB 255 147 97

HSL 18.99, 1%, 0.69%

LAB 71.55, 36.32, 43.74

 

CMYK 0 / 26 / 62 / 0

HEX #FFBD61

RGB 255 189 97

HSL 34.94, 1%, 0.69%

LAB 81.03, 14.47, 54.83

 

CMYK 0 / 89 / 95 / 0

HEX #FF1C0E

RGB 255 28 14

HSL 3.49, 1%, 0.53%

LAB 54.16, 77.64, 64.22

 

CMYK 0 / 74 / 78 / 0

HEX #FF4338

RGB 255 67 56

HSL 3.32, 1%, 0.61%

LAB 57.62, 69.36, 49.33

 

CMYK 0 / 58 / 62 / 0

HEX #FF6A61

RGB 255 106 97

HSL 3.42, 1%, 0.69%

LAB 63.7, 56.17, 34.09

 

CMYK 0 / 43 / 46 / 0

HEX #FF918A

RGB 255 145 138

HSL 3.59, 1%, 0.77%

LAB 71.79, 40.65, 22

 

CMYK 0 / 28 / 30 / 0

HEX #FFB8B3

RGB 255 184 179

HSL 3.95, 1%, 0.85%

LAB 81.18, 25.04, 12.75

 

CMYK 0 / 58 / 61 / 0

HEX #FF6C63

RGB 255 108 99

HSL 3.46, 1%, 0.69%

LAB 64.07, 55.4, 33.45

 

CMYK 16 / 0 / 62 / 0

HEX #D7FF61

RGB 215 255 97

HSL 75.19, 1%, 0.69%

LAB 94.67, -34.38, 69

 

CMYK 62 / 40 / 0 / 0

HEX #6198FF

RGB 97 152 255

HSL 219.11, 1%, 0.69%

LAB 63.52, 12.89, -56.66

 

CMYK 0 / 58 / 61 / 0

HEX #FF6C63

RGB 255 108 99

HSL 3.46, 1%, 0.69%

LAB 64.07, 55.4, 33.45

 

CMYK 62 / 0 / 59 / 0

HEX #61FF69

RGB 97 255 105

HSL 123.04, 1%, 0.69%

LAB 89.43, -69.9, 58.37

 

CMYK 59 / 62 / 0 / 0

HEX #6961FF

RGB 105 97 255

HSL 243.04, 1%, 0.69%

LAB 50.42, 46.99, -77.76

 

CMYK 0 / 58 / 61 / 0

HEX #FF6C63

RGB 255 108 99

HSL 3.46, 1%, 0.69%

LAB 64.07, 55.4, 33.45

 

CMYK 16 / 0 / 62 / 0

HEX #D7FF61

RGB 215 255 97

HSL 75.19, 1%, 0.69%

LAB 94.67, -34.38, 69

 

CMYK 62 / 3 / 0 / 0

HEX #61F7FF

RGB 97 247 255

HSL 183.04, 1%, 0.69%

LAB 89.99, -37.09, -15.71

 

CMYK 47 / 62 / 0 / 0

HEX #8861FF

RGB 136 97 255

HSL 254.81, 1%, 0.69%

LAB 52.95, 52.35, -73.52

 

CMYK 0 / 58 / 61 / 0

HEX #FF6C63

RGB 255 108 99

HSL 3.46, 1%, 0.69%

LAB 64.07, 55.4, 33.45

 

CMYK 34 / 0 / 62 / 0

HEX #A8FF61

RGB 168 255 97

HSL 93.04, 1%, 0.69%

LAB 92, -51.24, 65.33

 

CMYK 62 / 3 / 0 / 0

HEX #61F7FF

RGB 97 247 255

HSL 183.04, 1%, 0.69%

LAB 89.99, -37.09, -15.71

 

CMYK 28 / 62 / 0 / 0

HEX #B861FF

RGB 184 97 255

HSL 273.04, 1%, 0.69%

LAB 58, 62.16, -65.12

 

Description

Color code: HEX #FF6C6300 | qconv.com Color code: HEX #FF6C6300 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 108 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 108 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to PANTONE®

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convert from HKS®-number (HKS 00) to RGB red green blue

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convert from Pantone®-number (Pantone 0000) to RGB red green blue

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PANTONE® to HEX

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PANTONE® to HKS®

convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)

PANTONE® to Sherwin Williams®

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convert from Sherwin Williams®-number (SW 0000) to Pantone®-number (Pantone 0000)

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