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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF6161 it is the complementary color #009E9E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF6161. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF6161 shade: #FF615C, #FF736F, #FF8582, #FF9795 and #FFA9A8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF6161. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF6161 shade: #FF6161, #EE4F4E, #DD3D3B, #CC2B28 and #BB1915

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF6161 shade: #FF6161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF6161 shade: #FF6161, #FF8C61, #FFB661, #FFE161 and #F3FF61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF6161 shade matches the following richer shades: #FF6161

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF6161 shade: #FF6161, #F26E6E, #E57A7A, #D98787 and #CC9494

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF6161 shade: #FF61B5, #FF618B, #FF6161, #FF8B61 and #FFB561

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF6161 shade: #FF0E0E, #FF3838, #FF6161, #FF8A8A and #FFB3B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF6161 shade: #FF6161, #DFFF61 and #61A0FF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF6161 shade: #FF6161, #61FF61 and #6161FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF6161 shade: #FF6161, #DFFF61, #61FFFF and #8161FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF6161 shade: #FF6161, #B0FF61, #61FFFF and #B061FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 62 / 0

HEX #FF6161

RGB 255 97 97

HSL 0, 1%, 0.69%

LAB 62.23, 60.07, 32.24

 

Complementary color

CMYK 100 / 0 / 0 / 38

HEX #009E9E

RGB 0 158 158

HSL 180, 1%, 0.31%

LAB 58.9, -33.62, -9.89

 

CMYK 0 / 62 / 64 / 0

HEX #FF615C

RGB 255 97 92

HSL 1.84, 1%, 0.68%

LAB 62.15, 59.77, 34.95

 

CMYK 0 / 55 / 56 / 0

HEX #FF736F

RGB 255 115 111

HSL 1.67, 1%, 0.72%

LAB 65.49, 53.02, 28.58

 

CMYK 0 / 48 / 49 / 0

HEX #FF8582

RGB 255 133 130

HSL 1.44, 1%, 0.75%

LAB 69.22, 45.92, 22.94

 

CMYK 0 / 41 / 42 / 0

HEX #FF9795

RGB 255 151 149

HSL 1.13, 1%, 0.79%

LAB 73.26, 38.7, 17.97

 

CMYK 0 / 34 / 34 / 0

HEX #FFA9A8

RGB 255 169 168

HSL 0.69, 1%, 0.83%

LAB 77.56, 31.52, 13.58

 

CMYK 0 / 62 / 62 / 0

HEX #FF6161

RGB 255 97 97

HSL 0, 1%, 0.69%

LAB 62.23, 60.07, 32.24

 

CMYK 0 / 67 / 67 / 7

HEX #EE4F4E

RGB 238 79 78

HSL 0.37, 0.82%, 0.62%

LAB 56.41, 60.81, 35.14

 

CMYK 0 / 72 / 73 / 13

HEX #DD3D3B

RGB 221 61 59

HSL 0.74, 0.7%, 0.55%

LAB 50.72, 61.26, 38.46

 

CMYK 0 / 79 / 80 / 20

HEX #CC2B28

RGB 204 43 40

HSL 1.1, 0.67%, 0.48%

LAB 45.25, 61.2, 42.19

 

CMYK 0 / 87 / 89 / 27

HEX #BB1915

RGB 187 25 21

HSL 1.45, 0.8%, 0.41%

LAB 40.1, 60.33, 45.9

 

CMYK 0 / 62 / 62 / 0

HEX #FF6161

RGB 255 97 97

HSL 0, 1%, 0.69%

LAB 62.23, 60.07, 32.24

 

CMYK 0 / 62 / 62 / 0

HEX #FF6161

RGB 255 97 97

HSL 0, 1%, 0.69%

LAB 62.23, 60.07, 32.24

 

CMYK 0 / 45 / 62 / 0

HEX #FF8C61

RGB 255 140 97

HSL 16.33, 1%, 0.69%

LAB 70.09, 39.88, 41.98

 

CMYK 0 / 29 / 62 / 0

HEX #FFB661

RGB 255 182 97

HSL 32.28, 1%, 0.69%

LAB 79.37, 18.12, 52.93

 

CMYK 0 / 12 / 62 / 0

HEX #FFE161

RGB 255 225 97

HSL 48.61, 1%, 0.69%

LAB 89.85, -4.01, 64.66

 

CMYK 5 / 0 / 62 / 0

HEX #F3FF61

RGB 243 255 97

HSL 64.56, 1%, 0.69%

LAB 96.59, -23.51, 71.63

 

CMYK 0 / 62 / 62 / 0

HEX #FF6161

RGB 255 97 97

HSL 0, 1%, 0.69%

LAB 62.23, 60.07, 32.24

 

CMYK 0 / 62 / 62 / 0

HEX #FF6161

RGB 255 97 97

HSL 0, 1%, 0.69%

LAB 62.23, 60.07, 32.24

 

CMYK 0 / 55 / 55 / 5

HEX #F26E6E

RGB 242 110 110

HSL 0, 0.84%, 0.69%

LAB 62.64, 50.76, 25.02

 

CMYK 0 / 47 / 47 / 10

HEX #E57A7A

RGB 229 122 122

HSL 0, 0.67%, 0.69%

LAB 63.33, 41.27, 18.83

 

CMYK 0 / 38 / 38 / 15

HEX #D98787

RGB 217 135 135

HSL 0, 0.52%, 0.69%

LAB 64.83, 31.39, 13.31

 

CMYK 0 / 27 / 27 / 20

HEX #CC9494

RGB 204 148 148

HSL 0, 0.35%, 0.69%

LAB 66.64, 21.09, 8.35

 

CMYK 0 / 62 / 29 / 0

HEX #FF61B5

RGB 255 97 181

HSL 328.1, 1%, 0.69%

LAB 64.28, 67.72, -13.03

 

CMYK 0 / 62 / 45 / 0

HEX #FF618B

RGB 255 97 139

HSL 344.05, 1%, 0.69%

LAB 63.07, 63.27, 9.31

 

CMYK 0 / 62 / 62 / 0

HEX #FF6161

RGB 255 97 97

HSL 0, 1%, 0.69%

LAB 62.23, 60.07, 32.24

 

CMYK 0 / 45 / 62 / 0

HEX #FF8B61

RGB 255 139 97

HSL 15.95, 1%, 0.69%

LAB 69.89, 40.38, 41.73

 

CMYK 0 / 29 / 62 / 0

HEX #FFB561

RGB 255 181 97

HSL 31.9, 1%, 0.69%

LAB 79.14, 18.65, 52.66

 

CMYK 0 / 95 / 95 / 0

HEX #FF0E0E

RGB 255 14 14

HSL 0, 1%, 0.53%

LAB 53.61, 79.22, 63.94

 

CMYK 0 / 78 / 78 / 0

HEX #FF3838

RGB 255 56 56

HSL 0, 1%, 0.61%

LAB 56.46, 72.6, 48.15

 

CMYK 0 / 62 / 62 / 0

HEX #FF6161

RGB 255 97 97

HSL 0, 1%, 0.69%

LAB 62.23, 60.07, 32.24

 

CMYK 0 / 46 / 46 / 0

HEX #FF8A8A

RGB 255 138 138

HSL 0, 1%, 0.77%

LAB 70.37, 44.18, 20.06

 

CMYK 0 / 30 / 30 / 0

HEX #FFB3B3

RGB 255 179 179

HSL 0, 1%, 0.85%

LAB 80.04, 27.66, 11.13

 

Description

Color code: HEX #FF6161 | qconv.com Color code: HEX #FF6161 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 97 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 97 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 62 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 62% 0% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

46% - #16 WATERMELON
Link: http://16watermelon.tumblr.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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