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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FEAE47 it is the complementary color #0151B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FEAE47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FEAE47 shade: #FFAE42, #FFC055, #FFD268, #FFE47B and #FFF68E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FEAE47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FEAE47 shade: #FEAE47, #ED9C34, #DC8A21, #CB780E and #BA6600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FEAE47 shade: #FEAF48, #FE7E48, #FE4D48 and #FE4848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FEAE47 shade: #FEAF48, #FEE048, #ECFE48, #BAFE48 and #89FE48

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FEAE47 shade matches the following richer shades: #FEAF48

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FEAE47 shade: #FEAF48, #EFAD57, #E0AB66, #D2A975 and #C3A784

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FEAE47 shade: #FE4B48, #FE7C48, #FEAC48, #FEDD48 and #EFFE48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FEAE47 shade: #F38901, #FE9D1F, #FEAF48, #FEC171 and #FED39A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FEAE47 shade: #FEAE47, #76FE48 and #6448FE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FEAE47 shade: #FEAE47, #48FEAC and #AC48FE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FEAE47 shade: #FEAE47, #76FE48, #489AFE and #D148FE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FEAE47 shade: #FEAE47, #48FE51, #489AFE and #FE48F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 72 / 0

HEX #FEAE47

RGB 254 174 71

HSL 33.77, 0.99%, 0.64%

LAB 77.16, 20.46, 62.27

 

Complementary color

CMYK 99 / 56 / 0 / 28

HEX #0151B8

RGB 1 81 184

HSL 213.77, 0.99%, 0.36%

LAB 36.65, 21.11, -59.87

 

CMYK 0 / 32 / 74 / 0

HEX #FFAE42

RGB 255 174 66

HSL 34.29, 1%, 0.63%

LAB 77.24, 20.65, 64.46

 

CMYK 0 / 25 / 67 / 0

HEX #FFC055

RGB 255 192 85

HSL 37.76, 1%, 0.67%

LAB 81.63, 12.19, 60.95

 

CMYK 0 / 18 / 59 / 0

HEX #FFD268

RGB 255 210 104

HSL 42.12, 1%, 0.7%

LAB 86.18, 4.07, 57.46

 

CMYK 0 / 11 / 52 / 0

HEX #FFE47B

RGB 255 228 123

HSL 47.73, 1%, 0.74%

LAB 90.86, -3.64, 54.09

 

CMYK 0 / 4 / 44 / 0

HEX #FFF68E

RGB 255 246 142

HSL 55.22, 1%, 0.78%

LAB 95.63, -10.91, 50.89

 

CMYK 0 / 31 / 72 / 0

HEX #FEAE47

RGB 254 174 71

HSL 33.77, 0.99%, 0.64%

LAB 77.16, 20.46, 62.27

 

CMYK 0 / 34 / 78 / 7

HEX #ED9C34

RGB 237 156 52

HSL 33.73, 0.84%, 0.57%

LAB 70.89, 22.07, 63.14

 

CMYK 0 / 37 / 85 / 14

HEX #DC8A21

RGB 220 138 33

HSL 33.69, 0.74%, 0.5%

LAB 64.57, 23.89, 63.41

 

CMYK 0 / 41 / 93 / 20

HEX #CB780E

RGB 203 120 14

HSL 33.65, 0.87%, 0.43%

LAB 58.19, 25.95, 62.5

 

CMYK 0 / 45 / 100 / 27

HEX #BA6600

RGB 186 102 0

HSL 32.9, 1%, 0.36%

LAB 51.77, 28.25, 59.77

 

CMYK 0 / 31 / 72 / 0

HEX #FEAF48

RGB 254 175 72

HSL 33.96, 0.99%, 0.64%

LAB 77.4, 19.98, 62.09

 

CMYK 0 / 50 / 72 / 0

HEX #FE7E48

RGB 254 126 72

HSL 17.8, 0.99%, 0.64%

LAB 66.87, 45.09, 50.99

 

CMYK 0 / 70 / 72 / 0

HEX #FE4D48

RGB 254 77 72

HSL 1.65, 0.99%, 0.64%

LAB 58.83, 66.27, 42.04

 

CMYK 0 / 72 / 72 / 0

HEX #FE4848

RGB 254 72 72

HSL 0, 0.99%, 0.64%

LAB 58.2, 68.01, 41.32

 

CMYK 0 / 31 / 72 / 0

HEX #FEAF48

RGB 254 175 72

HSL 33.96, 0.99%, 0.64%

LAB 77.4, 19.98, 62.09

 

CMYK 0 / 12 / 72 / 0

HEX #FEE048

RGB 254 224 72

HSL 50.11, 0.99%, 0.64%

LAB 89.32, -5.26, 73.99

 

CMYK 7 / 0 / 72 / 0

HEX #ECFE48

RGB 236 254 72

HSL 65.93, 0.99%, 0.64%

LAB 95.66, -27.18, 79.6

 

CMYK 27 / 0 / 72 / 0

HEX #BAFE48

RGB 186 254 72

HSL 82.42, 0.99%, 0.64%

LAB 92.48, -46.29, 75.43

 

CMYK 46 / 0 / 72 / 0

HEX #89FE48

RGB 137 254 72

HSL 98.57, 0.99%, 0.64%

LAB 90.17, -62.44, 72.37

 

CMYK 0 / 31 / 72 / 0

HEX #FEAF48

RGB 254 175 72

HSL 33.96, 0.99%, 0.64%

LAB 77.4, 19.98, 62.09

 

CMYK 0 / 31 / 72 / 0

HEX #FEAF48

RGB 254 175 72

HSL 33.96, 0.99%, 0.64%

LAB 77.4, 19.98, 62.09

 

CMYK 0 / 28 / 64 / 6

HEX #EFAD57

RGB 239 173 87

HSL 33.95, 0.83%, 0.64%

LAB 75.41, 15.63, 52.71

 

CMYK 0 / 24 / 54 / 12

HEX #E0AB66

RGB 224 171 102

HSL 33.93, 0.66%, 0.64%

LAB 73.5, 11.56, 42.7

 

CMYK 0 / 20 / 44 / 18

HEX #D2A975

RGB 210 169 117

HSL 33.55, 0.51%, 0.64%

LAB 71.8, 8.27, 32.47

 

CMYK 0 / 14 / 32 / 24

HEX #C3A784

RGB 195 167 132

HSL 33.33, 0.34%, 0.64%

LAB 70.11, 5.05, 21.9

 

CMYK 0 / 70 / 72 / 0

HEX #FE4B48

RGB 254 75 72

HSL 0.99, 0.99%, 0.64%

LAB 58.57, 66.98, 41.74

 

CMYK 0 / 51 / 72 / 0

HEX #FE7C48

RGB 254 124 72

HSL 17.14, 0.99%, 0.64%

LAB 66.48, 46.06, 50.57

 

CMYK 0 / 32 / 72 / 0

HEX #FEAC48

RGB 254 172 72

HSL 32.97, 0.99%, 0.64%

LAB 76.71, 21.55, 61.38

 

CMYK 0 / 13 / 72 / 0

HEX #FEDD48

RGB 254 221 72

HSL 49.12, 0.99%, 0.64%

LAB 88.57, -3.75, 73.25

 

CMYK 6 / 0 / 72 / 0

HEX #EFFE48

RGB 239 254 72

HSL 64.95, 0.99%, 0.64%

LAB 95.87, -25.98, 79.88

 

CMYK 0 / 44 / 100 / 5

HEX #F38901

RGB 243 137 1

HSL 33.72, 0.99%, 0.48%

LAB 67.24, 33.53, 73.16

 

CMYK 0 / 38 / 88 / 0

HEX #FE9D1F

RGB 254 157 31

HSL 33.9, 0.99%, 0.56%

LAB 73.08, 28.04, 72.58

 

CMYK 0 / 31 / 72 / 0

HEX #FEAF48

RGB 254 175 72

HSL 33.96, 0.99%, 0.64%

LAB 77.4, 19.98, 62.09

 

CMYK 0 / 24 / 56 / 0

HEX #FEC171

RGB 254 193 113

HSL 34.04, 0.99%, 0.72%

LAB 82.06, 13.12, 48.31

 

CMYK 0 / 17 / 39 / 0

HEX #FED39A

RGB 254 211 154

HSL 34.2, 0.98%, 0.8%

LAB 86.99, 7.6, 33.87

 

CMYK 0 / 31 / 72 / 0

HEX #FEAE47

RGB 254 174 71

HSL 33.77, 0.99%, 0.64%

LAB 77.16, 20.46, 62.27

 

CMYK 54 / 0 / 72 / 0

HEX #76FE48

RGB 118 254 72

HSL 104.84, 0.99%, 0.64%

LAB 89.49, -67.66, 71.46

 

CMYK 61 / 72 / 0 / 0

HEX #6448FE

RGB 100 72 254

HSL 249.23, 0.99%, 0.64%

LAB 44.94, 59.64, -86.19

 

CMYK 0 / 31 / 72 / 0

HEX #FEAE47

RGB 254 174 71

HSL 33.77, 0.99%, 0.64%

LAB 77.16, 20.46, 62.27

 

CMYK 72 / 0 / 32 / 0

HEX #48FEAC

RGB 72 254 172

HSL 152.97, 0.99%, 0.64%

LAB 89.51, -63.45, 26.43

 

CMYK 32 / 72 / 0 / 0

HEX #AC48FE

RGB 172 72 254

HSL 272.97, 0.99%, 0.64%

LAB 52.47, 70.69, -73.58

 

CMYK 0 / 31 / 72 / 0

HEX #FEAE47

RGB 254 174 71

HSL 33.77, 0.99%, 0.64%

LAB 77.16, 20.46, 62.27

 

CMYK 54 / 0 / 72 / 0

HEX #76FE48

RGB 118 254 72

HSL 104.84, 0.99%, 0.64%

LAB 89.49, -67.66, 71.46

 

CMYK 72 / 39 / 0 / 0

HEX #489AFE

RGB 72 154 254

HSL 212.97, 0.99%, 0.64%

LAB 63.05, 7.54, -56.93

 

CMYK 18 / 72 / 0 / 0

HEX #D148FE

RGB 209 72 254

HSL 285.16, 0.99%, 0.64%

LAB 57.41, 77.56, -65.35

 

CMYK 0 / 31 / 72 / 0

HEX #FEAE47

RGB 254 174 71

HSL 33.77, 0.99%, 0.64%

LAB 77.16, 20.46, 62.27

 

CMYK 72 / 0 / 68 / 0

HEX #48FE51

RGB 72 254 81

HSL 122.97, 0.99%, 0.64%

LAB 88.38, -76.47, 66.73

 

CMYK 72 / 39 / 0 / 0

HEX #489AFE

RGB 72 154 254

HSL 212.97, 0.99%, 0.64%

LAB 63.05, 7.54, -56.93

 

CMYK 0 / 72 / 4 / 0

HEX #FE48F5

RGB 254 72 245

HSL 302.97, 0.99%, 0.64%

LAB 63.59, 85.08, -50.11

 

Description

Color code: HEX #FEAE47 | qconv.com Color code: HEX #FEAE47 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 174 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 174 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 72 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 72% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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