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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 38 / 88 / 0 it is the complementary color CMYK 100 / 57 / 0 / 12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 38 / 88 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 38 / 88 / 0: CMYK 0 / 38 / 90 / 0, CMYK 0 / 31 / 82 / 0, CMYK 0 / 24 / 75 / 0, CMYK 0 / 17 / 67 / 0 and CMYK 0 / 10 / 60 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 38 / 88 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 38 / 88 / 0: CMYK 0 / 38 / 88 / 0, CMYK 0 / 41 / 95 / 7, CMYK 0 / 45 / 100 / 13, CMYK 0 / 49 / 100 / 20 and CMYK 0 / 54 / 100 / 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 88 / 0

HEX #FF9E1F

RGB 255 158 31

HSL 34.02, 1%, 0.56%

LAB 73.42, 27.94, 72.9

 

Complementary color

CMYK 100 / 57 / 0 / 12

HEX #0061E0

RGB 0 97 224

HSL 214.02, 1%, 0.44%

LAB 44.13, 26.49, -70.79

 

CMYK 0 / 38 / 90 / 0

HEX #FF9E1A

RGB 255 158 26

HSL 34.59, 1%, 0.55%

LAB 73.41, 27.85, 74.08

 

CMYK 0 / 31 / 82 / 0

HEX #FFB02D

RGB 255 176 45

HSL 37.43, 1%, 0.59%

LAB 77.58, 18.88, 72.33

 

CMYK 0 / 24 / 75 / 0

HEX #FFC240

RGB 255 194 64

HSL 40.84, 1%, 0.63%

LAB 81.95, 10.15, 69.82

 

CMYK 0 / 17 / 67 / 0

HEX #FFD453

RGB 255 212 83

HSL 45, 1%, 0.66%

LAB 86.49, 1.77, 66.94

 

CMYK 0 / 10 / 60 / 0

HEX #FFE666

RGB 255 230 102

HSL 50.2, 1%, 0.7%

LAB 91.15, -6.2, 63.94

 

CMYK 0 / 38 / 88 / 0

HEX #FF9E1F

RGB 255 158 31

HSL 34.02, 1%, 0.56%

LAB 73.42, 27.94, 72.9

 

CMYK 0 / 41 / 95 / 7

HEX #EE8C0C

RGB 238 140 12

HSL 33.98, 0.9%, 0.49%

LAB 67.25, 30.02, 71.31

 

CMYK 0 / 45 / 100 / 13

HEX #DD7A00

RGB 221 122 0

HSL 33.12, 1%, 0.43%

LAB 61.04, 32.29, 67.95

 

CMYK 0 / 49 / 100 / 20

HEX #CC6800

RGB 204 104 0

HSL 30.59, 1%, 0.4%

LAB 54.8, 34.69, 62.93

 

CMYK 0 / 54 / 100 / 27

HEX #BB5600

RGB 187 86 0

HSL 27.59, 1%, 0.37%

LAB 48.54, 37.07, 57.91

 

CMYK 0 / 38 / 88 / 0

HEX #FF9E1F

RGB 255 158 31

HSL 34.02, 1%, 0.56%

LAB 73.42, 27.94, 72.9

 

CMYK 0 / 24 / 88 / 0

HEX #FFC31E

RGB 255 195 30

HSL 44, 1%, 0.56%

LAB 82.05, 8.65, 79.82

 

CMYK 0 / 9 / 88 / 0

HEX #FFE81E

RGB 255 232 30

HSL 53.87, 1%, 0.56%

LAB 91.26, -10.1, 87.01

 

CMYK 6 / 0 / 88 / 0

HEX #F0FF1E

RGB 240 255 30

HSL 64, 1%, 0.56%

LAB 96.05, -27.35, 90.28

 

CMYK 21 / 0 / 88 / 0

HEX #CAFF1E

RGB 202 255 30

HSL 74.13, 1%, 0.56%

LAB 93.52, -42.33, 87.19

 

CMYK 0 / 38 / 88 / 0

HEX #FF9E1F

RGB 255 158 31

HSL 34.02, 1%, 0.56%

LAB 73.42, 27.94, 72.9

 

CMYK 0 / 37 / 88 / 80

HEX #332006

RGB 51 32 6

HSL 34.67, 0.79%, 0.11%

LAB 14.12, 6.23, 18.49

 

CMYK 0 / 38 / 88 / 60

HEX #663F0C

RGB 102 63 12

HSL 34, 0.79%, 0.22%

LAB 30.42, 12.7, 35.54

 

CMYK 0 / 38 / 88 / 40

HEX #995F13

RGB 153 95 19

HSL 34.03, 0.78%, 0.34%

LAB 45.64, 17.93, 48.7

 

CMYK 0 / 38 / 88 / 20

HEX #CC7E19

RGB 204 126 25

HSL 33.85, 0.78%, 0.45%

LAB 59.73, 23.33, 61.04

 

CMYK 0 / 38 / 88 / 0

HEX #FF9E1F

RGB 255 158 31

HSL 34.02, 1%, 0.56%

LAB 73.42, 27.94, 72.9

 

CMYK 68 / 0 / 88 / 0

HEX #52FF1E

RGB 82 255 30

HSL 106.13, 1%, 0.56%

LAB 88.64, -78, 81.14

 

CMYK 73 / 88 / 0 / 0

HEX #441EFF

RGB 68 30 255

HSL 250.13, 1%, 0.56%

LAB 36.7, 74.62, -100.46

 

CMYK 0 / 38 / 88 / 0

HEX #FF9E1F

RGB 255 158 31

HSL 34.02, 1%, 0.56%

LAB 73.42, 27.94, 72.9

 

CMYK 88 / 0 / 38 / 0

HEX #1EFF9D

RGB 30 255 157

HSL 153.87, 1%, 0.56%

LAB 89.03, -70.73, 33.23

 

CMYK 38 / 88 / 0 / 0

HEX #9D1EFF

RGB 157 30 255

HSL 273.87, 1%, 0.56%

LAB 46.06, 81.83, -84.67

 

CMYK 0 / 38 / 88 / 0

HEX #FF9E1F

RGB 255 158 31

HSL 34.02, 1%, 0.56%

LAB 73.42, 27.94, 72.9

 

CMYK 68 / 0 / 88 / 0

HEX #52FF1E

RGB 82 255 30

HSL 106.13, 1%, 0.56%

LAB 88.64, -78, 81.14

 

CMYK 88 / 50 / 0 / 0

HEX #1E7FFF

RGB 30 127 255

HSL 214.13, 1%, 0.56%

LAB 54.74, 20.41, -70.88

 

CMYK 21 / 88 / 0 / 0

HEX #CA1EFF

RGB 202 30 255

HSL 285.87, 1%, 0.56%

LAB 52.63, 87.66, -73.69

 

CMYK 0 / 38 / 88 / 0

HEX #FF9E1F

RGB 255 158 31

HSL 34.02, 1%, 0.56%

LAB 73.42, 27.94, 72.9

 

CMYK 88 / 0 / 82 / 0

HEX #1EFF2D

RGB 30 255 45

HSL 124, 1%, 0.56%

LAB 87.96, -83.79, 77.25

 

CMYK 88 / 50 / 0 / 0

HEX #1E7FFF

RGB 30 127 255

HSL 214.13, 1%, 0.56%

LAB 54.74, 20.41, -70.88

 

CMYK 0 / 88 / 6 / 0

HEX #FF1EF0

RGB 255 30 240

HSL 304, 1%, 0.56%

LAB 60.32, 93.75, -52.5

 

Description

Color code: CMYK 0 / 38 / 88 / 0 | qconv.com Color code: CMYK 0 / 38 / 88 / 0 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 158 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 158 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 88 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 88% 0% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

40% - Empresa | AZ España
Link: http://azesp.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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