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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE9CC33F it is the complementary color #01633C3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE9CC33F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE9CC33F shade: #FF9CBE3F, #FFAED13F, #FFC0E43F, #FFD2F73F and #FFE4FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE9CC33F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE9CC33F shade: #FE9CC33F, #ED8AB03F, #DC789D3F, #CB668A3F and #BA54773F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE9CC33F shade: #FE9AC2, #FE9AA7 and #FE9A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE9CC33F shade: #FE9AC2, #FE9ADD, #FE9AF8, #E99AFE and #CE9AFE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE9CC33F shade matches the following richer shades: #FE9AC2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE9CC33F shade: #FE9AC2, #F6A2C3, #EDABC5, #E5B3C7 and #DDBBC9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE9CC33F shade: #FE9AF7, #FE9ADD, #FE9AC2, #FE9AA7 and #FEA79A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE9CC33F shade: #FD4890, #FE71A9, #FE9AC2, #FEC3DB and #FFECF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE9CC33F shade: #FE9CC3, #FEEA9A and #9AEAFE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE9CC33F shade: #FE9CC3, #C2FE9A and #9AC2FE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE9CC33F shade: #FE9CC3, #FEEA9A, #9AFED6 and #9AAEFE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE9CC33F shade: #FE9CC3, #F4FE9A, #9AFED6 and #A49AFE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 6 / 0

HEX #FE9CC33F

RGBA 254 156 195 0.25

HSLA 336.12, 0.98%, 0.8%, 0.25

LABA 75.32, 41.44, -4.44, 0.25

 

Complementary color

CMYK 25 / 0 / 10 / 15

HEX #01633C3F

RGBA 1 99 60 0.25

HSLA 156.12, 0.98%, 0.2%, 0.25

LABA 36.47, -35.28, 15.29, 0.25

 

CMYK 0 / 10 / 6 / 0

HEX #FF9CBE3F

RGBA 255 156 190 0.25

HSLA 339.39, 1%, 0.81%, 0.25

LABA 75.3, 41.09, -1.71, 0.25

 

CMYK 0 / 8 / 5 / 0

HEX #FFAED13F

RGBA 255 174 209 0.25

HSLA 334.07, 1%, 0.84%, 0.25

LABA 79.69, 34.48, -5.62, 0.25

 

CMYK 0 / 6 / 3 / 0

HEX #FFC0E43F

RGBA 255 192 228 0.25

HSLA 325.71, 1%, 0.88%, 0.25

LABA 84.26, 28.03, -9.07, 0.25

 

CMYK 0 / 4 / 1 / 0

HEX #FFD2F73F

RGBA 255 210 247 0.25

HSLA 310.67, 1%, 0.91%, 0.25

LABA 88.95, 21.8, -12.16, 0.25

 

CMYK 0 / 3 / 0 / 0

HEX #FFE4FF3F

RGBA 255 228 255 0.25

HSLA 300, 1%, 0.95%, 0.25

LABA 93.44, 13.83, -9.68, 0.25

 

CMYK 0 / 10 / 6 / 0

HEX #FE9CC33F

RGBA 254 156 195 0.25

HSLA 336.12, 0.98%, 0.8%, 0.25

LABA 75.32, 41.44, -4.44, 0.25

 

CMYK 0 / 10 / 6 / 2

HEX #ED8AB03F

RGBA 237 138 176 0.25

HSLA 336.97, 0.73%, 0.74%, 0.25

LABA 68.98, 42.25, -3.48, 0.25

 

CMYK 0 / 11 / 7 / 3

HEX #DC789D3F

RGBA 220 120 157 0.25

HSLA 337.8, 0.59%, 0.67%, 0.25

LABA 62.58, 43.1, -2.39, 0.25

 

CMYK 0 / 12 / 8 / 5

HEX #CB668A3F

RGBA 203 102 138 0.25

HSLA 338.61, 0.49%, 0.6%, 0.25

LABA 56.12, 43.95, -1.14, 0.25

 

CMYK 0 / 14 / 9 / 7

HEX #BA54773F

RGBA 186 84 119 0.25

HSLA 339.41, 0.43%, 0.53%, 0.25

LABA 49.63, 44.77, 0.35, 0.25

 

CMYK 0 / 39 / 24 / 0

HEX #FE9AC2

RGB 254 154 194

HSL 336, 0.98%, 0.8%

LAB 74.87, 42.32, -4.55

 

CMYK 0 / 39 / 34 / 0

HEX #FE9AA7

RGB 254 154 167

HSL 352.2, 0.98%, 0.8%

LAB 74.17, 38.82, 9.31

 

CMYK 0 / 39 / 39 / 0

HEX #FE9A9A

RGB 254 154 154

HSL 0, 0.98%, 0.8%

LAB 73.88, 37.33, 16.06

 

CMYK 0 / 39 / 24 / 0

HEX #FE9AC2

RGB 254 154 194

HSL 336, 0.98%, 0.8%

LAB 74.87, 42.32, -4.55

 

CMYK 0 / 39 / 13 / 0

HEX #FE9ADD

RGB 254 154 221

HSL 319.8, 0.98%, 0.8%

LAB 75.7, 46.33, -18.12

 

CMYK 0 / 39 / 2 / 0

HEX #FE9AF8

RGB 254 154 248

HSL 303.6, 0.98%, 0.8%

LAB 76.65, 50.81, -31.35

 

CMYK 8 / 39 / 0 / 0

HEX #E99AFE

RGB 233 154 254

HSL 287.4, 0.98%, 0.8%

LAB 74.57, 45.69, -38.02

 

CMYK 19 / 39 / 0 / 0

HEX #CE9AFE

RGB 206 154 254

HSL 271.2, 0.98%, 0.8%

LAB 71.82, 37.87, -42.51

 

CMYK 0 / 39 / 24 / 0

HEX #FE9AC2

RGB 254 154 194

HSL 336, 0.98%, 0.8%

LAB 74.87, 42.32, -4.55

 

CMYK 0 / 39 / 24 / 0

HEX #FE9AC2

RGB 254 154 194

HSL 336, 0.98%, 0.8%

LAB 74.87, 42.32, -4.55

 

CMYK 0 / 34 / 21 / 4

HEX #F6A2C3

RGB 246 162 195

HSL 336.43, 0.82%, 0.8%

LAB 75.68, 35.57, -4.01

 

CMYK 0 / 28 / 17 / 7

HEX #EDABC5

RGB 237 171 197

HSL 336.36, 0.65%, 0.8%

LAB 76.78, 27.98, -3.61

 

CMYK 0 / 22 / 13 / 10

HEX #E5B3C7

RGB 229 179 199

HSL 336, 0.49%, 0.8%

LAB 77.89, 21.21, -3.15

 

CMYK 0 / 15 / 9 / 13

HEX #DDBBC9

RGB 221 187 201

HSL 335.29, 0.33%, 0.8%

LAB 79.12, 14.44, -2.52

 

CMYK 0 / 39 / 3 / 0

HEX #FE9AF7

RGB 254 154 247

HSL 304.2, 0.98%, 0.8%

LAB 76.62, 50.63, -30.87

 

CMYK 0 / 39 / 13 / 0

HEX #FE9ADD

RGB 254 154 221

HSL 319.8, 0.98%, 0.8%

LAB 75.7, 46.33, -18.12

 

CMYK 0 / 39 / 24 / 0

HEX #FE9AC2

RGB 254 154 194

HSL 336, 0.98%, 0.8%

LAB 74.87, 42.32, -4.55

 

CMYK 0 / 39 / 34 / 0

HEX #FE9AA7

RGB 254 154 167

HSL 352.2, 0.98%, 0.8%

LAB 74.17, 38.82, 9.31

 

CMYK 0 / 34 / 39 / 0

HEX #FEA79A

RGB 254 167 154

HSL 7.8, 0.98%, 0.8%

LAB 76.7, 30.58, 19.98

 

CMYK 0 / 72 / 43 / 1

HEX #FD4890

RGB 253 72 144

HSL 336.13, 0.98%, 0.64%

LAB 59.46, 72.51, 1.17

 

CMYK 0 / 56 / 33 / 0

HEX #FE71A9

RGB 254 113 169

HSL 336.17, 0.99%, 0.72%

LAB 66.33, 59.11, -3.18

 

CMYK 0 / 39 / 24 / 0

HEX #FE9AC2

RGB 254 154 194

HSL 336, 0.98%, 0.8%

LAB 74.87, 42.32, -4.55

 

CMYK 0 / 23 / 14 / 0

HEX #FEC3DB

RGB 254 195 219

HSL 335.59, 0.97%, 0.88%

LAB 84.59, 24.66, -3.78

 

CMYK 0 / 7 / 5 / 0

HEX #FFECF3

RGB 255 236 243

HSL 337.89, 1%, 0.96%

LAB 95.04, 7.6, -1.07

 

CMYK 0 / 39 / 23 / 0

HEX #FE9CC3

RGB 254 156 195

HSL 336.12, 0.98%, 0.8%

LAB 75.32, 41.44, -4.44

 

CMYK 0 / 8 / 39 / 0

HEX #FEEA9A

RGB 254 234 154

HSL 48, 0.98%, 0.8%

LAB 92.68, -4.13, 41.3

 

CMYK 39 / 8 / 0 / 0

HEX #9AEAFE

RGB 154 234 254

HSL 192, 0.98%, 0.8%

LAB 88.39, -19.51, -17.39

 

CMYK 0 / 39 / 23 / 0

HEX #FE9CC3

RGB 254 156 195

HSL 336.12, 0.98%, 0.8%

LAB 75.32, 41.44, -4.44

 

CMYK 24 / 0 / 39 / 0

HEX #C2FE9A

RGB 194 254 154

HSL 96, 0.98%, 0.8%

LAB 93.75, -35.9, 41.84

 

CMYK 39 / 24 / 0 / 0

HEX #9AC2FE

RGB 154 194 254

HSL 216, 0.98%, 0.8%

LAB 77.64, 1.35, -33.76

 

CMYK 0 / 39 / 23 / 0

HEX #FE9CC3

RGB 254 156 195

HSL 336.12, 0.98%, 0.8%

LAB 75.32, 41.44, -4.44

 

CMYK 0 / 8 / 39 / 0

HEX #FEEA9A

RGB 254 234 154

HSL 48, 0.98%, 0.8%

LAB 92.68, -4.13, 41.3

 

CMYK 39 / 0 / 16 / 0

HEX #9AFED6

RGB 154 254 214

HSL 156, 0.98%, 0.8%

LAB 92.84, -38.08, 9.97

 

CMYK 39 / 31 / 0 / 0

HEX #9AAEFE

RGB 154 174 254

HSL 228, 0.98%, 0.8%

LAB 72.43, 12.41, -41.86

 

CMYK 0 / 39 / 23 / 0

HEX #FE9CC3

RGB 254 156 195

HSL 336.12, 0.98%, 0.8%

LAB 75.32, 41.44, -4.44

 

CMYK 4 / 0 / 39 / 0

HEX #F4FE9A

RGB 244 254 154

HSL 66, 0.98%, 0.8%

LAB 97, -17.8, 46.66

 

CMYK 39 / 0 / 16 / 0

HEX #9AFED6

RGB 154 254 214

HSL 156, 0.98%, 0.8%

LAB 92.84, -38.08, 9.97

 

CMYK 35 / 39 / 0 / 0

HEX #A49AFE

RGB 164 154 254

HSL 246, 0.98%, 0.8%

LAB 68.14, 26.33, -48.54

 

Description

Color code: HEX #FE9CC33F | qconv.com Color code: HEX #FE9CC33F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 156 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 156 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 6 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 6% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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