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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDABC5 it is the complementary color #12543A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDABC5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #EDABC5: #F2ABC0, #FFBDD3, #FFCFE6, #FFE1F9 and #FFF3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDABC5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #EDABC5: #EDABC5, #DC99B2, #CB879F, #BA758C and #A96379

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 17 / 7

HEX #EDABC5

RGB 237 171 197

HSL 336.36, 0.65%, 0.8%

LAB 76.78, 27.98, -3.61

 

Complementary color

CMYK 79 / 0 / 31 / 67

HEX #12543A

RGB 18 84 58

HSL 156.36, 0.65%, 0.2%

LAB 31.29, -27.29, 9.48

 

CMYK 0 / 29 / 21 / 5

HEX #F2ABC0

RGB 242 171 192

HSL 342.25, 0.73%, 0.81%

LAB 77.17, 28.99, -0.25

 

CMYK 0 / 26 / 17 / 0

HEX #FFBDD3

RGB 255 189 211

HSL 340, 1%, 0.87%

LAB 83.1, 26.92, -1.67

 

CMYK 0 / 19 / 10 / 0

HEX #FFCFE6

RGB 255 207 230

HSL 331.25, 1%, 0.91%

LAB 87.78, 20.48, -4.93

 

CMYK 0 / 12 / 2 / 0

HEX #FFE1F9

RGB 255 225 249

HSL 312, 1%, 0.94%

LAB 92.55, 14.32, -7.86

 

CMYK 0 / 5 / 0 / 0

HEX #FFF3FF

RGB 255 243 255

HSL 300, 1%, 0.98%

LAB 97.06, 6.1, -4.32

 

CMYK 0 / 28 / 17 / 7

HEX #EDABC5

RGB 237 171 197

HSL 336.36, 0.65%, 0.8%

LAB 76.78, 27.98, -3.61

 

CMYK 0 / 30 / 19 / 14

HEX #DC99B2

RGB 220 153 178

HSL 337.61, 0.49%, 0.73%

LAB 70.32, 28.67, -2.84

 

CMYK 0 / 33 / 22 / 20

HEX #CB879F

RGB 203 135 159

HSL 338.82, 0.4%, 0.66%

LAB 63.78, 29.42, -2.01

 

CMYK 0 / 37 / 25 / 27

HEX #BA758C

RGB 186 117 140

HSL 340, 0.33%, 0.59%

LAB 57.13, 30.23, -1.09

 

CMYK 0 / 41 / 28 / 34

HEX #A96379

RGB 169 99 121

HSL 341.14, 0.29%, 0.53%

LAB 50.38, 31.11, -0.04

 

CMYK 0 / 28 / 17 / 7

HEX #EDABC5

RGB 237 171 197

HSL 336.36, 0.65%, 0.8%

LAB 76.78, 27.98, -3.61

 

CMYK 0 / 28 / 22 / 7

HEX #EDAABA

RGB 237 170 186

HSL 345.67, 0.65%, 0.8%

LAB 76.25, 26.85, 1.63

 

CMYK 0 / 28 / 26 / 7

HEX #EDAAAF

RGB 237 170 175

HSL 355.52, 0.65%, 0.8%

LAB 75.98, 25.29, 7.24

 

CMYK 0 / 25 / 28 / 7

HEX #EDB1AA

RGB 237 177 170

HSL 6.27, 0.65%, 0.8%

LAB 77.49, 20.89, 12.12

 

CMYK 0 / 21 / 28 / 7

HEX #EDBCAA

RGB 237 188 170

HSL 16.12, 0.65%, 0.8%

LAB 80.11, 15.05, 15.81

 

CMYK 0 / 28 / 17 / 7

HEX #EDABC5

RGB 237 171 197

HSL 336.36, 0.65%, 0.8%

LAB 76.78, 27.98, -3.61

 

CMYK 0 / 27 / 18 / 87

HEX #21181B

RGB 33 24 27

HSL 340, 0.16%, 0.11%

LAB 9.45, 5.15, -0.38

 

CMYK 0 / 27 / 17 / 67

HEX #543D46

RGB 84 61 70

HSL 336.52, 0.16%, 0.28%

LAB 28.55, 11.71, -1.55

 

CMYK 0 / 28 / 17 / 47

HEX #876170

RGB 135 97 112

HSL 336.32, 0.16%, 0.45%

LAB 45.46, 17.87, -2.35

 

CMYK 0 / 28 / 17 / 27

HEX #BA869B

RGB 186 134 155

HSL 335.77, 0.27%, 0.63%

LAB 61.53, 23.15, -3.26

 

CMYK 0 / 28 / 17 / 7

HEX #EDABC5

RGB 237 171 197

HSL 336.36, 0.65%, 0.8%

LAB 76.78, 27.98, -3.61

 

CMYK 0 / 6 / 28 / 7

HEX #EDDFAA

RGB 237 223 170

HSL 47.46, 0.65%, 0.8%

LAB 88.77, -3.17, 27.75

 

CMYK 28 / 6 / 0 / 7

HEX #AADFED

RGB 170 223 237

HSL 192.54, 0.65%, 0.8%

LAB 85.72, -13.75, -12.36

 

CMYK 0 / 28 / 17 / 7

HEX #EDABC5

RGB 237 171 197

HSL 336.36, 0.65%, 0.8%

LAB 76.78, 27.98, -3.61

 

CMYK 17 / 0 / 28 / 7

HEX #C5EDAA

RGB 197 237 170

HSL 95.82, 0.65%, 0.8%

LAB 89.55, -24.71, 28.33

 

CMYK 28 / 17 / 0 / 7

HEX #AAC5ED

RGB 170 197 237

HSL 215.82, 0.65%, 0.8%

LAB 78.81, -0.16, -22.79

 

CMYK 0 / 28 / 17 / 7

HEX #EDABC5

RGB 237 171 197

HSL 336.36, 0.65%, 0.8%

LAB 76.78, 27.98, -3.61

 

CMYK 0 / 6 / 28 / 7

HEX #EDDFAA

RGB 237 223 170

HSL 47.46, 0.65%, 0.8%

LAB 88.77, -3.17, 27.75

 

CMYK 28 / 0 / 11 / 7

HEX #AAEDD2

RGB 170 237 210

HSL 155.82, 0.65%, 0.8%

LAB 88.81, -26.48, 6.37

 

CMYK 28 / 22 / 0 / 7

HEX #AAB8ED

RGB 170 184 237

HSL 227.46, 0.65%, 0.8%

LAB 75.41, 6.9, -27.97

 

CMYK 0 / 28 / 17 / 7

HEX #EDABC5

RGB 237 171 197

HSL 336.36, 0.65%, 0.8%

LAB 76.78, 27.98, -3.61

 

CMYK 3 / 0 / 28 / 7

HEX #E6EDAA

RGB 230 237 170

HSL 66.27, 0.65%, 0.8%

LAB 91.82, -12.82, 31.77

 

CMYK 28 / 0 / 11 / 7

HEX #AAEDD2

RGB 170 237 210

HSL 155.82, 0.65%, 0.8%

LAB 88.81, -26.48, 6.37

 

CMYK 25 / 28 / 0 / 7

HEX #B1AAED

RGB 177 170 237

HSL 246.27, 0.65%, 0.8%

LAB 72.37, 16.69, -32.61

 

Description

Color code: HEX #EDABC5 | qconv.com Color code: HEX #EDABC5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 171 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 171 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 17 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 17% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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