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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE8C3E it is the complementary color #0173C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE8C3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE8C3E shade: #FF8C39, #FF9E4C, #FFB05F, #FFC272 and #FFD485

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE8C3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE8C3E shade: #FE8C3E, #ED7A2B, #DC6818, #CB5605 and #BA4400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE8C3E shade: #FE8C3E, #FE583E and #FE3E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE8C3E shade: #FE8C3E, #FEBF3E, #FEF33E, #D4FE3E and #A0FE3E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE8C3E shade matches the following richer shades: #FE8C3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE8C3E shade: #FE8C3E, #EE8F4D, #DE925D, #CE946D and #BF977C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE8C3E shade: #FE3E57, #FE573E, #FE8A3E, #FEBE3E and #FEF13E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE8C3E shade: #E85F01, #FD7315, #FE8C3E, #FEA467 and #FEBD90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE8C3E shade: #FE8C3E, #8AFE3E and #3E3EFE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE8C3E shade: #FE8C3E, #3EFE8A and #8A3EFE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE8C3E shade: #FE8C3E, #8AFE3E, #3EB1FE and #B13EFE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE8C3E shade: #FE8C3E, #51FE3E, #3EB1FE and #EA3EFE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 76 / 0

HEX #FE8C3E

RGB 254 140 62

HSL 24.38, 0.99%, 0.62%

LAB 69.59, 37.68, 58.51

 

Complementary color

CMYK 99 / 40 / 0 / 24

HEX #0173C1

RGB 1 115 193

HSL 204.38, 0.99%, 0.38%

LAB 47.13, 2.63, -48.22

 

CMYK 0 / 45 / 78 / 0

HEX #FF8C39

RGB 255 140 57

HSL 25.15, 1%, 0.61%

LAB 69.69, 37.89, 60.8

 

CMYK 0 / 38 / 70 / 0

HEX #FF9E4C

RGB 255 158 76

HSL 27.49, 1%, 0.65%

LAB 73.7, 29.45, 56.49

 

CMYK 0 / 31 / 63 / 0

HEX #FFB05F

RGB 255 176 95

HSL 30.38, 1%, 0.69%

LAB 77.96, 21.13, 52.26

 

CMYK 0 / 24 / 55 / 0

HEX #FFC272

RGB 255 194 114

HSL 34.04, 1%, 0.72%

LAB 82.41, 13.08, 48.27

 

CMYK 0 / 17 / 48 / 0

HEX #FFD485

RGB 255 212 133

HSL 38.85, 1%, 0.76%

LAB 87.02, 5.37, 44.54

 

CMYK 0 / 45 / 76 / 0

HEX #FE8C3E

RGB 254 140 62

HSL 24.38, 0.99%, 0.62%

LAB 69.59, 37.68, 58.51

 

CMYK 0 / 49 / 82 / 7

HEX #ED7A2B

RGB 237 122 43

HSL 24.43, 0.84%, 0.55%

LAB 63.42, 39.46, 59.79

 

CMYK 0 / 53 / 89 / 14

HEX #DC6818

RGB 220 104 24

HSL 24.49, 0.8%, 0.48%

LAB 57.25, 41.37, 60.37

 

CMYK 0 / 58 / 98 / 20

HEX #CB5605

RGB 203 86 5

HSL 24.55, 0.95%, 0.41%

LAB 51.11, 43.36, 59.58

 

CMYK 0 / 63 / 100 / 27

HEX #BA4400

RGB 186 68 0

HSL 21.94, 1%, 0.36%

LAB 45.04, 45.34, 55.89

 

CMYK 0 / 45 / 76 / 0

HEX #FE8C3E

RGB 254 140 62

HSL 24.38, 0.99%, 0.62%

LAB 69.59, 37.68, 58.51

 

CMYK 0 / 65 / 76 / 0

HEX #FE583E

RGB 254 88 62

HSL 8.13, 0.99%, 0.62%

LAB 60.25, 61.72, 48.92

 

CMYK 0 / 76 / 76 / 0

HEX #FE3E3E

RGB 254 62 62

HSL 0, 0.99%, 0.62%

LAB 56.94, 70.81, 45.39

 

CMYK 0 / 45 / 76 / 0

HEX #FE8C3E

RGB 254 140 62

HSL 24.38, 0.99%, 0.62%

LAB 69.59, 37.68, 58.51

 

CMYK 0 / 25 / 76 / 0

HEX #FEBF3E

RGB 254 191 62

HSL 40.31, 0.99%, 0.62%

LAB 81.12, 11.2, 69.72

 

CMYK 0 / 4 / 76 / 0

HEX #FEF33E

RGB 254 243 62

HSL 56.56, 0.99%, 0.62%

LAB 94.11, -15.05, 81.78

 

CMYK 17 / 0 / 76 / 0

HEX #D4FE3E

RGB 212 254 62

HSL 73.13, 0.99%, 0.62%

LAB 93.98, -37.04, 80.55

 

CMYK 37 / 0 / 76 / 0

HEX #A0FE3E

RGB 160 254 62

HSL 89.38, 0.99%, 0.62%

LAB 91.1, -55.85, 76.81

 

CMYK 0 / 45 / 76 / 0

HEX #FE8C3E

RGB 254 140 62

HSL 24.38, 0.99%, 0.62%

LAB 69.59, 37.68, 58.51

 

CMYK 0 / 45 / 76 / 0

HEX #FE8C3E

RGB 254 140 62

HSL 24.38, 0.99%, 0.62%

LAB 69.59, 37.68, 58.51

 

CMYK 0 / 40 / 68 / 7

HEX #EE8F4D

RGB 238 143 77

HSL 24.6, 0.83%, 0.62%

LAB 68.28, 30.47, 49.48

 

CMYK 0 / 34 / 58 / 13

HEX #DE925D

RGB 222 146 93

HSL 24.65, 0.66%, 0.62%

LAB 67.19, 23.42, 39.58

 

CMYK 0 / 28 / 47 / 19

HEX #CE946D

RGB 206 148 109

HSL 24.12, 0.5%, 0.62%

LAB 66.06, 17.2, 29.23

 

CMYK 0 / 21 / 35 / 25

HEX #BF977C

RGB 191 151 124

HSL 24.18, 0.34%, 0.62%

LAB 65.49, 11.16, 19.93

 

CMYK 0 / 76 / 66 / 0

HEX #FE3E57

RGB 254 62 87

HSL 352.19, 0.99%, 0.62%

LAB 57.27, 71.88, 31.67

 

CMYK 0 / 66 / 76 / 0

HEX #FE573E

RGB 254 87 62

HSL 7.81, 0.99%, 0.62%

LAB 60.1, 62.11, 48.76

 

CMYK 0 / 46 / 76 / 0

HEX #FE8A3E

RGB 254 138 62

HSL 23.75, 0.99%, 0.62%

LAB 69.18, 38.69, 58.09

 

CMYK 0 / 25 / 76 / 0

HEX #FEBE3E

RGB 254 190 62

HSL 40, 0.99%, 0.62%

LAB 80.88, 11.72, 69.49

 

CMYK 0 / 5 / 76 / 0

HEX #FEF13E

RGB 254 241 62

HSL 55.94, 0.99%, 0.62%

LAB 93.59, -14.08, 81.31

 

CMYK 0 / 59 / 100 / 9

HEX #E85F01

RGB 232 95 1

HSL 24.42, 0.99%, 0.46%

LAB 57.41, 49.9, 66.49

 

CMYK 0 / 55 / 92 / 1

HEX #FD7315

RGB 253 115 21

HSL 24.31, 0.98%, 0.54%

LAB 64.32, 48.54, 68.57

 

CMYK 0 / 45 / 76 / 0

HEX #FE8C3E

RGB 254 140 62

HSL 24.38, 0.99%, 0.62%

LAB 69.59, 37.68, 58.51

 

CMYK 0 / 35 / 59 / 0

HEX #FEA467

RGB 254 164 103

HSL 24.24, 0.99%, 0.7%

LAB 75.2, 27.54, 45.03

 

CMYK 0 / 26 / 43 / 0

HEX #FEBD90

RGB 254 189 144

HSL 24.55, 0.98%, 0.78%

LAB 81.55, 17.99, 31.87

 

CMYK 0 / 45 / 76 / 0

HEX #FE8C3E

RGB 254 140 62

HSL 24.38, 0.99%, 0.62%

LAB 69.59, 37.68, 58.51

 

CMYK 46 / 0 / 76 / 0

HEX #8AFE3E

RGB 138 254 62

HSL 96.25, 0.99%, 0.62%

LAB 90.15, -62.75, 75.58

 

CMYK 76 / 76 / 0 / 0

HEX #3E3EFE

RGB 62 62 254

HSL 240, 0.99%, 0.62%

LAB 40.61, 61.09, -93.41

 

CMYK 0 / 45 / 76 / 0

HEX #FE8C3E

RGB 254 140 62

HSL 24.38, 0.99%, 0.62%

LAB 69.59, 37.68, 58.51

 

CMYK 76 / 0 / 46 / 0

HEX #3EFE8A

RGB 62 254 138

HSL 143.75, 0.99%, 0.62%

LAB 88.8, -70.84, 42.31

 

CMYK 46 / 76 / 0 / 0

HEX #8A3EFE

RGB 138 62 254

HSL 263.75, 0.99%, 0.62%

LAB 46.98, 69.32, -82.7

 

CMYK 0 / 45 / 76 / 0

HEX #FE8C3E

RGB 254 140 62

HSL 24.38, 0.99%, 0.62%

LAB 69.59, 37.68, 58.51

 

CMYK 46 / 0 / 76 / 0

HEX #8AFE3E

RGB 138 254 62

HSL 96.25, 0.99%, 0.62%

LAB 90.15, -62.75, 75.58

 

CMYK 76 / 30 / 0 / 0

HEX #3EB1FE

RGB 62 177 254

HSL 204.06, 0.99%, 0.62%

LAB 69.2, -6.83, -47.21

 

CMYK 30 / 76 / 0 / 0

HEX #B13EFE

RGB 177 62 254

HSL 275.94, 0.99%, 0.62%

LAB 51.78, 75.36, -74.67

 

CMYK 0 / 45 / 76 / 0

HEX #FE8C3E

RGB 254 140 62

HSL 24.38, 0.99%, 0.62%

LAB 69.59, 37.68, 58.51

 

CMYK 68 / 0 / 76 / 0

HEX #51FE3E

RGB 81 254 62

HSL 114.06, 0.99%, 0.62%

LAB 88.44, -76.4, 73.33

 

CMYK 76 / 30 / 0 / 0

HEX #3EB1FE

RGB 62 177 254

HSL 204.06, 0.99%, 0.62%

LAB 69.2, -6.83, -47.21

 

CMYK 8 / 76 / 0 / 0

HEX #EA3EFE

RGB 234 62 254

HSL 293.75, 0.99%, 0.62%

LAB 59.97, 85.48, -61.03

 

Description

Color code: HEX #FE8C3E | qconv.com Color code: HEX #FE8C3E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 140 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 140 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 76 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 76% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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