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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3EFE8B it is the complementary color #C10174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3EFE8B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3EFE8B shade: #43FE86, #54FF99, #65FFAC, #76FFBF and #87FFD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3EFE8B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3EFE8B shade: #3EFE8B, #2DEC78, #1CDA65, #0BC852 and #00B63F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3EFE8B shade: #3EFE8B, #3EFE57, #58FE3E, #8CFE3E and #C0FE3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3EFE8B shade: #3EFE8B, #3EFEBE, #3EFEF2, #3ED5FE and #3EA2FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3EFE8B shade matches the following richer shades: #3EFE8B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3EFE8B shade: #3EFE8B, #4DEE8E, #5DDE91, #6DCE94 and #7CBF97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3EFE8B shade: #57FE3E, #3EFE57, #3EFE8A, #3EFEBE and #3EFEF1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3EFE8B shade: #01E85D, #15FD72, #3EFE8B, #67FEA3 and #90FEBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3EFE8B shade: #3EFE8B, #3E8AFE and #FE3E3E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3EFE8B shade: #3EFE8B, #8A3EFE and #FE8A3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3EFE8B shade: #3EFE8B, #3E8AFE, #FE3EB1 and #FEB13E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3EFE8B shade: #3EFE8B, #3E51FE, #FE3EB1 and #FEEA3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 45 / 0

HEX #3EFE8B

RGB 62 254 139

HSL 144.06, 0.99%, 0.62%

LAB 88.81, -70.68, 41.85

 

Complementary color

CMYK 0 / 99 / 40 / 24

HEX #C10174

RGB 193 1 116

HSL 324.06, 0.99%, 0.38%

LAB 42.19, 70.22, -8.7

 

CMYK 74 / 0 / 47 / 0

HEX #43FE86

RGB 67 254 134

HSL 141.5, 0.99%, 0.63%

LAB 88.83, -70.82, 44.28

 

CMYK 67 / 0 / 40 / 0

HEX #54FF99

RGB 84 255 153

HSL 144.21, 1%, 0.66%

LAB 89.72, -65.52, 36.27

 

CMYK 60 / 0 / 33 / 0

HEX #65FFAC

RGB 101 255 172

HSL 147.66, 1%, 0.7%

LAB 90.44, -59.06, 27.81

 

CMYK 54 / 0 / 25 / 0

HEX #76FFBF

RGB 118 255 191

HSL 151.97, 1%, 0.73%

LAB 91.29, -51.88, 19.41

 

CMYK 47 / 0 / 18 / 0

HEX #87FFD2

RGB 135 255 210

HSL 157.5, 1%, 0.76%

LAB 92.28, -44.11, 11.12

 

CMYK 76 / 0 / 45 / 0

HEX #3EFE8B

RGB 62 254 139

HSL 144.06, 0.99%, 0.62%

LAB 88.81, -70.68, 41.85

 

CMYK 81 / 0 / 49 / 7

HEX #2DEC78

RGB 45 236 120

HSL 143.56, 0.83%, 0.55%

LAB 82.86, -69.58, 43.42

 

CMYK 87 / 0 / 54 / 15

HEX #1CDA65

RGB 28 218 101

HSL 143.05, 0.77%, 0.48%

LAB 76.88, -68.04, 45.04

 

CMYK 95 / 0 / 59 / 22

HEX #0BC852

RGB 11 200 82

HSL 142.54, 0.9%, 0.41%

LAB 70.86, -65.96, 46.67

 

CMYK 100 / 0 / 65 / 29

HEX #00B63F

RGB 0 182 63

HSL 140.77, 1%, 0.36%

LAB 64.82, -63.22, 48.21

 

CMYK 76 / 0 / 45 / 0

HEX #3EFE8B

RGB 62 254 139

HSL 144.06, 0.99%, 0.62%

LAB 88.81, -70.68, 41.85

 

CMYK 76 / 0 / 66 / 0

HEX #3EFE57

RGB 62 254 87

HSL 127.81, 0.99%, 0.62%

LAB 88.25, -77.36, 64.26

 

CMYK 65 / 0 / 76 / 0

HEX #58FE3E

RGB 88 254 62

HSL 111.88, 0.99%, 0.62%

LAB 88.59, -75.09, 73.53

 

CMYK 45 / 0 / 76 / 0

HEX #8CFE3E

RGB 140 254 62

HSL 95.63, 0.99%, 0.62%

LAB 90.23, -62.16, 75.68

 

CMYK 24 / 0 / 76 / 0

HEX #C0FE3E

RGB 192 254 62

HSL 79.38, 0.99%, 0.62%

LAB 92.77, -44.61, 78.98

 

CMYK 76 / 0 / 45 / 0

HEX #3EFE8B

RGB 62 254 139

HSL 144.06, 0.99%, 0.62%

LAB 88.81, -70.68, 41.85

 

CMYK 76 / 0 / 25 / 0

HEX #3EFEBE

RGB 62 254 190

HSL 160, 0.99%, 0.62%

LAB 89.69, -60.93, 17.48

 

CMYK 76 / 0 / 5 / 0

HEX #3EFEF2

RGB 62 254 242

HSL 176.25, 0.99%, 0.62%

LAB 90.93, -48.16, -7.63

 

CMYK 76 / 16 / 0 / 0

HEX #3ED5FE

RGB 62 213 254

HSL 192.81, 0.99%, 0.62%

LAB 79.48, -25.74, -31.22

 

CMYK 76 / 36 / 0 / 0

HEX #3EA2FE

RGB 62 162 254

HSL 208.75, 0.99%, 0.62%

LAB 64.98, 1.65, -53.88

 

CMYK 76 / 0 / 45 / 0

HEX #3EFE8B

RGB 62 254 139

HSL 144.06, 0.99%, 0.62%

LAB 88.81, -70.68, 41.85

 

CMYK 76 / 0 / 45 / 0

HEX #3EFE8B

RGB 62 254 139

HSL 144.06, 0.99%, 0.62%

LAB 88.81, -70.68, 41.85

 

CMYK 68 / 0 / 40 / 7

HEX #4DEE8E

RGB 77 238 142

HSL 144.22, 0.83%, 0.62%

LAB 84.32, -62.4, 34.61

 

CMYK 58 / 0 / 35 / 13

HEX #5DDE91

RGB 93 222 145

HSL 144.19, 0.66%, 0.62%

LAB 79.96, -52.72, 27.37

 

CMYK 47 / 0 / 28 / 19

HEX #6DCE94

RGB 109 206 148

HSL 144.12, 0.5%, 0.62%

LAB 75.78, -41.64, 20.2

 

CMYK 35 / 0 / 21 / 25

HEX #7CBF97

RGB 124 191 151

HSL 144.18, 0.34%, 0.62%

LAB 72.08, -29.92, 13.55

 

CMYK 66 / 0 / 76 / 0

HEX #57FE3E

RGB 87 254 62

HSL 112.19, 0.99%, 0.62%

LAB 88.57, -75.29, 73.5

 

CMYK 76 / 0 / 66 / 0

HEX #3EFE57

RGB 62 254 87

HSL 127.81, 0.99%, 0.62%

LAB 88.25, -77.36, 64.26

 

CMYK 76 / 0 / 46 / 0

HEX #3EFE8A

RGB 62 254 138

HSL 143.75, 0.99%, 0.62%

LAB 88.8, -70.84, 42.31

 

CMYK 76 / 0 / 25 / 0

HEX #3EFEBE

RGB 62 254 190

HSL 160, 0.99%, 0.62%

LAB 89.69, -60.93, 17.48

 

CMYK 76 / 0 / 5 / 0

HEX #3EFEF1

RGB 62 254 241

HSL 175.94, 0.99%, 0.62%

LAB 90.9, -48.43, -7.15

 

CMYK 100 / 0 / 60 / 9

HEX #01E85D

RGB 1 232 93

HSL 143.9, 0.99%, 0.46%

LAB 81.02, -74.6, 53.54

 

CMYK 92 / 0 / 55 / 1

HEX #15FD72

RGB 21 253 114

HSL 144.05, 0.98%, 0.54%

LAB 87.79, -77.5, 52.19

 

CMYK 76 / 0 / 45 / 0

HEX #3EFE8B

RGB 62 254 139

HSL 144.06, 0.99%, 0.62%

LAB 88.81, -70.68, 41.85

 

CMYK 59 / 0 / 36 / 0

HEX #67FEA3

RGB 103 254 163

HSL 143.84, 0.99%, 0.7%

LAB 90.05, -59.92, 31.81

 

CMYK 43 / 0 / 26 / 0

HEX #90FEBC

RGB 144 254 188

HSL 144, 0.98%, 0.78%

LAB 91.88, -45.8, 21.9

 

CMYK 76 / 0 / 45 / 0

HEX #3EFE8B

RGB 62 254 139

HSL 144.06, 0.99%, 0.62%

LAB 88.81, -70.68, 41.85

 

CMYK 76 / 46 / 0 / 0

HEX #3E8AFE

RGB 62 138 254

HSL 216.25, 0.99%, 0.62%

LAB 58.37, 15.89, -64.43

 

CMYK 0 / 76 / 76 / 0

HEX #FE3E3E

RGB 254 62 62

HSL 0, 0.99%, 0.62%

LAB 56.94, 70.81, 45.39

 

CMYK 76 / 0 / 45 / 0

HEX #3EFE8B

RGB 62 254 139

HSL 144.06, 0.99%, 0.62%

LAB 88.81, -70.68, 41.85

 

CMYK 46 / 76 / 0 / 0

HEX #8A3EFE

RGB 138 62 254

HSL 263.75, 0.99%, 0.62%

LAB 46.98, 69.32, -82.7

 

CMYK 0 / 46 / 76 / 0

HEX #FE8A3E

RGB 254 138 62

HSL 23.75, 0.99%, 0.62%

LAB 69.18, 38.69, 58.09

 

CMYK 76 / 0 / 45 / 0

HEX #3EFE8B

RGB 62 254 139

HSL 144.06, 0.99%, 0.62%

LAB 88.81, -70.68, 41.85

 

CMYK 76 / 46 / 0 / 0

HEX #3E8AFE

RGB 62 138 254

HSL 216.25, 0.99%, 0.62%

LAB 58.37, 15.89, -64.43

 

CMYK 0 / 76 / 30 / 0

HEX #FE3EB1

RGB 254 62 177

HSL 324.06, 0.99%, 0.62%

LAB 59.61, 79.16, -17.81

 

CMYK 0 / 30 / 76 / 0

HEX #FEB13E

RGB 254 177 62

HSL 35.94, 0.99%, 0.62%

LAB 77.79, 18.51, 66.54

 

CMYK 76 / 0 / 45 / 0

HEX #3EFE8B

RGB 62 254 139

HSL 144.06, 0.99%, 0.62%

LAB 88.81, -70.68, 41.85

 

CMYK 76 / 68 / 0 / 0

HEX #3E51FE

RGB 62 81 254

HSL 234.06, 0.99%, 0.62%

LAB 44.33, 50.73, -87.29

 

CMYK 0 / 76 / 30 / 0

HEX #FE3EB1

RGB 254 62 177

HSL 324.06, 0.99%, 0.62%

LAB 59.61, 79.16, -17.81

 

CMYK 0 / 8 / 76 / 0

HEX #FEEA3E

RGB 254 234 62

HSL 53.75, 0.99%, 0.62%

LAB 91.8, -10.64, 79.67

 

Description

Color code: HEX #3EFE8B | qconv.com Color code: HEX #3EFE8B | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 254 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 254 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 45 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 45% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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