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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE8A4A it is the complementary color #0175B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE8A4A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE8A4A shade: #FF8A45, #FF9C58, #FFAE6B, #FFC07E and #FFD291

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE8A4A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE8A4A shade: #FE8A4A, #ED7837, #DC6624, #CB5411 and #BA4200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE8A4A shade: #FE8848, #FE5748 and #FE4848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE8A4A shade: #FE8848, #FEB948, #FEEA48, #E0FE48 and #AFFE48

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE8A4A shade matches the following richer shades: #FE8848

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE8A4A shade: #FE8848, #EF8D57, #E09166, #D19574 and #C29A83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE8A4A shade: #FE4869, #FE5748, #FE8748, #FEB848 and #FEE848

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE8A4A shade: #F25701, #FD6E1F, #FE8848, #FEA371 and #FEBD9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE8A4A shade: #FE8A4A, #9AFE48 and #4851FE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE8A4A shade: #FE8A4A, #48FE87 and #8748FE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE8A4A shade: #FE8A4A, #9AFE48, #48BEFE and #AC48FE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE8A4A shade: #FE8A4A, #63FE48, #48BEFE and #E248FE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 71 / 0

HEX #FE8A4A

RGB 254 138 74

HSL 21.33, 0.99%, 0.64%

LAB 69.29, 39.21, 52.64

 

Complementary color

CMYK 99 / 35 / 0 / 29

HEX #0175B5

RGB 1 117 181

HSL 201.33, 0.99%, 0.36%

LAB 47.06, -3.34, -41.39

 

CMYK 0 / 46 / 73 / 0

HEX #FF8A45

RGB 255 138 69

HSL 22.26, 1%, 0.64%

LAB 69.37, 39.37, 55.15

 

CMYK 0 / 39 / 65 / 0

HEX #FF9C58

RGB 255 156 88

HSL 24.43, 1%, 0.67%

LAB 73.38, 31.13, 50.42

 

CMYK 0 / 32 / 58 / 0

HEX #FFAE6B

RGB 255 174 107

HSL 27.16, 1%, 0.71%

LAB 77.63, 23, 45.98

 

CMYK 0 / 25 / 51 / 0

HEX #FFC07E

RGB 255 192 126

HSL 30.7, 1%, 0.75%

LAB 82.09, 15.11, 41.87

 

CMYK 0 / 18 / 43 / 0

HEX #FFD291

RGB 255 210 145

HSL 35.45, 1%, 0.78%

LAB 86.7, 7.56, 38.1

 

CMYK 0 / 46 / 71 / 0

HEX #FE8A4A

RGB 254 138 74

HSL 21.33, 0.99%, 0.64%

LAB 69.29, 39.21, 52.64

 

CMYK 0 / 49 / 77 / 7

HEX #ED7837

RGB 237 120 55

HSL 21.43, 0.83%, 0.57%

LAB 63.11, 40.87, 54.39

 

CMYK 0 / 54 / 84 / 14

HEX #DC6624

RGB 220 102 36

HSL 21.52, 0.72%, 0.5%

LAB 56.92, 42.63, 55.86

 

CMYK 0 / 59 / 92 / 20

HEX #CB5411

RGB 203 84 17

HSL 21.61, 0.85%, 0.43%

LAB 50.78, 44.46, 56.51

 

CMYK 0 / 65 / 100 / 27

HEX #BA4200

RGB 186 66 0

HSL 21.29, 1%, 0.36%

LAB 44.71, 46.23, 55.72

 

CMYK 0 / 46 / 72 / 0

HEX #FE8848

RGB 254 136 72

HSL 21.1, 0.99%, 0.64%

LAB 68.86, 40.13, 53.14

 

CMYK 0 / 66 / 72 / 0

HEX #FE5748

RGB 254 87 72

HSL 4.95, 0.99%, 0.64%

LAB 60.21, 62.51, 43.6

 

CMYK 0 / 72 / 72 / 0

HEX #FE4848

RGB 254 72 72

HSL 0, 0.99%, 0.64%

LAB 58.2, 68.01, 41.32

 

CMYK 0 / 46 / 72 / 0

HEX #FE8848

RGB 254 136 72

HSL 21.1, 0.99%, 0.64%

LAB 68.86, 40.13, 53.14

 

CMYK 0 / 27 / 72 / 0

HEX #FEB948

RGB 254 185 72

HSL 37.25, 0.99%, 0.64%

LAB 79.75, 14.76, 64.49

 

CMYK 0 / 8 / 72 / 0

HEX #FEEA48

RGB 254 234 72

HSL 53.41, 0.99%, 0.64%

LAB 91.86, -10.24, 76.44

 

CMYK 12 / 0 / 72 / 0

HEX #E0FE48

RGB 224 254 72

HSL 69.89, 0.99%, 0.64%

LAB 94.82, -31.92, 78.51

 

CMYK 31 / 0 / 72 / 0

HEX #AFFE48

RGB 175 254 72

HSL 86.04, 0.99%, 0.64%

LAB 91.89, -50.2, 74.65

 

CMYK 0 / 46 / 72 / 0

HEX #FE8848

RGB 254 136 72

HSL 21.1, 0.99%, 0.64%

LAB 68.86, 40.13, 53.14

 

CMYK 0 / 46 / 72 / 0

HEX #FE8848

RGB 254 136 72

HSL 21.1, 0.99%, 0.64%

LAB 68.86, 40.13, 53.14

 

CMYK 0 / 41 / 64 / 6

HEX #EF8D57

RGB 239 141 87

HSL 21.32, 0.83%, 0.64%

LAB 68.09, 32.5, 44.27

 

CMYK 0 / 35 / 54 / 12

HEX #E09166

RGB 224 145 102

HSL 21.15, 0.66%, 0.64%

LAB 67.32, 25.48, 35.03

 

CMYK 0 / 29 / 44 / 18

HEX #D19574

RGB 209 149 116

HSL 21.29, 0.5%, 0.64%

LAB 66.76, 18.59, 26.38

 

CMYK 0 / 21 / 32 / 24

HEX #C29A83

RGB 194 154 131

HSL 21.9, 0.34%, 0.64%

LAB 66.69, 11.61, 17.75

 

CMYK 0 / 72 / 59 / 0

HEX #FE4869

RGB 254 72 105

HSL 349.12, 0.99%, 0.64%

LAB 58.72, 69.76, 23.04

 

CMYK 0 / 66 / 72 / 0

HEX #FE5748

RGB 254 87 72

HSL 4.95, 0.99%, 0.64%

LAB 60.21, 62.51, 43.6

 

CMYK 0 / 47 / 72 / 0

HEX #FE8748

RGB 254 135 72

HSL 20.77, 0.99%, 0.64%

LAB 68.65, 40.63, 52.92

 

CMYK 0 / 28 / 72 / 0

HEX #FEB848

RGB 254 184 72

HSL 36.92, 0.99%, 0.64%

LAB 79.51, 15.28, 64.25

 

CMYK 0 / 9 / 72 / 0

HEX #FEE848

RGB 254 232 72

HSL 52.75, 0.99%, 0.64%

LAB 91.35, -9.25, 75.95

 

CMYK 0 / 64 / 100 / 5

HEX #F25701

RGB 242 87 1

HSL 21.41, 0.99%, 0.48%

LAB 57.75, 56.92, 67.57

 

CMYK 0 / 57 / 88 / 1

HEX #FD6E1F

RGB 253 110 31

HSL 21.35, 0.98%, 0.56%

LAB 63.45, 51.03, 65.1

 

CMYK 0 / 46 / 72 / 0

HEX #FE8848

RGB 254 136 72

HSL 21.1, 0.99%, 0.64%

LAB 68.86, 40.13, 53.14

 

CMYK 0 / 36 / 56 / 0

HEX #FEA371

RGB 254 163 113

HSL 21.28, 0.99%, 0.72%

LAB 75.11, 28.8, 39.78

 

CMYK 0 / 26 / 39 / 0

HEX #FEBD9A

RGB 254 189 154

HSL 21, 0.98%, 0.8%

LAB 81.73, 19.05, 26.84

 

CMYK 0 / 46 / 71 / 0

HEX #FE8A4A

RGB 254 138 74

HSL 21.33, 0.99%, 0.64%

LAB 69.29, 39.21, 52.64

 

CMYK 39 / 0 / 72 / 0

HEX #9AFE48

RGB 154 254 72

HSL 92.97, 0.99%, 0.64%

LAB 90.88, -57.23, 73.31

 

CMYK 72 / 68 / 0 / 0

HEX #4851FE

RGB 72 81 254

HSL 237.03, 0.99%, 0.64%

LAB 44.83, 51.65, -86.44

 

CMYK 0 / 46 / 71 / 0

HEX #FE8A4A

RGB 254 138 74

HSL 21.33, 0.99%, 0.64%

LAB 69.29, 39.21, 52.64

 

CMYK 72 / 0 / 47 / 0

HEX #48FE87

RGB 72 254 135

HSL 140.77, 0.99%, 0.64%

LAB 88.93, -69.97, 43.95

 

CMYK 47 / 72 / 0 / 0

HEX #8748FE

RGB 135 72 254

HSL 260.77, 0.99%, 0.64%

LAB 48.19, 64.52, -80.74

 

CMYK 0 / 46 / 71 / 0

HEX #FE8A4A

RGB 254 138 74

HSL 21.33, 0.99%, 0.64%

LAB 69.29, 39.21, 52.64

 

CMYK 39 / 0 / 72 / 0

HEX #9AFE48

RGB 154 254 72

HSL 92.97, 0.99%, 0.64%

LAB 90.88, -57.23, 73.31

 

CMYK 72 / 25 / 0 / 0

HEX #48BEFE

RGB 72 190 254

HSL 201.1, 0.99%, 0.64%

LAB 73.13, -12.71, -41.04

 

CMYK 32 / 72 / 0 / 0

HEX #AC48FE

RGB 172 72 254

HSL 272.97, 0.99%, 0.64%

LAB 52.47, 70.69, -73.58

 

CMYK 0 / 46 / 71 / 0

HEX #FE8A4A

RGB 254 138 74

HSL 21.33, 0.99%, 0.64%

LAB 69.29, 39.21, 52.64

 

CMYK 61 / 0 / 72 / 0

HEX #63FE48

RGB 99 254 72

HSL 111.1, 0.99%, 0.64%

LAB 88.92, -72.16, 70.7

 

CMYK 72 / 25 / 0 / 0

HEX #48BEFE

RGB 72 190 254

HSL 201.1, 0.99%, 0.64%

LAB 73.13, -12.71, -41.04

 

CMYK 11 / 72 / 0 / 0

HEX #E248FE

RGB 226 72 254

HSL 290.77, 0.99%, 0.64%

LAB 59.85, 80.86, -61.3

 

Description

Color code: HEX #FE8A4A | qconv.com Color code: HEX #FE8A4A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 138 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 138 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 71 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 71% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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