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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 21 / 32 / 24 it is the complementary color CMYK 50 / 17 / 0 / 52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 21 / 32 / 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 21 / 32 / 24: CMYK 0 / 23 / 36 / 22, CMYK 0 / 21 / 32 / 15, CMYK 0 / 19 / 29 / 9, CMYK 0 / 17 / 26 / 2 and CMYK 0 / 12 / 20 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 21 / 32 / 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 21 / 32 / 24: CMYK 0 / 21 / 32 / 24, CMYK 0 / 24 / 36 / 31, CMYK 0 / 27 / 41 / 37, CMYK 0 / 31 / 48 / 44 and CMYK 0 / 36 / 56 / 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 32 / 24

HEX #C29984

RGB 194 153 132

HSL 20.32, 0.34%, 0.64%

LAB 66.46, 12.29, 16.87

 

Complementary color

CMYK 50 / 17 / 0 / 52

HEX #3D667B

RGB 61 102 123

HSL 200.32, 0.34%, 0.36%

LAB 41.1, -8.1, -16.19

 

CMYK 0 / 23 / 36 / 22

HEX #C7997F

RGB 199 153 127

HSL 21.67, 0.39%, 0.64%

LAB 66.87, 13.64, 20.29

 

CMYK 0 / 21 / 32 / 15

HEX #D8AB92

RGB 216 171 146

HSL 21.43, 0.47%, 0.71%

LAB 73.42, 12.95, 19.15

 

CMYK 0 / 19 / 29 / 9

HEX #E9BDA5

RGB 233 189 165

HSL 21.18, 0.61%, 0.78%

LAB 79.86, 12.35, 18.09

 

CMYK 0 / 17 / 26 / 2

HEX #FACFB8

RGB 250 207 184

HSL 20.91, 0.87%, 0.85%

LAB 86.21, 11.8, 17.1

 

CMYK 0 / 12 / 20 / 0

HEX #FFE1CB

RGB 255 225 203

HSL 25.38, 1%, 0.9%

LAB 91.42, 6.96, 14.54

 

CMYK 0 / 21 / 32 / 24

HEX #C29984

RGB 194 153 132

HSL 20.32, 0.34%, 0.64%

LAB 66.46, 12.29, 16.87

 

CMYK 0 / 24 / 36 / 31

HEX #B18771

RGB 177 135 113

HSL 20.63, 0.29%, 0.57%

LAB 59.77, 12.99, 18.03

 

CMYK 0 / 27 / 41 / 37

HEX #A0755E

RGB 160 117 94

HSL 20.91, 0.26%, 0.5%

LAB 52.95, 13.81, 19.31

 

CMYK 0 / 31 / 48 / 44

HEX #8F634B

RGB 143 99 75

HSL 21.18, 0.31%, 0.43%

LAB 46, 14.78, 20.74

 

CMYK 0 / 36 / 56 / 51

HEX #7E5138

RGB 126 81 56

HSL 21.43, 0.38%, 0.36%

LAB 38.91, 15.96, 22.38

 

CMYK 0 / 21 / 32 / 24

HEX #C29984

RGB 194 153 132

HSL 20.32, 0.34%, 0.64%

LAB 66.46, 12.29, 16.87

 

CMYK 0 / 16 / 32 / 24

HEX #C2A383

RGB 194 163 131

HSL 30.48, 0.34%, 0.64%

LAB 68.97, 6.7, 20.88

 

CMYK 0 / 11 / 32 / 24

HEX #C2AD83

RGB 194 173 131

HSL 40, 0.34%, 0.64%

LAB 71.55, 1.3, 24.38

 

CMYK 0 / 5 / 32 / 24

HEX #C2B883

RGB 194 184 131

HSL 50.48, 0.34%, 0.64%

LAB 74.44, -4.54, 28.25

 

CMYK 0 / 0 / 32 / 24

HEX #C2C283

RGB 194 194 131

HSL 60, 0.34%, 0.64%

LAB 77.1, -9.75, 31.76

 

CMYK 0 / 21 / 32 / 24

HEX #C29984

RGB 194 153 132

HSL 20.32, 0.34%, 0.64%

LAB 66.46, 12.29, 16.87

 

CMYK 0 / 21 / 32 / 4

HEX #F5C1A7

RGB 245 193 167

HSL 20, 0.8%, 0.81%

LAB 82.02, 15.05, 20.2

 

CMYK 0 / 22 / 32 / 84

HEX #29201C

RGB 41 32 28

HSL 18.46, 0.19%, 0.14%

LAB 13.16, 3.53, 4.34

 

CMYK 0 / 21 / 32 / 64

HEX #5C493F

RGB 92 73 63

HSL 20.69, 0.19%, 0.3%

LAB 32.7, 6.38, 9.04

 

CMYK 0 / 21 / 32 / 44

HEX #8F7161

RGB 143 113 97

HSL 20.87, 0.19%, 0.47%

LAB 50.11, 9.38, 13.38

 

CMYK 0 / 21 / 32 / 24

HEX #C29984

RGB 194 153 132

HSL 20.32, 0.34%, 0.64%

LAB 66.46, 12.29, 16.87

 

CMYK 17 / 0 / 32 / 24

HEX #A1C283

RGB 161 194 131

HSL 91.43, 0.34%, 0.64%

LAB 74.7, -22.32, 28.15

 

CMYK 32 / 30 / 0 / 24

HEX #8388C2

RGB 131 136 194

HSL 235.24, 0.34%, 0.64%

LAB 58.35, 11.84, -30.76

 

CMYK 0 / 21 / 32 / 24

HEX #C29984

RGB 194 153 132

HSL 20.32, 0.34%, 0.64%

LAB 66.46, 12.29, 16.87

 

CMYK 32 / 0 / 22 / 24

HEX #83C298

RGB 131 194 152

HSL 140, 0.34%, 0.64%

LAB 73.33, -29.02, 14.82

 

CMYK 22 / 32 / 0 / 24

HEX #9883C2

RGB 152 131 194

HSL 260, 0.34%, 0.64%

LAB 58.79, 21.06, -29.93

 

CMYK 0 / 21 / 32 / 24

HEX #C29984

RGB 194 153 132

HSL 20.32, 0.34%, 0.64%

LAB 66.46, 12.29, 16.87

 

CMYK 17 / 0 / 32 / 24

HEX #A1C283

RGB 161 194 131

HSL 91.43, 0.34%, 0.64%

LAB 74.7, -22.32, 28.15

 

CMYK 32 / 11 / 0 / 24

HEX #83ADC2

RGB 131 173 194

HSL 200, 0.34%, 0.64%

LAB 68.47, -9, -15.27

 

CMYK 15 / 32 / 0 / 24

HEX #A583C2

RGB 165 131 194

HSL 272.38, 0.34%, 0.64%

LAB 60, 25.13, -27.96

 

CMYK 0 / 21 / 32 / 24

HEX #C29984

RGB 194 153 132

HSL 20.32, 0.34%, 0.64%

LAB 66.46, 12.29, 16.87

 

CMYK 27 / 0 / 32 / 24

HEX #8EC283

RGB 142 194 131

HSL 109.52, 0.34%, 0.64%

LAB 73.53, -29.08, 26.38

 

CMYK 32 / 11 / 0 / 24

HEX #83ADC2

RGB 131 173 194

HSL 200, 0.34%, 0.64%

LAB 68.47, -9, -15.27

 

CMYK 5 / 32 / 0 / 24

HEX #B883C2

RGB 184 131 194

HSL 290.48, 0.34%, 0.64%

LAB 61.93, 31.22, -24.83

 

Description

Color code: CMYK 0 / 21 / 32 / 24 | qconv.com Color code: CMYK 0 / 21 / 32 / 24 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 153 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 153 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 32 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 32% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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