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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE887C it is the complementary color #017783. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE887C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #FE887C: #FF8877, #FF9A8A, #FFAC9D, #FFBEB0 and #FFD0C3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE887C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #FE887C: #FE887C, #ED7669, #DC6456, #CB5243 and #BA4030

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 51 / 0

HEX #FE887C

RGB 254 136 124

HSL 5.54, 0.98%, 0.74%

LAB 69.57, 43.54, 26.7

 

Complementary color

CMYK 99 / 9 / 0 / 49

HEX #017783

RGB 1 119 131

HSL 185.54, 0.98%, 0.26%

LAB 45.41, -23.24, -14.55

 

CMYK 0 / 47 / 53 / 0

HEX #FF8877

RGB 255 136 119

HSL 7.5, 1%, 0.73%

LAB 69.61, 43.49, 29.54

 

CMYK 0 / 40 / 46 / 0

HEX #FF9A8A

RGB 255 154 138

HSL 8.21, 1%, 0.77%

LAB 73.68, 36.04, 24.57

 

CMYK 0 / 33 / 38 / 0

HEX #FFAC9D

RGB 255 172 157

HSL 9.18, 1%, 0.81%

LAB 77.99, 28.67, 20.15

 

CMYK 0 / 25 / 31 / 0

HEX #FFBEB0

RGB 255 190 176

HSL 10.63, 1%, 0.85%

LAB 82.5, 21.51, 16.21

 

CMYK 0 / 18 / 24 / 0

HEX #FFD0C3

RGB 255 208 195

HSL 13, 1%, 0.88%

LAB 87.15, 14.63, 12.68

 

CMYK 0 / 46 / 51 / 0

HEX #FE887C

RGB 254 136 124

HSL 5.54, 0.98%, 0.74%

LAB 69.57, 43.54, 26.7

 

CMYK 0 / 50 / 56 / 7

HEX #ED7669

RGB 237 118 105

HSL 5.91, 0.79%, 0.67%

LAB 63.33, 44.72, 28.61

 

CMYK 0 / 55 / 61 / 14

HEX #DC6456

RGB 220 100 86

HSL 6.27, 0.66%, 0.6%

LAB 57.08, 45.94, 30.79

 

CMYK 0 / 60 / 67 / 20

HEX #CB5243

RGB 203 82 67

HSL 6.62, 0.57%, 0.53%

LAB 50.85, 47.15, 33.29

 

CMYK 0 / 66 / 74 / 27

HEX #BA4030

RGB 186 64 48

HSL 6.96, 0.59%, 0.46%

LAB 44.69, 48.25, 36.17

 

CMYK 0 / 46 / 51 / 0

HEX #FE887C

RGB 254 136 124

HSL 5.54, 0.98%, 0.74%

LAB 69.57, 43.54, 26.7

 

CMYK 0 / 38 / 51 / 1

HEX #FD9C7B

RGB 253 156 123

HSL 15.23, 0.97%, 0.74%

LAB 73.6, 32.87, 32.54

 

CMYK 0 / 30 / 51 / 1

HEX #FDB17B

RGB 253 177 123

HSL 24.92, 0.97%, 0.74%

LAB 78.32, 21.9, 38.6

 

CMYK 0 / 21 / 51 / 1

HEX #FDC77B

RGB 253 199 123

HSL 35.08, 0.97%, 0.74%

LAB 83.53, 10.41, 45.13

 

CMYK 0 / 13 / 51 / 1

HEX #FDDD7B

RGB 253 221 123

HSL 45.23, 0.97%, 0.74%

LAB 88.93, -0.9, 51.74

 

CMYK 0 / 46 / 51 / 0

HEX #FE887C

RGB 254 136 124

HSL 5.54, 0.98%, 0.74%

LAB 69.57, 43.54, 26.7

 

CMYK 0 / 46 / 52 / 80

HEX #321B18

RGB 50 27 24

HSL 6.92, 0.35%, 0.15%

LAB 12.78, 10.96, 6.92

 

CMYK 0 / 47 / 51 / 60

HEX #653631

RGB 101 54 49

HSL 5.77, 0.35%, 0.29%

LAB 28.45, 20.36, 12.39

 

CMYK 0 / 47 / 51 / 40

HEX #98514A

RGB 152 81 74

HSL 5.38, 0.35%, 0.44%

LAB 42.85, 28.77, 17.36

 

CMYK 0 / 46 / 51 / 20

HEX #CB6D63

RGB 203 109 99

HSL 5.77, 0.5%, 0.59%

LAB 56.62, 36.08, 22.29

 

CMYK 0 / 46 / 51 / 0

HEX #FE887C

RGB 254 136 124

HSL 5.54, 0.98%, 0.74%

LAB 69.57, 43.54, 26.7

 

CMYK 15 / 0 / 51 / 1

HEX #D8FD7B

RGB 216 253 123

HSL 77.08, 0.97%, 0.74%

LAB 94.43, -30.97, 57.62

 

CMYK 51 / 35 / 0 / 1

HEX #7BA4FD

RGB 123 164 253

HSL 221.08, 0.97%, 0.74%

LAB 67.91, 10.4, -48.54

 

CMYK 0 / 46 / 51 / 0

HEX #FE887C

RGB 254 136 124

HSL 5.54, 0.98%, 0.74%

LAB 69.57, 43.54, 26.7

 

CMYK 51 / 0 / 47 / 1

HEX #7BFD86

RGB 123 253 134

HSL 125.08, 0.97%, 0.74%

LAB 89.94, -59.6, 45.98

 

CMYK 47 / 51 / 0 / 1

HEX #867BFD

RGB 134 123 253

HSL 245.08, 0.97%, 0.74%

LAB 58.35, 36.71, -63.72

 

CMYK 0 / 46 / 51 / 0

HEX #FE887C

RGB 254 136 124

HSL 5.54, 0.98%, 0.74%

LAB 69.57, 43.54, 26.7

 

CMYK 15 / 0 / 51 / 1

HEX #D8FD7B

RGB 216 253 123

HSL 77.08, 0.97%, 0.74%

LAB 94.43, -30.97, 57.62

 

CMYK 51 / 4 / 0 / 1

HEX #7BF2FD

RGB 123 242 253

HSL 185.08, 0.97%, 0.74%

LAB 89.3, -30.65, -15.62

 

CMYK 37 / 51 / 0 / 1

HEX #A07BFD

RGB 160 123 253

HSL 257.08, 0.97%, 0.74%

LAB 60.54, 42.6, -60.07

 

CMYK 0 / 46 / 51 / 0

HEX #FE887C

RGB 254 136 124

HSL 5.54, 0.98%, 0.74%

LAB 69.57, 43.54, 26.7

 

CMYK 30 / 0 / 51 / 1

HEX #B1FD7B

RGB 177 253 123

HSL 95.08, 0.97%, 0.74%

LAB 92.14, -44.91, 54.34

 

CMYK 51 / 4 / 0 / 1

HEX #7BF2FD

RGB 123 242 253

HSL 185.08, 0.97%, 0.74%

LAB 89.3, -30.65, -15.62

 

CMYK 21 / 51 / 0 / 1

HEX #C77BFD

RGB 199 123 253

HSL 275.08, 0.97%, 0.74%

LAB 64.48, 52.27, -53.56

 

Description

Color code: HEX #FE887C | qconv.com Color code: HEX #FE887C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 136 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 136 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 51 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 51% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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