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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE7073CE it is the complementary color #018F8CCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE7073CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE7073CE shade: #FF706ECE, #FF8281CE, #FF9494CE, #FFA6A7CE and #FFB8BACE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE7073CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE7073CE shade: #FE7073CE, #ED5E60CE, #DC4C4DCE, #CB3A3ACE and #BA2827CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE7073CE shade: #FE7174 and #FE7171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE7073CE shade: #FE7174, #FE719A, #FE71C0, #FE71E6 and #F071FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE7073CE shade matches the following richer shades: #FE7174

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE7073CE shade: #FE7174, #F37C7F, #E7888A, #DC9495 and #D09FA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE7073CE shade: #FE71C1, #FE719B, #FE7176, #FE9271 and #FEB871

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE7073CE shade: #FE1F24, #FE484C, #FE7174, #FE9A9C and #FFC3C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE7073CE shade: #FE7073, #E7FE71 and #71AEFE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE7073CE shade: #FE7073, #76FE71 and #7176FE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE7073CE shade: #FE7073, #E7FE71, #71FEFA and #8871FE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE7073CE shade: #FE7073, #BCFE71, #71FEFA and #B371FE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 44 / 0

HEX #FE7073CE

RGBA 254 112 115 0.81

HSLA 358.73, 0.99%, 0.72%, 0.81

LABA 64.88, 54.36, 25.5, 0.81

 

Complementary color

CMYK 80 / 0 / 2 / 36

HEX #018F8CCE

RGBA 1 143 140 0.81

HSLA 178.73, 0.99%, 0.28%, 0.81

LABA 53.54, -32.16, -7.59, 0.81

 

CMYK 0 / 45 / 46 / 0

HEX #FF706ECE

RGBA 255 112 110 0.81

HSLA 0.83, 1%, 0.72%, 0.81

LABA 64.94, 54.33, 28.42, 0.81

 

CMYK 0 / 40 / 40 / 0

HEX #FF8281CE

RGBA 255 130 129 0.81

HSLA 0.48, 1%, 0.75%, 0.81

LABA 68.61, 47.31, 22.68, 0.81

 

CMYK 0 / 34 / 34 / 0

HEX #FF9494CE

RGBA 255 148 148 0.81

HSLA 0, 1%, 0.79%, 0.81

LABA 72.61, 40.13, 17.62, 0.81

 

CMYK 0 / 28 / 28 / 0

HEX #FFA6A7CE

RGBA 255 166 167 0.81

HSLA 359.33, 1%, 0.83%, 0.81

LABA 76.87, 32.97, 13.16, 0.81

 

CMYK 0 / 23 / 22 / 0

HEX #FFB8BACE

RGBA 255 184 186 0.81

HSLA 358.31, 1%, 0.86%, 0.81

LABA 81.34, 25.96, 9.21, 0.81

 

CMYK 0 / 45 / 44 / 0

HEX #FE7073CE

RGBA 254 112 115 0.81

HSLA 358.73, 0.99%, 0.72%, 0.81

LABA 64.88, 54.36, 25.5, 0.81

 

CMYK 0 / 49 / 48 / 6

HEX #ED5E60CE

RGBA 237 94 96 0.81

HSLA 359.16, 0.8%, 0.65%, 0.81

LABA 58.84, 55.33, 27.88, 0.81

 

CMYK 0 / 53 / 53 / 11

HEX #DC4C4DCE

RGBA 220 76 77 0.81

HSLA 359.58, 0.67%, 0.58%, 0.81

LABA 52.86, 56.15, 30.66, 0.81

 

CMYK 0 / 58 / 58 / 17

HEX #CB3A3ACE

RGBA 203 58 58 0.81

HSLA 0, 0.58%, 0.51%, 0.81

LABA 47.01, 56.7, 33.92, 0.81

 

CMYK 0 / 64 / 64 / 22

HEX #BA2827CE

RGBA 186 40 39 0.81

HSLA 0.41, 0.65%, 0.44%, 0.81

LABA 41.38, 56.73, 37.67, 0.81

 

CMYK 0 / 56 / 54 / 0

HEX #FE7174

RGB 254 113 116

HSL 358.72, 0.99%, 0.72%

LAB 65.08, 53.98, 25.19

 

CMYK 0 / 56 / 56 / 0

HEX #FE7171

RGB 254 113 113

HSL 0, 0.99%, 0.72%

LAB 65.02, 53.75, 26.81

 

CMYK 0 / 56 / 54 / 0

HEX #FE7174

RGB 254 113 116

HSL 358.72, 0.99%, 0.72%

LAB 65.08, 53.98, 25.19

 

CMYK 0 / 56 / 39 / 0

HEX #FE719A

RGB 254 113 154

HSL 342.55, 0.99%, 0.72%

LAB 65.92, 57.45, 4.76

 

CMYK 0 / 56 / 24 / 0

HEX #FE71C0

RGB 254 113 192

HSL 326.38, 0.99%, 0.72%

LAB 67.04, 61.96, -15.12

 

CMYK 0 / 56 / 9 / 0

HEX #FE71E6

RGB 254 113 230

HSL 310.21, 0.99%, 0.72%

LAB 68.46, 67.4, -34.17

 

CMYK 6 / 56 / 0 / 0

HEX #F071FE

RGB 240 113 254

HSL 294.04, 0.99%, 0.72%

LAB 67.64, 67.74, -48.79

 

CMYK 0 / 56 / 54 / 0

HEX #FE7174

RGB 254 113 116

HSL 358.72, 0.99%, 0.72%

LAB 65.08, 53.98, 25.19

 

CMYK 0 / 56 / 54 / 0

HEX #FE7174

RGB 254 113 116

HSL 358.72, 0.99%, 0.72%

LAB 65.08, 53.98, 25.19

 

CMYK 0 / 49 / 48 / 5

HEX #F37C7F

RGB 243 124 127

HSL 358.49, 0.83%, 0.72%

LAB 65.75, 45.8, 19.63

 

CMYK 0 / 41 / 40 / 9

HEX #E7888A

RGB 231 136 138

HSL 358.74, 0.66%, 0.72%

LAB 66.85, 36.44, 14.71

 

CMYK 0 / 33 / 32 / 14

HEX #DC9495

RGB 220 148 149

HSL 359.17, 0.51%, 0.72%

LAB 68.44, 27.28, 10.59

 

CMYK 0 / 24 / 23 / 18

HEX #D09FA0

RGB 208 159 160

HSL 358.78, 0.34%, 0.72%

LAB 70, 18.32, 6.52

 

CMYK 0 / 56 / 24 / 0

HEX #FE71C1

RGB 254 113 193

HSL 325.96, 0.99%, 0.72%

LAB 67.07, 62.09, -15.63

 

CMYK 0 / 56 / 39 / 0

HEX #FE719B

RGB 254 113 155

HSL 342.13, 0.99%, 0.72%

LAB 65.94, 57.56, 4.23

 

CMYK 0 / 56 / 54 / 0

HEX #FE7176

RGB 254 113 118

HSL 357.87, 0.99%, 0.72%

LAB 65.11, 54.13, 24.11

 

CMYK 0 / 43 / 56 / 0

HEX #FE9271

RGB 254 146 113

HSL 14.04, 0.99%, 0.72%

LAB 71.43, 37.59, 35.13

 

CMYK 0 / 28 / 56 / 0

HEX #FEB871

RGB 254 184 113

HSL 30.21, 0.99%, 0.72%

LAB 79.92, 17.82, 45.72

 

CMYK 0 / 88 / 86 / 0

HEX #FE1F24

RGB 254 31 36

HSL 358.65, 0.99%, 0.56%

LAB 54.22, 77.22, 55.97

 

CMYK 0 / 72 / 70 / 0

HEX #FE484C

RGB 254 72 76

HSL 358.68, 0.99%, 0.64%

LAB 58.25, 68.18, 39.15

 

CMYK 0 / 56 / 54 / 0

HEX #FE7174

RGB 254 113 116

HSL 358.72, 0.99%, 0.72%

LAB 65.08, 53.98, 25.19

 

CMYK 0 / 39 / 39 / 0

HEX #FE9A9C

RGB 254 154 156

HSL 358.8, 0.98%, 0.8%

LAB 73.92, 37.55, 15.02

 

CMYK 0 / 24 / 23 / 0

HEX #FFC3C4

RGB 255 195 196

HSL 359, 1%, 0.88%

LAB 84.11, 21.57, 7.81

 

CMYK 0 / 56 / 55 / 0

HEX #FE7073

RGB 254 112 115

HSL 358.73, 0.99%, 0.72%

LAB 64.88, 54.36, 25.5

 

CMYK 9 / 0 / 56 / 0

HEX #E7FE71

RGB 231 254 113

HSL 69.79, 0.99%, 0.72%

LAB 95.61, -26.59, 63.67

 

CMYK 56 / 31 / 0 / 0

HEX #71AEFE

RGB 113 174 254

HSL 214.04, 0.99%, 0.72%

LAB 70.13, 2.92, -45.62

 

CMYK 0 / 56 / 55 / 0

HEX #FE7073

RGB 254 112 115

HSL 358.73, 0.99%, 0.72%

LAB 64.88, 54.36, 25.5

 

CMYK 54 / 0 / 56 / 0

HEX #76FE71

RGB 118 254 113

HSL 117.87, 0.99%, 0.72%

LAB 89.83, -63.88, 55.49

 

CMYK 56 / 54 / 0 / 0

HEX #7176FE

RGB 113 118 254

HSL 237.87, 0.99%, 0.72%

LAB 55.71, 35.74, -68.6

 

CMYK 0 / 56 / 55 / 0

HEX #FE7073

RGB 254 112 115

HSL 358.73, 0.99%, 0.72%

LAB 64.88, 54.36, 25.5

 

CMYK 9 / 0 / 56 / 0

HEX #E7FE71

RGB 231 254 113

HSL 69.79, 0.99%, 0.72%

LAB 95.61, -26.59, 63.67

 

CMYK 56 / 0 / 2 / 0

HEX #71FEFA

RGB 113 254 250

HSL 178.3, 0.99%, 0.72%

LAB 92.26, -38.91, -9.67

 

CMYK 46 / 56 / 0 / 0

HEX #8871FE

RGB 136 113 254

HSL 249.79, 0.99%, 0.72%

LAB 56.29, 43.17, -67.58

 

CMYK 0 / 56 / 55 / 0

HEX #FE7073

RGB 254 112 115

HSL 358.73, 0.99%, 0.72%

LAB 64.88, 54.36, 25.5

 

CMYK 26 / 0 / 56 / 0

HEX #BCFE71

RGB 188 254 113

HSL 88.09, 0.99%, 0.72%

LAB 92.91, -42.54, 59.87

 

CMYK 56 / 0 / 2 / 0

HEX #71FEFA

RGB 113 254 250

HSL 178.3, 0.99%, 0.72%

LAB 92.26, -38.91, -9.67

 

CMYK 30 / 56 / 0 / 0

HEX #B371FE

RGB 179 113 254

HSL 268.09, 0.99%, 0.72%

LAB 60.38, 52.76, -60.78

 

Description

Color code: HEX #FE7073CE | qconv.com Color code: HEX #FE7073CE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 112 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 112 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 44 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 44% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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