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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D09FA0 it is the complementary color #2F605F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D09FA0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D09FA0 shade: #D59F9B, #E6B1AE, #F7C3C1, #FFD5D4 and #FFE7E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D09FA0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D09FA0 shade: #D09FA0, #BF8D8D, #AE7B7A, #9D6967 and #8C5754

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D09FA0 shade: #D09FA0 and #D09F9F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D09FA0 shade: #D09FA0, #D09FAD, #D09FBA, #D09FC8 and #CB9FD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D09FA0 shade matches the following richer shades: #D09FA0, #DB9495, #E7888A, #F37D7F and #FE7174

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D09FA0 shade: #D09FA0, #C4ABAB, #B9B6B6, #ADC2C2 and #A2CECD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D09FA0 shade: #D09FBB, #D09FAE, #D09FA1, #D0AB9F and #D0B89F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D09FA0 shade: #B5686A, #C28485, #D09FA0, #DDBBBC and #EBD7D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D09FA0 shade: #D09FA0, #C8D09F and #9FB4D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D09FA0 shade: #D09FA0, #A1D09F and #9FA1D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D09FA0 shade: #D09FA0, #C8D09F, #9FD0CE and #A79FD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D09FA0 shade: #D09FA0, #B9D09F, #9FD0CE and #B69FD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 23 / 18

HEX #D09FA0

RGB 208 159 160

HSL 358.78, 0.34%, 0.72%

LAB 70, 18.32, 6.52

 

Complementary color

CMYK 51 / 0 / 1 / 62

HEX #2F605F

RGB 47 96 95

HSL 178.78, 0.34%, 0.28%

LAB 37.47, -16.79, -4.55

 

CMYK 0 / 25 / 27 / 16

HEX #D59F9B

RGB 213 159 155

HSL 4.14, 0.41%, 0.72%

LAB 70.39, 19.49, 9.93

 

CMYK 0 / 23 / 24 / 10

HEX #E6B1AE

RGB 230 177 174

HSL 3.21, 0.53%, 0.79%

LAB 76.87, 18.83, 8.98

 

CMYK 0 / 21 / 22 / 3

HEX #F7C3C1

RGB 247 195 193

HSL 2.22, 0.77%, 0.86%

LAB 83.26, 18.24, 8.1

 

CMYK 0 / 16 / 17 / 0

HEX #FFD5D4

RGB 255 213 212

HSL 1.4, 1%, 0.92%

LAB 88.73, 14.5, 5.98

 

CMYK 0 / 9 / 9 / 0

HEX #FFE7E7

RGB 255 231 231

HSL 0, 1%, 0.95%

LAB 93.53, 8.17, 2.96

 

CMYK 0 / 24 / 23 / 18

HEX #D09FA0

RGB 208 159 160

HSL 358.78, 0.34%, 0.72%

LAB 70, 18.32, 6.52

 

CMYK 0 / 26 / 26 / 25

HEX #BF8D8D

RGB 191 141 141

HSL 0, 0.28%, 0.65%

LAB 63.38, 18.98, 7.46

 

CMYK 0 / 29 / 30 / 32

HEX #AE7B7A

RGB 174 123 122

HSL 1.15, 0.24%, 0.58%

LAB 56.65, 19.73, 8.48

 

CMYK 0 / 33 / 34 / 38

HEX #9D6967

RGB 157 105 103

HSL 2.22, 0.22%, 0.51%

LAB 49.8, 20.58, 9.63

 

CMYK 0 / 38 / 40 / 45

HEX #8C5754

RGB 140 87 84

HSL 3.21, 0.25%, 0.44%

LAB 42.81, 21.56, 10.96

 

CMYK 0 / 24 / 23 / 18

HEX #D09FA0

RGB 208 159 160

HSL 358.78, 0.34%, 0.72%

LAB 70, 18.32, 6.52

 

CMYK 0 / 24 / 24 / 18

HEX #D09F9F

RGB 208 159 159

HSL 0, 0.34%, 0.72%

LAB 69.97, 18.17, 7.04

 

CMYK 0 / 24 / 23 / 18

HEX #D09FA0

RGB 208 159 160

HSL 358.78, 0.34%, 0.72%

LAB 70, 18.32, 6.52

 

CMYK 0 / 24 / 17 / 18

HEX #D09FAD

RGB 208 159 173

HSL 342.86, 0.34%, 0.72%

LAB 70.33, 20.31, -0.2

 

CMYK 0 / 24 / 11 / 18

HEX #D09FBA

RGB 208 159 186

HSL 326.94, 0.34%, 0.72%

LAB 70.7, 22.45, -6.87

 

CMYK 0 / 24 / 4 / 18

HEX #D09FC8

RGB 208 159 200

HSL 309.8, 0.34%, 0.72%

LAB 71.13, 24.91, -13.97

 

CMYK 2 / 24 / 0 / 18

HEX #CB9FD0

RGB 203 159 208

HSL 293.88, 0.34%, 0.72%

LAB 70.9, 24.73, -18.78

 

CMYK 0 / 24 / 23 / 18

HEX #D09FA0

RGB 208 159 160

HSL 358.78, 0.34%, 0.72%

LAB 70, 18.32, 6.52

 

CMYK 0 / 32 / 32 / 14

HEX #DB9495

RGB 219 148 149

HSL 359.15, 0.5%, 0.72%

LAB 68.32, 26.9, 10.41

 

CMYK 0 / 41 / 40 / 9

HEX #E7888A

RGB 231 136 138

HSL 358.74, 0.66%, 0.72%

LAB 66.85, 36.44, 14.71

 

CMYK 0 / 49 / 48 / 5

HEX #F37D7F

RGB 243 125 127

HSL 358.98, 0.83%, 0.72%

LAB 65.95, 45.31, 19.89

 

CMYK 0 / 56 / 54 / 0

HEX #FE7174

RGB 254 113 116

HSL 358.72, 0.99%, 0.72%

LAB 65.08, 53.98, 25.19

 

CMYK 0 / 24 / 23 / 18

HEX #D09FA0

RGB 208 159 160

HSL 358.78, 0.34%, 0.72%

LAB 70, 18.32, 6.52

 

CMYK 0 / 13 / 13 / 23

HEX #C4ABAB

RGB 196 171 171

HSL 0, 0.17%, 0.72%

LAB 72.1, 9.04, 3.33

 

CMYK 0 / 2 / 2 / 27

HEX #B9B6B6

RGB 185 182 182

HSL 0, 0.02%, 0.72%

LAB 74.28, 1.06, 0.37

 

CMYK 11 / 0 / 0 / 24

HEX #ADC2C2

RGB 173 194 194

HSL 180, 0.15%, 0.72%

LAB 76.9, -7.11, -2.43

 

CMYK 21 / 0 / 0 / 19

HEX #A2CECD

RGB 162 206 205

HSL 178.64, 0.31%, 0.72%

LAB 79.75, -14.55, -4.25

 

CMYK 0 / 24 / 10 / 18

HEX #D09FBB

RGB 208 159 187

HSL 325.71, 0.34%, 0.72%

LAB 70.73, 22.62, -7.38

 

CMYK 0 / 24 / 16 / 18

HEX #D09FAE

RGB 208 159 174

HSL 341.63, 0.34%, 0.72%

LAB 70.36, 20.47, -0.72

 

CMYK 0 / 24 / 23 / 18

HEX #D09FA1

RGB 208 159 161

HSL 357.55, 0.34%, 0.72%

LAB 70.02, 18.47, 6

 

CMYK 0 / 18 / 24 / 18

HEX #D0AB9F

RGB 208 171 159

HSL 14.69, 0.34%, 0.72%

LAB 72.92, 11.65, 11.24

 

CMYK 0 / 12 / 24 / 18

HEX #D0B89F

RGB 208 184 159

HSL 30.61, 0.34%, 0.72%

LAB 76.19, 4.67, 15.84

 

CMYK 0 / 43 / 41 / 29

HEX #B5686A

RGB 181 104 106

HSL 358.44, 0.34%, 0.56%

LAB 52.69, 31, 12.37

 

CMYK 0 / 32 / 31 / 24

HEX #C28485

RGB 194 132 133

HSL 359.03, 0.34%, 0.64%

LAB 61.36, 24, 9.17

 

CMYK 0 / 24 / 23 / 18

HEX #D09FA0

RGB 208 159 160

HSL 358.78, 0.34%, 0.72%

LAB 70, 18.32, 6.52

 

CMYK 0 / 15 / 15 / 13

HEX #DDBBBC

RGB 221 187 188

HSL 358.24, 0.33%, 0.8%

LAB 78.78, 12.3, 4.01

 

CMYK 0 / 9 / 9 / 8

HEX #EBD7D7

RGB 235 215 215

HSL 0, 0.33%, 0.88%

LAB 87.57, 6.89, 2.49

 

CMYK 0 / 24 / 23 / 18

HEX #D09FA0

RGB 208 159 160

HSL 358.78, 0.34%, 0.72%

LAB 70, 18.32, 6.52

 

CMYK 4 / 0 / 24 / 18

HEX #C8D09F

RGB 200 208 159

HSL 69.8, 0.34%, 0.72%

LAB 81.78, -10.88, 23.48

 

CMYK 24 / 13 / 0 / 18

HEX #9FB4D0

RGB 159 180 208

HSL 214.29, 0.34%, 0.72%

LAB 72.61, -1.07, -16.55

 

CMYK 0 / 24 / 23 / 18

HEX #D09FA0

RGB 208 159 160

HSL 358.78, 0.34%, 0.72%

LAB 70, 18.32, 6.52

 

CMYK 23 / 0 / 24 / 18

HEX #A1D09F

RGB 161 208 159

HSL 117.55, 0.34%, 0.72%

LAB 79.15, -24.78, 19.44

 

CMYK 24 / 23 / 0 / 18

HEX #9FA1D0

RGB 159 161 208

HSL 237.55, 0.34%, 0.72%

LAB 67.59, 9.43, -24.18

 

CMYK 0 / 24 / 23 / 18

HEX #D09FA0

RGB 208 159 160

HSL 358.78, 0.34%, 0.72%

LAB 70, 18.32, 6.52

 

CMYK 4 / 0 / 24 / 18

HEX #C8D09F

RGB 200 208 159

HSL 69.8, 0.34%, 0.72%

LAB 81.78, -10.88, 23.48

 

CMYK 24 / 0 / 1 / 18

HEX #9FD0CE

RGB 159 208 206

HSL 177.55, 0.34%, 0.72%

LAB 80.15, -16.26, -4.22

 

CMYK 20 / 24 / 0 / 18

HEX #A79FD0

RGB 167 159 208

HSL 249.8, 0.34%, 0.72%

LAB 67.7, 13.04, -23.95

 

CMYK 0 / 24 / 23 / 18

HEX #D09FA0

RGB 208 159 160

HSL 358.78, 0.34%, 0.72%

LAB 70, 18.32, 6.52

 

CMYK 11 / 0 / 24 / 18

HEX #B9D09F

RGB 185 208 159

HSL 88.16, 0.34%, 0.72%

LAB 80.7, -16.38, 21.82

 

CMYK 24 / 0 / 1 / 18

HEX #9FD0CE

RGB 159 208 206

HSL 177.55, 0.34%, 0.72%

LAB 80.15, -16.26, -4.22

 

CMYK 13 / 24 / 0 / 18

HEX #B69FD0

RGB 182 159 208

HSL 268.16, 0.34%, 0.72%

LAB 68.96, 17.83, -21.9

 

Description

Color code: HEX #D09FA0 | qconv.com Color code: HEX #D09FA0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 159 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 159 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 23 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 23% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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