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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE4BBE it is the complementary color #01B441. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE4BBE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE4BBE shade: #FF4BB9, #FF5DCC, #FF6FDF, #FF81F2 and #FF93FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE4BBE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE4BBE shade: #FE4BBE, #ED39AB, #DC2798, #CB1585 and #BA0372

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE4BBE shade: #FE4DBF, #FE4D8F, #FE4D60 and #FE4D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE4BBE shade: #FE4DBF, #FE4DEF, #DE4DFE, #AE4DFE and #7F4DFE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE4BBE shade matches the following richer shades: #FE4DBF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE4BBE shade: #FE4DBF, #F05CBB, #E16AB7, #D379B3 and #C487AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE4BBE shade: #DE4DFE, #FE4DEF, #FE4DC0, #FE4D91 and #FE4D62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE4BBE shade: #F801A0, #FE24B0, #FE4DBF, #FE76CE and #FF9FDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE4BBE shade: #FE4BBE, #FEAF4D and #4DFEF5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE4BBE shade: #FE4BBE, #C0FE4D and #4DC0FE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE4BBE shade: #FE4BBE, #FEAF4D, #4DFE8B and #4D9DFE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE4BBE shade: #FE4BBE, #FEE44D, #4DFE8B and #4D68FE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 25 / 0

HEX #FE4BBE

RGB 254 75 190

HSL 321.45, 0.99%, 0.65%

LAB 61.5, 76.67, -22.4

 

Complementary color

CMYK 99 / 0 / 64 / 29

HEX #01B441

RGB 1 180 65

HSL 141.45, 0.99%, 0.35%

LAB 64.19, -62.33, 46.64

 

CMYK 0 / 71 / 27 / 0

HEX #FF4BB9

RGB 255 75 185

HSL 323.33, 1%, 0.65%

LAB 61.48, 76.33, -19.56

 

CMYK 0 / 64 / 20 / 0

HEX #FF5DCC

RGB 255 93 204

HSL 318.89, 1%, 0.68%

LAB 64.52, 72.22, -25.71

 

CMYK 0 / 56 / 13 / 0

HEX #FF6FDF

RGB 255 111 223

HSL 313.33, 1%, 0.72%

LAB 67.99, 67.48, -31

 

CMYK 0 / 49 / 5 / 0

HEX #FF81F2

RGB 255 129 242

HSL 306.19, 1%, 0.75%

LAB 71.81, 62.31, -35.57

 

CMYK 0 / 42 / 0 / 0

HEX #FF93FF

RGB 255 147 255

HSL 300, 1%, 0.79%

LAB 75.67, 55.82, -36.66

 

CMYK 0 / 70 / 25 / 0

HEX #FE4BBE

RGB 254 75 190

HSL 321.45, 0.99%, 0.65%

LAB 61.5, 76.67, -22.4

 

CMYK 0 / 76 / 28 / 7

HEX #ED39AB

RGB 237 57 171

HSL 322, 0.83%, 0.58%

LAB 55.96, 75.86, -20.16

 

CMYK 0 / 82 / 31 / 14

HEX #DC2798

RGB 220 39 152

HSL 322.54, 0.72%, 0.51%

LAB 50.61, 74.35, -17.39

 

CMYK 0 / 90 / 34 / 20

HEX #CB1585

RGB 203 21 133

HSL 323.08, 0.81%, 0.44%

LAB 45.53, 71.88, -13.94

 

CMYK 0 / 98 / 39 / 27

HEX #BA0372

RGB 186 3 114

HSL 323.61, 0.97%, 0.37%

LAB 40.77, 68.33, -9.72

 

CMYK 0 / 70 / 25 / 0

HEX #FE4DBF

RGB 254 77 191

HSL 321.36, 0.99%, 0.65%

LAB 61.77, 76.13, -22.55

 

CMYK 0 / 70 / 44 / 0

HEX #FE4D8F

RGB 254 77 143

HSL 337.63, 0.99%, 0.65%

LAB 60.21, 71, 2.86

 

CMYK 0 / 70 / 62 / 0

HEX #FE4D60

RGB 254 77 96

HSL 353.56, 0.99%, 0.65%

LAB 59.18, 67.48, 28.88

 

CMYK 0 / 70 / 70 / 0

HEX #FE4D4D

RGB 254 77 77

HSL 0, 0.99%, 0.65%

LAB 58.9, 66.49, 39.34

 

CMYK 0 / 70 / 25 / 0

HEX #FE4DBF

RGB 254 77 191

HSL 321.36, 0.99%, 0.65%

LAB 61.77, 76.13, -22.55

 

CMYK 0 / 70 / 6 / 0

HEX #FE4DEF

RGB 254 77 239

HSL 305.08, 0.99%, 0.65%

LAB 63.84, 82.62, -46.38

 

CMYK 13 / 70 / 0 / 0

HEX #DE4DFE

RGB 222 77 254

HSL 289.15, 0.99%, 0.65%

LAB 59.88, 78.34, -61.28

 

CMYK 31 / 70 / 0 / 0

HEX #AE4DFE

RGB 174 77 254

HSL 272.88, 0.99%, 0.65%

LAB 53.45, 68.98, -71.97

 

CMYK 50 / 70 / 0 / 0

HEX #7F4DFE

RGB 127 77 254

HSL 256.95, 0.99%, 0.65%

LAB 48.23, 60.9, -80.7

 

CMYK 0 / 70 / 25 / 0

HEX #FE4DBF

RGB 254 77 191

HSL 321.36, 0.99%, 0.65%

LAB 61.77, 76.13, -22.55

 

CMYK 0 / 70 / 25 / 0

HEX #FE4DBF

RGB 254 77 191

HSL 321.36, 0.99%, 0.65%

LAB 61.77, 76.13, -22.55

 

CMYK 0 / 62 / 22 / 6

HEX #F05CBB

RGB 240 92 187

HSL 321.49, 0.83%, 0.65%

LAB 61.45, 66.34, -20.96

 

CMYK 0 / 53 / 19 / 12

HEX #E16AB7

RGB 225 106 183

HSL 321.18, 0.66%, 0.65%

LAB 61.42, 55.26, -18.91

 

CMYK 0 / 43 / 15 / 17

HEX #D379B3

RGB 211 121 179

HSL 321.33, 0.51%, 0.65%

LAB 62.32, 42.76, -15.45

 

CMYK 0 / 31 / 11 / 23

HEX #C487AE

RGB 196 135 174

HSL 321.64, 0.34%, 0.65%

LAB 63.44, 29.34, -11.1

 

CMYK 13 / 70 / 0 / 0

HEX #DE4DFE

RGB 222 77 254

HSL 289.15, 0.99%, 0.65%

LAB 59.88, 78.34, -61.28

 

CMYK 0 / 70 / 6 / 0

HEX #FE4DEF

RGB 254 77 239

HSL 305.08, 0.99%, 0.65%

LAB 63.84, 82.62, -46.38

 

CMYK 0 / 70 / 24 / 0

HEX #FE4DC0

RGB 254 77 192

HSL 321.02, 0.99%, 0.65%

LAB 61.81, 76.25, -23.07

 

CMYK 0 / 70 / 43 / 0

HEX #FE4D91

RGB 254 77 145

HSL 336.95, 0.99%, 0.65%

LAB 60.27, 71.18, 1.78

 

CMYK 0 / 70 / 61 / 0

HEX #FE4D62

RGB 254 77 98

HSL 352.88, 0.99%, 0.65%

LAB 59.21, 67.6, 27.77

 

CMYK 0 / 100 / 35 / 3

HEX #F801A0

RGB 248 1 160

HSL 321.38, 0.99%, 0.49%

LAB 54.57, 85.71, -15.63

 

CMYK 0 / 86 / 31 / 0

HEX #FE24B0

RGB 254 36 176

HSL 321.47, 0.99%, 0.57%

LAB 57.53, 84.91, -20.4

 

CMYK 0 / 70 / 25 / 0

HEX #FE4DBF

RGB 254 77 191

HSL 321.36, 0.99%, 0.65%

LAB 61.77, 76.13, -22.55

 

CMYK 0 / 54 / 19 / 0

HEX #FE76CE

RGB 254 118 206

HSL 321.18, 0.99%, 0.73%

LAB 68.38, 61.61, -20.95

 

CMYK 0 / 38 / 13 / 0

HEX #FF9FDD

RGB 255 159 221

HSL 321.25, 1%, 0.81%

LAB 76.85, 44.1, -16.38

 

CMYK 0 / 70 / 25 / 0

HEX #FE4BBE

RGB 254 75 190

HSL 321.45, 0.99%, 0.65%

LAB 61.5, 76.67, -22.4

 

CMYK 0 / 31 / 70 / 0

HEX #FEAF4D

RGB 254 175 77

HSL 33.22, 0.99%, 0.65%

LAB 77.44, 20.22, 59.97

 

CMYK 70 / 0 / 4 / 0

HEX #4DFEF5

RGB 77 254 245

HSL 176.95, 0.99%, 0.65%

LAB 91.26, -45.71, -8.66

 

CMYK 0 / 70 / 25 / 0

HEX #FE4BBE

RGB 254 75 190

HSL 321.45, 0.99%, 0.65%

LAB 61.5, 76.67, -22.4

 

CMYK 24 / 0 / 70 / 0

HEX #C0FE4D

RGB 192 254 77

HSL 81.02, 0.99%, 0.65%

LAB 92.85, -43.82, 74.2

 

CMYK 70 / 24 / 0 / 0

HEX #4DC0FE

RGB 77 192 254

HSL 201.02, 0.99%, 0.65%

LAB 73.83, -13.11, -39.94

 

CMYK 0 / 70 / 25 / 0

HEX #FE4BBE

RGB 254 75 190

HSL 321.45, 0.99%, 0.65%

LAB 61.5, 76.67, -22.4

 

CMYK 0 / 31 / 70 / 0

HEX #FEAF4D

RGB 254 175 77

HSL 33.22, 0.99%, 0.65%

LAB 77.44, 20.22, 59.97

 

CMYK 70 / 0 / 45 / 0

HEX #4DFE8B

RGB 77 254 139

HSL 141.02, 0.99%, 0.65%

LAB 89.08, -68.59, 42.24

 

CMYK 70 / 38 / 0 / 0

HEX #4D9DFE

RGB 77 157 254

HSL 212.88, 0.99%, 0.65%

LAB 64.04, 6.46, -55.35

 

CMYK 0 / 70 / 25 / 0

HEX #FE4BBE

RGB 254 75 190

HSL 321.45, 0.99%, 0.65%

LAB 61.5, 76.67, -22.4

 

CMYK 0 / 10 / 70 / 0

HEX #FEE44D

RGB 254 228 77

HSL 51.19, 0.99%, 0.65%

LAB 90.36, -7.03, 73.19

 

CMYK 70 / 0 / 45 / 0

HEX #4DFE8B

RGB 77 254 139

HSL 141.02, 0.99%, 0.65%

LAB 89.08, -68.59, 42.24

 

CMYK 70 / 59 / 0 / 0

HEX #4D68FE

RGB 77 104 254

HSL 230.85, 0.99%, 0.65%

LAB 50.26, 38.57, -77.54

 

Description

Color code: HEX #FE4BBE | qconv.com Color code: HEX #FE4BBE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 75 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 75 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 25 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 25% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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