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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C487AE it is the complementary color #3B7851. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C487AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C487AE: #C987A9, #DA99BC, #EBABCF, #FCBDE2 and #FFCFF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C487AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C487AE: #C487AE, #B3759B, #A26388, #915175 and #803F62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 11 / 23

HEX #C487AE

RGB 196 135 174

HSL 321.64, 0.34%, 0.65%

LAB 63.44, 29.34, -11.1

 

Complementary color

CMYK 51 / 0 / 33 / 53

HEX #3B7851

RGB 59 120 81

HSL 141.64, 0.34%, 0.35%

LAB 45.58, -29.33, 15.5

 

CMYK 0 / 33 / 16 / 21

HEX #C987A9

RGB 201 135 169

HSL 329.09, 0.38%, 0.66%

LAB 63.84, 30.27, -7.61

 

CMYK 0 / 30 / 14 / 15

HEX #DA99BC

RGB 218 153 188

HSL 327.69, 0.47%, 0.73%

LAB 70.4, 29.55, -8.31

 

CMYK 0 / 27 / 12 / 8

HEX #EBABCF

RGB 235 171 207

HSL 326.25, 0.62%, 0.8%

LAB 76.86, 28.88, -8.96

 

CMYK 0 / 25 / 10 / 1

HEX #FCBDE2

RGB 252 189 226

HSL 324.76, 0.91%, 0.86%

LAB 83.22, 28.26, -9.57

 

CMYK 0 / 19 / 4 / 0

HEX #FFCFF5

RGB 255 207 245

HSL 312.5, 1%, 0.91%

LAB 88.2, 23.02, -12.23

 

CMYK 0 / 31 / 11 / 23

HEX #C487AE

RGB 196 135 174

HSL 321.64, 0.34%, 0.65%

LAB 63.44, 29.34, -11.1

 

CMYK 0 / 35 / 13 / 30

HEX #B3759B

RGB 179 117 155

HSL 323.23, 0.29%, 0.58%

LAB 56.76, 30.08, -10.44

 

CMYK 0 / 39 / 16 / 36

HEX #A26388

RGB 162 99 136

HSL 324.76, 0.25%, 0.51%

LAB 49.96, 30.88, -9.7

 

CMYK 0 / 44 / 19 / 43

HEX #915175

RGB 145 81 117

HSL 326.25, 0.28%, 0.44%

LAB 43.05, 31.72, -8.84

 

CMYK 0 / 51 / 23 / 50

HEX #803F62

RGB 128 63 98

HSL 327.69, 0.34%, 0.37%

LAB 36.03, 32.56, -7.79

 

CMYK 0 / 31 / 11 / 23

HEX #C487AE

RGB 196 135 174

HSL 321.64, 0.34%, 0.65%

LAB 63.44, 29.34, -11.1

 

CMYK 0 / 31 / 16 / 23

HEX #C487A4

RGB 196 135 164

HSL 331.48, 0.34%, 0.65%

LAB 63.13, 27.68, -5.89

 

CMYK 0 / 31 / 21 / 23

HEX #C4879A

RGB 196 135 154

HSL 341.31, 0.34%, 0.65%

LAB 62.84, 26.11, -0.64

 

CMYK 0 / 31 / 27 / 23

HEX #C48790

RGB 196 135 144

HSL 351.15, 0.34%, 0.65%

LAB 62.57, 24.63, 4.66

 

CMYK 0 / 31 / 31 / 23

HEX #C48887

RGB 196 136 135

HSL 0.98, 0.34%, 0.65%

LAB 62.59, 22.84, 9.8

 

CMYK 0 / 31 / 11 / 23

HEX #C487AE

RGB 196 135 174

HSL 321.64, 0.34%, 0.65%

LAB 63.44, 29.34, -11.1

 

CMYK 0 / 31 / 11 / 3

HEX #F7AADB

RGB 247 170 219

HSL 321.82, 0.83%, 0.82%

LAB 78.25, 35.43, -13.28

 

CMYK 0 / 30 / 12 / 83

HEX #2B1E26

RGB 43 30 38

HSL 323.08, 0.18%, 0.14%

LAB 13.12, 8.01, -2.94

 

CMYK 0 / 31 / 12 / 63

HEX #5E4153

RGB 94 65 83

HSL 322.76, 0.18%, 0.31%

LAB 31.31, 15.81, -5.77

 

CMYK 0 / 31 / 11 / 43

HEX #916481

RGB 145 100 129

HSL 321.33, 0.18%, 0.48%

LAB 47.9, 22.92, -8.81

 

CMYK 0 / 31 / 11 / 23

HEX #C487AE

RGB 196 135 174

HSL 321.64, 0.34%, 0.65%

LAB 63.44, 29.34, -11.1

 

CMYK 0 / 14 / 31 / 23

HEX #C4A887

RGB 196 168 135

HSL 32.46, 0.34%, 0.65%

LAB 70.52, 5.3, 20.84

 

CMYK 31 / 0 / 2 / 23

HEX #87C4C1

RGB 135 196 193

HSL 177.05, 0.34%, 0.65%

LAB 75.13, -20.11, -4.76

 

CMYK 0 / 31 / 11 / 23

HEX #C487AE

RGB 196 135 174

HSL 321.64, 0.34%, 0.65%

LAB 63.44, 29.34, -11.1

 

CMYK 11 / 0 / 31 / 23

HEX #AEC487

RGB 174 196 135

HSL 81.64, 0.34%, 0.65%

LAB 76.21, -17.92, 28.23

 

CMYK 31 / 11 / 0 / 23

HEX #87AEC4

RGB 135 174 196

HSL 201.64, 0.34%, 0.65%

LAB 69.05, -7.88, -15.48

 

CMYK 0 / 31 / 11 / 23

HEX #C487AE

RGB 196 135 174

HSL 321.64, 0.34%, 0.65%

LAB 63.44, 29.34, -11.1

 

CMYK 0 / 14 / 31 / 23

HEX #C4A887

RGB 196 168 135

HSL 32.46, 0.34%, 0.65%

LAB 70.52, 5.3, 20.84

 

CMYK 31 / 0 / 20 / 23

HEX #87C49C

RGB 135 196 156

HSL 140.66, 0.34%, 0.65%

LAB 74.21, -27.97, 13.93

 

CMYK 31 / 17 / 0 / 23

HEX #87A2C4

RGB 135 162 196

HSL 213.44, 0.34%, 0.65%

LAB 65.73, -1.31, -20.5

 

CMYK 0 / 31 / 11 / 23

HEX #C487AE

RGB 196 135 174

HSL 321.64, 0.34%, 0.65%

LAB 63.44, 29.34, -11.1

 

CMYK 0 / 5 / 31 / 23

HEX #C4BA87

RGB 196 186 135

HSL 50.16, 0.34%, 0.65%

LAB 75.2, -4.3, 27.18

 

CMYK 31 / 0 / 20 / 23

HEX #87C49C

RGB 135 196 156

HSL 140.66, 0.34%, 0.65%

LAB 74.21, -27.97, 13.93

 

CMYK 31 / 27 / 0 / 23

HEX #8790C4

RGB 135 144 196

HSL 231.15, 0.34%, 0.65%

LAB 60.85, 8.89, -27.98

 

Description

Color code: HEX #C487AE | qconv.com Color code: HEX #C487AE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 135 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 135 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 11 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 11% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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