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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE2E2E it is the complementary color #01D1D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE2E2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE2E2E shade: #FF2E29, #FF403C, #FF524F, #FF6462 and #FF7675

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE2E2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE2E2E shade: #FE2E2E, #ED1C1B, #DC0A08, #CB0000 and #BA0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE2E2E shade: #FD2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE2E2E shade: #FD2E2E, #FD662E, #FD9E2E, #FDD62E and #EDFD2E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE2E2E shade matches the following richer shades: #FD2E2E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE2E2E shade: #FD2E2E, #ED3F3F, #DC5050, #CB6161 and #BA7272

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE2E2E shade: #FD2E9D, #FD2E66, #FD2E2E, #FD662E and #FD9D2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE2E2E shade: #D90101, #FD0505, #FD2E2E, #FE5757 and #FE8181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE2E2E shade: #FE2E2E, #D4FD2E and #2E81FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE2E2E shade: #FE2E2E, #2EFD2E and #2E2EFD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE2E2E shade: #FE2E2E, #D4FD2E, #2EFDFD and #582EFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE2E2E shade: #FE2E2E, #96FD2E, #2EFDFD and #962EFD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 82 / 0

HEX #FE2E2E

RGB 254 46 46

HSL 0, 0.99%, 0.59%

LAB 55.3, 74.54, 52.11

 

Complementary color

CMYK 100 / 0 / 0 / 18

HEX #01D1D1

RGB 1 209 209

HSL 180, 0.99%, 0.41%

LAB 76.2, -41.36, -12.16

 

CMYK 0 / 82 / 84 / 0

HEX #FF2E29

RGB 255 46 41

HSL 1.4, 1%, 0.58%

LAB 55.46, 74.7, 54.76

 

CMYK 0 / 75 / 76 / 0

HEX #FF403C

RGB 255 64 60

HSL 1.23, 1%, 0.62%

LAB 57.32, 70.42, 46.93

 

CMYK 0 / 68 / 69 / 0

HEX #FF524F

RGB 255 82 79

HSL 1.02, 1%, 0.65%

LAB 59.76, 65.06, 39.3

 

CMYK 0 / 61 / 62 / 0

HEX #FF6462

RGB 255 100 98

HSL 0.76, 1%, 0.69%

LAB 62.72, 58.85, 32.3

 

CMYK 0 / 54 / 54 / 0

HEX #FF7675

RGB 255 118 117

HSL 0.43, 1%, 0.73%

LAB 66.14, 52.07, 26.07

 

CMYK 0 / 82 / 82 / 0

HEX #FE2E2E

RGB 254 46 46

HSL 0, 0.99%, 0.59%

LAB 55.3, 74.54, 52.11

 

CMYK 0 / 88 / 89 / 7

HEX #ED1C1B

RGB 237 28 27

HSL 0.29, 0.85%, 0.52%

LAB 50.59, 73.2, 55.67

 

CMYK 0 / 95 / 96 / 14

HEX #DC0A08

RGB 220 10 8

HSL 0.57, 0.93%, 0.45%

LAB 46.24, 70.87, 57.84

 

CMYK 0 / 100 / 100 / 20

HEX #CB0000

RGB 203 0 0

HSL 0, 1%, 0.4%

LAB 42.3, 67.46, 56.61

 

CMYK 0 / 100 / 100 / 27

HEX #BA0000

RGB 186 0 0

HSL 0, 1%, 0.36%

LAB 38.62, 63.2, 53.03

 

CMYK 0 / 82 / 82 / 1

HEX #FD2E2E

RGB 253 46 46

HSL 0, 0.98%, 0.59%

LAB 55.11, 74.28, 51.86

 

CMYK 0 / 82 / 82 / 1

HEX #FD2E2E

RGB 253 46 46

HSL 0, 0.98%, 0.59%

LAB 55.11, 74.28, 51.86

 

CMYK 0 / 60 / 82 / 1

HEX #FD662E

RGB 253 102 46

HSL 16.23, 0.98%, 0.59%

LAB 62.15, 54.99, 58.32

 

CMYK 0 / 38 / 82 / 1

HEX #FD9E2E

RGB 253 158 46

HSL 32.46, 0.98%, 0.59%

LAB 73.24, 27.47, 68.16

 

CMYK 0 / 15 / 82 / 1

HEX #FDD62E

RGB 253 214 46

HSL 48.7, 0.98%, 0.59%

LAB 86.59, -1.57, 79.65

 

CMYK 6 / 0 / 82 / 1

HEX #EDFD2E

RGB 237 253 46

HSL 64.64, 0.98%, 0.59%

LAB 95.35, -27.26, 86.58

 

CMYK 0 / 82 / 82 / 1

HEX #FD2E2E

RGB 253 46 46

HSL 0, 0.98%, 0.59%

LAB 55.11, 74.28, 51.86

 

CMYK 0 / 82 / 82 / 1

HEX #FD2E2E

RGB 253 46 46

HSL 0, 0.98%, 0.59%

LAB 55.11, 74.28, 51.86

 

CMYK 0 / 73 / 73 / 7

HEX #ED3F3F

RGB 237 63 63

HSL 0, 0.83%, 0.59%

LAB 53.94, 65.58, 40.65

 

CMYK 0 / 64 / 64 / 14

HEX #DC5050

RGB 220 80 80

HSL 0, 0.67%, 0.59%

LAB 53.53, 54.66, 29.75

 

CMYK 0 / 52 / 52 / 20

HEX #CB6161

RGB 203 97 97

HSL 0, 0.5%, 0.59%

LAB 54.14, 42.06, 20.14

 

CMYK 0 / 39 / 39 / 27

HEX #BA7272

RGB 186 114 114

HSL 0, 0.34%, 0.59%

LAB 55.77, 28.41, 12.09

 

CMYK 0 / 82 / 38 / 1

HEX #FD2E9D

RGB 253 46 157

HSL 327.83, 0.98%, 0.59%

LAB 57.34, 80.87, -9.6

 

CMYK 0 / 82 / 60 / 1

HEX #FD2E66

RGB 253 46 102

HSL 343.77, 0.98%, 0.59%

LAB 55.88, 76.61, 20.99

 

CMYK 0 / 82 / 82 / 1

HEX #FD2E2E

RGB 253 46 46

HSL 0, 0.98%, 0.59%

LAB 55.11, 74.28, 51.86

 

CMYK 0 / 60 / 82 / 1

HEX #FD662E

RGB 253 102 46

HSL 16.23, 0.98%, 0.59%

LAB 62.15, 54.99, 58.32

 

CMYK 0 / 38 / 82 / 1

HEX #FD9D2E

RGB 253 157 46

HSL 32.17, 0.98%, 0.59%

LAB 73.02, 27.99, 67.97

 

CMYK 0 / 100 / 100 / 15

HEX #D90101

RGB 217 1 1

HSL 0, 0.99%, 0.43%

LAB 45.33, 70.84, 59.2

 

CMYK 0 / 98 / 98 / 1

HEX #FD0505

RGB 253 5 5

HSL 0, 0.98%, 0.51%

LAB 52.95, 79.32, 65.61

 

CMYK 0 / 82 / 82 / 1

HEX #FD2E2E

RGB 253 46 46

HSL 0, 0.98%, 0.59%

LAB 55.11, 74.28, 51.86

 

CMYK 0 / 66 / 66 / 0

HEX #FE5757

RGB 254 87 87

HSL 0, 0.99%, 0.67%

LAB 60.41, 63.24, 35.56

 

CMYK 0 / 49 / 49 / 0

HEX #FE8181

RGB 254 129 129

HSL 0, 0.98%, 0.75%

LAB 68.28, 47.44, 22.2

 

CMYK 0 / 82 / 82 / 0

HEX #FE2E2E

RGB 254 46 46

HSL 0, 0.99%, 0.59%

LAB 55.3, 74.54, 52.11

 

CMYK 16 / 0 / 82 / 1

HEX #D4FD2E

RGB 212 253 46

HSL 71.88, 0.98%, 0.59%

LAB 93.64, -37.18, 84.44

 

CMYK 82 / 49 / 0 / 1

HEX #2E81FD

RGB 46 129 253

HSL 215.94, 0.98%, 0.59%

LAB 55.45, 19.49, -68.6

 

CMYK 0 / 82 / 82 / 0

HEX #FE2E2E

RGB 254 46 46

HSL 0, 0.99%, 0.59%

LAB 55.3, 74.54, 52.11

 

CMYK 82 / 0 / 82 / 1

HEX #2EFD2E

RGB 46 253 46

HSL 120, 0.98%, 0.59%

LAB 87.5, -81.87, 76.65

 

CMYK 82 / 82 / 0 / 1

HEX #2E2EFD

RGB 46 46 253

HSL 240, 0.98%, 0.59%

LAB 37.16, 67.41, -98.6

 

CMYK 0 / 82 / 82 / 0

HEX #FE2E2E

RGB 254 46 46

HSL 0, 0.99%, 0.59%

LAB 55.3, 74.54, 52.11

 

CMYK 16 / 0 / 82 / 1

HEX #D4FD2E

RGB 212 253 46

HSL 71.88, 0.98%, 0.59%

LAB 93.64, -37.18, 84.44

 

CMYK 82 / 0 / 0 / 1

HEX #2EFDFD

RGB 46 253 253

HSL 180, 0.98%, 0.59%

LAB 90.74, -46.04, -13.63

 

CMYK 65 / 82 / 0 / 1

HEX #582EFD

RGB 88 46 253

HSL 252.17, 0.98%, 0.59%

LAB 39.78, 69.92, -94.18

 

CMYK 0 / 82 / 82 / 0

HEX #FE2E2E

RGB 254 46 46

HSL 0, 0.99%, 0.59%

LAB 55.3, 74.54, 52.11

 

CMYK 41 / 0 / 82 / 1

HEX #96FD2E

RGB 150 253 46

HSL 89.86, 0.98%, 0.59%

LAB 90.29, -59.43, 80.21

 

CMYK 82 / 0 / 0 / 1

HEX #2EFDFD

RGB 46 253 253

HSL 180, 0.98%, 0.59%

LAB 90.74, -46.04, -13.63

 

CMYK 41 / 82 / 0 / 1

HEX #962EFD

RGB 150 46 253

HSL 270.14, 0.98%, 0.59%

LAB 46.35, 76.47, -83.12

 

Description

Color code: HEX #FE2E2E | qconv.com Color code: HEX #FE2E2E | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 46 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 46 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 82 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 82% 0% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

42% - Insegne Valsusa, Tor...
Link: http://insegnevalsusa.altervista.org

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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