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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDFD2E it is the complementary color #1202D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDFD2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDFD2E shade: #F2FD29, #FFFF3C, #FFFF4F, #FFFF62 and #FFFF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDFD2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDFD2E shade: #EDFD2E, #DCEB1B, #CBD908, #BAC700 and #A9B500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDFD2E shade: #EDFC2F, #FCD52F, #FC9E2F, #FC662F and #FC2F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDFD2E shade: #EDFC2F, #B5FC2F, #7EFC2F, #47FC2F and #2FFC4F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDFD2E shade matches the following richer shades: #EDFC2F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDFD2E shade: #EDFC2F, #DEEB40, #D0DB51, #C2CA62 and #B3B973

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDFD2E shade: #FC9D2F, #FCD32F, #EFFC2F, #B8FC2F and #81FC2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDFD2E shade: #C7D802, #E9FC07, #EDFC2F, #F0FD58 and #F4FD81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDFD2E shade: #EDFD2E, #2FFC66 and #B82FFC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDFD2E shade: #EDFD2E, #2FEFFC and #FC2FEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDFD2E shade: #EDFD2E, #2FFC66, #3D2FFC and #FC2FC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDFD2E shade: #EDFD2E, #2FFCA4, #3D2FFC and #FC2F88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 82 / 1

HEX #EDFD2E

RGB 237 253 46

HSL 64.64, 0.98%, 0.59%

LAB 95.35, -27.26, 86.58

 

Complementary color

CMYK 91 / 99 / 0 / 18

HEX #1202D1

RGB 18 2 209

HSL 244.64, 0.98%, 0.41%

LAB 26.09, 67.89, -91.97

 

CMYK 4 / 0 / 84 / 1

HEX #F2FD29

RGB 242 253 41

HSL 63.11, 0.98%, 0.58%

LAB 95.7, -25.37, 88.09

 

CMYK 0 / 0 / 76 / 0

HEX #FFFF3C

RGB 255 255 60

HSL 60, 1%, 0.62%

LAB 97.27, -20.49, 85.23

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF4F

RGB 255 255 79

HSL 60, 1%, 0.65%

LAB 97.37, -19.71, 79.39

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF62

RGB 255 255 98

HSL 60, 1%, 0.69%

LAB 97.5, -18.69, 72.47

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF75

RGB 255 255 117

HSL 60, 1%, 0.73%

LAB 97.66, -17.4, 64.73

 

CMYK 6 / 0 / 82 / 1

HEX #EDFD2E

RGB 237 253 46

HSL 64.64, 0.98%, 0.59%

LAB 95.35, -27.26, 86.58

 

CMYK 6 / 0 / 89 / 8

HEX #DCEB1B

RGB 220 235 27

HSL 64.33, 0.84%, 0.51%

LAB 89.26, -26.16, 84.73

 

CMYK 6 / 0 / 96 / 15

HEX #CBD908

RGB 203 217 8

HSL 64.02, 0.93%, 0.44%

LAB 83.09, -24.89, 81.67

 

CMYK 7 / 0 / 100 / 22

HEX #BAC700

RGB 186 199 0

HSL 63.92, 1%, 0.39%

LAB 76.85, -23.44, 77.18

 

CMYK 7 / 0 / 100 / 29

HEX #A9B500

RGB 169 181 0

HSL 63.98, 1%, 0.35%

LAB 70.51, -21.88, 71.91

 

CMYK 6 / 0 / 81 / 1

HEX #EDFC2F

RGB 237 252 47

HSL 64.39, 0.97%, 0.59%

LAB 95.09, -26.77, 86.13

 

CMYK 0 / 15 / 81 / 1

HEX #FCD52F

RGB 252 213 47

HSL 48.59, 0.97%, 0.59%

LAB 86.25, -1.46, 79.06

 

CMYK 0 / 37 / 81 / 1

HEX #FC9E2F

RGB 252 158 47

HSL 32.49, 0.97%, 0.59%

LAB 73.12, 27.09, 67.67

 

CMYK 0 / 60 / 81 / 1

HEX #FC662F

RGB 252 102 47

HSL 16.1, 0.97%, 0.59%

LAB 62, 54.67, 57.69

 

CMYK 0 / 81 / 81 / 1

HEX #FC2F2F

RGB 252 47 47

HSL 0, 0.97%, 0.59%

LAB 55, 73.8, 51.19

 

CMYK 6 / 0 / 81 / 1

HEX #EDFC2F

RGB 237 252 47

HSL 64.39, 0.97%, 0.59%

LAB 95.09, -26.77, 86.13

 

CMYK 28 / 0 / 81 / 1

HEX #B5FC2F

RGB 181 252 47

HSL 80.78, 0.97%, 0.59%

LAB 91.53, -48.4, 81.65

 

CMYK 50 / 0 / 81 / 1

HEX #7EFC2F

RGB 126 252 47

HSL 96.88, 0.97%, 0.59%

LAB 89.05, -66.21, 78.49

 

CMYK 72 / 0 / 81 / 1

HEX #47FC2F

RGB 71 252 47

HSL 112.98, 0.97%, 0.59%

LAB 87.57, -78.31, 76.6

 

CMYK 81 / 0 / 69 / 1

HEX #2FFC4F

RGB 47 252 79

HSL 129.37, 0.97%, 0.59%

LAB 87.38, -79.24, 66.31

 

CMYK 6 / 0 / 81 / 1

HEX #EDFC2F

RGB 237 252 47

HSL 64.39, 0.97%, 0.59%

LAB 95.09, -26.77, 86.13

 

CMYK 6 / 0 / 81 / 1

HEX #EDFC2F

RGB 237 252 47

HSL 64.39, 0.97%, 0.59%

LAB 95.09, -26.77, 86.13

 

CMYK 6 / 0 / 73 / 8

HEX #DEEB40

RGB 222 235 64

HSL 64.56, 0.81%, 0.59%

LAB 89.54, -24.2, 76.02

 

CMYK 5 / 0 / 63 / 14

HEX #D0DB51

RGB 208 219 81

HSL 64.78, 0.66%, 0.59%

LAB 84.31, -21.28, 64.25

 

CMYK 4 / 0 / 51 / 21

HEX #C2CA62

RGB 194 202 98

HSL 64.62, 0.5%, 0.59%

LAB 78.81, -17.3, 50.36

 

CMYK 3 / 0 / 38 / 27

HEX #B3B973

RGB 179 185 115

HSL 65.14, 0.33%, 0.59%

LAB 73.23, -12.97, 34.83

 

CMYK 0 / 38 / 81 / 1

HEX #FC9D2F

RGB 252 157 47

HSL 32.2, 0.97%, 0.59%

LAB 72.9, 27.61, 67.47

 

CMYK 0 / 16 / 81 / 1

HEX #FCD32F

RGB 252 211 47

HSL 48, 0.97%, 0.59%

LAB 85.75, -0.44, 78.63

 

CMYK 5 / 0 / 81 / 1

HEX #EFFC2F

RGB 239 252 47

HSL 63.8, 0.97%, 0.59%

LAB 95.24, -25.96, 86.31

 

CMYK 27 / 0 / 81 / 1

HEX #B8FC2F

RGB 184 252 47

HSL 79.9, 0.97%, 0.59%

LAB 91.69, -47.31, 81.86

 

CMYK 49 / 0 / 81 / 1

HEX #81FC2F

RGB 129 252 47

HSL 96, 0.97%, 0.59%

LAB 89.16, -65.36, 78.63

 

CMYK 8 / 0 / 99 / 15

HEX #C7D802

RGB 199 216 2

HSL 64.77, 0.98%, 0.43%

LAB 82.52, -26.14, 81.64

 

CMYK 8 / 0 / 97 / 1

HEX #E9FC07

RGB 233 252 7

HSL 64.65, 0.98%, 0.51%

LAB 94.72, -29.06, 91.47

 

CMYK 6 / 0 / 81 / 1

HEX #EDFC2F

RGB 237 252 47

HSL 64.39, 0.97%, 0.59%

LAB 95.09, -26.77, 86.13

 

CMYK 5 / 0 / 65 / 1

HEX #F0FD58

RGB 240 253 88

HSL 64.73, 0.98%, 0.67%

LAB 95.78, -24.29, 74.19

 

CMYK 4 / 0 / 49 / 1

HEX #F4FD81

RGB 244 253 129

HSL 64.35, 0.97%, 0.75%

LAB 96.44, -19.76, 57.75

 

CMYK 6 / 0 / 82 / 1

HEX #EDFD2E

RGB 237 253 46

HSL 64.64, 0.98%, 0.59%

LAB 95.35, -27.26, 86.58

 

CMYK 81 / 0 / 60 / 1

HEX #2FFC66

RGB 47 252 102

HSL 136.1, 0.97%, 0.59%

LAB 87.57, -76.87, 57.28

 

CMYK 27 / 81 / 0 / 1

HEX #B82FFC

RGB 184 47 252

HSL 280.1, 0.97%, 0.59%

LAB 50.98, 80.78, -74.81

 

CMYK 6 / 0 / 82 / 1

HEX #EDFD2E

RGB 237 253 46

HSL 64.64, 0.98%, 0.59%

LAB 95.35, -27.26, 86.58

 

CMYK 81 / 5 / 0 / 1

HEX #2FEFFC

RGB 47 239 252

HSL 183.8, 0.97%, 0.59%

LAB 86.68, -40.03, -19.21

 

CMYK 0 / 81 / 5 / 1

HEX #FC2FEF

RGB 252 47 239

HSL 303.8, 0.97%, 0.59%

LAB 60.75, 90.2, -51.3

 

CMYK 6 / 0 / 82 / 1

HEX #EDFD2E

RGB 237 253 46

HSL 64.64, 0.98%, 0.59%

LAB 95.35, -27.26, 86.58

 

CMYK 81 / 0 / 60 / 1

HEX #2FFC66

RGB 47 252 102

HSL 136.1, 0.97%, 0.59%

LAB 87.57, -76.87, 57.28

 

CMYK 76 / 81 / 0 / 1

HEX #3D2FFC

RGB 61 47 252

HSL 244.1, 0.97%, 0.59%

LAB 37.94, 67.42, -96.73

 

CMYK 0 / 81 / 21 / 1

HEX #FC2FC6

RGB 252 47 198

HSL 315.8, 0.97%, 0.59%

LAB 58.79, 84.85, -31.18

 

CMYK 6 / 0 / 82 / 1

HEX #EDFD2E

RGB 237 253 46

HSL 64.64, 0.98%, 0.59%

LAB 95.35, -27.26, 86.58

 

CMYK 81 / 0 / 35 / 1

HEX #2FFCA4

RGB 47 252 164

HSL 154.24, 0.97%, 0.59%

LAB 88.4, -67.12, 28.91

 

CMYK 76 / 81 / 0 / 1

HEX #3D2FFC

RGB 61 47 252

HSL 244.1, 0.97%, 0.59%

LAB 37.94, 67.42, -96.73

 

CMYK 0 / 81 / 46 / 1

HEX #FC2F88

RGB 252 47 136

HSL 333.95, 0.97%, 0.59%

LAB 56.59, 78.55, 1.69

 

Description

Color code: HEX #EDFD2E | qconv.com Color code: HEX #EDFD2E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 253 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 253 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 82 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 82% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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