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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDDF2F it is the complementary color #0220D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDDF2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FDDF2F shade: #FFDF2A, #FFF13D, #FFFF50, #FFFF63 and #FFFF76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDDF2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FDDF2F shade: #FDDF2F, #ECCD1C, #DBBB09, #CAA900 and #B99700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FDDF2F shade: #FDDF30, #FDA830, #FD7130, #FD3930 and #FD3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FDDF2F shade: #FDDF30, #E3FD30, #ACFD30, #75FD30 and #3EFD30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FDDF2F shade matches the following richer shades: #FDDF30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FDDF2F shade: #FDDF30, #ECD341, #DBC752, #CABB63 and #B9AF74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FDDF2F shade: #FD7130, #FDA830, #FDDE30, #E5FD30 and #AEFD30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FDDF2F shade: #D8B902, #FCD907, #FDDF30, #FDE559 and #FEEC82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FDDF2F shade: #FDDF2F, #30FD3A and #8C30FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FDDF2F shade: #FDDF2F, #30FDDE and #DE30FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FDDF2F shade: #FDDF2F, #30FD3A, #304FFD and #FD30F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FDDF2F shade: #FDDF2F, #30FD78, #304FFD and #FD30B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 81 / 1

HEX #FDDF2F

RGB 253 223 47

HSL 51.26, 0.98%, 0.59%

LAB 88.86, -6.08, 81.32

 

Complementary color

CMYK 99 / 85 / 0 / 18

HEX #0220D0

RGB 2 32 208

HSL 231.26, 0.98%, 0.41%

LAB 28.38, 59.03, -87.57

 

CMYK 0 / 13 / 84 / 0

HEX #FFDF2A

RGB 255 223 42

HSL 50.99, 1%, 0.58%

LAB 89.02, -5.37, 82.77

 

CMYK 0 / 5 / 76 / 0

HEX #FFF13D

RGB 255 241 61

HSL 55.67, 1%, 0.62%

LAB 93.67, -13.7, 81.71

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF50

RGB 255 255 80

HSL 60, 1%, 0.66%

LAB 97.37, -19.67, 79.05

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF63

RGB 255 255 99

HSL 60, 1%, 0.69%

LAB 97.5, -18.63, 72.08

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF76

RGB 255 255 118

HSL 60, 1%, 0.73%

LAB 97.67, -17.33, 64.31

 

CMYK 0 / 12 / 81 / 1

HEX #FDDF2F

RGB 253 223 47

HSL 51.26, 0.98%, 0.59%

LAB 88.86, -6.08, 81.32

 

CMYK 0 / 13 / 88 / 7

HEX #ECCD1C

RGB 236 205 28

HSL 51.06, 0.85%, 0.52%

LAB 82.69, -4.64, 79.92

 

CMYK 0 / 15 / 96 / 14

HEX #DBBB09

RGB 219 187 9

HSL 50.86, 0.92%, 0.45%

LAB 76.45, -3, 77.23

 

CMYK 0 / 16 / 100 / 21

HEX #CAA900

RGB 202 169 0

HSL 50.2, 1%, 0.4%

LAB 70.13, -1.15, 72.95

 

CMYK 0 / 18 / 100 / 27

HEX #B99700

RGB 185 151 0

HSL 48.97, 1%, 0.36%

LAB 63.71, 0.87, 67.65

 

CMYK 0 / 12 / 81 / 1

HEX #FDDF30

RGB 253 223 48

HSL 51.22, 0.98%, 0.59%

LAB 88.86, -6.05, 81.06

 

CMYK 0 / 34 / 81 / 1

HEX #FDA830

RGB 253 168 48

HSL 35.12, 0.98%, 0.59%

LAB 75.51, 22.31, 69.48

 

CMYK 0 / 55 / 81 / 1

HEX #FD7130

RGB 253 113 48

HSL 19.02, 0.98%, 0.59%

LAB 64.08, 50.04, 59.22

 

CMYK 0 / 77 / 81 / 1

HEX #FD3930

RGB 253 57 48

HSL 2.63, 0.98%, 0.59%

LAB 56.11, 71.54, 51.8

 

CMYK 0 / 81 / 81 / 1

HEX #FD3030

RGB 253 48 48

HSL 0, 0.98%, 0.59%

LAB 55.29, 73.86, 51.02

 

CMYK 0 / 12 / 81 / 1

HEX #FDDF30

RGB 253 223 48

HSL 51.22, 0.98%, 0.59%

LAB 88.86, -6.05, 81.06

 

CMYK 10 / 0 / 81 / 1

HEX #E3FD30

RGB 227 253 48

HSL 67.61, 0.98%, 0.59%

LAB 94.65, -31.21, 85.24

 

CMYK 32 / 0 / 81 / 1

HEX #ACFD30

RGB 172 253 48

HSL 83.71, 0.98%, 0.59%

LAB 91.34, -51.98, 81.06

 

CMYK 54 / 0 / 81 / 1

HEX #75FD30

RGB 117 253 48

HSL 99.8, 0.98%, 0.59%

LAB 89.04, -68.93, 78.13

 

CMYK 75 / 0 / 81 / 1

HEX #3EFD30

RGB 62 253 48

HSL 115.9, 0.98%, 0.59%

LAB 87.72, -79.88, 76.44

 

CMYK 0 / 12 / 81 / 1

HEX #FDDF30

RGB 253 223 48

HSL 51.22, 0.98%, 0.59%

LAB 88.86, -6.05, 81.06

 

CMYK 0 / 12 / 81 / 1

HEX #FDDF30

RGB 253 223 48

HSL 51.22, 0.98%, 0.59%

LAB 88.86, -6.05, 81.06

 

CMYK 0 / 11 / 72 / 7

HEX #ECD341

RGB 236 211 65

HSL 51.23, 0.82%, 0.59%

LAB 84.38, -6.54, 71.16

 

CMYK 0 / 9 / 63 / 14

HEX #DBC752

RGB 219 199 82

HSL 51.24, 0.66%, 0.59%

LAB 79.91, -6.67, 59.39

 

CMYK 0 / 7 / 51 / 21

HEX #CABB63

RGB 202 187 99

HSL 51.26, 0.49%, 0.59%

LAB 75.45, -6.28, 46.06

 

CMYK 0 / 5 / 37 / 27

HEX #B9AF74

RGB 185 175 116

HSL 51.3, 0.33%, 0.59%

LAB 71.03, -5.22, 31.56

 

CMYK 0 / 55 / 81 / 1

HEX #FD7130

RGB 253 113 48

HSL 19.02, 0.98%, 0.59%

LAB 64.08, 50.04, 59.22

 

CMYK 0 / 34 / 81 / 1

HEX #FDA830

RGB 253 168 48

HSL 35.12, 0.98%, 0.59%

LAB 75.51, 22.31, 69.48

 

CMYK 0 / 12 / 81 / 1

HEX #FDDE30

RGB 253 222 48

HSL 50.93, 0.98%, 0.59%

LAB 88.61, -5.55, 80.85

 

CMYK 9 / 0 / 81 / 1

HEX #E5FD30

RGB 229 253 48

HSL 67.02, 0.98%, 0.59%

LAB 94.79, -30.41, 85.41

 

CMYK 31 / 0 / 81 / 1

HEX #AEFD30

RGB 174 253 48

HSL 83.12, 0.98%, 0.59%

LAB 91.44, -51.28, 81.19

 

CMYK 0 / 14 / 99 / 15

HEX #D8B902

RGB 216 185 2

HSL 51.31, 0.98%, 0.43%

LAB 75.64, -3.35, 77.25

 

CMYK 0 / 14 / 97 / 1

HEX #FCD907

RGB 252 217 7

HSL 51.43, 0.98%, 0.51%

LAB 87.16, -4.16, 86.58

 

CMYK 0 / 12 / 81 / 1

HEX #FDDF30

RGB 253 223 48

HSL 51.22, 0.98%, 0.59%

LAB 88.86, -6.05, 81.06

 

CMYK 0 / 9 / 65 / 1

HEX #FDE559

RGB 253 229 89

HSL 51.22, 0.98%, 0.67%

LAB 90.62, -7.31, 68.76

 

CMYK 0 / 7 / 49 / 0

HEX #FEEC82

RGB 254 236 130

HSL 51.29, 0.98%, 0.75%

LAB 92.87, -7.44, 53.19

 

CMYK 0 / 12 / 81 / 1

HEX #FDDF2F

RGB 253 223 47

HSL 51.26, 0.98%, 0.59%

LAB 88.86, -6.08, 81.32

 

CMYK 81 / 0 / 77 / 1

HEX #30FD3A

RGB 48 253 58

HSL 122.93, 0.98%, 0.59%

LAB 87.57, -81, 73.51

 

CMYK 45 / 81 / 0 / 1

HEX #8C30FD

RGB 140 48 253

HSL 266.93, 0.98%, 0.59%

LAB 45.33, 74.55, -84.84

 

CMYK 0 / 12 / 81 / 1

HEX #FDDF2F

RGB 253 223 47

HSL 51.26, 0.98%, 0.59%

LAB 88.86, -6.08, 81.32

 

CMYK 81 / 0 / 12 / 1

HEX #30FDDE

RGB 48 253 222

HSL 170.93, 0.98%, 0.59%

LAB 89.93, -54.24, 1.27

 

CMYK 12 / 81 / 0 / 1

HEX #DE30FD

RGB 222 48 253

HSL 290.93, 0.98%, 0.59%

LAB 56.82, 86.81, -65.65

 

CMYK 0 / 12 / 81 / 1

HEX #FDDF2F

RGB 253 223 47

HSL 51.26, 0.98%, 0.59%

LAB 88.86, -6.08, 81.32

 

CMYK 81 / 0 / 77 / 1

HEX #30FD3A

RGB 48 253 58

HSL 122.93, 0.98%, 0.59%

LAB 87.57, -81, 73.51

 

CMYK 81 / 69 / 0 / 1

HEX #304FFD

RGB 48 79 253

HSL 230.93, 0.98%, 0.59%

LAB 43.23, 50.5, -88.55

 

CMYK 0 / 81 / 4 / 1

HEX #FD30F3

RGB 253 48 243

HSL 302.93, 0.98%, 0.59%

LAB 61.19, 90.75, -52.81

 

CMYK 0 / 12 / 81 / 1

HEX #FDDF2F

RGB 253 223 47

HSL 51.26, 0.98%, 0.59%

LAB 88.86, -6.08, 81.32

 

CMYK 81 / 0 / 53 / 1

HEX #30FD78

RGB 48 253 120

HSL 141.07, 0.98%, 0.59%

LAB 88.08, -74.76, 49.86

 

CMYK 81 / 69 / 0 / 1

HEX #304FFD

RGB 48 79 253

HSL 230.93, 0.98%, 0.59%

LAB 43.23, 50.5, -88.55

 

CMYK 0 / 81 / 28 / 1

HEX #FD30B5

RGB 253 48 181

HSL 321.07, 0.98%, 0.59%

LAB 58.35, 82.89, -22.06

 

Description

Color code: HEX #FDDF2F | qconv.com Color code: HEX #FDDF2F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 223 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 223 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 81 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 81% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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