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Color name
HEX #ACFD30

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACFD30 it is the complementary color #5302CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACFD30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACFD30 shade: #B1FD2B, #C2FF3E, #D3FF51, #E4FF64 and #F5FF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACFD30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACFD30 shade: #ACFD30, #9BEB1D, #8AD90A, #79C700 and #68B500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACFD30 shade: #ACFD30, #E3FD30, #FDDF30, #FDA830 and #FD7130

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACFD30 shade: #ACFD30, #75FD30, #3DFD30, #30FD5A and #30FD91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACFD30 shade matches the following richer shades: #ACFD30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACFD30 shade: #ACFD30, #A8EC41, #A5DB52, #A1CA63 and #9EB974

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACFD30 shade: #FDDE30, #E5FD30, #AEFD30, #78FD30 and #41FD30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACFD30 shade: #84D802, #9CFC07, #ACFD30, #BCFD59 and #CDFE82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACFD30 shade: #ACFD30, #30FDA8 and #F930FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACFD30 shade: #ACFD30, #30AEFD and #FD30AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACFD30 shade: #ACFD30, #30FDA8, #7F30FD and #FD3085

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACFD30 shade: #ACFD30, #30FDE5, #7F30FD and #FD3048

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 81 / 1

HEX #ACFD30

RGB 172 253 48

HSL 83.71, 0.98%, 0.59%

LAB 91.34, -51.98, 81.06

 

Complementary color

CMYK 60 / 99 / 0 / 19

HEX #5302CF

RGB 83 2 207

HSL 263.71, 0.98%, 0.41%

LAB 30.37, 69.44, -83.55

 

CMYK 30 / 0 / 83 / 1

HEX #B1FD2B

RGB 177 253 43

HSL 81.71, 0.98%, 0.58%

LAB 91.58, -50.39, 82.53

 

CMYK 24 / 0 / 76 / 0

HEX #C2FF3E

RGB 194 255 62

HSL 78.96, 1%, 0.62%

LAB 93.16, -44.3, 79.39

 

CMYK 17 / 0 / 68 / 0

HEX #D3FF51

RGB 211 255 81

HSL 75.17, 1%, 0.66%

LAB 94.3, -36.92, 74.62

 

CMYK 11 / 0 / 61 / 0

HEX #E4FF64

RGB 228 255 100

HSL 70.45, 1%, 0.7%

LAB 95.55, -29.18, 69

 

CMYK 4 / 0 / 53 / 0

HEX #F5FF77

RGB 245 255 119

HSL 64.41, 1%, 0.73%

LAB 96.93, -21.16, 62.83

 

CMYK 32 / 0 / 81 / 1

HEX #ACFD30

RGB 172 253 48

HSL 83.71, 0.98%, 0.59%

LAB 91.34, -51.98, 81.06

 

CMYK 34 / 0 / 88 / 8

HEX #9BEB1D

RGB 155 235 29

HSL 83.3, 0.84%, 0.52%

LAB 85.24, -51.2, 79.46

 

CMYK 36 / 0 / 95 / 15

HEX #8AD90A

RGB 138 217 10

HSL 82.9, 0.91%, 0.45%

LAB 79.07, -50.22, 76.63

 

CMYK 39 / 0 / 100 / 22

HEX #79C700

RGB 121 199 0

HSL 83.52, 1%, 0.39%

LAB 72.83, -48.99, 72.37

 

CMYK 43 / 0 / 100 / 29

HEX #68B500

RGB 104 181 0

HSL 85.52, 1%, 0.35%

LAB 66.51, -47.58, 67.12

 

CMYK 32 / 0 / 81 / 1

HEX #ACFD30

RGB 172 253 48

HSL 83.71, 0.98%, 0.59%

LAB 91.34, -51.98, 81.06

 

CMYK 10 / 0 / 81 / 1

HEX #E3FD30

RGB 227 253 48

HSL 67.61, 0.98%, 0.59%

LAB 94.65, -31.21, 85.24

 

CMYK 0 / 12 / 81 / 1

HEX #FDDF30

RGB 253 223 48

HSL 51.22, 0.98%, 0.59%

LAB 88.86, -6.05, 81.06

 

CMYK 0 / 34 / 81 / 1

HEX #FDA830

RGB 253 168 48

HSL 35.12, 0.98%, 0.59%

LAB 75.51, 22.31, 69.48

 

CMYK 0 / 55 / 81 / 1

HEX #FD7130

RGB 253 113 48

HSL 19.02, 0.98%, 0.59%

LAB 64.08, 50.04, 59.22

 

CMYK 32 / 0 / 81 / 1

HEX #ACFD30

RGB 172 253 48

HSL 83.71, 0.98%, 0.59%

LAB 91.34, -51.98, 81.06

 

CMYK 54 / 0 / 81 / 1

HEX #75FD30

RGB 117 253 48

HSL 99.8, 0.98%, 0.59%

LAB 89.04, -68.93, 78.13

 

CMYK 76 / 0 / 81 / 1

HEX #3DFD30

RGB 61 253 48

HSL 116.2, 0.98%, 0.59%

LAB 87.71, -80.02, 76.42

 

CMYK 81 / 0 / 64 / 1

HEX #30FD5A

RGB 48 253 90

HSL 132.29, 0.98%, 0.59%

LAB 87.78, -78.39, 62.5

 

CMYK 81 / 0 / 43 / 1

HEX #30FD91

RGB 48 253 145

HSL 148.39, 0.98%, 0.59%

LAB 88.41, -70.86, 38.37

 

CMYK 32 / 0 / 81 / 1

HEX #ACFD30

RGB 172 253 48

HSL 83.71, 0.98%, 0.59%

LAB 91.34, -51.98, 81.06

 

CMYK 32 / 0 / 81 / 1

HEX #ACFD30

RGB 172 253 48

HSL 83.71, 0.98%, 0.59%

LAB 91.34, -51.98, 81.06

 

CMYK 29 / 0 / 72 / 7

HEX #A8EC41

RGB 168 236 65

HSL 83.86, 0.82%, 0.59%

LAB 86.35, -45.52, 71.42

 

CMYK 25 / 0 / 63 / 14

HEX #A5DB52

RGB 165 219 82

HSL 83.65, 0.66%, 0.59%

LAB 81.44, -38.04, 59.91

 

CMYK 20 / 0 / 51 / 21

HEX #A1CA63

RGB 161 202 99

HSL 83.88, 0.49%, 0.59%

LAB 76.51, -30.17, 46.59

 

CMYK 15 / 0 / 37 / 27

HEX #9EB974

RGB 158 185 116

HSL 83.48, 0.33%, 0.59%

LAB 71.71, -21.04, 32.04

 

CMYK 0 / 12 / 81 / 1

HEX #FDDE30

RGB 253 222 48

HSL 50.93, 0.98%, 0.59%

LAB 88.61, -5.55, 80.85

 

CMYK 9 / 0 / 81 / 1

HEX #E5FD30

RGB 229 253 48

HSL 67.02, 0.98%, 0.59%

LAB 94.79, -30.41, 85.41

 

CMYK 31 / 0 / 81 / 1

HEX #AEFD30

RGB 174 253 48

HSL 83.12, 0.98%, 0.59%

LAB 91.44, -51.28, 81.19

 

CMYK 53 / 0 / 81 / 1

HEX #78FD30

RGB 120 253 48

HSL 98.93, 0.98%, 0.59%

LAB 89.14, -68.14, 78.25

 

CMYK 74 / 0 / 81 / 1

HEX #41FD30

RGB 65 253 48

HSL 115.02, 0.98%, 0.59%

LAB 87.77, -79.46, 76.5

 

CMYK 39 / 0 / 99 / 15

HEX #84D802

RGB 132 216 2

HSL 83.55, 0.98%, 0.43%

LAB 78.47, -51.99, 76.78

 

CMYK 38 / 0 / 97 / 1

HEX #9CFC07

RGB 156 252 7

HSL 83.51, 0.98%, 0.51%

LAB 90.19, -57.98, 86.01

 

CMYK 32 / 0 / 81 / 1

HEX #ACFD30

RGB 172 253 48

HSL 83.71, 0.98%, 0.59%

LAB 91.34, -51.98, 81.06

 

CMYK 26 / 0 / 65 / 1

HEX #BCFD59

RGB 188 253 89

HSL 83.78, 0.98%, 0.67%

LAB 92.43, -44.07, 69.27

 

CMYK 19 / 0 / 49 / 0

HEX #CDFE82

RGB 205 254 130

HSL 83.71, 0.98%, 0.75%

LAB 94.09, -34.79, 53.84

 

CMYK 32 / 0 / 81 / 1

HEX #ACFD30

RGB 172 253 48

HSL 83.71, 0.98%, 0.59%

LAB 91.34, -51.98, 81.06

 

CMYK 81 / 0 / 34 / 1

HEX #30FDA8

RGB 48 253 168

HSL 155.12, 0.98%, 0.59%

LAB 88.78, -66.59, 27.41

 

CMYK 2 / 81 / 0 / 1

HEX #F930FD

RGB 249 48 253

HSL 298.83, 0.98%, 0.59%

LAB 61.09, 91.48, -58.57

 

CMYK 32 / 0 / 81 / 1

HEX #ACFD30

RGB 172 253 48

HSL 83.71, 0.98%, 0.59%

LAB 91.34, -51.98, 81.06

 

CMYK 81 / 31 / 0 / 1

HEX #30AEFD

RGB 48 174 253

HSL 203.12, 0.98%, 0.59%

LAB 68.01, -6.9, -48.55

 

CMYK 0 / 81 / 31 / 1

HEX #FD30AE

RGB 253 48 174

HSL 323.12, 0.98%, 0.59%

LAB 58.09, 82.14, -18.4

 

CMYK 32 / 0 / 81 / 1

HEX #ACFD30

RGB 172 253 48

HSL 83.71, 0.98%, 0.59%

LAB 91.34, -51.98, 81.06

 

CMYK 81 / 0 / 34 / 1

HEX #30FDA8

RGB 48 253 168

HSL 155.12, 0.98%, 0.59%

LAB 88.78, -66.59, 27.41

 

CMYK 50 / 81 / 0 / 1

HEX #7F30FD

RGB 127 48 253

HSL 263.12, 0.98%, 0.59%

LAB 43.83, 72.99, -87.37

 

CMYK 0 / 81 / 47 / 1

HEX #FD3085

RGB 253 48 133

HSL 335.12, 0.98%, 0.59%

LAB 56.77, 78.32, 3.75

 

CMYK 32 / 0 / 81 / 1

HEX #ACFD30

RGB 172 253 48

HSL 83.71, 0.98%, 0.59%

LAB 91.34, -51.98, 81.06

 

CMYK 81 / 0 / 9 / 1

HEX #30FDE5

RGB 48 253 229

HSL 172.98, 0.98%, 0.59%

LAB 90.11, -52.43, -2.1

 

CMYK 50 / 81 / 0 / 1

HEX #7F30FD

RGB 127 48 253

HSL 263.12, 0.98%, 0.59%

LAB 43.83, 72.99, -87.37

 

CMYK 0 / 81 / 72 / 1

HEX #FD3048

RGB 253 48 72

HSL 352.98, 0.98%, 0.59%

LAB 55.55, 74.65, 38.19

 

Description

Color code: HEX #ACFD30 | qconv.com Color code: HEX #ACFD30 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 253 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 253 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 81 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 81% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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