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Color name
HEX #FDBC5B

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDBC5B it is the complementary color #0243A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDBC5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FDBC5B shade: #FFBC56, #FFCE69, #FFE07C, #FFF28F and #FFFFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDBC5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FDBC5B shade: #FDBC5B, #ECAA48, #DB9835, #CA8622 and #B9740F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FDBC5B shade: #FDBB58, #FD8F58, #FD6258 and #FD5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FDBC5B shade: #FDBB58, #FDE858, #E7FD58, #BAFD58 and #8EFD58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FDBC5B shade matches the following richer shades: #FDBB58

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FDBC5B shade: #FDBB58, #F0B866, #E2B674, #D4B381 and #C7B08F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FDBC5B shade: #FD6158, #FD8D58, #FDB958, #FDE558 and #EAFD58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FDBC5B shade: #FC9A07, #FDAB30, #FDBB58, #FECC81 and #FEDCAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FDBC5B shade: #FDBC5B, #7CFD58 and #7758FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FDBC5B shade: #FDBC5B, #58FDB9 and #B958FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FDBC5B shade: #FDBC5B, #7CFD58, #589DFD and #DA58FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FDBC5B shade: #FDBC5B, #58FD66, #589DFD and #FD58F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 64 / 1

HEX #FDBC5B

RGB 253 188 91

HSL 35.93, 0.98%, 0.67%

LAB 80.52, 13.79, 56.98

 

Complementary color

CMYK 99 / 59 / 0 / 36

HEX #0243A4

RGB 2 67 164

HSL 215.93, 0.98%, 0.33%

LAB 31.13, 22.47, -56.98

 

CMYK 0 / 26 / 66 / 0

HEX #FFBC56

RGB 255 188 86

HSL 36.21, 1%, 0.67%

LAB 80.68, 14.33, 59.49

 

CMYK 0 / 19 / 59 / 0

HEX #FFCE69

RGB 255 206 105

HSL 40.4, 1%, 0.71%

LAB 85.21, 6.2, 55.89

 

CMYK 0 / 12 / 51 / 0

HEX #FFE07C

RGB 255 224 124

HSL 45.8, 1%, 0.74%

LAB 89.87, -1.54, 52.43

 

CMYK 0 / 5 / 44 / 0

HEX #FFF28F

RGB 255 242 143

HSL 53.04, 1%, 0.78%

LAB 94.63, -8.84, 49.17

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA2

RGB 255 255 162

HSL 60, 1%, 0.82%

LAB 98.19, -13.28, 44.46

 

CMYK 0 / 26 / 64 / 1

HEX #FDBC5B

RGB 253 188 91

HSL 35.93, 0.98%, 0.67%

LAB 80.52, 13.79, 56.98

 

CMYK 0 / 28 / 69 / 7

HEX #ECAA48

RGB 236 170 72

HSL 35.85, 0.81%, 0.6%

LAB 74.22, 15.11, 58.17

 

CMYK 0 / 31 / 76 / 14

HEX #DB9835

RGB 219 152 53

HSL 35.78, 0.7%, 0.53%

LAB 67.85, 16.61, 59.12

 

CMYK 0 / 34 / 83 / 21

HEX #CA8622

RGB 202 134 34

HSL 35.71, 0.71%, 0.46%

LAB 61.41, 18.35, 59.53

 

CMYK 0 / 37 / 92 / 27

HEX #B9740F

RGB 185 116 15

HSL 35.65, 0.85%, 0.39%

LAB 54.91, 20.35, 58.83

 

CMYK 0 / 26 / 65 / 1

HEX #FDBB58

RGB 253 187 88

HSL 36, 0.98%, 0.67%

LAB 80.25, 14.14, 58.06

 

CMYK 0 / 43 / 65 / 1

HEX #FD8F58

RGB 253 143 88

HSL 20, 0.98%, 0.67%

LAB 70.34, 37.03, 46.85

 

CMYK 0 / 61 / 65 / 1

HEX #FD6258

RGB 253 98 88

HSL 3.64, 0.98%, 0.67%

LAB 61.93, 58.46, 36.83

 

CMYK 0 / 65 / 65 / 1

HEX #FD5858

RGB 253 88 88

HSL 0, 0.98%, 0.67%

LAB 60.4, 62.58, 34.95

 

CMYK 0 / 26 / 65 / 1

HEX #FDBB58

RGB 253 187 88

HSL 36, 0.98%, 0.67%

LAB 80.25, 14.14, 58.06

 

CMYK 0 / 8 / 65 / 1

HEX #FDE858

RGB 253 232 88

HSL 52.36, 0.98%, 0.67%

LAB 91.37, -8.86, 69.95

 

CMYK 9 / 0 / 65 / 1

HEX #E7FD58

RGB 231 253 88

HSL 68, 0.98%, 0.67%

LAB 95.14, -27.85, 73.33

 

CMYK 26 / 0 / 65 / 1

HEX #BAFD58

RGB 186 253 88

HSL 84.36, 0.98%, 0.67%

LAB 92.31, -44.86, 69.5

 

CMYK 44 / 0 / 65 / 1

HEX #8EFD58

RGB 142 253 88

HSL 100.36, 0.98%, 0.67%

LAB 90.19, -59.41, 66.6

 

CMYK 0 / 26 / 65 / 1

HEX #FDBB58

RGB 253 187 88

HSL 36, 0.98%, 0.67%

LAB 80.25, 14.14, 58.06

 

CMYK 0 / 26 / 65 / 1

HEX #FDBB58

RGB 253 187 88

HSL 36, 0.98%, 0.67%

LAB 80.25, 14.14, 58.06

 

CMYK 0 / 23 / 58 / 6

HEX #F0B866

RGB 240 184 102

HSL 35.65, 0.82%, 0.67%

LAB 78.32, 11.28, 48.89

 

CMYK 0 / 19 / 49 / 11

HEX #E2B674

RGB 226 182 116

HSL 36, 0.65%, 0.67%

LAB 76.61, 7.77, 39.46

 

CMYK 0 / 16 / 39 / 17

HEX #D4B381

RGB 212 179 129

HSL 36.14, 0.49%, 0.67%

LAB 74.71, 5.04, 29.96

 

CMYK 0 / 12 / 28 / 22

HEX #C7B08F

RGB 199 176 143

HSL 35.36, 0.33%, 0.67%

LAB 73.01, 3.24, 19.96

 

CMYK 0 / 62 / 65 / 1

HEX #FD6158

RGB 253 97 88

HSL 3.27, 0.98%, 0.67%

LAB 61.77, 58.88, 36.64

 

CMYK 0 / 44 / 65 / 1

HEX #FD8D58

RGB 253 141 88

HSL 19.27, 0.98%, 0.67%

LAB 69.92, 38.05, 46.37

 

CMYK 0 / 27 / 65 / 1

HEX #FDB958

RGB 253 185 88

HSL 35.27, 0.98%, 0.67%

LAB 79.78, 15.18, 57.53

 

CMYK 0 / 9 / 65 / 1

HEX #FDE558

RGB 253 229 88

HSL 51.27, 0.98%, 0.67%

LAB 90.61, -7.37, 69.16

 

CMYK 8 / 0 / 65 / 1

HEX #EAFD58

RGB 234 253 88

HSL 66.91, 0.98%, 0.67%

LAB 95.35, -26.67, 73.61

 

CMYK 0 / 39 / 97 / 1

HEX #FC9A07

RGB 252 154 7

HSL 36, 0.98%, 0.51%

LAB 72.11, 28.47, 76.09

 

CMYK 0 / 32 / 81 / 1

HEX #FDAB30

RGB 253 171 48

HSL 36, 0.98%, 0.59%

LAB 76.21, 20.74, 70.08

 

CMYK 0 / 26 / 65 / 1

HEX #FDBB58

RGB 253 187 88

HSL 36, 0.98%, 0.67%

LAB 80.25, 14.14, 58.06

 

CMYK 0 / 20 / 49 / 0

HEX #FECC81

RGB 254 204 129

HSL 36, 0.98%, 0.75%

LAB 84.92, 8.74, 43.88

 

CMYK 0 / 13 / 33 / 0

HEX #FEDCAA

RGB 254 220 170

HSL 35.71, 0.98%, 0.83%

LAB 89.47, 4.8, 28.94

 

CMYK 0 / 26 / 64 / 1

HEX #FDBC5B

RGB 253 188 91

HSL 35.93, 0.98%, 0.67%

LAB 80.52, 13.79, 56.98

 

CMYK 51 / 0 / 65 / 1

HEX #7CFD58

RGB 124 253 88

HSL 106.91, 0.98%, 0.67%

LAB 89.51, -64.49, 65.67

 

CMYK 53 / 65 / 0 / 1

HEX #7758FD

RGB 119 88 253

HSL 251.27, 0.98%, 0.67%

LAB 49.49, 53.66, -78.12

 

CMYK 0 / 26 / 64 / 1

HEX #FDBC5B

RGB 253 188 91

HSL 35.93, 0.98%, 0.67%

LAB 80.52, 13.79, 56.98

 

CMYK 65 / 0 / 27 / 1

HEX #58FDB9

RGB 88 253 185

HSL 155.27, 0.98%, 0.67%

LAB 89.78, -58.03, 20.24

 

CMYK 27 / 65 / 0 / 1

HEX #B958FD

RGB 185 88 253

HSL 275.27, 0.98%, 0.67%

LAB 56.47, 66.11, -66.47

 

CMYK 0 / 26 / 64 / 1

HEX #FDBC5B

RGB 253 188 91

HSL 35.93, 0.98%, 0.67%

LAB 80.52, 13.79, 56.98

 

CMYK 51 / 0 / 65 / 1

HEX #7CFD58

RGB 124 253 88

HSL 106.91, 0.98%, 0.67%

LAB 89.51, -64.49, 65.67

 

CMYK 65 / 38 / 0 / 1

HEX #589DFD

RGB 88 157 253

HSL 214.91, 0.98%, 0.67%

LAB 64.39, 7.78, -54.22

 

CMYK 14 / 65 / 0 / 1

HEX #DA58FD

RGB 218 88 253

HSL 287.27, 0.98%, 0.67%

LAB 60.76, 73.12, -59.35

 

CMYK 0 / 26 / 64 / 1

HEX #FDBC5B

RGB 253 188 91

HSL 35.93, 0.98%, 0.67%

LAB 80.52, 13.79, 56.98

 

CMYK 65 / 0 / 60 / 1

HEX #58FD66

RGB 88 253 102

HSL 125.09, 0.98%, 0.67%

LAB 88.58, -71.32, 58.63

 

CMYK 65 / 38 / 0 / 1

HEX #589DFD

RGB 88 157 253

HSL 214.91, 0.98%, 0.67%

LAB 64.39, 7.78, -54.22

 

CMYK 0 / 65 / 5 / 1

HEX #FD58F0

RGB 253 88 240

HSL 304.73, 0.98%, 0.67%

LAB 65.08, 78.76, -44.99

 

Description

Color code: HEX #FDBC5B | qconv.com Color code: HEX #FDBC5B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 188 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 188 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 64 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 64% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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