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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD7E5E it is the complementary color #0281A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD7E5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD7E5E shade: #FF7E59, #FF906C, #FFA27F, #FFB492 and #FFC6A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD7E5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD7E5E shade: #FD7E5E, #EC6C4B, #DB5A38, #CA4825 and #B93612

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD7E5E shade: #FD7E5D and #FD5D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD7E5E shade: #FD7E5D, #FDA95D, #FDD45D, #FCFD5D and #D1FD5D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD7E5E shade matches the following richer shades: #FD7E5D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD7E5E shade: #FD7E5D, #F0866B, #E38D78, #D69585 and #C99D92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD7E5E shade: #FD5D93, #FD5D68, #FD7D5D, #FDA85D and #FDD35D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD7E5E shade: #FD3C0C, #FD5D35, #FD7E5D, #FE9E86 and #FEBFAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD7E5E shade: #FD7E5E, #BDFD5D and #5D7DFD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD7E5E shade: #FD7E5E, #5DFD7D and #7D5DFD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD7E5E shade: #FD7E5E, #BDFD5D, #5DDDFD and #9D5DFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD7E5E shade: #FD7E5E, #8DFD5D, #5DDDFD and #CD5DFD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 63 / 1

HEX #FD7E5E

RGB 253 126 94

HSL 12.08, 0.98%, 0.68%

LAB 66.99, 45.9, 39.73

 

Complementary color

CMYK 99 / 20 / 0 / 37

HEX #0281A1

RGB 2 129 161

HSL 192.08, 0.98%, 0.32%

LAB 49.84, -17.82, -25.41

 

CMYK 0 / 51 / 65 / 0

HEX #FF7E59

RGB 255 126 89

HSL 13.37, 1%, 0.67%

LAB 67.2, 46.34, 42.72

 

CMYK 0 / 44 / 58 / 0

HEX #FF906C

RGB 255 144 108

HSL 14.69, 1%, 0.71%

LAB 71.07, 38.61, 37.37

 

CMYK 0 / 36 / 50 / 0

HEX #FFA27F

RGB 255 162 127

HSL 16.41, 1%, 0.75%

LAB 75.22, 30.88, 32.55

 

CMYK 0 / 29 / 43 / 0

HEX #FFB492

RGB 255 180 146

HSL 18.72, 1%, 0.79%

LAB 79.6, 23.3, 28.23

 

CMYK 0 / 22 / 35 / 0

HEX #FFC6A5

RGB 255 198 165

HSL 22, 1%, 0.82%

LAB 84.16, 15.98, 24.34

 

CMYK 0 / 50 / 63 / 1

HEX #FD7E5E

RGB 253 126 94

HSL 12.08, 0.98%, 0.68%

LAB 66.99, 45.9, 39.73

 

CMYK 0 / 54 / 68 / 7

HEX #EC6C4B

RGB 236 108 75

HSL 12.3, 0.81%, 0.61%

LAB 60.84, 47.27, 41.96

 

CMYK 0 / 59 / 74 / 14

HEX #DB5A38

RGB 219 90 56

HSL 12.52, 0.69%, 0.54%

LAB 54.72, 48.66, 44.39

 

CMYK 0 / 64 / 82 / 21

HEX #CA4825

RGB 202 72 37

HSL 12.73, 0.69%, 0.47%

LAB 48.67, 49.98, 46.88

 

CMYK 0 / 71 / 90 / 27

HEX #B93612

RGB 185 54 18

HSL 12.93, 0.82%, 0.4%

LAB 42.76, 51.08, 48.97

 

CMYK 0 / 50 / 63 / 1

HEX #FD7E5D

RGB 253 126 93

HSL 12.38, 0.98%, 0.68%

LAB 66.97, 45.84, 40.25

 

CMYK 0 / 63 / 63 / 1

HEX #FD5D5D

RGB 253 93 93

HSL 0, 0.98%, 0.68%

LAB 61.22, 60.84, 33.15

 

CMYK 0 / 50 / 63 / 1

HEX #FD7E5D

RGB 253 126 93

HSL 12.38, 0.98%, 0.68%

LAB 66.97, 45.84, 40.25

 

CMYK 0 / 33 / 63 / 1

HEX #FDA95D

RGB 253 169 93

HSL 28.5, 0.98%, 0.68%

LAB 76.1, 23.86, 51.04

 

CMYK 0 / 16 / 63 / 1

HEX #FDD45D

RGB 253 212 93

HSL 44.63, 0.98%, 0.68%

LAB 86.39, 1.51, 62.56

 

CMYK 0 / 0 / 63 / 1

HEX #FCFD5D

RGB 252 253 93

HSL 60.38, 0.98%, 0.68%

LAB 96.71, -19.22, 73.53

 

CMYK 17 / 0 / 63 / 1

HEX #D1FD5D

RGB 209 253 93

HSL 76.5, 0.98%, 0.68%

LAB 93.71, -36.02, 69.45

 

CMYK 0 / 50 / 63 / 1

HEX #FD7E5D

RGB 253 126 93

HSL 12.38, 0.98%, 0.68%

LAB 66.97, 45.84, 40.25

 

CMYK 0 / 50 / 63 / 1

HEX #FD7E5D

RGB 253 126 93

HSL 12.38, 0.98%, 0.68%

LAB 66.97, 45.84, 40.25

 

CMYK 0 / 44 / 55 / 6

HEX #F0866B

RGB 240 134 107

HSL 12.18, 0.82%, 0.68%

LAB 67, 37.93, 32.34

 

CMYK 0 / 38 / 47 / 11

HEX #E38D78

RGB 227 141 120

HSL 11.78, 0.66%, 0.68%

LAB 67.08, 30.42, 24.98

 

CMYK 0 / 30 / 38 / 16

HEX #D69585

RGB 214 149 133

HSL 11.85, 0.5%, 0.68%

LAB 67.64, 22.47, 18.28

 

CMYK 0 / 22 / 27 / 21

HEX #C99D92

RGB 201 157 146

HSL 12, 0.34%, 0.68%

LAB 68.47, 14.73, 12.01

 

CMYK 0 / 63 / 42 / 1

HEX #FD5D93

RGB 253 93 147

HSL 339.75, 0.98%, 0.68%

LAB 62.35, 65.06, 3.61

 

CMYK 0 / 63 / 59 / 1

HEX #FD5D68

RGB 253 93 104

HSL 355.88, 0.98%, 0.68%

LAB 61.4, 61.53, 27.13

 

CMYK 0 / 51 / 63 / 1

HEX #FD7D5D

RGB 253 125 93

HSL 12, 0.98%, 0.68%

LAB 66.78, 46.33, 40.02

 

CMYK 0 / 34 / 63 / 1

HEX #FDA85D

RGB 253 168 93

HSL 28.13, 0.98%, 0.68%

LAB 75.87, 24.38, 50.77

 

CMYK 0 / 17 / 63 / 1

HEX #FDD35D

RGB 253 211 93

HSL 44.25, 0.98%, 0.68%

LAB 86.14, 2.02, 62.29

 

CMYK 0 / 76 / 95 / 1

HEX #FD3C0C

RGB 253 60 12

HSL 11.95, 0.98%, 0.52%

LAB 56.23, 70.08, 65.61

 

CMYK 0 / 63 / 79 / 1

HEX #FD5D35

RGB 253 93 53

HSL 12, 0.98%, 0.6%

LAB 60.75, 59.05, 53.83

 

CMYK 0 / 50 / 63 / 1

HEX #FD7E5D

RGB 253 126 93

HSL 12.38, 0.98%, 0.68%

LAB 66.97, 45.84, 40.25

 

CMYK 0 / 38 / 47 / 0

HEX #FE9E86

RGB 254 158 134

HSL 12, 0.98%, 0.76%

LAB 74.35, 33.21, 27.61

 

CMYK 0 / 25 / 31 / 0

HEX #FEBFAF

RGB 254 191 175

HSL 12.15, 0.98%, 0.84%

LAB 82.61, 20.49, 16.88

 

CMYK 0 / 50 / 63 / 1

HEX #FD7E5E

RGB 253 126 94

HSL 12.08, 0.98%, 0.68%

LAB 66.99, 45.9, 39.73

 

CMYK 25 / 0 / 63 / 1

HEX #BDFD5D

RGB 189 253 93

HSL 84, 0.98%, 0.68%

LAB 92.51, -43.42, 67.82

 

CMYK 63 / 51 / 0 / 1

HEX #5D7DFD

RGB 93 125 253

HSL 228, 0.98%, 0.68%

LAB 56.17, 27.73, -67.35

 

CMYK 0 / 50 / 63 / 1

HEX #FD7E5E

RGB 253 126 94

HSL 12.08, 0.98%, 0.68%

LAB 66.99, 45.9, 39.73

 

CMYK 63 / 0 / 51 / 1

HEX #5DFD7D

RGB 93 253 125

HSL 132, 0.98%, 0.68%

LAB 88.95, -67.52, 48.8

 

CMYK 51 / 63 / 0 / 1

HEX #7D5DFD

RGB 125 93 253

HSL 252, 0.98%, 0.68%

LAB 51.01, 51.96, -75.61

 

CMYK 0 / 50 / 63 / 1

HEX #FD7E5E

RGB 253 126 94

HSL 12.08, 0.98%, 0.68%

LAB 66.99, 45.9, 39.73

 

CMYK 25 / 0 / 63 / 1

HEX #BDFD5D

RGB 189 253 93

HSL 84, 0.98%, 0.68%

LAB 92.51, -43.42, 67.82

 

CMYK 63 / 13 / 0 / 1

HEX #5DDDFD

RGB 93 221 253

HSL 192, 0.98%, 0.68%

LAB 82.45, -25.9, -26.08

 

CMYK 38 / 63 / 0 / 1

HEX #9D5DFD

RGB 157 93 253

HSL 264, 0.98%, 0.68%

LAB 54.12, 58, -70.43

 

CMYK 0 / 50 / 63 / 1

HEX #FD7E5E

RGB 253 126 94

HSL 12.08, 0.98%, 0.68%

LAB 66.99, 45.9, 39.73

 

CMYK 44 / 0 / 63 / 1

HEX #8DFD5D

RGB 141 253 93

HSL 102, 0.98%, 0.68%

LAB 90.19, -59.29, 64.61

 

CMYK 63 / 13 / 0 / 1

HEX #5DDDFD

RGB 93 221 253

HSL 192, 0.98%, 0.68%

LAB 82.45, -25.9, -26.08

 

CMYK 19 / 63 / 0 / 1

HEX #CD5DFD

RGB 205 93 253

HSL 282, 0.98%, 0.68%

LAB 59.8, 68.17, -60.99

 

Description

Color code: HEX #FD7E5E | qconv.com Color code: HEX #FD7E5E | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 126 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 126 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 63 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 63% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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