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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD3C0C it is the complementary color #02C3F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD3C0C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD3C0C shade: #FF3C07, #FF4E1A, #FF602D, #FF7240 and #FF8453

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD3C0C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD3C0C shade: #FD3C0C, #EC2A00, #DB1800, #CA0600 and #B90000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD3C0C shade: #FD3C0D and #FD0D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD3C0C shade: #FD3C0D, #FD7D0D, #FDBE0D, #FBFD0D and #BAFD0D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD3C0C shade matches the following richer shades: #FD3C0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD3C0C shade: #FD3C0D, #E94820, #D55434, #C16048 and #AD6C5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD3C0C shade: #FD0D61, #FD0D21, #FD390D, #FD790D and #FDB90D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD3C0C shade: #B52502, #DE2E02, #FD3C0D, #FD5D35 and #FD7E5E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD3C0C shade: #FD3C0C, #A1FD0D and #0D41FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD3C0C shade: #FD3C0C, #0DFD39 and #390DFD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD3C0C shade: #FD3C0C, #A1FD0D, #0DD1FD and #690DFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD3C0C shade: #FD3C0C, #59FD0D, #0DD1FD and #B10DFD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 95 / 1

HEX #FD3C0C

RGB 253 60 12

HSL 11.95, 0.98%, 0.52%

LAB 56.23, 70.08, 65.61

 

Complementary color

CMYK 99 / 20 / 0 / 5

HEX #02C3F3

RGB 2 195 243

HSL 191.95, 0.98%, 0.48%

LAB 73.23, -23.79, -35.03

 

CMYK 0 / 76 / 97 / 0

HEX #FF3C07

RGB 255 60 7

HSL 12.82, 1%, 0.51%

LAB 56.59, 70.63, 67.05

 

CMYK 0 / 69 / 90 / 0

HEX #FF4E1A

RGB 255 78 26

HSL 13.62, 1%, 0.55%

LAB 58.77, 64.93, 63.45

 

CMYK 0 / 62 / 82 / 0

HEX #FF602D

RGB 255 96 45

HSL 14.57, 1%, 0.59%

LAB 61.49, 58.24, 58.28

 

CMYK 0 / 55 / 75 / 0

HEX #FF7240

RGB 255 114 64

HSL 15.71, 1%, 0.63%

LAB 64.7, 50.85, 52.63

 

CMYK 0 / 48 / 67 / 0

HEX #FF8453

RGB 255 132 83

HSL 17.09, 1%, 0.66%

LAB 68.3, 43.06, 47.12

 

CMYK 0 / 76 / 95 / 1

HEX #FD3C0C

RGB 253 60 12

HSL 11.95, 0.98%, 0.52%

LAB 56.23, 70.08, 65.61

 

CMYK 0 / 82 / 100 / 7

HEX #EC2A00

RGB 236 42 0

HSL 10.68, 1%, 0.46%

LAB 51.25, 69.92, 64.13

 

CMYK 0 / 89 / 100 / 14

HEX #DB1800

RGB 219 24 0

HSL 6.58, 1%, 0.43%

LAB 46.6, 68.87, 60.24

 

CMYK 0 / 97 / 100 / 21

HEX #CA0600

RGB 202 6 0

HSL 1.78, 1%, 0.4%

LAB 42.29, 66.63, 56.47

 

CMYK 0 / 100 / 100 / 27

HEX #B90000

RGB 185 0 0

HSL 0, 1%, 0.36%

LAB 38.4, 62.95, 52.82

 

CMYK 0 / 76 / 95 / 1

HEX #FD3C0D

RGB 253 60 13

HSL 11.75, 0.98%, 0.52%

LAB 56.23, 70.09, 65.38

 

CMYK 0 / 95 / 95 / 1

HEX #FD0D0D

RGB 253 13 13

HSL 0, 0.98%, 0.52%

LAB 53.17, 78.81, 63.76

 

CMYK 0 / 76 / 95 / 1

HEX #FD3C0D

RGB 253 60 13

HSL 11.75, 0.98%, 0.52%

LAB 56.23, 70.09, 65.38

 

CMYK 0 / 51 / 95 / 1

HEX #FD7D0D

RGB 253 125 13

HSL 28, 0.98%, 0.52%

LAB 66.2, 43.64, 71.45

 

CMYK 0 / 25 / 95 / 1

HEX #FDBE0D

RGB 253 190 13

HSL 44.25, 0.98%, 0.52%

LAB 80.59, 10.16, 81.35

 

CMYK 1 / 0 / 95 / 1

HEX #FBFD0D

RGB 251 253 13

HSL 60.5, 0.98%, 0.52%

LAB 96.32, -22.15, 92.83

 

CMYK 26 / 0 / 95 / 1

HEX #BAFD0D

RGB 186 253 13

HSL 76.75, 0.98%, 0.52%

LAB 92.01, -47.76, 87.64

 

CMYK 0 / 76 / 95 / 1

HEX #FD3C0D

RGB 253 60 13

HSL 11.75, 0.98%, 0.52%

LAB 56.23, 70.09, 65.38

 

CMYK 0 / 76 / 95 / 1

HEX #FD3C0D

RGB 253 60 13

HSL 11.75, 0.98%, 0.52%

LAB 56.23, 70.09, 65.38

 

CMYK 0 / 69 / 86 / 9

HEX #E94820

RGB 233 72 32

HSL 11.94, 0.82%, 0.52%

LAB 54.09, 60.25, 55.97

 

CMYK 0 / 61 / 76 / 16

HEX #D55434

RGB 213 84 52

HSL 11.93, 0.66%, 0.52%

LAB 52.66, 49.09, 43.98

 

CMYK 0 / 50 / 63 / 24

HEX #C16048

RGB 193 96 72

HSL 11.9, 0.49%, 0.52%

LAB 52.03, 36.84, 31.54

 

CMYK 0 / 38 / 47 / 32

HEX #AD6C5C

RGB 173 108 92

HSL 11.85, 0.33%, 0.52%

LAB 52.27, 24.08, 19.81

 

CMYK 0 / 95 / 62 / 1

HEX #FD0D61

RGB 253 13 97

HSL 339, 0.98%, 0.52%

LAB 54.06, 81.28, 21.55

 

CMYK 0 / 95 / 87 / 1

HEX #FD0D21

RGB 253 13 33

HSL 355, 0.98%, 0.52%

LAB 53.25, 79.05, 56.49

 

CMYK 0 / 77 / 95 / 1

HEX #FD390D

RGB 253 57 13

HSL 11, 0.98%, 0.52%

LAB 55.93, 70.95, 65.22

 

CMYK 0 / 52 / 95 / 1

HEX #FD790D

RGB 253 121 13

HSL 27, 0.98%, 0.52%

LAB 65.43, 45.58, 70.95

 

CMYK 0 / 27 / 95 / 1

HEX #FDB90D

RGB 253 185 13

HSL 43, 0.98%, 0.52%

LAB 79.39, 12.76, 80.49

 

CMYK 0 / 80 / 99 / 29

HEX #B52502

RGB 181 37 2

HSL 11.73, 0.98%, 0.36%

LAB 39.83, 55.38, 52.13

 

CMYK 0 / 79 / 99 / 13

HEX #DE2E02

RGB 222 46 2

HSL 12, 0.98%, 0.44%

LAB 48.87, 64.98, 60.96

 

CMYK 0 / 76 / 95 / 1

HEX #FD3C0D

RGB 253 60 13

HSL 11.75, 0.98%, 0.52%

LAB 56.23, 70.09, 65.38

 

CMYK 0 / 63 / 79 / 1

HEX #FD5D35

RGB 253 93 53

HSL 12, 0.98%, 0.6%

LAB 60.75, 59.05, 53.83

 

CMYK 0 / 50 / 63 / 1

HEX #FD7E5E

RGB 253 126 94

HSL 12.08, 0.98%, 0.68%

LAB 66.99, 45.9, 39.73

 

CMYK 0 / 76 / 95 / 1

HEX #FD3C0C

RGB 253 60 12

HSL 11.95, 0.98%, 0.52%

LAB 56.23, 70.08, 65.61

 

CMYK 36 / 0 / 95 / 1

HEX #A1FD0D

RGB 161 253 13

HSL 83, 0.98%, 0.52%

LAB 90.71, -56.63, 86.07

 

CMYK 95 / 74 / 0 / 1

HEX #0D41FD

RGB 13 65 253

HSL 227, 0.98%, 0.52%

LAB 39.51, 57.06, -94.73

 

CMYK 0 / 76 / 95 / 1

HEX #FD3C0C

RGB 253 60 12

HSL 11.95, 0.98%, 0.52%

LAB 56.23, 70.08, 65.61

 

CMYK 95 / 0 / 77 / 1

HEX #0DFD39

RGB 13 253 57

HSL 131, 0.98%, 0.52%

LAB 87.31, -83.42, 73.45

 

CMYK 77 / 95 / 0 / 1

HEX #390DFD

RGB 57 13 253

HSL 251, 0.98%, 0.52%

LAB 34.5, 77.54, -103.03

 

CMYK 0 / 76 / 95 / 1

HEX #FD3C0C

RGB 253 60 12

HSL 11.95, 0.98%, 0.52%

LAB 56.23, 70.08, 65.61

 

CMYK 36 / 0 / 95 / 1

HEX #A1FD0D

RGB 161 253 13

HSL 83, 0.98%, 0.52%

LAB 90.71, -56.63, 86.07

 

CMYK 95 / 17 / 0 / 1

HEX #0DD1FD

RGB 13 209 253

HSL 191, 0.98%, 0.52%

LAB 77.74, -27.21, -33.41

 

CMYK 58 / 95 / 0 / 1

HEX #690DFD

RGB 105 13 253

HSL 263, 0.98%, 0.52%

LAB 38.52, 79.7, -96.22

 

CMYK 0 / 76 / 95 / 1

HEX #FD3C0C

RGB 253 60 12

HSL 11.95, 0.98%, 0.52%

LAB 56.23, 70.08, 65.61

 

CMYK 65 / 0 / 95 / 1

HEX #59FD0D

RGB 89 253 13

HSL 101, 0.98%, 0.52%

LAB 88.16, -76.42, 82.95

 

CMYK 95 / 17 / 0 / 1

HEX #0DD1FD

RGB 13 209 253

HSL 191, 0.98%, 0.52%

LAB 77.74, -27.21, -33.41

 

CMYK 30 / 95 / 0 / 1

HEX #B10DFD

RGB 177 13 253

HSL 281, 0.98%, 0.52%

LAB 47.91, 86.29, -80.42

 

Description

Color code: HEX #FD3C0C | qconv.com Color code: HEX #FD3C0C | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 60 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 60 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 95 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 95% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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