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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD78993F it is the complementary color #0287663F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD78993F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD78993F shade: #FF78943F, #FF8AA73F, #FF9CBA3F, #FFAECD3F and #FFC0E03F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD78993F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD78993F shade: #FD78993F, #EC66863F, #DB54733F, #CA42603F and #B9304D3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD78993F shade: #FD7799 and #FD7777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD78993F shade: #FD7799, #FD77BD, #FD77E1, #F577FD and #D177FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD78993F shade matches the following richer shades: #FD7799

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD78993F shade: #FD7799, #F2839E, #E78EA4, #DC99A9 and #D0A4AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD78993F shade: #FD77E0, #FD77BC, #FD7799, #FD7A77 and #FD9D77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD78993F shade: #FC265B, #FC4F7A, #FD7799, #FEA0B7 and #FEC9D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD78993F shade: #FD7899, #FDF677 and #77CEFD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD78993F shade: #FD7899, #99FD77 and #7799FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD78993F shade: #FD7899, #FDF677, #77FDDC and #777EFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD78993F shade: #FD7899, #DCFD77, #77FDDC and #9977FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 10 / 0

HEX #FD78993F

RGBA 253 120 153 0.25

HSLA 345.11, 0.97%, 0.73%, 0.25

LABA 66.99, 53.77, 6.85, 0.25

 

Complementary color

CMYK 25 / 0 / 6 / 12

HEX #0287663F

RGBA 2 135 102 0.25

HSLA 165.11, 0.97%, 0.27%, 0.25

LABA 49.86, -39.57, 9.08, 0.25

 

CMYK 0 / 13 / 10 / 0

HEX #FF78943F

RGBA 255 120 148 0.25

HSLA 347.56, 1%, 0.74%, 0.25

LABA 67.15, 53.92, 9.95, 0.25

 

CMYK 0 / 11 / 9 / 0

HEX #FF8AA73F

RGBA 255 138 167 0.25

HSLA 345.13, 1%, 0.77%, 0.25

LABA 71.03, 47.28, 4.82, 0.25

 

CMYK 0 / 10 / 7 / 0

HEX #FF9CBA3F

RGBA 255 156 186 0.25

HSLA 341.82, 1%, 0.81%, 0.25

LABA 75.19, 40.55, 0.33, 0.25

 

CMYK 0 / 8 / 5 / 0

HEX #FFAECD3F

RGBA 255 174 205 0.25

HSLA 337.04, 1%, 0.84%, 0.25

LABA 79.58, 33.88, -3.61, 0.25

 

CMYK 0 / 6 / 3 / 0

HEX #FFC0E03F

RGBA 255 192 224 0.25

HSLA 329.52, 1%, 0.88%, 0.25

LABA 84.14, 27.38, -7.1, 0.25

 

CMYK 0 / 13 / 10 / 0

HEX #FD78993F

RGBA 253 120 153 0.25

HSLA 345.11, 0.97%, 0.73%, 0.25

LABA 66.99, 53.77, 6.85, 0.25

 

CMYK 0 / 14 / 11 / 2

HEX #EC66863F

RGBA 236 102 134 0.25

HSLA 345.67, 0.78%, 0.66%, 0.25

LABA 60.83, 54.58, 8.61, 0.25

 

CMYK 0 / 15 / 12 / 4

HEX #DB54733F

RGBA 219 84 115 0.25

HSLA 346.22, 0.65%, 0.59%, 0.25

LABA 54.7, 55.27, 10.68, 0.25

 

CMYK 0 / 17 / 13 / 5

HEX #CA42603F

RGBA 202 66 96 0.25

HSLA 346.76, 0.56%, 0.53%, 0.25

LABA 48.63, 55.75, 13.19, 0.25

 

CMYK 0 / 19 / 15 / 7

HEX #B9304D3F

RGBA 185 48 77 0.25

HSLA 347.3, 0.59%, 0.46%, 0.25

LABA 42.71, 55.81, 16.28, 0.25

 

CMYK 0 / 53 / 40 / 1

HEX #FD7799

RGB 253 119 153

HSL 344.78, 0.97%, 0.73%

LAB 66.81, 54.24, 6.59

 

CMYK 0 / 53 / 53 / 1

HEX #FD7777

RGB 253 119 119

HSL 0, 0.97%, 0.73%

LAB 66.07, 51.06, 24.8

 

CMYK 0 / 53 / 40 / 1

HEX #FD7799

RGB 253 119 153

HSL 344.78, 0.97%, 0.73%

LAB 66.81, 54.24, 6.59

 

CMYK 0 / 53 / 25 / 1

HEX #FD77BD

RGB 253 119 189

HSL 328.66, 0.97%, 0.73%

LAB 67.84, 58.53, -12.25

 

CMYK 0 / 53 / 11 / 1

HEX #FD77E1

RGB 253 119 225

HSL 312.54, 0.97%, 0.73%

LAB 69.12, 63.67, -30.39

 

CMYK 3 / 53 / 0 / 1

HEX #F577FD

RGB 245 119 253

HSL 296.42, 0.97%, 0.73%

LAB 69.25, 66.12, -45.67

 

CMYK 17 / 53 / 0 / 1

HEX #D177FD

RGB 209 119 253

HSL 280.3, 0.97%, 0.73%

LAB 64.84, 56.86, -52.93

 

CMYK 0 / 53 / 40 / 1

HEX #FD7799

RGB 253 119 153

HSL 344.78, 0.97%, 0.73%

LAB 66.81, 54.24, 6.59

 

CMYK 0 / 53 / 40 / 1

HEX #FD7799

RGB 253 119 153

HSL 344.78, 0.97%, 0.73%

LAB 66.81, 54.24, 6.59

 

CMYK 0 / 46 / 35 / 5

HEX #F2839E

RGB 242 131 158

HSL 345.41, 0.81%, 0.73%

LAB 67.71, 45.24, 4.86

 

CMYK 0 / 39 / 29 / 9

HEX #E78EA4

RGB 231 142 164

HSL 345.17, 0.65%, 0.73%

LAB 68.76, 36.46, 2.84

 

CMYK 0 / 30 / 23 / 14

HEX #DC99A9

RGB 220 153 169

HSL 345.67, 0.49%, 0.73%

LAB 70.08, 27.33, 1.8

 

CMYK 0 / 21 / 16 / 18

HEX #D0A4AF

RGB 208 164 175

HSL 345, 0.32%, 0.73%

LAB 71.59, 17.9, 0.53

 

CMYK 0 / 53 / 11 / 1

HEX #FD77E0

RGB 253 119 224

HSL 312.99, 0.97%, 0.73%

LAB 69.08, 63.51, -29.89

 

CMYK 0 / 53 / 26 / 1

HEX #FD77BC

RGB 253 119 188

HSL 329.1, 0.97%, 0.73%

LAB 67.8, 58.39, -11.73

 

CMYK 0 / 53 / 40 / 1

HEX #FD7799

RGB 253 119 153

HSL 344.78, 0.97%, 0.73%

LAB 66.81, 54.24, 6.59

 

CMYK 0 / 52 / 53 / 1

HEX #FD7A77

RGB 253 122 119

HSL 1.34, 0.97%, 0.73%

LAB 66.62, 49.63, 25.54

 

CMYK 0 / 38 / 53 / 1

HEX #FD9D77

RGB 253 157 119

HSL 17.01, 0.97%, 0.73%

LAB 73.76, 32.01, 34.87

 

CMYK 0 / 85 / 64 / 1

HEX #FC265B

RGB 252 38 91

HSL 345.14, 0.97%, 0.57%

LAB 54.9, 77.4, 26.22

 

CMYK 0 / 69 / 52 / 1

HEX #FC4F7A

RGB 252 79 122

HSL 345.09, 0.97%, 0.65%

LAB 59.61, 67.94, 14.24

 

CMYK 0 / 53 / 40 / 1

HEX #FD7799

RGB 253 119 153

HSL 344.78, 0.97%, 0.73%

LAB 66.81, 54.24, 6.59

 

CMYK 0 / 37 / 28 / 0

HEX #FEA0B7

RGB 254 160 183

HSL 345.32, 0.98%, 0.81%

LAB 75.84, 37.74, 2.91

 

CMYK 0 / 21 / 16 / 0

HEX #FEC9D6

RGB 254 201 214

HSL 345.28, 0.96%, 0.89%

LAB 85.86, 20.73, 0.74

 

CMYK 0 / 53 / 40 / 1

HEX #FD7899

RGB 253 120 153

HSL 345.11, 0.97%, 0.73%

LAB 66.99, 53.77, 6.85

 

CMYK 0 / 3 / 53 / 1

HEX #FDF677

RGB 253 246 119

HSL 56.87, 0.97%, 0.73%

LAB 95.21, -13.68, 61.01

 

CMYK 53 / 19 / 0 / 1

HEX #77CEFD

RGB 119 206 253

HSL 201.04, 0.97%, 0.73%

LAB 79.13, -13.52, -31.08

 

CMYK 0 / 53 / 40 / 1

HEX #FD7899

RGB 253 120 153

HSL 345.11, 0.97%, 0.73%

LAB 66.99, 53.77, 6.85

 

CMYK 40 / 0 / 53 / 1

HEX #99FD77

RGB 153 253 119

HSL 104.78, 0.97%, 0.73%

LAB 90.94, -53.09, 54.45

 

CMYK 53 / 40 / 0 / 1

HEX #7799FD

RGB 119 153 253

HSL 224.78, 0.97%, 0.73%

LAB 64.8, 15.91, -53.47

 

CMYK 0 / 53 / 40 / 1

HEX #FD7899

RGB 253 120 153

HSL 345.11, 0.97%, 0.73%

LAB 66.99, 53.77, 6.85

 

CMYK 0 / 3 / 53 / 1

HEX #FDF677

RGB 253 246 119

HSL 56.87, 0.97%, 0.73%

LAB 95.21, -13.68, 61.01

 

CMYK 53 / 0 / 13 / 1

HEX #77FDDC

RGB 119 253 220

HSL 165.22, 0.97%, 0.73%

LAB 91.39, -44.58, 4.61

 

CMYK 53 / 50 / 0 / 1

HEX #777EFD

RGB 119 126 253

HSL 236.87, 0.97%, 0.73%

LAB 57.98, 31.84, -64.37

 

CMYK 0 / 53 / 40 / 1

HEX #FD7899

RGB 253 120 153

HSL 345.11, 0.97%, 0.73%

LAB 66.99, 53.77, 6.85

 

CMYK 13 / 0 / 53 / 1

HEX #DCFD77

RGB 220 253 119

HSL 74.78, 0.97%, 0.73%

LAB 94.65, -29.82, 59.74

 

CMYK 53 / 0 / 13 / 1

HEX #77FDDC

RGB 119 253 220

HSL 165.22, 0.97%, 0.73%

LAB 91.39, -44.58, 4.61

 

CMYK 40 / 53 / 0 / 1

HEX #9977FD

RGB 153 119 253

HSL 255.22, 0.97%, 0.73%

LAB 59.03, 43.2, -62.54

 

Description

Color code: HEX #FD78993F | qconv.com Color code: HEX #FD78993F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 120 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 120 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 10 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 10% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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