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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD728B it is the complementary color #028D74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD728B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #FD728B: #FF7286, #FF8499, #FF96AC, #FFA8BF and #FFBAD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD728B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #FD728B: #FD728B, #EC6078, #DB4E65, #CA3C52 and #B92A3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 45 / 1

HEX #FD728B

RGB 253 114 139

HSL 349.21, 0.97%, 0.72%

LAB 65.58, 55.16, 12.8

 

Complementary color

CMYK 99 / 0 / 18 / 45

HEX #028D74

RGB 2 141 116

HSL 169.21, 0.97%, 0.28%

LAB 52.2, -38.34, 4.32

 

CMYK 0 / 55 / 47 / 0

HEX #FF7286

RGB 255 114 134

HSL 351.49, 1%, 0.72%

LAB 65.76, 55.36, 15.95

 

CMYK 0 / 48 / 40 / 0

HEX #FF8499

RGB 255 132 153

HSL 349.76, 1%, 0.76%

LAB 69.51, 48.67, 10.49

 

CMYK 0 / 41 / 33 / 0

HEX #FF96AC

RGB 255 150 172

HSL 347.43, 1%, 0.79%

LAB 73.58, 41.83, 5.72

 

CMYK 0 / 34 / 25 / 0

HEX #FFA8BF

RGB 255 168 191

HSL 344.14, 1%, 0.83%

LAB 77.89, 35.01, 1.53

 

CMYK 0 / 27 / 18 / 0

HEX #FFBAD2

RGB 255 186 210

HSL 339.13, 1%, 0.86%

LAB 82.4, 28.34, -2.17

 

CMYK 0 / 55 / 45 / 1

HEX #FD728B

RGB 253 114 139

HSL 349.21, 0.97%, 0.72%

LAB 65.58, 55.16, 12.8

 

CMYK 0 / 59 / 49 / 7

HEX #EC6078

RGB 236 96 120

HSL 349.71, 0.79%, 0.65%

LAB 59.48, 55.97, 14.84

 

CMYK 0 / 64 / 54 / 14

HEX #DB4E65

RGB 219 78 101

HSL 350.21, 0.66%, 0.58%

LAB 53.44, 56.63, 17.25

 

CMYK 0 / 70 / 59 / 21

HEX #CA3C52

RGB 202 60 82

HSL 350.7, 0.57%, 0.51%

LAB 47.49, 57.01, 20.15

 

CMYK 0 / 77 / 66 / 27

HEX #B92A3F

RGB 185 42 63

HSL 351.19, 0.63%, 0.45%

LAB 41.73, 56.89, 23.7

 

CMYK 0 / 55 / 45 / 1

HEX #FD728B

RGB 253 114 139

HSL 349.21, 0.97%, 0.72%

LAB 65.58, 55.16, 12.8

 

CMYK 0 / 55 / 54 / 1

HEX #FC7274

RGB 252 114 116

HSL 359.13, 0.96%, 0.72%

LAB 64.96, 52.83, 24.98

 

CMYK 0 / 46 / 55 / 1

HEX #FC8772

RGB 252 135 114

HSL 9.13, 0.96%, 0.72%

LAB 68.92, 42.49, 31.31

 

CMYK 0 / 37 / 55 / 1

HEX #FC9E72

RGB 252 158 114

HSL 19.13, 0.96%, 0.72%

LAB 73.78, 30.7, 37.53

 

CMYK 0 / 28 / 55 / 1

HEX #FCB572

RGB 252 181 114

HSL 29.13, 0.96%, 0.72%

LAB 79.02, 18.66, 44.06

 

CMYK 0 / 55 / 45 / 1

HEX #FD728B

RGB 253 114 139

HSL 349.21, 0.97%, 0.72%

LAB 65.58, 55.16, 12.8

 

CMYK 0 / 55 / 45 / 81

HEX #31161B

RGB 49 22 27

HSL 348.89, 0.38%, 0.14%

LAB 11.32, 14.32, 2.63

 

CMYK 0 / 55 / 45 / 61

HEX #642D37

RGB 100 45 55

HSL 349.09, 0.38%, 0.28%

LAB 26.34, 25.92, 5.47

 

CMYK 0 / 55 / 45 / 41

HEX #974453

RGB 151 68 83

HSL 349.16, 0.38%, 0.43%

LAB 40.14, 36.31, 8.07

 

CMYK 0 / 55 / 45 / 21

HEX #CA5B6F

RGB 202 91 111

HSL 349.19, 0.51%, 0.57%

LAB 53.15, 45.98, 10.5

 

CMYK 0 / 55 / 45 / 1

HEX #FD728B

RGB 253 114 139

HSL 349.21, 0.97%, 0.72%

LAB 65.58, 55.16, 12.8

 

CMYK 1 / 0 / 55 / 1

HEX #FAFC72

RGB 250 252 114

HSL 60.87, 0.96%, 0.72%

LAB 96.48, -18.15, 64.59

 

CMYK 55 / 23 / 0 / 1

HEX #72C3FC

RGB 114 195 252

HSL 204.78, 0.96%, 0.72%

LAB 75.85, -9.02, -35.63

 

CMYK 0 / 55 / 45 / 1

HEX #FD728B

RGB 253 114 139

HSL 349.21, 0.97%, 0.72%

LAB 65.58, 55.16, 12.8

 

CMYK 45 / 0 / 55 / 1

HEX #8BFC72

RGB 139 252 114

HSL 109.13, 0.96%, 0.72%

LAB 90.01, -57.4, 55.45

 

CMYK 55 / 45 / 0 / 1

HEX #728BFC

RGB 114 139 252

HSL 229.13, 0.96%, 0.72%

LAB 60.84, 22.81, -59.24

 

CMYK 0 / 55 / 45 / 1

HEX #FD728B

RGB 253 114 139

HSL 349.21, 0.97%, 0.72%

LAB 65.58, 55.16, 12.8

 

CMYK 1 / 0 / 55 / 1

HEX #FAFC72

RGB 250 252 114

HSL 60.87, 0.96%, 0.72%

LAB 96.48, -18.15, 64.59

 

CMYK 55 / 0 / 10 / 1

HEX #72FCE3

RGB 114 252 227

HSL 169.13, 0.96%, 0.72%

LAB 91.12, -43.51, 0.57

 

CMYK 54 / 55 / 0 / 1

HEX #7472FC

RGB 116 114 252

HSL 240.87, 0.96%, 0.72%

LAB 54.84, 38.05, -68.88

 

CMYK 0 / 55 / 45 / 1

HEX #FD728B

RGB 253 114 139

HSL 349.21, 0.97%, 0.72%

LAB 65.58, 55.16, 12.8

 

CMYK 17 / 0 / 55 / 1

HEX #D0FC72

RGB 208 252 114

HSL 79.13, 0.96%, 0.72%

LAB 93.56, -34.3, 60.49

 

CMYK 55 / 0 / 10 / 1

HEX #72FCE3

RGB 114 252 227

HSL 169.13, 0.96%, 0.72%

LAB 91.12, -43.51, 0.57

 

CMYK 37 / 55 / 0 / 1

HEX #9E72FC

RGB 158 114 252

HSL 259.13, 0.96%, 0.72%

LAB 58.35, 46.86, -63.05

 

Description

Color code: HEX #FD728B | qconv.com Color code: HEX #FD728B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 114 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 114 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 45 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 45% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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