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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FCDF63 it is the complementary color #03209C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FCDF63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FCDF63 shade: #FFDF5E, #FFF171, #FFFF84, #FFFF97 and #FFFFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FCDF63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FCDF63 shade: #FCDF63, #EBCD50, #DABB3D, #C9A92A and #B89717

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FCDF63 shade: #FBDF64, #FBB664, #FB8D64, #FB6464 and #FB6464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FCDF63 shade: #FBDF64, #EFFB64, #C6FB64, #9DFB64 and #74FB64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FCDF63 shade matches the following richer shades: #FBDF64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FCDF63 shade: #FBDF64, #EFD770, #E2CF7D, #D5C78A and #C8BF97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FCDF63 shade: #FB8C64, #FBB564, #FBDD64, #F1FB64 and #C9FB64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FCDF63 shade: #FACE13, #FBD63B, #FBDF64, #FCE78C and #FDEFB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FCDF63 shade: #FCDF63, #64FB64 and #A064FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FCDF63 shade: #FCDF63, #64FBDD and #DD64FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FCDF63 shade: #FCDF63, #64FB64, #6482FB and #FB64FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FCDF63 shade: #FCDF63, #64FB91, #6482FB and #FB64CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 61 / 1

HEX #FCDF63

RGB 252 223 99

HSL 48.63, 0.96%, 0.69%

LAB 89.1, -4.1, 62.9

 

Complementary color

CMYK 98 / 79 / 0 / 39

HEX #03209C

RGB 3 32 156

HSL 228.63, 0.96%, 0.31%

LAB 21.77, 42.23, -67.53

 

CMYK 0 / 13 / 63 / 0

HEX #FFDF5E

RGB 255 223 94

HSL 48.07, 1%, 0.68%

LAB 89.32, -3.19, 65.37

 

CMYK 0 / 5 / 56 / 0

HEX #FFF171

RGB 255 241 113

HSL 54.08, 1%, 0.72%

LAB 94.04, -10.89, 62.37

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF84

RGB 255 255 132

HSL 60, 1%, 0.76%

LAB 97.81, -16.2, 58.21

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF97

RGB 255 255 151

HSL 60, 1%, 0.8%

LAB 98.04, -14.43, 49.58

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAA

RGB 255 255 170

HSL 60, 1%, 0.83%

LAB 98.31, -12.39, 40.69

 

CMYK 0 / 12 / 61 / 1

HEX #FCDF63

RGB 252 223 99

HSL 48.63, 0.96%, 0.69%

LAB 89.1, -4.1, 62.9

 

CMYK 0 / 13 / 66 / 8

HEX #EBCD50

RGB 235 205 80

HSL 48.39, 0.79%, 0.62%

LAB 82.86, -3.16, 63.81

 

CMYK 0 / 14 / 72 / 15

HEX #DABB3D

RGB 218 187 61

HSL 48.15, 0.68%, 0.55%

LAB 76.55, -2.05, 64.45

 

CMYK 0 / 16 / 79 / 21

HEX #C9A92A

RGB 201 169 42

HSL 47.92, 0.65%, 0.48%

LAB 70.15, -0.76, 64.56

 

CMYK 0 / 18 / 88 / 28

HEX #B89717

RGB 184 151 23

HSL 47.7, 0.78%, 0.41%

LAB 63.66, 0.77, 63.74

 

CMYK 0 / 11 / 60 / 2

HEX #FBDF64

RGB 251 223 100

HSL 48.87, 0.95%, 0.69%

LAB 89.02, -4.45, 62.35

 

CMYK 0 / 27 / 60 / 2

HEX #FBB664

RGB 251 182 100

HSL 32.58, 0.95%, 0.69%

LAB 78.98, 16.69, 50.92

 

CMYK 0 / 44 / 60 / 2

HEX #FB8D64

RGB 251 141 100

HSL 16.29, 0.95%, 0.69%

LAB 69.81, 38.04, 39.94

 

CMYK 0 / 60 / 60 / 2

HEX #FB6464

RGB 251 100 100

HSL 0, 0.95%, 0.69%

LAB 62.12, 57.65, 30.28

 

CMYK 0 / 60 / 60 / 2

HEX #FB6464

RGB 251 100 100

HSL 0, 0.95%, 0.69%

LAB 62.12, 57.65, 30.28

 

CMYK 0 / 11 / 60 / 2

HEX #FBDF64

RGB 251 223 100

HSL 48.87, 0.95%, 0.69%

LAB 89.02, -4.45, 62.35

 

CMYK 5 / 0 / 60 / 2

HEX #EFFB64

RGB 239 251 100

HSL 64.77, 0.95%, 0.69%

LAB 95.27, -23, 68.93

 

CMYK 21 / 0 / 60 / 2

HEX #C6FB64

RGB 198 251 100

HSL 81.06, 0.95%, 0.69%

LAB 92.54, -38.72, 65.16

 

CMYK 37 / 0 / 60 / 2

HEX #9DFB64

RGB 157 251 100

HSL 97.35, 0.95%, 0.69%

LAB 90.36, -52.94, 62.13

 

CMYK 54 / 0 / 60 / 2

HEX #74FB64

RGB 116 251 100

HSL 113.64, 0.95%, 0.69%

LAB 88.75, -64.7, 59.87

 

CMYK 0 / 11 / 60 / 2

HEX #FBDF64

RGB 251 223 100

HSL 48.87, 0.95%, 0.69%

LAB 89.02, -4.45, 62.35

 

CMYK 0 / 11 / 60 / 2

HEX #FBDF64

RGB 251 223 100

HSL 48.87, 0.95%, 0.69%

LAB 89.02, -4.45, 62.35

 

CMYK 0 / 10 / 53 / 6

HEX #EFD770

RGB 239 215 112

HSL 48.66, 0.8%, 0.69%

LAB 86.07, -4.41, 53.24

 

CMYK 0 / 8 / 45 / 11

HEX #E2CF7D

RGB 226 207 125

HSL 48.71, 0.64%, 0.69%

LAB 83.06, -4.4, 43.01

 

CMYK 0 / 7 / 35 / 16

HEX #D5C78A

RGB 213 199 138

HSL 48.8, 0.47%, 0.69%

LAB 80.08, -4.03, 32.34

 

CMYK 0 / 5 / 25 / 22

HEX #C8BF97

RGB 200 191 151

HSL 48.98, 0.31%, 0.69%

LAB 77.15, -3.22, 21.36

 

CMYK 0 / 44 / 60 / 2

HEX #FB8C64

RGB 251 140 100

HSL 15.89, 0.95%, 0.69%

LAB 69.6, 38.55, 39.68

 

CMYK 0 / 28 / 60 / 2

HEX #FBB564

RGB 251 181 100

HSL 32.19, 0.95%, 0.69%

LAB 78.74, 17.22, 50.64

 

CMYK 0 / 12 / 60 / 2

HEX #FBDD64

RGB 251 221 100

HSL 48.08, 0.95%, 0.69%

LAB 88.52, -3.44, 61.79

 

CMYK 4 / 0 / 60 / 2

HEX #F1FB64

RGB 241 251 100

HSL 63.97, 0.95%, 0.69%

LAB 95.42, -22.21, 69.13

 

CMYK 20 / 0 / 60 / 2

HEX #C9FB64

RGB 201 251 100

HSL 79.87, 0.95%, 0.69%

LAB 92.72, -37.61, 65.41

 

CMYK 0 / 18 / 92 / 2

HEX #FACE13

RGB 250 206 19

HSL 48.57, 0.96%, 0.53%

LAB 84.23, 0.69, 83.12

 

CMYK 0 / 15 / 76 / 2

HEX #FBD63B

RGB 251 214 59

HSL 48.44, 0.96%, 0.61%

LAB 86.46, -2, 75.63

 

CMYK 0 / 11 / 60 / 2

HEX #FBDF64

RGB 251 223 100

HSL 48.87, 0.95%, 0.69%

LAB 89.02, -4.45, 62.35

 

CMYK 0 / 8 / 44 / 1

HEX #FCE78C

RGB 252 231 140

HSL 48.75, 0.95%, 0.77%

LAB 91.57, -4.81, 46.74

 

CMYK 0 / 6 / 29 / 1

HEX #FDEFB4

RGB 253 239 180

HSL 48.49, 0.95%, 0.85%

LAB 94.27, -4, 30.3

 

CMYK 0 / 12 / 61 / 1

HEX #FCDF63

RGB 252 223 99

HSL 48.63, 0.96%, 0.69%

LAB 89.1, -4.1, 62.9

 

CMYK 60 / 0 / 60 / 2

HEX #64FB64

RGB 100 251 100

HSL 120, 0.95%, 0.69%

LAB 88.27, -68.43, 59.2

 

CMYK 36 / 60 / 0 / 2

HEX #A064FB

RGB 160 100 251

HSL 263.84, 0.95%, 0.69%

LAB 55.64, 54.54, -66.85

 

CMYK 0 / 12 / 61 / 1

HEX #FCDF63

RGB 252 223 99

HSL 48.63, 0.96%, 0.69%

LAB 89.1, -4.1, 62.9

 

CMYK 60 / 0 / 12 / 2

HEX #64FBDD

RGB 100 251 221

HSL 168.08, 0.95%, 0.69%

LAB 90.29, -47.1, 2.43

 

CMYK 12 / 60 / 0 / 2

HEX #DD64FB

RGB 221 100 251

HSL 288.08, 0.95%, 0.69%

LAB 62.89, 68.35, -54.84

 

CMYK 0 / 12 / 61 / 1

HEX #FCDF63

RGB 252 223 99

HSL 48.63, 0.96%, 0.69%

LAB 89.1, -4.1, 62.9

 

CMYK 60 / 0 / 60 / 2

HEX #64FB64

RGB 100 251 100

HSL 120, 0.95%, 0.69%

LAB 88.27, -68.43, 59.2

 

CMYK 60 / 48 / 0 / 2

HEX #6482FB

RGB 100 130 251

HSL 228.08, 0.95%, 0.69%

LAB 57.69, 25.23, -63.78

 

CMYK 0 / 60 / 0 / 2

HEX #FB64FB

RGB 251 100 251

HSL 300, 0.95%, 0.69%

LAB 66.97, 75.44, -48.11

 

CMYK 0 / 12 / 61 / 1

HEX #FCDF63

RGB 252 223 99

HSL 48.63, 0.96%, 0.69%

LAB 89.1, -4.1, 62.9

 

CMYK 60 / 0 / 42 / 2

HEX #64FB91

RGB 100 251 145

HSL 137.88, 0.95%, 0.69%

LAB 88.8, -62.43, 39.08

 

CMYK 60 / 48 / 0 / 2

HEX #6482FB

RGB 100 130 251

HSL 228.08, 0.95%, 0.69%

LAB 57.69, 25.23, -63.78

 

CMYK 0 / 60 / 18 / 2

HEX #FB64CE

RGB 251 100 206

HSL 317.88, 0.95%, 0.69%

LAB 65.03, 68.62, -26.11

 

Description

Color code: HEX #FCDF63 | qconv.com Color code: HEX #FCDF63 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 223 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 223 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 61 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 61% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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