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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 199 138 it is the complementary color RGB 42 56 117. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 199 138. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 199 138 shade: RGB 218 199 133, RGB 235 217 152, RGB 252 235 171, RGB 255 253 190 and RGB 255 255 209

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 199 138. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 199 138 shade: RGB 213 199 138, RGB 196 181 119, RGB 179 163 100, RGB 162 145 81 and RGB 145 127 62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 199 138 shade: RGB 213 199 138, RGB 213 179 138, RGB 213 159 138, RGB 213 139 138 and RGB 213 138 138

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 199 138 shade: RGB 213 199 138, RGB 206 213 138, RGB 186 213 138, RGB 166 213 138 and RGB 146 213 138

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 199 138 shade matches the following richer shades: RGB 213 199 138, RGB 225 207 126, RGB 238 215 113 and RGB 251 223 100

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 199 138 shade: RGB 213 199 138, RGB 200 191 151, RGB 187 183 164, RGB 174 175 177 and RGB 161 167 189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 199 138 shade: RGB 213 158 138, RGB 213 178 138, RGB 213 198 138, RGB 208 213 138 and RGB 188 213 138

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 199 138 shade: RGB 191 170 78, RGB 202 184 108, RGB 213 199 138, RGB 224 213 169 and RGB 234 228 199

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 199 138 shade: RGB 213 199 138, RGB 138 213 138 and RGB 168 138 213

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 199 138 shade: RGB 213 199 138, RGB 138 213 198 and RGB 198 138 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 199 138 shade: RGB 213 199 138, RGB 138 213 138, RGB 138 153 213 and RGB 213 138 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 199 138 shade: RGB 213 199 138, RGB 138 213 161, RGB 138 153 213 and RGB 213 138 190

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 35 / 16

HEX #D5C78A

RGB 213 199 138

HSL 48.8, 0.47%, 0.69%

LAB 80.08, -4.03, 32.34

 

Complementary color

CMYK 64 / 52 / 0 / 54

HEX #2A3875

RGB 42 56 117

HSL 228.8, 0.47%, 0.31%

LAB 25.58, 15.11, -36.9

 

CMYK 0 / 9 / 39 / 15

HEX #DAC785

RGB 218 199 133

HSL 46.59, 0.53%, 0.69%

LAB 80.43, -2.63, 35.46

 

CMYK 0 / 8 / 35 / 8

HEX #EBD998

RGB 235 217 152

HSL 46.99, 0.67%, 0.76%

LAB 86.78, -3.08, 34.3

 

CMYK 0 / 7 / 32 / 1

HEX #FCEBAB

RGB 252 235 171

HSL 47.41, 0.93%, 0.83%

LAB 93.04, -3.47, 33.19

 

CMYK 0 / 1 / 25 / 0

HEX #FFFDBE

RGB 255 253 190

HSL 58.15, 1%, 0.87%

LAB 98.12, -8.95, 30.48

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD1

RGB 255 255 209

HSL 60, 1%, 0.91%

LAB 98.98, -7.34, 22.04

 

CMYK 0 / 7 / 35 / 16

HEX #D5C78A

RGB 213 199 138

HSL 48.8, 0.47%, 0.69%

LAB 80.08, -4.03, 32.34

 

CMYK 0 / 8 / 39 / 23

HEX #C4B577

RGB 196 181 119

HSL 48.31, 0.39%, 0.62%

LAB 73.62, -3.6, 33.52

 

CMYK 0 / 9 / 44 / 30

HEX #B3A364

RGB 179 163 100

HSL 47.85, 0.34%, 0.55%

LAB 67.05, -3.08, 34.76

 

CMYK 0 / 10 / 50 / 36

HEX #A29151

RGB 162 145 81

HSL 47.41, 0.33%, 0.48%

LAB 60.36, -2.46, 36.05

 

CMYK 0 / 12 / 57 / 43

HEX #917F3E

RGB 145 127 62

HSL 46.99, 0.4%, 0.41%

LAB 53.54, -1.68, 37.36

 

CMYK 0 / 7 / 35 / 16

HEX #D5C78A

RGB 213 199 138

HSL 48.8, 0.47%, 0.69%

LAB 80.08, -4.03, 32.34

 

CMYK 0 / 16 / 35 / 16

HEX #D5B38A

RGB 213 179 138

HSL 32.8, 0.47%, 0.69%

LAB 74.96, 6.49, 25.53

 

CMYK 0 / 25 / 35 / 16

HEX #D59F8A

RGB 213 159 138

HSL 16.8, 0.47%, 0.69%

LAB 70.02, 17.26, 18.79

 

CMYK 0 / 35 / 35 / 16

HEX #D58B8A

RGB 213 139 138

HSL 0.8, 0.47%, 0.69%

LAB 65.32, 28.09, 12.23

 

CMYK 0 / 35 / 35 / 16

HEX #D58A8A

RGB 213 138 138

HSL 0, 0.47%, 0.69%

LAB 65.09, 28.63, 11.91

 

CMYK 0 / 7 / 35 / 16

HEX #D5C78A

RGB 213 199 138

HSL 48.8, 0.47%, 0.69%

LAB 80.08, -4.03, 32.34

 

CMYK 3 / 0 / 35 / 16

HEX #CED58A

RGB 206 213 138

HSL 65.6, 0.47%, 0.69%

LAB 83.2, -13.9, 36.32

 

CMYK 13 / 0 / 35 / 16

HEX #BAD58A

RGB 186 213 138

HSL 81.6, 0.47%, 0.69%

LAB 81.76, -21.48, 34.17

 

CMYK 22 / 0 / 35 / 16

HEX #A6D58A

RGB 166 213 138

HSL 97.6, 0.47%, 0.69%

LAB 80.48, -28.74, 32.24

 

CMYK 31 / 0 / 35 / 16

HEX #92D58A

RGB 146 213 138

HSL 113.6, 0.47%, 0.69%

LAB 79.35, -35.55, 30.54

 

CMYK 0 / 7 / 35 / 16

HEX #D5C78A

RGB 213 199 138

HSL 48.8, 0.47%, 0.69%

LAB 80.08, -4.03, 32.34

 

CMYK 0 / 8 / 44 / 12

HEX #E1CF7E

RGB 225 207 126

HSL 49.09, 0.62%, 0.69%

LAB 82.99, -4.7, 42.4

 

CMYK 0 / 10 / 53 / 7

HEX #EED771

RGB 238 215 113

HSL 48.96, 0.79%, 0.69%

LAB 85.99, -4.73, 52.66

 

CMYK 0 / 11 / 60 / 2

HEX #FBDF64

RGB 251 223 100

HSL 48.87, 0.95%, 0.69%

LAB 89.02, -4.45, 62.35

 

CMYK 0 / 7 / 35 / 16

HEX #D5C78A

RGB 213 199 138

HSL 48.8, 0.47%, 0.69%

LAB 80.08, -4.03, 32.34

 

CMYK 0 / 5 / 25 / 22

HEX #C8BF97

RGB 200 191 151

HSL 48.98, 0.31%, 0.69%

LAB 77.15, -3.22, 21.36

 

CMYK 0 / 2 / 12 / 27

HEX #BBB7A4

RGB 187 183 164

HSL 49.57, 0.14%, 0.69%

LAB 74.26, -1.89, 10.16

 

CMYK 2 / 1 / 0 / 31

HEX #AEAFB1

RGB 174 175 177

HSL 220, 0.02%, 0.69%

LAB 71.44, 0.03, -1.15

 

CMYK 15 / 12 / 0 / 26

HEX #A1A7BD

RGB 161 167 189

HSL 227.14, 0.18%, 0.69%

LAB 68.67, 2.42, -12

 

CMYK 0 / 26 / 35 / 16

HEX #D59E8A

RGB 213 158 138

HSL 16, 0.47%, 0.69%

LAB 69.78, 17.8, 18.45

 

CMYK 0 / 16 / 35 / 16

HEX #D5B28A

RGB 213 178 138

HSL 32, 0.47%, 0.69%

LAB 74.71, 7.03, 25.19

 

CMYK 0 / 7 / 35 / 16

HEX #D5C68A

RGB 213 198 138

HSL 48, 0.47%, 0.69%

LAB 79.82, -3.51, 32

 

CMYK 2 / 0 / 35 / 16

HEX #D0D58A

RGB 208 213 138

HSL 64, 0.47%, 0.69%

LAB 83.35, -13.13, 36.54

 

CMYK 12 / 0 / 35 / 16

HEX #BCD58A

RGB 188 213 138

HSL 80, 0.47%, 0.69%

LAB 81.9, -20.74, 34.37

 

CMYK 0 / 11 / 59 / 25

HEX #BFAA4E

RGB 191 170 78

HSL 48.85, 0.47%, 0.53%

LAB 69.74, -3.7, 49.24

 

CMYK 0 / 9 / 47 / 21

HEX #CAB86C

RGB 202 184 108

HSL 48.51, 0.47%, 0.61%

LAB 74.77, -3.88, 40.76

 

CMYK 0 / 7 / 35 / 16

HEX #D5C78A

RGB 213 199 138

HSL 48.8, 0.47%, 0.69%

LAB 80.08, -4.03, 32.34

 

CMYK 0 / 5 / 25 / 12

HEX #E0D5A9

RGB 224 213 169

HSL 48, 0.47%, 0.77%

LAB 85.15, -3.07, 23.16

 

CMYK 0 / 3 / 15 / 8

HEX #EAE4C7

RGB 234 228 199

HSL 49.71, 0.45%, 0.85%

LAB 90.37, -2.73, 14.89

 

CMYK 0 / 7 / 35 / 16

HEX #D5C78A

RGB 213 199 138

HSL 48.8, 0.47%, 0.69%

LAB 80.08, -4.03, 32.34

 

CMYK 35 / 0 / 35 / 16

HEX #8AD58A

RGB 138 213 138

HSL 120, 0.47%, 0.69%

LAB 78.94, -38.12, 29.92

 

CMYK 21 / 35 / 0 / 16

HEX #A88AD5

RGB 168 138 213

HSL 264, 0.47%, 0.69%

LAB 62.77, 26.39, -34.34

 

CMYK 0 / 7 / 35 / 16

HEX #D5C78A

RGB 213 199 138

HSL 48.8, 0.47%, 0.69%

LAB 80.08, -4.03, 32.34

 

CMYK 35 / 0 / 7 / 16

HEX #8AD5C6

RGB 138 213 198

HSL 168, 0.47%, 0.69%

LAB 80.22, -26.58, 0.04

 

CMYK 7 / 35 / 0 / 16

HEX #C68AD5

RGB 198 138 213

HSL 288, 0.47%, 0.69%

LAB 65.74, 35.6, -29.49

 

CMYK 0 / 7 / 35 / 16

HEX #D5C78A

RGB 213 199 138

HSL 48.8, 0.47%, 0.69%

LAB 80.08, -4.03, 32.34

 

CMYK 35 / 0 / 35 / 16

HEX #8AD58A

RGB 138 213 138

HSL 120, 0.47%, 0.69%

LAB 78.94, -38.12, 29.92

 

CMYK 35 / 28 / 0 / 16

HEX #8A99D5

RGB 138 153 213

HSL 228, 0.47%, 0.69%

LAB 64.15, 9.04, -32.37

 

CMYK 0 / 35 / 0 / 16

HEX #D58AD5

RGB 213 138 213

HSL 300, 0.47%, 0.69%

LAB 67.37, 40.29, -26.84

 

CMYK 0 / 7 / 35 / 16

HEX #D5C78A

RGB 213 199 138

HSL 48.8, 0.47%, 0.69%

LAB 80.08, -4.03, 32.34

 

CMYK 35 / 0 / 24 / 16

HEX #8AD5A1

RGB 138 213 161

HSL 138.4, 0.47%, 0.69%

LAB 79.37, -34.16, 18.49

 

CMYK 35 / 28 / 0 / 16

HEX #8A99D5

RGB 138 153 213

HSL 228, 0.47%, 0.69%

LAB 64.15, 9.04, -32.37

 

CMYK 0 / 35 / 11 / 16

HEX #D58ABE

RGB 213 138 190

HSL 318.4, 0.47%, 0.69%

LAB 66.55, 36.24, -15.25

 

Description

Color code: RGB 213 199 138 | qconv.com Color code: RGB 213 199 138 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 199 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 199 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 35 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 35% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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