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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FCBE5E it is the complementary color #0341A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FCBE5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FCBE5E shade: #FFBE59, #FFD06C, #FFE27F, #FFF492 and #FFFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FCBE5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FCBE5E shade: #FCBE5E, #EBAC4B, #DA9A38, #C98825 and #B87612

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FCBE5E shade: #FBBE5F, #FB945F, #FB695F and #FB5F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FCBE5E shade: #FBBE5F, #FBE85F, #E4FB5F, #BAFB5F and #90FB5F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FCBE5E shade matches the following richer shades: #FBBE5F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FCBE5E shade: #FBBE5F, #EEBB6C, #E1B879, #D4B586 and #C6B293

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FCBE5E shade: #FB695F, #FB935F, #FBBD5F, #FBE65F and #E6FB5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FCBE5E shade: #FA9D0E, #FAAD36, #FBBE5F, #FCCE87 and #FDDEAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FCBE5E shade: #FCBE5E, #7EFB5F and #7E5FFB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FCBE5E shade: #FCBE5E, #5FFBBD and #BD5FFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FCBE5E shade: #FCBE5E, #7EFB5F, #5F9DFB and #DC5FFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FCBE5E shade: #FCBE5E, #5FFB6E, #5F9DFB and #FB5FEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 63 / 1

HEX #FCBE5E

RGB 252 190 94

HSL 36.46, 0.96%, 0.68%

LAB 80.92, 12.52, 56.02

 

Complementary color

CMYK 98 / 60 / 0 / 37

HEX #0341A1

RGB 3 65 161

HSL 216.46, 0.96%, 0.32%

LAB 30.34, 22.65, -56.47

 

CMYK 0 / 25 / 65 / 0

HEX #FFBE59

RGB 255 190 89

HSL 36.51, 1%, 0.67%

LAB 81.19, 13.46, 58.69

 

CMYK 0 / 18 / 58 / 0

HEX #FFD06C

RGB 255 208 108

HSL 40.82, 1%, 0.71%

LAB 85.73, 5.38, 55.09

 

CMYK 0 / 11 / 50 / 0

HEX #FFE27F

RGB 255 226 127

HSL 46.41, 1%, 0.75%

LAB 90.41, -2.29, 51.65

 

CMYK 0 / 4 / 43 / 0

HEX #FFF492

RGB 255 244 146

HSL 53.94, 1%, 0.79%

LAB 95.18, -9.54, 48.4

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 0 / 25 / 63 / 1

HEX #FCBE5E

RGB 252 190 94

HSL 36.46, 0.96%, 0.68%

LAB 80.92, 12.52, 56.02

 

CMYK 0 / 27 / 68 / 8

HEX #EBAC4B

RGB 235 172 75

HSL 36.38, 0.8%, 0.61%

LAB 74.62, 13.79, 57.23

 

CMYK 0 / 29 / 74 / 15

HEX #DA9A38

RGB 218 154 56

HSL 36.3, 0.69%, 0.54%

LAB 68.24, 15.24, 58.24

 

CMYK 0 / 32 / 82 / 21

HEX #C98825

RGB 201 136 37

HSL 36.22, 0.69%, 0.47%

LAB 61.79, 16.91, 58.78

 

CMYK 0 / 36 / 90 / 28

HEX #B87612

RGB 184 118 18

HSL 36.14, 0.82%, 0.4%

LAB 55.27, 18.85, 58.33

 

CMYK 0 / 24 / 62 / 2

HEX #FBBE5F

RGB 251 190 95

HSL 36.54, 0.95%, 0.68%

LAB 80.83, 12.18, 55.43

 

CMYK 0 / 41 / 62 / 2

HEX #FB945F

RGB 251 148 95

HSL 20.38, 0.95%, 0.68%

LAB 71.22, 34.12, 44.26

 

CMYK 0 / 58 / 62 / 2

HEX #FB695F

RGB 251 105 95

HSL 3.85, 0.95%, 0.68%

LAB 62.88, 55.13, 34.04

 

CMYK 0 / 62 / 62 / 2

HEX #FB5F5F

RGB 251 95 95

HSL 0, 0.95%, 0.68%

LAB 61.24, 59.48, 31.98

 

CMYK 0 / 24 / 62 / 2

HEX #FBBE5F

RGB 251 190 95

HSL 36.54, 0.95%, 0.68%

LAB 80.83, 12.18, 55.43

 

CMYK 0 / 8 / 62 / 2

HEX #FBE85F

RGB 251 232 95

HSL 52.69, 0.95%, 0.68%

LAB 91.26, -9.27, 66.93

 

CMYK 9 / 0 / 62 / 2

HEX #E4FB5F

RGB 228 251 95

HSL 68.85, 0.95%, 0.68%

LAB 94.45, -27.65, 69.82

 

CMYK 26 / 0 / 62 / 2

HEX #BAFB5F

RGB 186 251 95

HSL 85, 0.95%, 0.68%

LAB 91.8, -43.48, 66.2

 

CMYK 43 / 0 / 62 / 2

HEX #90FB5F

RGB 144 251 95

HSL 101.15, 0.95%, 0.68%

LAB 89.74, -57.44, 63.35

 

CMYK 0 / 24 / 62 / 2

HEX #FBBE5F

RGB 251 190 95

HSL 36.54, 0.95%, 0.68%

LAB 80.83, 12.18, 55.43

 

CMYK 0 / 24 / 62 / 2

HEX #FBBE5F

RGB 251 190 95

HSL 36.54, 0.95%, 0.68%

LAB 80.83, 12.18, 55.43

 

CMYK 0 / 21 / 55 / 7

HEX #EEBB6C

RGB 238 187 108

HSL 36.46, 0.79%, 0.68%

LAB 78.93, 9.34, 46.61

 

CMYK 0 / 18 / 46 / 12

HEX #E1B879

RGB 225 184 121

HSL 36.35, 0.63%, 0.68%

LAB 77.08, 6.78, 37.47

 

CMYK 0 / 15 / 37 / 17

HEX #D4B586

RGB 212 181 134

HSL 36.15, 0.48%, 0.68%

LAB 75.31, 4.55, 28.1

 

CMYK 0 / 10 / 26 / 22

HEX #C6B293

RGB 198 178 147

HSL 36.47, 0.31%, 0.68%

LAB 73.52, 2.34, 18.48

 

CMYK 0 / 58 / 62 / 2

HEX #FB695F

RGB 251 105 95

HSL 3.85, 0.95%, 0.68%

LAB 62.88, 55.13, 34.04

 

CMYK 0 / 41 / 62 / 2

HEX #FB935F

RGB 251 147 95

HSL 20, 0.95%, 0.68%

LAB 71.01, 34.63, 44

 

CMYK 0 / 25 / 62 / 2

HEX #FBBD5F

RGB 251 189 95

HSL 36.15, 0.95%, 0.68%

LAB 80.59, 12.7, 55.15

 

CMYK 0 / 8 / 62 / 2

HEX #FBE65F

RGB 251 230 95

HSL 51.92, 0.95%, 0.68%

LAB 90.75, -8.27, 66.38

 

CMYK 8 / 0 / 62 / 2

HEX #E6FB5F

RGB 230 251 95

HSL 68.08, 0.95%, 0.68%

LAB 94.59, -26.87, 70.02

 

CMYK 0 / 37 / 94 / 2

HEX #FA9D0E

RGB 250 157 14

HSL 36.36, 0.96%, 0.52%

LAB 72.54, 26.14, 75.38

 

CMYK 0 / 31 / 78 / 2

HEX #FAAD36

RGB 250 173 54

HSL 36.43, 0.95%, 0.6%

LAB 76.36, 18.63, 68.02

 

CMYK 0 / 24 / 62 / 2

HEX #FBBE5F

RGB 251 190 95

HSL 36.54, 0.95%, 0.68%

LAB 80.83, 12.18, 55.43

 

CMYK 0 / 18 / 46 / 1

HEX #FCCE87

RGB 252 206 135

HSL 36.41, 0.95%, 0.76%

LAB 85.3, 7.46, 41.31

 

CMYK 0 / 12 / 31 / 1

HEX #FDDEAF

RGB 253 222 175

HSL 36.15, 0.95%, 0.84%

LAB 89.96, 4, 27.02

 

CMYK 0 / 25 / 63 / 1

HEX #FCBE5E

RGB 252 190 94

HSL 36.46, 0.96%, 0.68%

LAB 80.92, 12.52, 56.02

 

CMYK 50 / 0 / 62 / 2

HEX #7EFB5F

RGB 126 251 95

HSL 108.08, 0.95%, 0.68%

LAB 89.04, -62.59, 62.38

 

CMYK 50 / 62 / 0 / 2

HEX #7E5FFB

RGB 126 95 251

HSL 251.92, 0.95%, 0.68%

LAB 51.36, 50.48, -73.93

 

CMYK 0 / 25 / 63 / 1

HEX #FCBE5E

RGB 252 190 94

HSL 36.46, 0.96%, 0.68%

LAB 80.92, 12.52, 56.02

 

CMYK 62 / 0 / 25 / 2

HEX #5FFBBD

RGB 95 251 189

HSL 156.15, 0.95%, 0.68%

LAB 89.44, -55.2, 17.74

 

CMYK 25 / 62 / 0 / 2

HEX #BD5FFB

RGB 189 95 251

HSL 276.15, 0.95%, 0.68%

LAB 58.01, 63.32, -62.87

 

CMYK 0 / 25 / 63 / 1

HEX #FCBE5E

RGB 252 190 94

HSL 36.46, 0.96%, 0.68%

LAB 80.92, 12.52, 56.02

 

CMYK 50 / 0 / 62 / 2

HEX #7EFB5F

RGB 126 251 95

HSL 108.08, 0.95%, 0.68%

LAB 89.04, -62.59, 62.38

 

CMYK 62 / 37 / 0 / 2

HEX #5F9DFB

RGB 95 157 251

HSL 216.15, 0.95%, 0.68%

LAB 64.57, 8.29, -52.81

 

CMYK 12 / 62 / 0 / 2

HEX #DC5FFB

RGB 220 95 251

HSL 288.08, 0.95%, 0.68%

LAB 61.97, 70.28, -56.31

 

CMYK 0 / 25 / 63 / 1

HEX #FCBE5E

RGB 252 190 94

HSL 36.46, 0.96%, 0.68%

LAB 80.92, 12.52, 56.02

 

CMYK 62 / 0 / 56 / 2

HEX #5FFB6E

RGB 95 251 110

HSL 125.77, 0.95%, 0.68%

LAB 88.23, -68.35, 54.78

 

CMYK 62 / 37 / 0 / 2

HEX #5F9DFB

RGB 95 157 251

HSL 216.15, 0.95%, 0.68%

LAB 64.57, 8.29, -52.81

 

CMYK 0 / 62 / 6 / 2

HEX #FB5FEC

RGB 251 95 236

HSL 305.77, 0.95%, 0.68%

LAB 65.55, 75.04, -42.06

 

Description

Color code: HEX #FCBE5E | qconv.com Color code: HEX #FCBE5E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 190 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 190 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 63 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 63% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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