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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FCAF57 it is the complementary color #0350A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FCAF57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FCAF57 shade: #FFAF52, #FFC165, #FFD378, #FFE58B and #FFF79E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FCAF57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FCAF57 shade: #FCAF57, #EB9D44, #DA8B31, #C9791E and #B8670B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FCAF57 shade: #FCAE55, #FC8155 and #FC5555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FCAF57 shade: #FCAE55, #FCDB55, #EFFC55, #C3FC55 and #96FC55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FCAF57 shade matches the following richer shades: #FCAE55

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FCAF57 shade: #FCAE55, #EEAD63, #DFAC71, #D1AB7F and #C3AA8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FCAF57 shade: #FC5555, #FC8155, #FCAE55, #FCDA55 and #F0FC55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FCAF57 shade: #F98705, #FB9B2D, #FCAE55, #FCC17E and #FDD4A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FCAF57 shade: #FCAF57, #81FC55 and #6B55FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FCAF57 shade: #FCAF57, #55FCAE and #AE55FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FCAF57 shade: #FCAF57, #81FC55, #55A3FC and #CF55FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FCAF57 shade: #FCAF57, #55FC5B, #55A3FC and #FC55F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 65 / 1

HEX #FCAF57

RGB 252 175 87

HSL 32, 0.96%, 0.66%

LAB 77.31, 19.94, 55.23

 

Complementary color

CMYK 98 / 52 / 0 / 34

HEX #0350A8

RGB 3 80 168

HSL 212, 0.96%, 0.34%

LAB 35.17, 15.28, -52.8

 

CMYK 0 / 31 / 68 / 0

HEX #FFAF52

RGB 255 175 82

HSL 32.25, 1%, 0.66%

LAB 77.6, 20.89, 57.94

 

CMYK 0 / 24 / 60 / 0

HEX #FFC165

RGB 255 193 101

HSL 35.84, 1%, 0.7%

LAB 82.02, 12.65, 54.08

 

CMYK 0 / 17 / 53 / 0

HEX #FFD378

RGB 255 211 120

HSL 40.44, 1%, 0.74%

LAB 86.61, 4.76, 50.41

 

CMYK 0 / 10 / 45 / 0

HEX #FFE58B

RGB 255 229 139

HSL 46.55, 1%, 0.77%

LAB 91.31, -2.73, 46.96

 

CMYK 0 / 3 / 38 / 0

HEX #FFF79E

RGB 255 247 158

HSL 55.05, 1%, 0.81%

LAB 96.1, -9.79, 43.73

 

CMYK 0 / 31 / 65 / 1

HEX #FCAF57

RGB 252 175 87

HSL 32, 0.96%, 0.66%

LAB 77.31, 19.94, 55.23

 

CMYK 0 / 33 / 71 / 8

HEX #EB9D44

RGB 235 157 68

HSL 31.98, 0.81%, 0.59%

LAB 71, 21.38, 56.53

 

CMYK 0 / 36 / 78 / 15

HEX #DA8B31

RGB 218 139 49

HSL 31.95, 0.7%, 0.52%

LAB 64.64, 23.02, 57.6

 

CMYK 0 / 40 / 85 / 21

HEX #C9791E

RGB 201 121 30

HSL 31.93, 0.74%, 0.45%

LAB 58.21, 24.88, 58.09

 

CMYK 0 / 44 / 94 / 28

HEX #B8670B

RGB 184 103 11

HSL 31.91, 0.89%, 0.38%

LAB 51.74, 26.99, 57.34

 

CMYK 0 / 31 / 66 / 1

HEX #FCAE55

RGB 252 174 85

HSL 31.98, 0.97%, 0.66%

LAB 77.06, 20.35, 55.88

 

CMYK 0 / 49 / 66 / 1

HEX #FC8155

RGB 252 129 85

HSL 15.81, 0.97%, 0.66%

LAB 67.32, 43.52, 44.84

 

CMYK 0 / 66 / 66 / 1

HEX #FC5555

RGB 252 85 85

HSL 0, 0.97%, 0.66%

LAB 59.75, 63.28, 35.8

 

CMYK 0 / 31 / 66 / 1

HEX #FCAE55

RGB 252 174 85

HSL 31.98, 0.97%, 0.66%

LAB 77.06, 20.35, 55.88

 

CMYK 0 / 13 / 66 / 1

HEX #FCDB55

RGB 252 219 85

HSL 48.14, 0.97%, 0.66%

LAB 87.98, -2.92, 67.59

 

CMYK 5 / 0 / 66 / 1

HEX #EFFC55

RGB 239 252 85

HSL 64.67, 0.97%, 0.66%

LAB 95.42, -24.39, 74.92

 

CMYK 23 / 0 / 66 / 1

HEX #C3FC55

RGB 195 252 85

HSL 80.48, 0.97%, 0.66%

LAB 92.52, -41.35, 71.02

 

CMYK 40 / 0 / 66 / 1

HEX #96FC55

RGB 150 252 85

HSL 96.65, 0.97%, 0.66%

LAB 90.21, -56.81, 67.89

 

CMYK 0 / 31 / 66 / 1

HEX #FCAE55

RGB 252 174 85

HSL 31.98, 0.97%, 0.66%

LAB 77.06, 20.35, 55.88

 

CMYK 0 / 31 / 66 / 1

HEX #FCAE55

RGB 252 174 85

HSL 31.98, 0.97%, 0.66%

LAB 77.06, 20.35, 55.88

 

CMYK 0 / 27 / 58 / 7

HEX #EEAD63

RGB 238 173 99

HSL 31.94, 0.8%, 0.66%

LAB 75.43, 16.04, 46.88

 

CMYK 0 / 23 / 49 / 13

HEX #DFAC71

RGB 223 172 113

HSL 32.18, 0.63%, 0.66%

LAB 73.79, 11.58, 37.39

 

CMYK 0 / 18 / 39 / 18

HEX #D1AB7F

RGB 209 171 127

HSL 32.2, 0.47%, 0.66%

LAB 72.37, 7.89, 27.88

 

CMYK 0 / 13 / 28 / 24

HEX #C3AA8D

RGB 195 170 141

HSL 32.22, 0.31%, 0.66%

LAB 71.06, 4.63, 18.3

 

CMYK 0 / 66 / 66 / 1

HEX #FC5555

RGB 252 85 85

HSL 0, 0.97%, 0.66%

LAB 59.75, 63.28, 35.8

 

CMYK 0 / 49 / 66 / 1

HEX #FC8155

RGB 252 129 85

HSL 15.81, 0.97%, 0.66%

LAB 67.32, 43.52, 44.84

 

CMYK 0 / 31 / 66 / 1

HEX #FCAE55

RGB 252 174 85

HSL 31.98, 0.97%, 0.66%

LAB 77.06, 20.35, 55.88

 

CMYK 0 / 13 / 66 / 1

HEX #FCDA55

RGB 252 218 85

HSL 47.78, 0.97%, 0.66%

LAB 87.72, -2.42, 67.33

 

CMYK 5 / 0 / 66 / 1

HEX #F0FC55

RGB 240 252 85

HSL 64.31, 0.97%, 0.66%

LAB 95.5, -23.99, 75.02

 

CMYK 0 / 46 / 98 / 2

HEX #F98705

RGB 249 135 5

HSL 31.97, 0.96%, 0.5%

LAB 67.63, 37.01, 73.25

 

CMYK 0 / 38 / 82 / 2

HEX #FB9B2D

RGB 251 155 45

HSL 32.04, 0.96%, 0.58%

LAB 72.32, 28.18, 67.61

 

CMYK 0 / 31 / 66 / 1

HEX #FCAE55

RGB 252 174 85

HSL 31.98, 0.97%, 0.66%

LAB 77.06, 20.35, 55.88

 

CMYK 0 / 23 / 50 / 1

HEX #FCC17E

RGB 252 193 126

HSL 31.9, 0.95%, 0.74%

LAB 82.02, 13.39, 41.72

 

CMYK 0 / 16 / 34 / 1

HEX #FDD4A6

RGB 253 212 166

HSL 31.72, 0.96%, 0.82%

LAB 87.35, 8.06, 28.13

 

CMYK 0 / 31 / 65 / 1

HEX #FCAF57

RGB 252 175 87

HSL 32, 0.96%, 0.66%

LAB 77.31, 19.94, 55.23

 

CMYK 49 / 0 / 66 / 1

HEX #81FC55

RGB 129 252 85

HSL 104.19, 0.97%, 0.66%

LAB 89.37, -63.02, 66.74

 

CMYK 58 / 66 / 0 / 1

HEX #6B55FC

RGB 107 85 252

HSL 247.9, 0.97%, 0.66%

LAB 47.82, 53.13, -80.34

 

CMYK 0 / 31 / 65 / 1

HEX #FCAF57

RGB 252 175 87

HSL 32, 0.96%, 0.66%

LAB 77.31, 19.94, 55.23

 

CMYK 66 / 0 / 31 / 1

HEX #55FCAE

RGB 85 252 174

HSL 151.98, 0.97%, 0.66%

LAB 89.21, -60.37, 25.05

 

CMYK 31 / 66 / 0 / 1

HEX #AE55FC

RGB 174 85 252

HSL 271.98, 0.97%, 0.66%

LAB 54.58, 65.01, -69.04

 

CMYK 0 / 31 / 65 / 1

HEX #FCAF57

RGB 252 175 87

HSL 32, 0.96%, 0.66%

LAB 77.31, 19.94, 55.23

 

CMYK 49 / 0 / 66 / 1

HEX #81FC55

RGB 129 252 85

HSL 104.19, 0.97%, 0.66%

LAB 89.37, -63.02, 66.74

 

CMYK 66 / 35 / 0 / 1

HEX #55A3FC

RGB 85 163 252

HSL 211.98, 0.97%, 0.66%

LAB 65.87, 3.49, -51.33

 

CMYK 18 / 66 / 0 / 1

HEX #CF55FC

RGB 207 85 252

HSL 283.83, 0.97%, 0.66%

LAB 58.78, 71.8, -62.05

 

CMYK 0 / 31 / 65 / 1

HEX #FCAF57

RGB 252 175 87

HSL 32, 0.96%, 0.66%

LAB 77.31, 19.94, 55.23

 

CMYK 66 / 0 / 64 / 1

HEX #55FC5B

RGB 85 252 91

HSL 122.16, 0.97%, 0.66%

LAB 88.12, -72.7, 62.65

 

CMYK 66 / 35 / 0 / 1

HEX #55A3FC

RGB 85 163 252

HSL 211.98, 0.97%, 0.66%

LAB 65.87, 3.49, -51.33

 

CMYK 0 / 66 / 2 / 1

HEX #FC55F6

RGB 252 85 246

HSL 302.16, 0.97%, 0.66%

LAB 64.84, 80.53, -48.7

 

Description

Color code: HEX #FCAF57 | qconv.com Color code: HEX #FCAF57 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 175 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 175 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 65 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 65% 1% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

31% - ec2647fd29eb2d35c970...
Link: http://media-cache-ec0.pinimg.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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