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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FCC17E it is the complementary color #033E81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FCC17E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FCC17E shade: #FFC179, #FFD38C, #FFE59F, #FFF7B2 and #FFFFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FCC17E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FCC17E shade: #FCC17E, #EBAF6B, #DA9D58, #C98B45 and #B87932

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FCC17E shade: #FCC17E, #FC9F7E and #FC7E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FCC17E shade: #FCC17E, #FCE37E, #F3FC7E, #D1FC7E and #AFFC7E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FCC17E shade matches the following richer shades: #FCC17E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FCC17E shade: #FCC17E, #F1C088, #E6BF93, #DCBF9E and #D1BEA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FCC17E shade: #FC7E80, #FC9D7E, #FCBF7E, #FCE07E and #F5FC7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FCC17E shade: #FA9A2D, #FBAD55, #FCC17E, #FDD4A6 and #FEE7CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FCC17E shade: #FCC17E, #A1FC7E and #8C7EFC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FCC17E shade: #FCC17E, #7EFCBF and #BF7EFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FCC17E shade: #FCC17E, #A1FC7E, #7EBBFC and #D87EFC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FCC17E shade: #FCC17E, #7EFC80, #7EBBFC and #FC7EFA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 50 / 1

HEX #FCC17E

RGB 252 193 126

HSL 31.9, 0.95%, 0.74%

LAB 82.02, 13.39, 41.72

 

Complementary color

CMYK 98 / 52 / 0 / 49

HEX #033E81

RGB 3 62 129

HSL 211.9, 0.95%, 0.26%

LAB 26.88, 11.16, -42.44

 

CMYK 0 / 24 / 53 / 0

HEX #FFC179

RGB 255 193 121

HSL 32.24, 1%, 0.74%

LAB 82.26, 14.16, 44.61

 

CMYK 0 / 17 / 45 / 0

HEX #FFD38C

RGB 255 211 140

HSL 37.04, 1%, 0.77%

LAB 86.87, 6.55, 40.85

 

CMYK 0 / 10 / 38 / 0

HEX #FFE59F

RGB 255 229 159

HSL 43.75, 1%, 0.81%

LAB 91.6, -0.68, 37.4

 

CMYK 0 / 3 / 30 / 0

HEX #FFF7B2

RGB 255 247 178

HSL 53.77, 1%, 0.85%

LAB 96.41, -7.5, 34.21

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC5

RGB 255 255 197

HSL 60, 1%, 0.89%

LAB 98.75, -9.01, 27.81

 

CMYK 0 / 23 / 50 / 1

HEX #FCC17E

RGB 252 193 126

HSL 31.9, 0.95%, 0.74%

LAB 82.02, 13.39, 41.72

 

CMYK 0 / 26 / 54 / 8

HEX #EBAF6B

RGB 235 175 107

HSL 31.88, 0.76%, 0.67%

LAB 75.69, 14.37, 43.11

 

CMYK 0 / 28 / 60 / 15

HEX #DA9D58

RGB 218 157 88

HSL 31.85, 0.64%, 0.6%

LAB 69.27, 15.48, 44.54

 

CMYK 0 / 31 / 66 / 21

HEX #C98B45

RGB 201 139 69

HSL 31.82, 0.55%, 0.53%

LAB 62.77, 16.77, 45.99

 

CMYK 0 / 34 / 73 / 28

HEX #B87932

RGB 184 121 50

HSL 31.79, 0.57%, 0.46%

LAB 56.18, 18.28, 47.36

 

CMYK 0 / 23 / 50 / 1

HEX #FCC17E

RGB 252 193 126

HSL 31.9, 0.95%, 0.74%

LAB 82.02, 13.39, 41.72

 

CMYK 0 / 37 / 50 / 1

HEX #FC9F7E

RGB 252 159 126

HSL 15.71, 0.95%, 0.74%

LAB 74.19, 31.19, 31.67

 

CMYK 0 / 50 / 50 / 1

HEX #FC7E7E

RGB 252 126 126

HSL 0, 0.95%, 0.74%

LAB 67.37, 47.93, 22.6

 

CMYK 0 / 23 / 50 / 1

HEX #FCC17E

RGB 252 193 126

HSL 31.9, 0.95%, 0.74%

LAB 82.02, 13.39, 41.72

 

CMYK 0 / 10 / 50 / 1

HEX #FCE37E

RGB 252 227 126

HSL 48.1, 0.95%, 0.74%

LAB 90.39, -4.08, 52.04

 

CMYK 4 / 0 / 50 / 1

HEX #F3FC7E

RGB 243 252 126

HSL 64.29, 0.95%, 0.74%

LAB 96.07, -19.93, 58.66

 

CMYK 17 / 0 / 50 / 1

HEX #D1FC7E

RGB 209 252 126

HSL 80.48, 0.95%, 0.74%

LAB 93.75, -32.82, 55.33

 

CMYK 31 / 0 / 50 / 1

HEX #AFFC7E

RGB 175 252 126

HSL 96.67, 0.95%, 0.74%

LAB 91.79, -44.82, 52.52

 

CMYK 0 / 23 / 50 / 1

HEX #FCC17E

RGB 252 193 126

HSL 31.9, 0.95%, 0.74%

LAB 82.02, 13.39, 41.72

 

CMYK 0 / 23 / 50 / 1

HEX #FCC17E

RGB 252 193 126

HSL 31.9, 0.95%, 0.74%

LAB 82.02, 13.39, 41.72

 

CMYK 0 / 20 / 44 / 5

HEX #F1C088

RGB 241 192 136

HSL 32, 0.79%, 0.74%

LAB 80.84, 10.49, 34.85

 

CMYK 0 / 17 / 36 / 10

HEX #E6BF93

RGB 230 191 147

HSL 31.81, 0.62%, 0.74%

LAB 79.72, 7.89, 27.42

 

CMYK 0 / 13 / 28 / 14

HEX #DCBF9E

RGB 220 191 158

HSL 31.94, 0.47%, 0.74%

LAB 79.01, 5.4, 20.46

 

CMYK 0 / 9 / 19 / 18

HEX #D1BEA9

RGB 209 190 169

HSL 31.5, 0.3%, 0.74%

LAB 78.02, 3.34, 13.04

 

CMYK 0 / 50 / 49 / 1

HEX #FC7E80

RGB 252 126 128

HSL 359.05, 0.95%, 0.74%

LAB 67.41, 48.11, 21.53

 

CMYK 0 / 38 / 50 / 1

HEX #FC9D7E

RGB 252 157 126

HSL 14.76, 0.95%, 0.74%

LAB 73.75, 32.23, 31.09

 

CMYK 0 / 24 / 50 / 1

HEX #FCBF7E

RGB 252 191 126

HSL 30.95, 0.95%, 0.74%

LAB 81.55, 14.44, 41.12

 

CMYK 0 / 11 / 50 / 1

HEX #FCE07E

RGB 252 224 126

HSL 46.67, 0.95%, 0.74%

LAB 89.63, -2.57, 51.13

 

CMYK 3 / 0 / 50 / 1

HEX #F5FC7E

RGB 245 252 126

HSL 63.33, 0.95%, 0.74%

LAB 96.22, -19.15, 58.87

 

CMYK 0 / 38 / 82 / 2

HEX #FA9A2D

RGB 250 154 45

HSL 31.9, 0.95%, 0.58%

LAB 71.98, 28.29, 67.26

 

CMYK 0 / 31 / 66 / 2

HEX #FBAD55

RGB 251 173 85

HSL 31.81, 0.95%, 0.66%

LAB 76.71, 20.47, 55.47

 

CMYK 0 / 23 / 50 / 1

HEX #FCC17E

RGB 252 193 126

HSL 31.9, 0.95%, 0.74%

LAB 82.02, 13.39, 41.72

 

CMYK 0 / 16 / 34 / 1

HEX #FDD4A6

RGB 253 212 166

HSL 31.72, 0.96%, 0.82%

LAB 87.35, 8.06, 28.13

 

CMYK 0 / 9 / 19 / 0

HEX #FEE7CE

RGB 254 231 206

HSL 31.25, 0.96%, 0.9%

LAB 92.87, 3.96, 15.01

 

CMYK 0 / 23 / 50 / 1

HEX #FCC17E

RGB 252 193 126

HSL 31.9, 0.95%, 0.74%

LAB 82.02, 13.39, 41.72

 

CMYK 36 / 0 / 50 / 1

HEX #A1FC7E

RGB 161 252 126

HSL 103.33, 0.95%, 0.74%

LAB 91.1, -49.39, 51.51

 

CMYK 44 / 50 / 0 / 1

HEX #8C7EFC

RGB 140 126 252

HSL 246.67, 0.95%, 0.74%

LAB 59.46, 36, -61.36

 

CMYK 0 / 23 / 50 / 1

HEX #FCC17E

RGB 252 193 126

HSL 31.9, 0.95%, 0.74%

LAB 82.02, 13.39, 41.72

 

CMYK 50 / 0 / 24 / 1

HEX #7EFCBF

RGB 126 252 191

HSL 150.95, 0.95%, 0.74%

LAB 90.7, -48.83, 18.61

 

CMYK 24 / 50 / 0 / 1

HEX #BF7EFC

RGB 191 126 252

HSL 270.95, 0.95%, 0.74%

LAB 64.18, 48.42, -53.55

 

CMYK 0 / 23 / 50 / 1

HEX #FCC17E

RGB 252 193 126

HSL 31.9, 0.95%, 0.74%

LAB 82.02, 13.39, 41.72

 

CMYK 36 / 0 / 50 / 1

HEX #A1FC7E

RGB 161 252 126

HSL 103.33, 0.95%, 0.74%

LAB 91.1, -49.39, 51.51

 

CMYK 50 / 26 / 0 / 1

HEX #7EBBFC

RGB 126 187 252

HSL 210.95, 0.95%, 0.74%

LAB 74.19, -2.13, -38.15

 

CMYK 14 / 50 / 0 / 1

HEX #D87EFC

RGB 216 126 252

HSL 282.86, 0.95%, 0.74%

LAB 66.94, 54.96, -49.01

 

CMYK 0 / 23 / 50 / 1

HEX #FCC17E

RGB 252 193 126

HSL 31.9, 0.95%, 0.74%

LAB 82.02, 13.39, 41.72

 

CMYK 50 / 0 / 49 / 1

HEX #7EFC80

RGB 126 252 128

HSL 120.95, 0.95%, 0.74%

LAB 89.68, -59.26, 48.51

 

CMYK 50 / 26 / 0 / 1

HEX #7EBBFC

RGB 126 187 252

HSL 210.95, 0.95%, 0.74%

LAB 74.19, -2.13, -38.15

 

CMYK 0 / 50 / 1 / 1

HEX #FC7EFA

RGB 252 126 250

HSL 300.95, 0.95%, 0.74%

LAB 71.23, 64.22, -40.87

 

Description

Color code: HEX #FCC17E | qconv.com Color code: HEX #FCC17E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 193 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 193 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 50 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 50% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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