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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC98A7 it is the complementary color #036758. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC98A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #FC98A7: #FF98A2, #FFAAB5, #FFBCC8, #FFCEDB and #FFE0EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC98A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #FC98A7: #FC98A7, #EB8694, #DA7481, #C9626E and #B8505B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 34 / 1

HEX #FC98A7

RGB 252 152 167

HSL 351, 0.94%, 0.79%

LAB 73.51, 39.14, 8.33

 

Complementary color

CMYK 97 / 0 / 15 / 60

HEX #036758

RGB 3 103 88

HSL 171, 0.94%, 0.21%

LAB 38.59, -29.29, 1.28

 

CMYK 0 / 40 / 36 / 0

HEX #FF98A2

RGB 255 152 162

HSL 354.17, 1%, 0.8%

LAB 73.76, 39.62, 11.49

 

CMYK 0 / 33 / 29 / 0

HEX #FFAAB5

RGB 255 170 181

HSL 352.24, 1%, 0.83%

LAB 78.08, 32.63, 7.25

 

CMYK 0 / 26 / 22 / 0

HEX #FFBCC8

RGB 255 188 200

HSL 349.25, 1%, 0.87%

LAB 82.59, 25.81, 3.48

 

CMYK 0 / 19 / 14 / 0

HEX #FFCEDB

RGB 255 206 219

HSL 344.08, 1%, 0.9%

LAB 87.25, 19.24, 0.13

 

CMYK 0 / 12 / 7 / 0

HEX #FFE0EE

RGB 255 224 238

HSL 332.9, 1%, 0.94%

LAB 92.02, 12.95, -2.9

 

CMYK 0 / 40 / 34 / 1

HEX #FC98A7

RGB 252 152 167

HSL 351, 0.94%, 0.79%

LAB 73.51, 39.14, 8.33

 

CMYK 0 / 43 / 37 / 8

HEX #EB8694

RGB 235 134 148

HSL 351.68, 0.72%, 0.72%

LAB 67.16, 40.07, 9.6

 

CMYK 0 / 47 / 41 / 15

HEX #DA7481

RGB 218 116 129

HSL 352.35, 0.58%, 0.65%

LAB 60.77, 41.05, 11.04

 

CMYK 0 / 51 / 45 / 21

HEX #C9626E

RGB 201 98 110

HSL 353.01, 0.49%, 0.59%

LAB 54.32, 42.06, 12.7

 

CMYK 0 / 57 / 51 / 28

HEX #B8505B

RGB 184 80 91

HSL 353.65, 0.42%, 0.52%

LAB 47.86, 43.06, 14.68

 

CMYK 0 / 40 / 34 / 1

HEX #FC98A7

RGB 252 152 167

HSL 351, 0.94%, 0.79%

LAB 73.51, 39.14, 8.33

 

CMYK 0 / 39 / 40 / 2

HEX #FB9897

RGB 251 152 151

HSL 0.6, 0.93%, 0.79%

LAB 73.02, 36.93, 16.46

 

CMYK 0 / 33 / 40 / 2

HEX #FBA997

RGB 251 169 151

HSL 10.8, 0.93%, 0.79%

LAB 76.75, 28.07, 21.61

 

CMYK 0 / 26 / 40 / 2

HEX #FBBA97

RGB 251 186 151

HSL 21, 0.93%, 0.79%

LAB 80.66, 19.14, 26.93

 

CMYK 0 / 19 / 40 / 2

HEX #FBCB97

RGB 251 203 151

HSL 31.2, 0.93%, 0.79%

LAB 84.72, 10.25, 32.35

 

CMYK 0 / 40 / 34 / 1

HEX #FC98A7

RGB 252 152 167

HSL 351, 0.94%, 0.79%

LAB 73.51, 39.14, 8.33

 

CMYK 0 / 40 / 33 / 81

HEX #301D20

RGB 48 29 32

HSL 350.53, 0.25%, 0.15%

LAB 13.3, 9.86, 1.77

 

CMYK 0 / 39 / 33 / 61

HEX #633C42

RGB 99 60 66

HSL 350.77, 0.25%, 0.31%

LAB 30.1, 18.05, 3.56

 

CMYK 0 / 40 / 34 / 41

HEX #965A63

RGB 150 90 99

HSL 351, 0.25%, 0.47%

LAB 45.22, 25.83, 5.41

 

CMYK 0 / 40 / 34 / 21

HEX #C97985

RGB 201 121 133

HSL 351, 0.43%, 0.63%

LAB 59.69, 32.65, 6.91

 

CMYK 0 / 40 / 34 / 1

HEX #FC98A7

RGB 252 152 167

HSL 351, 0.94%, 0.79%

LAB 73.51, 39.14, 8.33

 

CMYK 2 / 0 / 40 / 2

HEX #F6FB97

RGB 246 251 151

HSL 63, 0.93%, 0.79%

LAB 96.34, -15.91, 47.3

 

CMYK 40 / 18 / 0 / 2

HEX #97CEFB

RGB 151 206 251

HSL 207, 0.93%, 0.79%

LAB 80.56, -6.64, -27.69

 

CMYK 0 / 40 / 34 / 1

HEX #FC98A7

RGB 252 152 167

HSL 351, 0.94%, 0.79%

LAB 73.51, 39.14, 8.33

 

CMYK 34 / 0 / 40 / 2

HEX #A6FB97

RGB 166 251 151

HSL 111, 0.93%, 0.79%

LAB 91.39, -44.18, 39.97

 

CMYK 40 / 34 / 0 / 2

HEX #97A6FB

RGB 151 166 251

HSL 231, 0.93%, 0.79%

LAB 70.05, 15.34, -43.98

 

CMYK 0 / 40 / 34 / 1

HEX #FC98A7

RGB 252 152 167

HSL 351, 0.94%, 0.79%

LAB 73.51, 39.14, 8.33

 

CMYK 2 / 0 / 40 / 2

HEX #F6FB97

RGB 246 251 151

HSL 63, 0.93%, 0.79%

LAB 96.34, -15.91, 47.3

 

CMYK 40 / 0 / 6 / 2

HEX #97FBEC

RGB 151 251 236

HSL 171, 0.93%, 0.79%

LAB 92.41, -32.73, -2.04

 

CMYK 38 / 40 / 0 / 2

HEX #9C97FB

RGB 156 151 251

HSL 243, 0.93%, 0.79%

LAB 66.65, 25.17, -49.3

 

CMYK 0 / 40 / 34 / 1

HEX #FC98A7

RGB 252 152 167

HSL 351, 0.94%, 0.79%

LAB 73.51, 39.14, 8.33

 

CMYK 14 / 0 / 40 / 2

HEX #D8FB97

RGB 216 251 151

HSL 81, 0.93%, 0.79%

LAB 94.24, -27.1, 44.2

 

CMYK 40 / 0 / 6 / 2

HEX #97FBEC

RGB 151 251 236

HSL 171, 0.93%, 0.79%

LAB 92.41, -32.73, -2.04

 

CMYK 26 / 40 / 0 / 2

HEX #BA97FB

RGB 186 151 251

HSL 261, 0.93%, 0.79%

LAB 69.14, 33.2, -45.21

 

Description

Color code: HEX #FC98A7 | qconv.com Color code: HEX #FC98A7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 152 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 152 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 34 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 34% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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