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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC6F70 it is the complementary color #03908F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC6F70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #FC6F70: #FF6F6B, #FF817E, #FF9391, #FFA5A4 and #FFB7B7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC6F70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #FC6F70: #FC6F70, #EB5D5D, #DA4B4A, #C93937 and #B82724

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 56 / 1

HEX #FC6F70

RGB 252 111 112

HSL 359.57, 0.96%, 0.71%

LAB 64.35, 53.91, 26.43

 

Complementary color

CMYK 98 / 0 / 1 / 44

HEX #03908F

RGB 3 144 143

HSL 179.57, 0.96%, 0.29%

LAB 53.97, -31.59, -8.68

 

CMYK 0 / 56 / 58 / 0

HEX #FF6F6B

RGB 255 111 107

HSL 1.62, 1%, 0.71%

LAB 64.72, 54.58, 29.81

 

CMYK 0 / 49 / 51 / 0

HEX #FF817E

RGB 255 129 126

HSL 1.4, 1%, 0.75%

LAB 68.36, 47.54, 24.01

 

CMYK 0 / 42 / 43 / 0

HEX #FF9391

RGB 255 147 145

HSL 1.09, 1%, 0.78%

LAB 72.34, 40.33, 18.9

 

CMYK 0 / 35 / 36 / 0

HEX #FFA5A4

RGB 255 165 164

HSL 0.66, 1%, 0.82%

LAB 76.59, 33.13, 14.39

 

CMYK 0 / 28 / 28 / 0

HEX #FFB7B7

RGB 255 183 183

HSL 0, 1%, 0.86%

LAB 81.04, 26.09, 10.4

 

CMYK 0 / 56 / 56 / 1

HEX #FC6F70

RGB 252 111 112

HSL 359.57, 0.96%, 0.71%

LAB 64.35, 53.91, 26.43

 

CMYK 0 / 60 / 60 / 8

HEX #EB5D5D

RGB 235 93 93

HSL 0, 0.78%, 0.64%

LAB 58.3, 54.89, 28.84

 

CMYK 0 / 66 / 66 / 15

HEX #DA4B4A

RGB 218 75 74

HSL 0.42, 0.66%, 0.57%

LAB 52.32, 55.74, 31.65

 

CMYK 0 / 72 / 73 / 21

HEX #C93937

RGB 201 57 55

HSL 0.82, 0.57%, 0.5%

LAB 46.47, 56.3, 34.93

 

CMYK 0 / 79 / 80 / 28

HEX #B82724

RGB 184 39 36

HSL 1.22, 0.67%, 0.43%

LAB 40.85, 56.34, 38.67

 

CMYK 0 / 56 / 56 / 1

HEX #FC6F70

RGB 252 111 112

HSL 359.57, 0.96%, 0.71%

LAB 64.35, 53.91, 26.43

 

CMYK 0 / 48 / 56 / 1

HEX #FC836E

RGB 252 131 110

HSL 8.87, 0.96%, 0.71%

LAB 68.06, 44.17, 32.38

 

CMYK 0 / 38 / 56 / 1

HEX #FC9B6E

RGB 252 155 110

HSL 19.01, 0.96%, 0.71%

LAB 73.07, 31.95, 38.73

 

CMYK 0 / 29 / 56 / 1

HEX #FCB26E

RGB 252 178 110

HSL 28.73, 0.96%, 0.71%

LAB 78.26, 19.92, 45.15

 

CMYK 0 / 20 / 56 / 1

HEX #FCCA6E

RGB 252 202 110

HSL 38.87, 0.96%, 0.71%

LAB 84, 7.4, 52.04

 

CMYK 0 / 56 / 56 / 1

HEX #FC6F70

RGB 252 111 112

HSL 359.57, 0.96%, 0.71%

LAB 64.35, 53.91, 26.43

 

CMYK 0 / 56 / 56 / 81

HEX #301515

RGB 48 21 21

HSL 0, 0.39%, 0.14%

LAB 10.7, 13.67, 6.15

 

CMYK 0 / 56 / 56 / 61

HEX #632C2C

RGB 99 44 44

HSL 0, 0.38%, 0.28%

LAB 25.67, 24.86, 11.88

 

CMYK 0 / 56 / 55 / 41

HEX #964243

RGB 150 66 67

HSL 359.29, 0.39%, 0.42%

LAB 39.22, 35.39, 16.74

 

CMYK 0 / 56 / 56 / 21

HEX #C95959

RGB 201 89 89

HSL 0, 0.51%, 0.57%

LAB 52.16, 44.61, 22.12

 

CMYK 0 / 56 / 56 / 1

HEX #FC6F70

RGB 252 111 112

HSL 359.57, 0.96%, 0.71%

LAB 64.35, 53.91, 26.43

 

CMYK 10 / 0 / 56 / 1

HEX #E2FC6E

RGB 226 252 110

HSL 70.99, 0.96%, 0.71%

LAB 94.7, -27.82, 63.85

 

CMYK 56 / 33 / 0 / 1

HEX #6EA9FC

RGB 110 169 252

HSL 215.07, 0.96%, 0.71%

LAB 68.55, 4.52, -47.04

 

CMYK 0 / 56 / 56 / 1

HEX #FC6F70

RGB 252 111 112

HSL 359.57, 0.96%, 0.71%

LAB 64.35, 53.91, 26.43

 

CMYK 56 / 0 / 56 / 1

HEX #70FC6E

RGB 112 252 110

HSL 119.15, 0.96%, 0.71%

LAB 89.01, -64.95, 55.82

 

CMYK 56 / 56 / 0 / 1

HEX #6E70FC

RGB 110 112 252

HSL 239.15, 0.96%, 0.71%

LAB 53.95, 38.13, -70.34

 

CMYK 0 / 56 / 56 / 1

HEX #FC6F70

RGB 252 111 112

HSL 359.57, 0.96%, 0.71%

LAB 64.35, 53.91, 26.43

 

CMYK 10 / 0 / 56 / 1

HEX #E2FC6E

RGB 226 252 110

HSL 70.99, 0.96%, 0.71%

LAB 94.7, -27.82, 63.85

 

CMYK 56 / 0 / 1 / 1

HEX #6EFCF9

RGB 110 252 249

HSL 178.73, 0.96%, 0.71%

LAB 91.58, -38.8, -10.17

 

CMYK 46 / 56 / 0 / 1

HEX #886EFC

RGB 136 110 252

HSL 250.99, 0.96%, 0.71%

LAB 55.5, 44.31, -67.75

 

CMYK 0 / 56 / 56 / 1

HEX #FC6F70

RGB 252 111 112

HSL 359.57, 0.96%, 0.71%

LAB 64.35, 53.91, 26.43

 

CMYK 27 / 0 / 56 / 1

HEX #B7FC6E

RGB 183 252 110

HSL 89.15, 0.96%, 0.71%

LAB 92.05, -43.7, 60.12

 

CMYK 56 / 0 / 1 / 1

HEX #6EFCF9

RGB 110 252 249

HSL 178.73, 0.96%, 0.71%

LAB 91.58, -38.8, -10.17

 

CMYK 29 / 56 / 0 / 1

HEX #B26EFC

RGB 178 110 252

HSL 268.73, 0.96%, 0.71%

LAB 59.57, 53.62, -60.99

 

Description

Color code: HEX #FC6F70 | qconv.com Color code: HEX #FC6F70 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 111 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 111 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 56 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 56% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to HKS®

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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Sherwin Williams® to CMYK

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Sherwin Williams® to HKS®

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NCS® to HEX

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NCS® to RAL®

convert from NCS-number (S0000-X00X) to RAL®-number (RAL 0000)

NCS® to HKS®

convert from NCS-number (S0000-X00X) to HKS®-number (HKS 00)

NCS® to PANTONE®

convert from NCS-number (S0000-X00X) to Pantone®-number (Pantone 0000)

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convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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