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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBE19D it is the complementary color #041E62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBE19D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #FBE19D: #FFE198, #FFF3AB, #FFFFBE, #FFFFD1 and #FFFFE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBE19D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #FBE19D: #FBE19D, #EACF8A, #D9BD77, #C8AB64 and #B79951

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 37 / 2

HEX #FBE19D

RGB 251 225 157

HSL 43.4, 0.92%, 0.8%

LAB 90.23, -0.41, 36.55

 

Complementary color

CMYK 96 / 69 / 0 / 62

HEX #041E62

RGB 4 30 98

HSL 223.4, 0.92%, 0.2%

LAB 14.6, 21.01, -42.5

 

CMYK 0 / 12 / 40 / 0

HEX #FFE198

RGB 255 225 152

HSL 42.52, 1%, 0.8%

LAB 90.5, 0.6, 39.48

 

CMYK 0 / 5 / 33 / 0

HEX #FFF3AB

RGB 255 243 171

HSL 51.43, 1%, 0.84%

LAB 95.29, -6.35, 36.23

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBE

RGB 255 255 190

HSL 60, 1%, 0.87%

LAB 98.63, -9.94, 31.16

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD1

RGB 255 255 209

HSL 60, 1%, 0.91%

LAB 98.98, -7.34, 22.04

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE4

RGB 255 255 228

HSL 60, 1%, 0.95%

LAB 99.37, -4.48, 12.91

 

CMYK 0 / 10 / 37 / 2

HEX #FBE19D

RGB 251 225 157

HSL 43.4, 0.92%, 0.8%

LAB 90.23, -0.41, 36.55

 

CMYK 0 / 12 / 41 / 8

HEX #EACF8A

RGB 234 207 138

HSL 43.13, 0.7%, 0.73%

LAB 83.94, 0.11, 37.72

 

CMYK 0 / 13 / 45 / 15

HEX #D9BD77

RGB 217 189 119

HSL 42.86, 0.56%, 0.66%

LAB 77.57, 0.71, 38.95

 

CMYK 0 / 15 / 50 / 22

HEX #C8AB64

RGB 200 171 100

HSL 42.6, 0.48%, 0.59%

LAB 71.09, 1.41, 40.23

 

CMYK 0 / 16 / 56 / 28

HEX #B79951

RGB 183 153 81

HSL 42.35, 0.41%, 0.52%

LAB 64.52, 2.23, 41.54

 

CMYK 0 / 10 / 37 / 2

HEX #FBE19D

RGB 251 225 157

HSL 43.4, 0.92%, 0.8%

LAB 90.23, -0.41, 36.55

 

CMYK 0 / 4 / 37 / 2

HEX #FAEF9D

RGB 250 239 157

HSL 52.9, 0.9%, 0.8%

LAB 93.66, -7.84, 41.01

 

CMYK 2 / 0 / 37 / 2

HEX #F6FA9D

RGB 246 250 157

HSL 62.58, 0.9%, 0.8%

LAB 96.16, -14.78, 44.16

 

CMYK 8 / 0 / 37 / 2

HEX #E6FA9D

RGB 230 250 157

HSL 72.9, 0.9%, 0.8%

LAB 95, -20.77, 42.44

 

CMYK 14 / 0 / 37 / 2

HEX #D6FA9D

RGB 214 250 157

HSL 83.23, 0.9%, 0.8%

LAB 93.93, -26.62, 40.84

 

CMYK 0 / 10 / 37 / 2

HEX #FBE19D

RGB 251 225 157

HSL 43.4, 0.92%, 0.8%

LAB 90.23, -0.41, 36.55

 

CMYK 0 / 11 / 38 / 82

HEX #2F2A1D

RGB 47 42 29

HSL 43.33, 0.24%, 0.15%

LAB 17.22, -0.23, 9.35

 

CMYK 0 / 10 / 38 / 62

HEX #62583D

RGB 98 88 61

HSL 43.78, 0.23%, 0.31%

LAB 37.69, -0.43, 17.16

 

CMYK 0 / 10 / 38 / 42

HEX #95865D

RGB 149 134 93

HSL 43.93, 0.23%, 0.47%

LAB 56.32, -0.61, 24.16

 

CMYK 0 / 11 / 38 / 22

HEX #C8B37D

RGB 200 179 125

HSL 43.2, 0.41%, 0.64%

LAB 73.55, -0.24, 30.34

 

CMYK 0 / 10 / 37 / 2

HEX #FBE19D

RGB 251 225 157

HSL 43.4, 0.92%, 0.8%

LAB 90.23, -0.41, 36.55

 

CMYK 34 / 0 / 37 / 2

HEX #A4FA9D

RGB 164 250 157

HSL 115.48, 0.9%, 0.8%

LAB 91.1, -43.51, 36.61

 

CMYK 26 / 37 / 0 / 2

HEX #BA9DFA

RGB 186 157 250

HSL 258.71, 0.9%, 0.8%

LAB 70.49, 29.63, -42.54

 

CMYK 0 / 10 / 37 / 2

HEX #FBE19D

RGB 251 225 157

HSL 43.4, 0.92%, 0.8%

LAB 90.23, -0.41, 36.55

 

CMYK 37 / 0 / 10 / 2

HEX #9DFAE0

RGB 157 250 224

HSL 163.23, 0.9%, 0.8%

LAB 92.1, -33.37, 3.75

 

CMYK 10 / 37 / 0 / 2

HEX #E09DFA

RGB 224 157 250

HSL 283.23, 0.9%, 0.8%

LAB 74.1, 40.67, -36.64

 

CMYK 0 / 10 / 37 / 2

HEX #FBE19D

RGB 251 225 157

HSL 43.4, 0.92%, 0.8%

LAB 90.23, -0.41, 36.55

 

CMYK 34 / 0 / 37 / 2

HEX #A4FA9D

RGB 164 250 157

HSL 115.48, 0.9%, 0.8%

LAB 91.1, -43.51, 36.61

 

CMYK 37 / 27 / 0 / 2

HEX #9DB7FA

RGB 157 183 250

HSL 223.23, 0.9%, 0.8%

LAB 74.79, 7.11, -36.02

 

CMYK 3 / 37 / 0 / 2

HEX #F39DFA

RGB 243 157 250

HSL 295.48, 0.9%, 0.8%

LAB 76.11, 46.34, -33.37

 

CMYK 0 / 10 / 37 / 2

HEX #FBE19D

RGB 251 225 157

HSL 43.4, 0.92%, 0.8%

LAB 90.23, -0.41, 36.55

 

CMYK 37 / 0 / 29 / 2

HEX #9DFAB1

RGB 157 250 177

HSL 132.9, 0.9%, 0.8%

LAB 91.1, -42.43, 26.51

 

CMYK 37 / 27 / 0 / 2

HEX #9DB7FA

RGB 157 183 250

HSL 223.23, 0.9%, 0.8%

LAB 74.79, 7.11, -36.02

 

CMYK 0 / 37 / 8 / 2

HEX #FA9DE6

RGB 250 157 230

HSL 312.9, 0.9%, 0.8%

LAB 76.16, 44.99, -22.38

 

Description

Color code: HEX #FBE19D | qconv.com Color code: HEX #FBE19D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 225 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 225 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 37 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 37% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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