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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBD9C4 it is the complementary color #04263B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBD9C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #FBD9C4: #FFD9BF, #FFEBD2, #FFFDE5, #FFFFF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBD9C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #FBD9C4: #FBD9C4, #EAC7B1, #D9B59E, #C8A38B and #B79178

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 22 / 2

HEX #FBD9C4

RGB 251 217 196

HSL 22.91, 0.87%, 0.88%

LAB 88.98, 8.64, 14.69

 

Complementary color

CMYK 93 / 36 / 0 / 77

HEX #04263B

RGB 4 38 59

HSL 202.91, 0.87%, 0.12%

LAB 13.99, -2.94, -16.88

 

CMYK 0 / 15 / 25 / 0

HEX #FFD9BF

RGB 255 217 191

HSL 24.38, 1%, 0.87%

LAB 89.23, 9.41, 17.71

 

CMYK 0 / 8 / 18 / 0

HEX #FFEBD2

RGB 255 235 210

HSL 33.33, 1%, 0.91%

LAB 94.03, 2.86, 14.58

 

CMYK 0 / 1 / 10 / 0

HEX #FFFDE5

RGB 255 253 229

HSL 55.38, 1%, 0.95%

LAB 98.89, -3.32, 11.72

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF8

RGB 255 255 248

HSL 60, 1%, 0.99%

LAB 99.83, -1.2, 3.33

 

CMYK 0 / 14 / 22 / 2

HEX #FBD9C4

RGB 251 217 196

HSL 22.91, 0.87%, 0.88%

LAB 88.98, 8.64, 14.69

 

CMYK 0 / 15 / 24 / 8

HEX #EAC7B1

RGB 234 199 177

HSL 23.16, 0.58%, 0.81%

LAB 82.65, 9.08, 15.6

 

CMYK 0 / 17 / 27 / 15

HEX #D9B59E

RGB 217 181 158

HSL 23.39, 0.44%, 0.74%

LAB 76.23, 9.57, 16.57

 

CMYK 0 / 19 / 31 / 22

HEX #C8A38B

RGB 200 163 139

HSL 23.61, 0.36%, 0.66%

LAB 69.71, 10.12, 17.6

 

CMYK 0 / 21 / 34 / 28

HEX #B79178

RGB 183 145 120

HSL 23.81, 0.3%, 0.59%

LAB 63.07, 10.75, 18.72

 

CMYK 0 / 14 / 22 / 2

HEX #FBD9C4

RGB 251 217 196

HSL 22.91, 0.87%, 0.88%

LAB 88.98, 8.64, 14.69

 

CMYK 0 / 10 / 22 / 2

HEX #FBE2C5

RGB 251 226 197

HSL 32.22, 0.87%, 0.88%

LAB 91.2, 4.14, 17.3

 

CMYK 0 / 6 / 22 / 2

HEX #FBEBC5

RGB 251 235 197

HSL 42.22, 0.87%, 0.88%

LAB 93.43, -0.45, 20.42

 

CMYK 0 / 3 / 22 / 2

HEX #FBF3C5

RGB 251 243 197

HSL 51.11, 0.87%, 0.88%

LAB 95.43, -4.49, 23.19

 

CMYK 1 / 0 / 22 / 2

HEX #F9FBC5

RGB 249 251 197

HSL 62.22, 0.87%, 0.88%

LAB 97.29, -9.2, 25.73

 

CMYK 0 / 14 / 22 / 2

HEX #FBD9C4

RGB 251 217 196

HSL 22.91, 0.87%, 0.88%

LAB 88.98, 8.64, 14.69

 

CMYK 0 / 13 / 21 / 82

HEX #2F2925

RGB 47 41 37

HSL 24, 0.12%, 0.16%

LAB 17.1, 1.92, 3.63

 

CMYK 0 / 13 / 21 / 62

HEX #62554D

RGB 98 85 77

HSL 22.86, 0.12%, 0.34%

LAB 37.17, 3.88, 6.62

 

CMYK 0 / 13 / 22 / 42

HEX #958174

RGB 149 129 116

HSL 23.64, 0.13%, 0.52%

LAB 55.43, 5.46, 9.86

 

CMYK 0 / 14 / 22 / 22

HEX #C8AD9C

RGB 200 173 156

HSL 23.18, 0.29%, 0.7%

LAB 72.61, 7.09, 12.33

 

CMYK 0 / 14 / 22 / 2

HEX #FBD9C4

RGB 251 217 196

HSL 22.91, 0.87%, 0.88%

LAB 88.98, 8.64, 14.69

 

CMYK 12 / 0 / 22 / 2

HEX #DCFBC5

RGB 220 251 197

HSL 94.44, 0.87%, 0.88%

LAB 95.26, -19.42, 22.61

 

CMYK 22 / 21 / 0 / 2

HEX #C5C7FB

RGB 197 199 251

HSL 237.78, 0.87%, 0.88%

LAB 81.67, 9.99, -25.74

 

CMYK 0 / 14 / 22 / 2

HEX #FBD9C4

RGB 251 217 196

HSL 22.91, 0.87%, 0.88%

LAB 88.98, 8.64, 14.69

 

CMYK 22 / 0 / 14 / 2

HEX #C5FBD9

RGB 197 251 217

HSL 142.22, 0.87%, 0.88%

LAB 94.26, -23.62, 10.74

 

CMYK 14 / 22 / 0 / 2

HEX #D9C5FB

RGB 217 197 251

HSL 262.22, 0.87%, 0.88%

LAB 82.73, 17.2, -23.99

 

CMYK 0 / 14 / 22 / 2

HEX #FBD9C4

RGB 251 217 196

HSL 22.91, 0.87%, 0.88%

LAB 88.98, 8.64, 14.69

 

CMYK 12 / 0 / 22 / 2

HEX #DCFBC5

RGB 220 251 197

HSL 94.44, 0.87%, 0.88%

LAB 95.26, -19.42, 22.61

 

CMYK 22 / 8 / 0 / 2

HEX #C5E7FB

RGB 197 231 251

HSL 202.22, 0.87%, 0.88%

LAB 89.85, -6.86, -13.38

 

CMYK 10 / 22 / 0 / 2

HEX #E3C5FB

RGB 227 197 251

HSL 273.33, 0.87%, 0.88%

LAB 83.56, 20.35, -22.64

 

CMYK 0 / 14 / 22 / 2

HEX #FBD9C4

RGB 251 217 196

HSL 22.91, 0.87%, 0.88%

LAB 88.98, 8.64, 14.69

 

CMYK 19 / 0 / 22 / 2

HEX #CCFBC5

RGB 204 251 197

HSL 112.22, 0.87%, 0.88%

LAB 94.25, -24.83, 21.06

 

CMYK 22 / 8 / 0 / 2

HEX #C5E7FB

RGB 197 231 251

HSL 202.22, 0.87%, 0.88%

LAB 89.85, -6.86, -13.38

 

CMYK 3 / 22 / 0 / 2

HEX #F3C5FB

RGB 243 197 251

HSL 291.11, 0.87%, 0.88%

LAB 84.97, 25.46, -20.37

 

Description

Color code: HEX #FBD9C4 | qconv.com Color code: HEX #FBD9C4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 217 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 217 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 22 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 22% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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