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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBC2F1 it is the complementary color #043D0E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBC2F1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #FBC2F1: #FFC2EC, #FFD4FF, #FFE6FF, #FFF8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBC2F1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #FBC2F1: #FBC2F1, #EAB0DE, #D99ECB, #C88CB8 and #B77AA5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 4 / 2

HEX #FBC2F1

RGB 251 194 241

HSL 310.53, 0.88%, 0.87%

LAB 84.71, 27.84, -15.37

 

Complementary color

CMYK 93 / 0 / 77 / 76

HEX #043D0E

RGB 4 61 14

HSL 130.53, 0.88%, 0.13%

LAB 21.56, -28.67, 23.21

 

CMYK 0 / 24 / 7 / 0

HEX #FFC2EC

RGB 255 194 236

HSL 318.69, 1%, 0.88%

LAB 84.95, 28.31, -12.32

 

CMYK 0 / 17 / 0 / 0

HEX #FFD4FF

RGB 255 212 255

HSL 300, 1%, 0.92%

LAB 89.66, 22.17, -15.32

 

CMYK 0 / 10 / 0 / 0

HEX #FFE6FF

RGB 255 230 255

HSL 300, 1%, 0.95%

LAB 93.91, 12.79, -8.97

 

CMYK 0 / 3 / 0 / 0

HEX #FFF8FF

RGB 255 248 255

HSL 300, 1%, 0.99%

LAB 98.28, 3.55, -2.53

 

CMYK 0 / 23 / 4 / 2

HEX #FBC2F1

RGB 251 194 241

HSL 310.53, 0.88%, 0.87%

LAB 84.71, 27.84, -15.37

 

CMYK 0 / 25 / 5 / 8

HEX #EAB0DE

RGB 234 176 222

HSL 312.41, 0.58%, 0.8%

LAB 78.35, 28.42, -14.88

 

CMYK 0 / 27 / 6 / 15

HEX #D99ECB

RGB 217 158 203

HSL 314.24, 0.44%, 0.74%

LAB 71.9, 29.05, -14.37

 

CMYK 0 / 30 / 8 / 22

HEX #C88CB8

RGB 200 140 184

HSL 316, 0.35%, 0.67%

LAB 65.35, 29.72, -13.83

 

CMYK 0 / 33 / 10 / 28

HEX #B77AA5

RGB 183 122 165

HSL 317.7, 0.3%, 0.6%

LAB 58.7, 30.44, -13.24

 

CMYK 0 / 23 / 4 / 2

HEX #FBC2F1

RGB 251 194 241

HSL 310.53, 0.88%, 0.87%

LAB 84.71, 27.84, -15.37

 

CMYK 0 / 24 / 8 / 2

HEX #FBC0E7

RGB 251 192 231

HSL 320.34, 0.88%, 0.87%

LAB 83.95, 27.18, -11.17

 

CMYK 0 / 24 / 12 / 2

HEX #FBC0DD

RGB 251 192 221

HSL 330.51, 0.88%, 0.87%

LAB 83.67, 25.52, -6.25

 

CMYK 0 / 24 / 16 / 2

HEX #FBC0D4

RGB 251 192 212

HSL 339.66, 0.88%, 0.87%

LAB 83.42, 24.1, -1.79

 

CMYK 0 / 24 / 20 / 2

HEX #FBC0CA

RGB 251 192 202

HSL 349.83, 0.88%, 0.87%

LAB 83.16, 22.58, 3.19

 

CMYK 0 / 23 / 4 / 2

HEX #FBC2F1

RGB 251 194 241

HSL 310.53, 0.88%, 0.87%

LAB 84.71, 27.84, -15.37

 

CMYK 0 / 23 / 4 / 82

HEX #2F242D

RGB 47 36 45

HSL 310.91, 0.13%, 0.16%

LAB 15.78, 7.17, -3.96

 

CMYK 0 / 22 / 4 / 62

HEX #624C5E

RGB 98 76 94

HSL 310.91, 0.13%, 0.34%

LAB 35.15, 12.72, -6.99

 

CMYK 0 / 23 / 4 / 42

HEX #95738F

RGB 149 115 143

HSL 310.59, 0.14%, 0.52%

LAB 52.55, 18.28, -10.1

 

CMYK 0 / 23 / 4 / 22

HEX #C89BC0

RGB 200 155 192

HSL 310.67, 0.29%, 0.7%

LAB 69.13, 22.91, -12.62

 

CMYK 0 / 23 / 4 / 2

HEX #FBC2F1

RGB 251 194 241

HSL 310.53, 0.88%, 0.87%

LAB 84.71, 27.84, -15.37

 

CMYK 0 / 15 / 24 / 2

HEX #FBD6C0

RGB 251 214 192

HSL 22.37, 0.88%, 0.87%

LAB 88.16, 9.63, 15.64

 

CMYK 24 / 0 / 6 / 2

HEX #C0FBED

RGB 192 251 237

HSL 165.76, 0.88%, 0.87%

LAB 94.45, -21.28, 0.66

 

CMYK 0 / 23 / 4 / 2

HEX #FBC2F1

RGB 251 194 241

HSL 310.53, 0.88%, 0.87%

LAB 84.71, 27.84, -15.37

 

CMYK 4 / 0 / 24 / 2

HEX #F1FBC0

RGB 241 251 192

HSL 70.17, 0.88%, 0.87%

LAB 96.62, -12.76, 27.25

 

CMYK 24 / 4 / 0 / 2

HEX #C0F1FB

RGB 192 241 251

HSL 190.17, 0.88%, 0.87%

LAB 92.17, -13.41, -9.96

 

CMYK 0 / 23 / 4 / 2

HEX #FBC2F1

RGB 251 194 241

HSL 310.53, 0.88%, 0.87%

LAB 84.71, 27.84, -15.37

 

CMYK 0 / 15 / 24 / 2

HEX #FBD6C0

RGB 251 214 192

HSL 22.37, 0.88%, 0.87%

LAB 88.16, 9.63, 15.64

 

CMYK 24 / 0 / 20 / 2

HEX #C0FBCA

RGB 192 251 202

HSL 130.17, 0.88%, 0.87%

LAB 93.65, -27.88, 17.55

 

CMYK 24 / 9 / 0 / 2

HEX #C0E5FB

RGB 192 229 251

HSL 202.37, 0.88%, 0.87%

LAB 89.02, -7.31, -14.65

 

CMYK 0 / 23 / 4 / 2

HEX #FBC2F1

RGB 251 194 241

HSL 310.53, 0.88%, 0.87%

LAB 84.71, 27.84, -15.37

 

CMYK 0 / 8 / 24 / 2

HEX #FBE7C0

RGB 251 231 192

HSL 39.66, 0.88%, 0.87%

LAB 92.34, 0.89, 21.48

 

CMYK 24 / 0 / 20 / 2

HEX #C0FBCA

RGB 192 251 202

HSL 130.17, 0.88%, 0.87%

LAB 93.65, -27.88, 17.55

 

CMYK 24 / 16 / 0 / 2

HEX #C0D4FB

RGB 192 212 251

HSL 219.66, 0.88%, 0.87%

LAB 84.62, 1.55, -21.29

 

Description

Color code: HEX #FBC2F1 | qconv.com Color code: HEX #FBC2F1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 194 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 194 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 4 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 4% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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