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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBBF72 it is the complementary color #04408D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBBF72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #FBBF72: #FFBF6D, #FFD180, #FFE393, #FFF5A6 and #FFFFB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBBF72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #FBBF72: #FBBF72, #EAAD5F, #D99B4C, #C88939 and #B77726

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 55 / 2

HEX #FBBF72

RGB 251 191 114

HSL 33.72, 0.94%, 0.72%

LAB 81.28, 13.02, 46.81

 

Complementary color

CMYK 97 / 55 / 0 / 45

HEX #04408D

RGB 4 64 141

HSL 213.72, 0.94%, 0.28%

LAB 28.42, 14.98, -47.38

 

CMYK 0 / 25 / 57 / 0

HEX #FFBF6D

RGB 255 191 109

HSL 33.7, 1%, 0.71%

LAB 81.63, 14.26, 49.79

 

CMYK 0 / 18 / 50 / 0

HEX #FFD180

RGB 255 209 128

HSL 38.27, 1%, 0.75%

LAB 86.22, 6.47, 46.02

 

CMYK 0 / 11 / 42 / 0

HEX #FFE393

RGB 255 227 147

HSL 44.44, 1%, 0.79%

LAB 90.92, -0.93, 42.53

 

CMYK 0 / 4 / 35 / 0

HEX #FFF5A6

RGB 255 245 166

HSL 53.26, 1%, 0.83%

LAB 95.71, -7.92, 39.28

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFB9

RGB 255 255 185

HSL 60, 1%, 0.86%

LAB 98.54, -10.58, 33.56

 

CMYK 0 / 24 / 55 / 2

HEX #FBBF72

RGB 251 191 114

HSL 33.72, 0.94%, 0.72%

LAB 81.28, 13.02, 46.81

 

CMYK 0 / 26 / 59 / 8

HEX #EAAD5F

RGB 234 173 95

HSL 33.67, 0.77%, 0.65%

LAB 74.95, 14.1, 48.19

 

CMYK 0 / 29 / 65 / 15

HEX #D99B4C

RGB 217 155 76

HSL 33.62, 0.65%, 0.57%

LAB 68.55, 15.33, 49.57

 

CMYK 0 / 32 / 72 / 22

HEX #C88939

RGB 200 137 57

HSL 33.57, 0.57%, 0.5%

LAB 62.05, 16.76, 50.86

 

CMYK 0 / 35 / 79 / 28

HEX #B77726

RGB 183 119 38

HSL 33.52, 0.66%, 0.43%

LAB 55.48, 18.42, 51.84

 

CMYK 0 / 24 / 55 / 2

HEX #FBBF72

RGB 251 191 114

HSL 33.72, 0.94%, 0.72%

LAB 81.28, 13.02, 46.81

 

CMYK 0 / 15 / 54 / 2

HEX #FAD474

RGB 250 212 116

HSL 42.99, 0.93%, 0.72%

LAB 86.34, 1.91, 51.91

 

CMYK 0 / 6 / 54 / 2

HEX #FAEB74

RGB 250 235 116

HSL 53.28, 0.93%, 0.72%

LAB 92.13, -9.69, 58.73

 

CMYK 2 / 0 / 54 / 2

HEX #F4FA74

RGB 244 250 116

HSL 62.69, 0.93%, 0.72%

LAB 95.52, -19.4, 62.52

 

CMYK 12 / 0 / 54 / 2

HEX #DDFA74

RGB 221 250 116

HSL 72.99, 0.93%, 0.72%

LAB 93.88, -28.31, 60.2

 

CMYK 0 / 24 / 55 / 2

HEX #FBBF72

RGB 251 191 114

HSL 33.72, 0.94%, 0.72%

LAB 81.28, 13.02, 46.81

 

CMYK 0 / 23 / 55 / 82

HEX #2F2415

RGB 47 36 21

HSL 34.62, 0.38%, 0.13%

LAB 15.06, 2.72, 11.98

 

CMYK 0 / 23 / 54 / 62

HEX #624B2D

RGB 98 75 45

HSL 33.96, 0.37%, 0.28%

LAB 33.6, 5.57, 21.52

 

CMYK 0 / 24 / 54 / 42

HEX #957144

RGB 149 113 68

HSL 33.33, 0.37%, 0.43%

LAB 50.24, 8.6, 30.28

 

CMYK 0 / 24 / 55 / 22

HEX #C8985B

RGB 200 152 91

HSL 33.58, 0.5%, 0.57%

LAB 66.13, 10.87, 38.77

 

CMYK 0 / 24 / 55 / 2

HEX #FBBF72

RGB 251 191 114

HSL 33.72, 0.94%, 0.72%

LAB 81.28, 13.02, 46.81

 

CMYK 40 / 0 / 54 / 2

HEX #96FA74

RGB 150 250 116

HSL 104.78, 0.93%, 0.72%

LAB 89.91, -53.12, 54.55

 

CMYK 46 / 54 / 0 / 2

HEX #8874FA

RGB 136 116 250

HSL 248.96, 0.93%, 0.72%

LAB 56.71, 40.32, -64.68

 

CMYK 0 / 24 / 55 / 2

HEX #FBBF72

RGB 251 191 114

HSL 33.72, 0.94%, 0.72%

LAB 81.28, 13.02, 46.81

 

CMYK 54 / 0 / 24 / 2

HEX #74FABE

RGB 116 250 190

HSL 153.13, 0.93%, 0.72%

LAB 89.77, -50.44, 17.78

 

CMYK 24 / 54 / 0 / 2

HEX #BE74FA

RGB 190 116 250

HSL 273.13, 0.93%, 0.72%

LAB 61.95, 52.96, -56.01

 

CMYK 0 / 24 / 55 / 2

HEX #FBBF72

RGB 251 191 114

HSL 33.72, 0.94%, 0.72%

LAB 81.28, 13.02, 46.81

 

CMYK 40 / 0 / 54 / 2

HEX #96FA74

RGB 150 250 116

HSL 104.78, 0.93%, 0.72%

LAB 89.91, -53.12, 54.55

 

CMYK 54 / 30 / 0 / 2

HEX #74B0FA

RGB 116 176 250

HSL 213.13, 0.93%, 0.72%

LAB 70.64, 1.19, -42.65

 

CMYK 13 / 54 / 0 / 2

HEX #D974FA

RGB 217 116 250

HSL 285.22, 0.93%, 0.72%

LAB 65.08, 59.77, -50.84

 

CMYK 0 / 24 / 55 / 2

HEX #FBBF72

RGB 251 191 114

HSL 33.72, 0.94%, 0.72%

LAB 81.28, 13.02, 46.81

 

CMYK 54 / 0 / 51 / 2

HEX #74FA7B

RGB 116 250 123

HSL 123.13, 0.93%, 0.72%

LAB 88.69, -61.67, 49.56

 

CMYK 54 / 30 / 0 / 2

HEX #74B0FA

RGB 116 176 250

HSL 213.13, 0.93%, 0.72%

LAB 70.64, 1.19, -42.65

 

CMYK 0 / 54 / 2 / 2

HEX #FA74F4

RGB 250 116 244

HSL 302.69, 0.93%, 0.72%

LAB 69, 67.24, -41.08

 

Description

Color code: HEX #FBBF72 | qconv.com Color code: HEX #FBBF72 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 191 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 191 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 55 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 55% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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