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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBB25A it is the complementary color #044DA5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBB25A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #FBB25A: #FFB255, #FFC468, #FFD67B, #FFE88E and #FFFAA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBB25A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #FBB25A: #FBB25A, #EAA047, #D98E34, #C87C21 and #B76A0E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 64 / 2

HEX #FBB25A

RGB 251 178 90

HSL 32.8, 0.95%, 0.67%

LAB 77.93, 18.14, 54.49

 

Complementary color

CMYK 98 / 53 / 0 / 35

HEX #044DA5

RGB 4 77 165

HSL 212.8, 0.95%, 0.33%

LAB 34.09, 16.11, -52.77

 

CMYK 0 / 30 / 67 / 0

HEX #FFB255

RGB 255 178 85

HSL 32.82, 1%, 0.67%

LAB 78.32, 19.49, 57.36

 

CMYK 0 / 23 / 59 / 0

HEX #FFC468

RGB 255 196 104

HSL 36.56, 1%, 0.7%

LAB 82.77, 11.3, 53.54

 

CMYK 0 / 16 / 52 / 0

HEX #FFD67B

RGB 255 214 123

HSL 41.36, 1%, 0.74%

LAB 87.38, 3.47, 49.9

 

CMYK 0 / 9 / 44 / 0

HEX #FFE88E

RGB 255 232 142

HSL 47.79, 1%, 0.78%

LAB 92.1, -3.95, 46.49

 

CMYK 0 / 2 / 37 / 0

HEX #FFFAA1

RGB 255 250 161

HSL 56.81, 1%, 0.82%

LAB 96.9, -10.94, 43.3

 

CMYK 0 / 29 / 64 / 2

HEX #FBB25A

RGB 251 178 90

HSL 32.8, 0.95%, 0.67%

LAB 77.93, 18.14, 54.49

 

CMYK 0 / 32 / 70 / 8

HEX #EAA047

RGB 234 160 71

HSL 32.76, 0.8%, 0.6%

LAB 71.62, 19.52, 55.8

 

CMYK 0 / 35 / 76 / 15

HEX #D98E34

RGB 217 142 52

HSL 32.73, 0.68%, 0.53%

LAB 65.24, 21.1, 56.9

 

CMYK 0 / 38 / 84 / 22

HEX #C87C21

RGB 200 124 33

HSL 32.69, 0.72%, 0.46%

LAB 58.79, 22.9, 57.51

 

CMYK 0 / 42 / 92 / 28

HEX #B76A0E

RGB 183 106 14

HSL 32.66, 0.86%, 0.39%

LAB 52.29, 24.97, 57.01

 

CMYK 0 / 29 / 64 / 2

HEX #FBB25A

RGB 251 178 90

HSL 32.8, 0.95%, 0.67%

LAB 77.93, 18.14, 54.49

 

CMYK 0 / 19 / 64 / 2

HEX #FACA5A

RGB 250 202 90

HSL 42, 0.94%, 0.67%

LAB 83.6, 5.22, 60.75

 

CMYK 0 / 8 / 64 / 2

HEX #FAE55A

RGB 250 229 90

HSL 52.13, 0.94%, 0.67%

LAB 90.37, -8.48, 68.02

 

CMYK 2 / 0 / 64 / 2

HEX #F5FA5A

RGB 245 250 90

HSL 61.88, 0.94%, 0.67%

LAB 95.38, -20.76, 73.14

 

CMYK 13 / 0 / 64 / 2

HEX #DAFA5A

RGB 218 250 90

HSL 72, 0.94%, 0.67%

LAB 93.46, -31.41, 70.54

 

CMYK 0 / 29 / 64 / 2

HEX #FBB25A

RGB 251 178 90

HSL 32.8, 0.95%, 0.67%

LAB 77.93, 18.14, 54.49

 

CMYK 0 / 30 / 64 / 82

HEX #2F2111

RGB 47 33 17

HSL 32, 0.47%, 0.13%

LAB 14.02, 4.32, 13.17

 

CMYK 0 / 30 / 64 / 62

HEX #624523

RGB 98 69 35

HSL 32.38, 0.47%, 0.26%

LAB 31.75, 8.35, 25.16

 

CMYK 0 / 29 / 64 / 42

HEX #956A35

RGB 149 106 53

HSL 33.13, 0.48%, 0.4%

LAB 48.2, 11.41, 35.96

 

CMYK 0 / 29 / 64 / 22

HEX #C88E48

RGB 200 142 72

HSL 32.81, 0.54%, 0.53%

LAB 63.42, 14.9, 45.22

 

CMYK 0 / 29 / 64 / 2

HEX #FBB25A

RGB 251 178 90

HSL 32.8, 0.95%, 0.67%

LAB 77.93, 18.14, 54.49

 

CMYK 47 / 0 / 64 / 2

HEX #85FA5A

RGB 133 250 90

HSL 103.88, 0.94%, 0.67%

LAB 88.97, -60.73, 64.4

 

CMYK 55 / 64 / 0 / 2

HEX #705AFA

RGB 112 90 250

HSL 248.25, 0.94%, 0.67%

LAB 49.08, 50.56, -77.14

 

CMYK 0 / 29 / 64 / 2

HEX #FBB25A

RGB 251 178 90

HSL 32.8, 0.95%, 0.67%

LAB 77.93, 18.14, 54.49

 

CMYK 64 / 0 / 30 / 2

HEX #5AFAB0

RGB 90 250 176

HSL 152.25, 0.94%, 0.67%

LAB 88.77, -58.36, 23.45

 

CMYK 30 / 64 / 0 / 2

HEX #B05AFA

RGB 176 90 250

HSL 272.25, 0.94%, 0.67%

LAB 55.53, 62.65, -66.38

 

CMYK 0 / 29 / 64 / 2

HEX #FBB25A

RGB 251 178 90

HSL 32.8, 0.95%, 0.67%

LAB 77.93, 18.14, 54.49

 

CMYK 47 / 0 / 64 / 2

HEX #85FA5A

RGB 133 250 90

HSL 103.88, 0.94%, 0.67%

LAB 88.97, -60.73, 64.4

 

CMYK 64 / 34 / 0 / 2

HEX #5AA5FA

RGB 90 165 250

HSL 211.88, 0.94%, 0.67%

LAB 66.51, 2.49, -49.22

 

CMYK 17 / 64 / 0 / 2

HEX #D05AFA

RGB 208 90 250

HSL 284.25, 0.94%, 0.67%

LAB 59.55, 69.54, -59.71

 

CMYK 0 / 29 / 64 / 2

HEX #FBB25A

RGB 251 178 90

HSL 32.8, 0.95%, 0.67%

LAB 77.93, 18.14, 54.49

 

CMYK 64 / 0 / 62 / 2

HEX #5AFA60

RGB 90 250 96

HSL 122.25, 0.94%, 0.67%

LAB 87.67, -70.58, 60.14

 

CMYK 64 / 34 / 0 / 2

HEX #5AA5FA

RGB 90 165 250

HSL 211.88, 0.94%, 0.67%

LAB 66.51, 2.49, -49.22

 

CMYK 0 / 64 / 2 / 2

HEX #FA5AF5

RGB 250 90 245

HSL 301.88, 0.94%, 0.67%

LAB 65.14, 78.11, -47.69

 

Description

Color code: HEX #FBB25A | qconv.com Color code: HEX #FBB25A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 178 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 178 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 64 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 64% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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