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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB8FF6 it is the complementary color #047009. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB8FF6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB8FF6 shade: #FF8FF1, #FFA1FF, #FFB3FF, #FFC5FF and #FFD7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB8FF6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB8FF6 shade: #FB8FF6, #EA7DE3, #D96BD0, #C859BD and #B747AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB8FF6 shade: #FB8EF6, #FB8ED8, #FB8EBB, #FB8E9E and #FB8E8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB8FF6 shade: #FB8EF6, #E38EFB, #C58EFB, #A88EFB and #8E8EFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB8FF6 shade matches the following richer shades: #FB8EF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB8FF6 shade: #FB8EF6, #F197ED, #E8A1E5, #DEAADC and #D5B4D3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB8FF6 shade: #C48EFB, #E18EFB, #FB8EF7, #FB8EDA and #FB8EBD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB8FF6 shade: #F83EEF, #F966F3, #FB8EF6, #FCB6F9 and #FEDDFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB8FF6 shade: #FB8FF6, #FBA78E and #8EFBD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB8FF6 shade: #FB8FF6, #F7FB8E and #8EF7FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB8FF6 shade: #FB8FF6, #FBA78E, #8EFB91 and #8EE1FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB8FF6 shade: #FB8FF6, #FBC88E, #8EFB91 and #8EC1FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 2 / 2

HEX #FB8FF6

RGB 251 143 246

HSL 302.78, 0.93%, 0.77%

LAB 74.07, 55.08, -34.29

 

Complementary color

CMYK 96 / 0 / 92 / 56

HEX #047009

RGB 4 112 9

HSL 122.78, 0.93%, 0.23%

LAB 40.63, -46.19, 43.22

 

CMYK 0 / 44 / 5 / 0

HEX #FF8FF1

RGB 255 143 241

HSL 307.5, 1%, 0.78%

LAB 74.35, 55.4, -31.09

 

CMYK 0 / 37 / 0 / 0

HEX #FFA1FF

RGB 255 161 255

HSL 300, 1%, 0.82%

LAB 78.44, 48.78, -32.36

 

CMYK 0 / 30 / 0 / 0

HEX #FFB3FF

RGB 255 179 255

HSL 300, 1%, 0.85%

LAB 82.23, 39.48, -26.56

 

CMYK 0 / 23 / 0 / 0

HEX #FFC5FF

RGB 255 197 255

HSL 300, 1%, 0.89%

LAB 86.21, 30.05, -20.51

 

CMYK 0 / 16 / 0 / 0

HEX #FFD7FF

RGB 255 215 255

HSL 300, 1%, 0.92%

LAB 90.36, 20.6, -14.27

 

CMYK 0 / 43 / 2 / 2

HEX #FB8FF6

RGB 251 143 246

HSL 302.78, 0.93%, 0.77%

LAB 74.07, 55.08, -34.29

 

CMYK 0 / 47 / 3 / 8

HEX #EA7DE3

RGB 234 125 227

HSL 303.85, 0.72%, 0.7%

LAB 67.8, 55.77, -33.73

 

CMYK 0 / 51 / 4 / 15

HEX #D96BD0

RGB 217 107 208

HSL 304.91, 0.59%, 0.64%

LAB 61.5, 56.39, -33.08

 

CMYK 0 / 56 / 5 / 22

HEX #C859BD

RGB 200 89 189

HSL 305.95, 0.5%, 0.57%

LAB 55.17, 56.9, -32.28

 

CMYK 0 / 61 / 7 / 28

HEX #B747AA

RGB 183 71 170

HSL 306.96, 0.44%, 0.5%

LAB 48.85, 57.21, -31.27

 

CMYK 0 / 43 / 2 / 2

HEX #FB8EF6

RGB 251 142 246

HSL 302.75, 0.93%, 0.77%

LAB 73.87, 55.58, -34.59

 

CMYK 0 / 43 / 14 / 2

HEX #FB8ED8

RGB 251 142 216

HSL 319.27, 0.93%, 0.77%

LAB 72.77, 50.66, -19.86

 

CMYK 0 / 43 / 25 / 2

HEX #FB8EBB

RGB 251 142 187

HSL 335.23, 0.93%, 0.77%

LAB 71.85, 46.45, -5.18

 

CMYK 0 / 43 / 37 / 2

HEX #FB8E9E

RGB 251 142 158

HSL 351.19, 0.93%, 0.77%

LAB 71.09, 42.83, 9.86

 

CMYK 0 / 43 / 43 / 2

HEX #FB8E8E

RGB 251 142 142

HSL 0, 0.93%, 0.77%

LAB 70.74, 41.11, 18.26

 

CMYK 0 / 43 / 2 / 2

HEX #FB8EF6

RGB 251 142 246

HSL 302.75, 0.93%, 0.77%

LAB 73.87, 55.58, -34.59

 

CMYK 10 / 43 / 0 / 2

HEX #E38EFB

RGB 227 142 251

HSL 286.79, 0.93%, 0.77%

LAB 71.31, 49.61, -41.51

 

CMYK 22 / 43 / 0 / 2

HEX #C58EFB

RGB 197 142 251

HSL 270.28, 0.93%, 0.77%

LAB 68.15, 41.19, -46.68

 

CMYK 33 / 43 / 0 / 2

HEX #A88EFB

RGB 168 142 251

HSL 254.31, 0.93%, 0.77%

LAB 65.46, 33.39, -51.11

 

CMYK 43 / 43 / 0 / 2

HEX #8E8EFB

RGB 142 142 251

HSL 240, 0.93%, 0.77%

LAB 63.39, 26.9, -54.52

 

CMYK 0 / 43 / 2 / 2

HEX #FB8EF6

RGB 251 142 246

HSL 302.75, 0.93%, 0.77%

LAB 73.87, 55.58, -34.59

 

CMYK 0 / 43 / 2 / 2

HEX #FB8EF6

RGB 251 142 246

HSL 302.75, 0.93%, 0.77%

LAB 73.87, 55.58, -34.59

 

CMYK 0 / 37 / 2 / 5

HEX #F197ED

RGB 241 151 237

HSL 302.67, 0.76%, 0.77%

LAB 74.16, 46.48, -29.35

 

CMYK 0 / 31 / 1 / 9

HEX #E8A1E5

RGB 232 161 229

HSL 302.54, 0.61%, 0.77%

LAB 75.02, 37.01, -23.76

 

CMYK 0 / 23 / 1 / 13

HEX #DEAADC

RGB 222 170 220

HSL 302.31, 0.44%, 0.77%

LAB 75.73, 27.29, -17.87

 

CMYK 0 / 15 / 1 / 16

HEX #D5B4D3

RGB 213 180 211

HSL 303.64, 0.28%, 0.77%

LAB 76.98, 17.21, -11.19

 

CMYK 22 / 43 / 0 / 2

HEX #C48EFB

RGB 196 142 251

HSL 269.72, 0.93%, 0.77%

LAB 68.06, 40.92, -46.84

 

CMYK 10 / 43 / 0 / 2

HEX #E18EFB

RGB 225 142 251

HSL 285.69, 0.93%, 0.77%

LAB 71.09, 49.04, -41.87

 

CMYK 0 / 43 / 2 / 2

HEX #FB8EF7

RGB 251 142 247

HSL 302.2, 0.93%, 0.77%

LAB 73.91, 55.75, -35.07

 

CMYK 0 / 43 / 13 / 2

HEX #FB8EDA

RGB 251 142 218

HSL 318.17, 0.93%, 0.77%

LAB 72.84, 50.97, -20.85

 

CMYK 0 / 43 / 25 / 2

HEX #FB8EBD

RGB 251 142 189

HSL 334.13, 0.93%, 0.77%

LAB 71.91, 46.72, -6.2

 

CMYK 0 / 75 / 4 / 3

HEX #F83EEF

RGB 248 62 239

HSL 302.9, 0.93%, 0.61%

LAB 61.34, 85.85, -50.4

 

CMYK 0 / 59 / 2 / 2

HEX #F966F3

RGB 249 102 243

HSL 302.45, 0.92%, 0.69%

LAB 66.61, 72.85, -44.3

 

CMYK 0 / 43 / 2 / 2

HEX #FB8EF6

RGB 251 142 246

HSL 302.75, 0.93%, 0.77%

LAB 73.87, 55.58, -34.59

 

CMYK 0 / 28 / 1 / 1

HEX #FCB6F9

RGB 252 182 249

HSL 302.57, 0.92%, 0.85%

LAB 82.37, 35.89, -23.16

 

CMYK 0 / 13 / 1 / 0

HEX #FEDDFC

RGB 254 221 252

HSL 303.64, 0.94%, 0.93%

LAB 91.6, 16.6, -10.85

 

CMYK 0 / 43 / 2 / 2

HEX #FB8FF6

RGB 251 143 246

HSL 302.78, 0.93%, 0.77%

LAB 74.07, 55.08, -34.29

 

CMYK 0 / 33 / 43 / 2

HEX #FBA78E

RGB 251 167 142

HSL 13.76, 0.93%, 0.77%

LAB 76.13, 28.16, 25.63

 

CMYK 43 / 0 / 16 / 2

HEX #8EFBD3

RGB 142 251 211

HSL 157.98, 0.93%, 0.77%

LAB 91.44, -40.43, 9.44

 

CMYK 0 / 43 / 2 / 2

HEX #FB8FF6

RGB 251 143 246

HSL 302.78, 0.93%, 0.77%

LAB 74.07, 55.08, -34.29

 

CMYK 2 / 0 / 43 / 2

HEX #F7FB8E

RGB 247 251 142

HSL 62.2, 0.93%, 0.77%

LAB 96.3, -16.44, 51.57

 

CMYK 43 / 2 / 0 / 2

HEX #8EF7FB

RGB 142 247 251

HSL 182.2, 0.93%, 0.77%

LAB 91.34, -29.45, -11.45

 

CMYK 0 / 43 / 2 / 2

HEX #FB8FF6

RGB 251 143 246

HSL 302.78, 0.93%, 0.77%

LAB 74.07, 55.08, -34.29

 

CMYK 0 / 33 / 43 / 2

HEX #FBA78E

RGB 251 167 142

HSL 13.76, 0.93%, 0.77%

LAB 76.13, 28.16, 25.63

 

CMYK 43 / 0 / 42 / 2

HEX #8EFB91

RGB 142 251 145

HSL 121.65, 0.93%, 0.77%

LAB 90.22, -52.19, 41.19

 

CMYK 43 / 10 / 0 / 2

HEX #8EE1FB

RGB 142 225 251

HSL 194.31, 0.93%, 0.77%

LAB 85.28, -18.67, -20.55

 

CMYK 0 / 43 / 2 / 2

HEX #FB8FF6

RGB 251 143 246

HSL 302.78, 0.93%, 0.77%

LAB 74.07, 55.08, -34.29

 

CMYK 0 / 20 / 43 / 2

HEX #FBC88E

RGB 251 200 142

HSL 31.93, 0.93%, 0.77%

LAB 83.85, 10.87, 35.86

 

CMYK 43 / 0 / 42 / 2

HEX #8EFB91

RGB 142 251 145

HSL 121.65, 0.93%, 0.77%

LAB 90.22, -52.19, 41.19

 

CMYK 43 / 23 / 0 / 2

HEX #8EC1FB

RGB 142 193 251

HSL 211.93, 0.93%, 0.77%

LAB 76.59, -1.93, -33.84

 

Description

Color code: HEX #FB8FF6 | qconv.com Color code: HEX #FB8FF6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 143 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 143 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 2 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 2% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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