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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB8531 it is the complementary color #047ACE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB8531. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #FB8531: #FF852C, #FF973F, #FFA952, #FFBB65 and #FFCD78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB8531. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #FB8531: #FB8531, #EA731E, #D9610B, #C84F00 and #B73D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 80 / 2

HEX #FB8531

RGB 251 133 49

HSL 24.95, 0.96%, 0.59%

LAB 67.65, 39.59, 61.97

 

Complementary color

CMYK 98 / 41 / 0 / 19

HEX #047ACE

RGB 4 122 206

HSL 204.95, 0.96%, 0.41%

LAB 49.98, 3.54, -51.11

 

CMYK 0 / 48 / 83 / 0

HEX #FF852C

RGB 255 133 44

HSL 25.31, 1%, 0.59%

LAB 68.18, 41, 64.56

 

CMYK 0 / 41 / 75 / 0

HEX #FF973F

RGB 255 151 63

HSL 27.5, 1%, 0.62%

LAB 72.06, 32.49, 60.58

 

CMYK 0 / 34 / 68 / 0

HEX #FFA952

RGB 255 169 82

HSL 30.17, 1%, 0.66%

LAB 76.22, 24.03, 56.45

 

CMYK 0 / 27 / 60 / 0

HEX #FFBB65

RGB 255 187 101

HSL 33.51, 1%, 0.7%

LAB 80.59, 15.78, 52.43

 

CMYK 0 / 20 / 53 / 0

HEX #FFCD78

RGB 255 205 120

HSL 37.78, 1%, 0.74%

LAB 85.14, 7.85, 48.63

 

CMYK 0 / 47 / 80 / 2

HEX #FB8531

RGB 251 133 49

HSL 24.95, 0.96%, 0.59%

LAB 67.65, 39.59, 61.97

 

CMYK 0 / 51 / 87 / 8

HEX #EA731E

RGB 234 115 30

HSL 25, 0.83%, 0.52%

LAB 61.52, 41.47, 62.69

 

CMYK 0 / 55 / 95 / 15

HEX #D9610B

RGB 217 97 11

HSL 25.05, 0.9%, 0.45%

LAB 55.41, 43.46, 62.16

 

CMYK 0 / 61 / 100 / 22

HEX #C84F00

RGB 200 79 0

HSL 23.7, 1%, 0.39%

LAB 49.34, 45.48, 59.48

 

CMYK 0 / 67 / 100 / 28

HEX #B73D00

RGB 183 61 0

HSL 20, 1%, 0.36%

LAB 43.37, 47.32, 54.73

 

CMYK 0 / 47 / 80 / 2

HEX #FB8531

RGB 251 133 49

HSL 24.95, 0.96%, 0.59%

LAB 67.65, 39.59, 61.97

 

CMYK 0 / 35 / 80 / 2

HEX #FAA332

RGB 250 163 50

HSL 33.9, 0.95%, 0.59%

LAB 74.03, 23.74, 67.33

 

CMYK 0 / 21 / 80 / 2

HEX #FAC532

RGB 250 197 50

HSL 44.1, 0.95%, 0.59%

LAB 82.1, 5.98, 74.51

 

CMYK 0 / 8 / 80 / 2

HEX #FAE632

RGB 250 230 50

HSL 54, 0.95%, 0.59%

LAB 90.39, -10.73, 81.75

 

CMYK 5 / 0 / 80 / 2

HEX #EDFA32

RGB 237 250 50

HSL 63.9, 0.95%, 0.59%

LAB 94.57, -25.74, 84.96

 

CMYK 0 / 47 / 80 / 2

HEX #FB8531

RGB 251 133 49

HSL 24.95, 0.96%, 0.59%

LAB 67.65, 39.59, 61.97

 

CMYK 0 / 47 / 81 / 82

HEX #2F1909

RGB 47 25 9

HSL 25.26, 0.68%, 0.11%

LAB 11.41, 9.17, 13.52

 

CMYK 0 / 47 / 81 / 62

HEX #623413

RGB 98 52 19

HSL 25.06, 0.68%, 0.23%

LAB 27.02, 17.81, 28.88

 

CMYK 0 / 47 / 81 / 42

HEX #954F1D

RGB 149 79 29

HSL 25, 0.67%, 0.35%

LAB 41.33, 25.55, 40.66

 

CMYK 0 / 47 / 81 / 22

HEX #C86A27

RGB 200 106 39

HSL 24.97, 0.67%, 0.47%

LAB 54.8, 32.76, 51.6

 

CMYK 0 / 47 / 80 / 2

HEX #FB8531

RGB 251 133 49

HSL 24.95, 0.96%, 0.59%

LAB 67.65, 39.59, 61.97

 

CMYK 48 / 0 / 80 / 2

HEX #82FA32

RGB 130 250 50

HSL 96, 0.95%, 0.59%

LAB 88.61, -64.22, 77.4

 

CMYK 80 / 80 / 0 / 2

HEX #3232FA

RGB 50 50 250

HSL 240, 0.95%, 0.59%

LAB 37.59, 64.95, -96.2

 

CMYK 0 / 47 / 80 / 2

HEX #FB8531

RGB 251 133 49

HSL 24.95, 0.96%, 0.59%

LAB 67.65, 39.59, 61.97

 

CMYK 80 / 0 / 48 / 2

HEX #32FA82

RGB 50 250 130

HSL 144, 0.95%, 0.59%

LAB 87.32, -72.12, 44.24

 

CMYK 48 / 80 / 0 / 2

HEX #8232FA

RGB 130 50 250

HSL 264, 0.95%, 0.59%

LAB 44.13, 71.92, -85.18

 

CMYK 0 / 47 / 80 / 2

HEX #FB8531

RGB 251 133 49

HSL 24.95, 0.96%, 0.59%

LAB 67.65, 39.59, 61.97

 

CMYK 48 / 0 / 80 / 2

HEX #82FA32

RGB 130 250 50

HSL 96, 0.95%, 0.59%

LAB 88.61, -64.22, 77.4

 

CMYK 80 / 32 / 0 / 2

HEX #32AAFA

RGB 50 170 250

HSL 204, 0.95%, 0.59%

LAB 66.77, -5.54, -48.88

 

CMYK 32 / 80 / 0 / 2

HEX #AA32FA

RGB 170 50 250

HSL 276, 0.95%, 0.59%

LAB 49.17, 77.4, -76.74

 

CMYK 0 / 47 / 80 / 2

HEX #FB8531

RGB 251 133 49

HSL 24.95, 0.96%, 0.59%

LAB 67.65, 39.59, 61.97

 

CMYK 72 / 0 / 80 / 2

HEX #46FA32

RGB 70 250 50

HSL 114, 0.95%, 0.59%

LAB 86.95, -77.72, 75.26

 

CMYK 80 / 32 / 0 / 2

HEX #32AAFA

RGB 50 170 250

HSL 204, 0.95%, 0.59%

LAB 66.77, -5.54, -48.88

 

CMYK 8 / 80 / 0 / 2

HEX #E632FA

RGB 230 50 250

HSL 294, 0.95%, 0.59%

LAB 58.04, 87.23, -61.94

 

Description

Color code: HEX #FB8531 | qconv.com Color code: HEX #FB8531 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 133 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 133 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 80 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 80% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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