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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB71274C it is the complementary color #048ED84C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB71274C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB71274C shade: #FF71224C, #FF83354C, #FF95484C, #FFA75B4C and #FFB96E4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB71274C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB71274C shade: #FB71274C, #EA5F144C, #D94D014C, #C83B004C and #B729004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB71274C shade: #FB7228, #FB3928 and #FB2828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB71274C shade: #FB7228, #FBAA28, #FBE328, #D9FB28 and #A1FB28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB71274C shade matches the following richer shades: #FB7228

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB71274C shade: #FB7228, #E9773A, #D77C4C, #C5825D and #B4876F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB71274C shade: #FB2852, #FB3628, #FB6E28, #FBA628 and #FBDF28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB71274C shade: #CC4A04, #F45905, #FB7228, #FB8C51 and #FCA779

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB71274C shade: #FB7127, #8AFB28 and #2836FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB71274C shade: #FB7127, #28FB6E and #6E28FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB71274C shade: #FB7127, #8AFB28, #28B4FB and #9828FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB71274C shade: #FB7127, #4BFB28, #28B4FB and #D828FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 25 / 0

HEX #FB71274C

RGBA 251 113 39 0.3

HSLA 20.94, 0.96%, 0.57%, 0.3

LABA 63.73, 49.07, 62.39, 0.3

 

Complementary color

CMYK 29 / 10 / 0 / 5

HEX #048ED84C

RGBA 4 142 216 0.3

HSLA 200.94, 0.96%, 0.43%, 0.3

LABA 56.42, -4.6, -46.51, 0.3

 

CMYK 0 / 17 / 26 / 0

HEX #FF71224C

RGBA 255 113 34 0.3

HSLA 21.45, 1%, 0.57%, 0.3

LABA 64.31, 50.43, 64.9, 0.3

 

CMYK 0 / 15 / 24 / 0

HEX #FF83354C

RGBA 255 131 53 0.3

HSLA 23.17, 1%, 0.6%, 0.3

LABA 67.84, 42.26, 60.71, 0.3

 

CMYK 0 / 12 / 22 / 0

HEX #FF95484C

RGBA 255 149 72 0.3

HSLA 25.25, 1%, 0.64%, 0.3

LABA 71.71, 33.91, 56.21, 0.3

 

CMYK 0 / 10 / 19 / 0

HEX #FFA75B4C

RGBA 255 167 91 0.3

HSLA 27.8, 1%, 0.68%, 0.3

LABA 75.86, 25.59, 51.79, 0.3

 

CMYK 0 / 8 / 17 / 0

HEX #FFB96E4C

RGBA 255 185 110 0.3

HSLA 31.03, 1%, 0.72%, 0.3

LABA 80.23, 17.47, 47.61, 0.3

 

CMYK 0 / 16 / 25 / 0

HEX #FB71274C

RGBA 251 113 39 0.3

HSLA 20.94, 0.96%, 0.57%, 0.3

LABA 63.73, 49.07, 62.39, 0.3

 

CMYK 0 / 18 / 27 / 2

HEX #EA5F144C

RGBA 234 95 20 0.3

HSLA 21.03, 0.84%, 0.5%, 0.3

LABA 57.78, 50.82, 62.91, 0.3

 

CMYK 0 / 19 / 30 / 4

HEX #D94D014C

RGBA 217 77 1 0.3

HSLA 21.11, 0.99%, 0.43%, 0.3

LABA 51.91, 52.49, 62.18, 0.3

 

CMYK 0 / 21 / 30 / 6

HEX #C83B004C

RGBA 200 59 0 0.3

HSLA 17.7, 1%, 0.39%, 0.3

LABA 46.19, 53.94, 57.87, 0.3

 

CMYK 0 / 23 / 30 / 8

HEX #B729004C

RGBA 183 41 0 0.3

HSLA 13.44, 1%, 0.36%, 0.3

LABA 40.66, 54.76, 53.45, 0.3

 

CMYK 0 / 55 / 84 / 2

HEX #FB7228

RGB 251 114 40

HSL 21.04, 0.96%, 0.57%

LAB 63.91, 48.63, 62.17

 

CMYK 0 / 77 / 84 / 2

HEX #FB3928

RGB 251 57 40

HSL 4.83, 0.96%, 0.57%

LAB 55.67, 70.78, 55.12

 

CMYK 0 / 84 / 84 / 2

HEX #FB2828

RGB 251 40 40

HSL 0, 0.96%, 0.57%

LAB 54.22, 74.9, 53.86

 

CMYK 0 / 55 / 84 / 2

HEX #FB7228

RGB 251 114 40

HSL 21.04, 0.96%, 0.57%

LAB 63.91, 48.63, 62.17

 

CMYK 0 / 32 / 84 / 2

HEX #FBAA28

RGB 251 170 40

HSL 36.97, 0.96%, 0.57%

LAB 75.71, 20.21, 72.07

 

CMYK 0 / 10 / 84 / 2

HEX #FBE328

RGB 251 227 40

HSL 53.18, 0.96%, 0.57%

LAB 89.67, -9.1, 83.63

 

CMYK 14 / 0 / 84 / 2

HEX #D9FB28

RGB 217 251 40

HSL 69.67, 0.96%, 0.57%

LAB 93.41, -34.49, 85.67

 

CMYK 36 / 0 / 84 / 2

HEX #A1FB28

RGB 161 251 40

HSL 85.59, 0.96%, 0.57%

LAB 90.19, -55.25, 81.66

 

CMYK 0 / 55 / 84 / 2

HEX #FB7228

RGB 251 114 40

HSL 21.04, 0.96%, 0.57%

LAB 63.91, 48.63, 62.17

 

CMYK 0 / 55 / 84 / 2

HEX #FB7228

RGB 251 114 40

HSL 21.04, 0.96%, 0.57%

LAB 63.91, 48.63, 62.17

 

CMYK 0 / 49 / 75 / 9

HEX #E9773A

RGB 233 119 58

HSL 20.91, 0.8%, 0.57%

LAB 62.36, 39.93, 52.06

 

CMYK 0 / 42 / 65 / 16

HEX #D77C4C

RGB 215 124 76

HSL 20.72, 0.63%, 0.57%

LAB 61.12, 31.14, 41.01

 

CMYK 0 / 34 / 53 / 23

HEX #C5825D

RGB 197 130 93

HSL 21.35, 0.47%, 0.57%

LAB 60.45, 21.84, 30.52

 

CMYK 0 / 25 / 38 / 29

HEX #B4876F

RGB 180 135 111

HSL 20.87, 0.32%, 0.57%

LAB 60.05, 13.97, 19.6

 

CMYK 0 / 84 / 67 / 2

HEX #FB2852

RGB 251 40 82

HSL 348.06, 0.96%, 0.57%

LAB 54.7, 76.31, 31.25

 

CMYK 0 / 78 / 84 / 2

HEX #FB3628

RGB 251 54 40

HSL 3.98, 0.96%, 0.57%

LAB 55.38, 71.6, 54.86

 

CMYK 0 / 56 / 84 / 2

HEX #FB6E28

RGB 251 110 40

HSL 19.91, 0.96%, 0.57%

LAB 63.19, 50.5, 61.55

 

CMYK 0 / 34 / 84 / 2

HEX #FBA628

RGB 251 166 40

HSL 35.83, 0.96%, 0.57%

LAB 74.78, 22.3, 71.3

 

CMYK 0 / 11 / 84 / 2

HEX #FBDF28

RGB 251 223 40

HSL 52.04, 0.96%, 0.57%

LAB 88.66, -7.1, 82.79

 

CMYK 0 / 64 / 98 / 20

HEX #CC4A04

RGB 204 74 4

HSL 21, 0.96%, 0.41%

LAB 49.18, 49.22, 58.78

 

CMYK 0 / 64 / 98 / 4

HEX #F45905

RGB 244 89 5

HSL 21.09, 0.96%, 0.49%

LAB 58.4, 56.8, 67.34

 

CMYK 0 / 55 / 84 / 2

HEX #FB7228

RGB 251 114 40

HSL 21.04, 0.96%, 0.57%

LAB 63.91, 48.63, 62.17

 

CMYK 0 / 44 / 68 / 2

HEX #FB8C51

RGB 251 140 81

HSL 20.82, 0.96%, 0.65%

LAB 69.37, 37.39, 49.19

 

CMYK 0 / 34 / 52 / 1

HEX #FCA779

RGB 252 167 121

HSL 21.07, 0.96%, 0.73%

LAB 75.89, 26.58, 36.53

 

CMYK 0 / 55 / 84 / 2

HEX #FB7127

RGB 251 113 39

HSL 20.94, 0.96%, 0.57%

LAB 63.73, 49.07, 62.39

 

CMYK 45 / 0 / 84 / 2

HEX #8AFB28

RGB 138 251 40

HSL 92.13, 0.96%, 0.57%

LAB 89.18, -62.63, 80.39

 

CMYK 84 / 78 / 0 / 2

HEX #2836FB

RGB 40 54 251

HSL 236.02, 0.96%, 0.57%

LAB 37.94, 62.93, -96.2

 

CMYK 0 / 55 / 84 / 2

HEX #FB7127

RGB 251 113 39

HSL 20.94, 0.96%, 0.57%

LAB 63.73, 49.07, 62.39

 

CMYK 84 / 0 / 56 / 2

HEX #28FB6E

RGB 40 251 110

HSL 139.91, 0.96%, 0.57%

LAB 87.28, -76.21, 53.41

 

CMYK 56 / 84 / 0 / 2

HEX #6E28FB

RGB 110 40 251

HSL 259.91, 0.96%, 0.57%

LAB 40.89, 73.42, -91.16

 

CMYK 0 / 55 / 84 / 2

HEX #FB7127

RGB 251 113 39

HSL 20.94, 0.96%, 0.57%

LAB 63.73, 49.07, 62.39

 

CMYK 45 / 0 / 84 / 2

HEX #8AFB28

RGB 138 251 40

HSL 92.13, 0.96%, 0.57%

LAB 89.18, -62.63, 80.39

 

CMYK 84 / 28 / 0 / 2

HEX #28B4FB

RGB 40 180 251

HSL 200.19, 0.96%, 0.57%

LAB 69.51, -11.54, -45.12

 

CMYK 39 / 84 / 0 / 2

HEX #9828FB

RGB 152 40 251

HSL 271.85, 0.96%, 0.57%

LAB 45.85, 78.02, -82.82

 

CMYK 0 / 55 / 84 / 2

HEX #FB7127

RGB 251 113 39

HSL 20.94, 0.96%, 0.57%

LAB 63.73, 49.07, 62.39

 

CMYK 70 / 0 / 84 / 2

HEX #4BFB28

RGB 75 251 40

HSL 110.05, 0.96%, 0.57%

LAB 87.31, -77.67, 78.02

 

CMYK 84 / 28 / 0 / 2

HEX #28B4FB

RGB 40 180 251

HSL 200.19, 0.96%, 0.57%

LAB 69.51, -11.54, -45.12

 

CMYK 14 / 84 / 0 / 2

HEX #D828FB

RGB 216 40 251

HSL 290.05, 0.96%, 0.57%

LAB 55.16, 87.25, -67.26

 

Description

Color code: HEX #FB71274C | qconv.com Color code: HEX #FB71274C | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 113 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 113 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 25 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 25% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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