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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 16 / 25 / 0 it is the complementary color CMYK 100 / 36 / 0 / 75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 16 / 25 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 16 / 25 / 0: CMYK 0 / 16 / 27 / 0, CMYK 0 / 9 / 20 / 0, CMYK 0 / 2 / 12 / 0, CMYK 0 / 0 / 5 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 16 / 25 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 16 / 25 / 0: CMYK 0 / 16 / 25 / 0, CMYK 0 / 18 / 28 / 7, CMYK 0 / 19 / 31 / 13, CMYK 0 / 22 / 34 / 20 and CMYK 0 / 24 / 39 / 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 25 / 0

HEX #FFD6BF

RGB 255 214 191

HSL 21.56, 1%, 0.87%

LAB 88.5, 10.96, 16.7

 

Complementary color

CMYK 100 / 36 / 0 / 75

HEX #002940

RGB 0 41 64

HSL 201.56, 1%, 0.13%

LAB 15.25, -3.49, -18.38

 

CMYK 0 / 16 / 27 / 0

HEX #FFD6BA

RGB 255 214 186

HSL 24.35, 1%, 0.86%

LAB 88.4, 10.29, 19.17

 

CMYK 0 / 9 / 20 / 0

HEX #FFE8CD

RGB 255 232 205

HSL 32.4, 1%, 0.9%

LAB 93.18, 3.66, 15.98

 

CMYK 0 / 2 / 12 / 0

HEX #FFFAE0

RGB 255 250 224

HSL 50.32, 1%, 0.94%

LAB 98.04, -2.6, 13.06

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF3

RGB 255 255 243

HSL 60, 1%, 0.98%

LAB 99.71, -2.05, 5.72

 

CMYK 0 / 16 / 25 / 0

HEX #FFD6BF

RGB 255 214 191

HSL 21.56, 1%, 0.87%

LAB 88.5, 10.96, 16.7

 

CMYK 0 / 18 / 28 / 7

HEX #EEC4AC

RGB 238 196 172

HSL 21.82, 0.66%, 0.8%

LAB 82.18, 11.47, 17.66

 

CMYK 0 / 19 / 31 / 13

HEX #DDB299

RGB 221 178 153

HSL 22.06, 0.5%, 0.73%

LAB 75.77, 12.04, 18.68

 

CMYK 0 / 22 / 34 / 20

HEX #CCA086

RGB 204 160 134

HSL 22.29, 0.41%, 0.66%

LAB 69.26, 12.68, 19.79

 

CMYK 0 / 24 / 39 / 27

HEX #BB8E73

RGB 187 142 115

HSL 22.5, 0.35%, 0.59%

LAB 62.63, 13.41, 20.98

 

CMYK 0 / 16 / 25 / 0

HEX #FFD6BF

RGB 255 214 191

HSL 21.56, 1%, 0.87%

LAB 88.5, 10.96, 16.7

 

CMYK 0 / 13 / 26 / 0

HEX #FFDEBC

RGB 255 222 188

HSL 30.45, 1%, 0.87%

LAB 90.38, 6.43, 20.89

 

CMYK 0 / 8 / 26 / 0

HEX #FFEABC

RGB 255 234 188

HSL 41.19, 1%, 0.87%

LAB 93.34, 0.3, 24.96

 

CMYK 0 / 4 / 26 / 0

HEX #FFF5BC

RGB 255 245 188

HSL 51.04, 1%, 0.87%

LAB 96.08, -5.24, 28.71

 

CMYK 1 / 0 / 26 / 0

HEX #FDFFBC

RGB 253 255 188

HSL 61.79, 1%, 0.87%

LAB 98.45, -10.93, 31.89

 

CMYK 0 / 16 / 25 / 0

HEX #FFD6BF

RGB 255 214 191

HSL 21.56, 1%, 0.87%

LAB 88.5, 10.96, 16.7

 

CMYK 0 / 16 / 25 / 80

HEX #332B26

RGB 51 43 38

HSL 23.08, 0.15%, 0.17%

LAB 18.24, 2.67, 4.61

 

CMYK 0 / 16 / 25 / 60

HEX #66564C

RGB 102 86 76

HSL 23.08, 0.15%, 0.35%

LAB 37.85, 4.82, 8.26

 

CMYK 0 / 16 / 25 / 40

HEX #998073

RGB 153 128 115

HSL 20.53, 0.16%, 0.53%

LAB 55.53, 7.49, 10.63

 

CMYK 0 / 16 / 25 / 20

HEX #CCAB99

RGB 204 171 153

HSL 21.18, 0.33%, 0.7%

LAB 72.4, 9.26, 13.74

 

CMYK 0 / 16 / 25 / 0

HEX #FFD6BF

RGB 255 214 191

HSL 21.56, 1%, 0.87%

LAB 88.5, 10.96, 16.7

 

CMYK 15 / 0 / 26 / 0

HEX #DAFFBC

RGB 218 255 188

HSL 93.13, 1%, 0.87%

LAB 96.02, -23.39, 28.2

 

CMYK 26 / 25 / 0 / 0

HEX #BCC0FF

RGB 188 192 255

HSL 236.42, 1%, 0.87%

LAB 79.39, 12.04, -31.42

 

CMYK 0 / 16 / 25 / 0

HEX #FFD6BF

RGB 255 214 191

HSL 21.56, 1%, 0.87%

LAB 88.5, 10.96, 16.7

 

CMYK 26 / 0 / 17 / 0

HEX #BCFFD3

RGB 188 255 211

HSL 140.6, 1%, 0.87%

LAB 94.7, -29.41, 14.39

 

CMYK 17 / 26 / 0 / 0

HEX #D3BCFF

RGB 211 188 255

HSL 260.6, 1%, 0.87%

LAB 80.2, 21.06, -30.03

 

CMYK 0 / 16 / 25 / 0

HEX #FFD6BF

RGB 255 214 191

HSL 21.56, 1%, 0.87%

LAB 88.5, 10.96, 16.7

 

CMYK 15 / 0 / 26 / 0

HEX #DAFFBC

RGB 218 255 188

HSL 93.13, 1%, 0.87%

LAB 96.02, -23.39, 28.2

 

CMYK 26 / 9 / 0 / 0

HEX #BCE7FF

RGB 188 231 255

HSL 201.49, 1%, 0.87%

LAB 89.42, -8.61, -16.17

 

CMYK 12 / 26 / 0 / 0

HEX #E1BCFF

RGB 225 188 255

HSL 273.13, 1%, 0.87%

LAB 81.4, 25.36, -28.08

 

CMYK 0 / 16 / 25 / 0

HEX #FFD6BF

RGB 255 214 191

HSL 21.56, 1%, 0.87%

LAB 88.5, 10.96, 16.7

 

CMYK 22 / 0 / 26 / 0

HEX #C6FFBC

RGB 198 255 188

HSL 111.04, 1%, 0.87%

LAB 94.8, -30.14, 26.34

 

CMYK 26 / 9 / 0 / 0

HEX #BCE7FF

RGB 188 231 255

HSL 201.49, 1%, 0.87%

LAB 89.42, -8.61, -16.17

 

CMYK 4 / 26 / 0 / 0

HEX #F5BCFF

RGB 245 188 255

HSL 291.04, 1%, 0.87%

LAB 83.23, 31.61, -25.12

 

Description

Color code: CMYK 0 / 16 / 25 / 0 | qconv.com Color code: CMYK 0 / 16 / 25 / 0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 214 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 214 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 25 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 25% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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