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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB4B77 it is the complementary color #04B488. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB4B77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #FB4B77: #FF4B72, #FF5D85, #FF6F98, #FF81AB and #FF93BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB4B77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #FB4B77: #FB4B77, #EA3964, #D92751, #C8153E and #B7032B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 53 / 2

HEX #FB4B77

RGB 251 75 119

HSL 345, 0.96%, 0.64%

LAB 58.86, 68.85, 14.93

 

Complementary color

CMYK 98 / 0 / 24 / 29

HEX #04B488

RGB 4 180 136

HSL 165, 0.96%, 0.36%

LAB 65.31, -49.11, 11.75

 

CMYK 0 / 71 / 55 / 0

HEX #FF4B72

RGB 255 75 114

HSL 347, 1%, 0.65%

LAB 59.44, 69.63, 18.78

 

CMYK 0 / 64 / 48 / 0

HEX #FF5D85

RGB 255 93 133

HSL 345.19, 1%, 0.68%

LAB 62.32, 64.37, 11.71

 

CMYK 0 / 56 / 40 / 0

HEX #FF6F98

RGB 255 111 152

HSL 342.92, 1%, 0.72%

LAB 65.67, 58.47, 5.56

 

CMYK 0 / 49 / 33 / 0

HEX #FF81AB

RGB 255 129 171

HSL 340, 1%, 0.75%

LAB 69.4, 52.17, 0.22

 

CMYK 0 / 42 / 25 / 0

HEX #FF93BE

RGB 255 147 190

HSL 336.11, 1%, 0.79%

LAB 73.44, 45.67, -4.44

 

CMYK 0 / 70 / 53 / 2

HEX #FB4B77

RGB 251 75 119

HSL 345, 0.96%, 0.64%

LAB 58.86, 68.85, 14.93

 

CMYK 0 / 76 / 57 / 8

HEX #EA3964

RGB 234 57 100

HSL 345.42, 0.81%, 0.57%

LAB 53.32, 68.57, 18.12

 

CMYK 0 / 82 / 63 / 15

HEX #D92751

RGB 217 39 81

HSL 345.84, 0.7%, 0.5%

LAB 48, 67.65, 21.95

 

CMYK 0 / 90 / 69 / 22

HEX #C8153E

RGB 200 21 62

HSL 346.26, 0.81%, 0.43%

LAB 43.01, 65.83, 26.56

 

CMYK 0 / 98 / 77 / 28

HEX #B7032B

RGB 183 3 43

HSL 346.67, 0.97%, 0.36%

LAB 38.39, 62.95, 31.92

 

CMYK 0 / 70 / 53 / 2

HEX #FB4B77

RGB 251 75 119

HSL 345, 0.96%, 0.64%

LAB 58.86, 68.85, 14.93

 

CMYK 0 / 70 / 65 / 2

HEX #FB4B59

RGB 251 75 89

HSL 355.23, 0.96%, 0.64%

LAB 58.29, 66.89, 31.67

 

CMYK 0 / 65 / 70 / 2

HEX #FB594B

RGB 251 89 75

HSL 4.77, 0.96%, 0.64%

LAB 60.03, 60.88, 41.65

 

CMYK 0 / 53 / 70 / 2

HEX #FB774B

RGB 251 119 75

HSL 15, 0.96%, 0.64%

LAB 65.13, 47.51, 47.45

 

CMYK 0 / 41 / 70 / 2

HEX #FB944B

RGB 251 148 75

HSL 24.89, 0.96%, 0.64%

LAB 71.01, 32.97, 53.91

 

CMYK 0 / 70 / 53 / 2

HEX #FB4B77

RGB 251 75 119

HSL 345, 0.96%, 0.64%

LAB 58.86, 68.85, 14.93

 

CMYK 0 / 70 / 53 / 82

HEX #2F0E16

RGB 47 14 22

HSL 345.45, 0.54%, 0.12%

LAB 8.79, 17.83, 2.72

 

CMYK 0 / 70 / 53 / 62

HEX #621D2E

RGB 98 29 46

HSL 345.22, 0.54%, 0.25%

LAB 22.56, 32.55, 6.21

 

CMYK 0 / 70 / 52 / 42

HEX #952D47

RGB 149 45 71

HSL 345, 0.54%, 0.38%

LAB 35.44, 45.25, 9.03

 

CMYK 0 / 70 / 53 / 22

HEX #C83C5F

RGB 200 60 95

HSL 345, 0.56%, 0.51%

LAB 47.41, 57.37, 12.05

 

CMYK 0 / 70 / 53 / 2

HEX #FB4B77

RGB 251 75 119

HSL 345, 0.96%, 0.64%

LAB 58.86, 68.85, 14.93

 

CMYK 0 / 4 / 70 / 2

HEX #FBF24B

RGB 251 242 75

HSL 56.93, 0.96%, 0.64%

LAB 93.68, -15.26, 77.07

 

CMYK 70 / 25 / 0 / 2

HEX #4BBDFB

RGB 75 189 251

HSL 201.14, 0.96%, 0.64%

LAB 72.8, -12.76, -39.93

 

CMYK 0 / 70 / 53 / 2

HEX #FB4B77

RGB 251 75 119

HSL 345, 0.96%, 0.64%

LAB 58.86, 68.85, 14.93

 

CMYK 53 / 0 / 70 / 2

HEX #77FB4B

RGB 119 251 75

HSL 105, 0.96%, 0.64%

LAB 88.65, -66.13, 69.57

 

CMYK 70 / 53 / 0 / 2

HEX #4B77FB

RGB 75 119 251

HSL 225, 0.96%, 0.64%

LAB 53.66, 28.07, -70.36

 

CMYK 0 / 70 / 53 / 2

HEX #FB4B77

RGB 251 75 119

HSL 345, 0.96%, 0.64%

LAB 58.86, 68.85, 14.93

 

CMYK 0 / 4 / 70 / 2

HEX #FBF24B

RGB 251 242 75

HSL 56.93, 0.96%, 0.64%

LAB 93.68, -15.26, 77.07

 

CMYK 70 / 0 / 18 / 2

HEX #4BFBCF

RGB 75 251 207

HSL 165, 0.96%, 0.64%

LAB 89.39, -54.28, 8.32

 

CMYK 70 / 67 / 0 / 2

HEX #4B53FB

RGB 75 83 251

HSL 237.27, 0.96%, 0.64%

LAB 45.15, 49.84, -84.24

 

CMYK 0 / 70 / 53 / 2

HEX #FB4B77

RGB 251 75 119

HSL 345, 0.96%, 0.64%

LAB 58.86, 68.85, 14.93

 

CMYK 18 / 0 / 70 / 2

HEX #CFFB4B

RGB 207 251 75

HSL 75, 0.96%, 0.64%

LAB 92.91, -36.99, 75.26

 

CMYK 70 / 0 / 18 / 2

HEX #4BFBCF

RGB 75 251 207

HSL 165, 0.96%, 0.64%

LAB 89.39, -54.28, 8.32

 

CMYK 53 / 70 / 0 / 2

HEX #774BFB

RGB 119 75 251

HSL 255, 0.96%, 0.64%

LAB 46.87, 59.86, -81.29

 

Description

Color code: HEX #FB4B77 | qconv.com Color code: HEX #FB4B77 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 75 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 75 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 53 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 53% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to HKS®

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RAL® to PANTONE®

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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Sherwin Williams® to CMYK

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Sherwin Williams® to RAL®

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Sherwin Williams® to HKS®

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NCS® to RAL®

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NCS® to HKS®

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NCS® to PANTONE®

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