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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB4818CE it is the complementary color #04B7E7CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB4818CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB4818CE shade: #FF4813CE, #FF5A26CE, #FF6C39CE, #FF7E4CCE and #FF905FCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB4818CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB4818CE shade: #FB4818CE, #EA3605CE, #D92400CE, #C81200CE and #B70000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB4818CE shade: #FB4818 and #FB1818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB4818CE shade: #FB4818, #FB8518, #FBC318, #F7FB18 and #B9FB18

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB4818CE shade matches the following richer shades: #FB4818

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB4818CE shade: #FB4818, #E9532B, #D65E3E, #C36951 and #B07464

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB4818CE shade: #FB1864, #FB1827, #FB4518, #FB8218 and #FBBF18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB4818CE shade: #BE2A03, #E73404, #FB4818, #FC6841 and #FD8869

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB4818CE shade: #FB4818, #A0FB18 and #1845FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB4818CE shade: #FB4818, #18FB45 and #4518FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB4818CE shade: #FB4818, #A0FB18, #18CEFB and #7318FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB4818CE shade: #FB4818, #5CFB18, #18CEFB and #B718FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 73 / 1

HEX #FB4818CE

RGBA 251 72 24 0.81

HSLA 12.69, 0.97%, 0.54%, 0.81

LABA 57.28, 65.78, 62.74, 0.81

 

Complementary color

CMYK 80 / 17 / 0 / 8

HEX #04B7E7CE

RGBA 4 183 231 0.81

HSLA 192.69, 0.97%, 0.46%, 0.81

LABA 69.23, -21.69, -34.72, 0.81

 

CMYK 0 / 58 / 75 / 0

HEX #FF4813CE

RGBA 255 72 19 0.81

HSLA 13.47, 1%, 0.54%, 0.81

LABA 57.98, 66.95, 65.06, 0.81

 

CMYK 0 / 52 / 69 / 0

HEX #FF5A26CE

RGBA 255 90 38 0.81

HSLA 14.38, 1%, 0.57%, 0.81

LABA 60.53, 60.55, 60.37, 0.81

 

CMYK 0 / 47 / 63 / 0

HEX #FF6C39CE

RGBA 255 108 57 0.81

HSLA 15.45, 1%, 0.61%, 0.81

LABA 63.57, 53.35, 54.83, 0.81

 

CMYK 0 / 41 / 57 / 0

HEX #FF7E4CCE

RGBA 255 126 76 0.81

HSLA 16.76, 1%, 0.65%, 0.81

LABA 67.05, 45.65, 49.25, 0.81

 

CMYK 0 / 35 / 51 / 0

HEX #FF905FCE

RGBA 255 144 95 0.81

HSLA 18.38, 1%, 0.69%, 0.81

LABA 70.89, 37.72, 43.99, 0.81

 

CMYK 0 / 58 / 73 / 1

HEX #FB4818CE

RGBA 251 72 24 0.81

HSLA 12.69, 0.97%, 0.54%, 0.81

LABA 57.28, 65.78, 62.74, 0.81

 

CMYK 0 / 62 / 79 / 7

HEX #EA3605CE

RGBA 234 54 5 0.81

HSLA 12.84, 0.96%, 0.47%, 0.81

LABA 52, 66.24, 63, 0.81

 

CMYK 0 / 68 / 81 / 12

HEX #D92400CE

RGBA 217 36 0 0.81

HSLA 9.95, 1%, 0.43%, 0.81

LABA 46.99, 66.04, 60.14, 0.81

 

CMYK 0 / 74 / 81 / 17

HEX #C81200CE

RGBA 200 18 0 0.81

HSLA 5.4, 1%, 0.39%, 0.81

LABA 42.33, 64.78, 56.22, 0.81

 

CMYK 0 / 81 / 81 / 23

HEX #B70000CE

RGBA 183 0 0 0.81

HSLA 0, 1%, 0.36%, 0.81

LABA 37.96, 62.44, 52.38, 0.81

 

CMYK 0 / 71 / 90 / 2

HEX #FB4818

RGB 251 72 24

HSL 12.69, 0.97%, 0.54%

LAB 57.28, 65.78, 62.74

 

CMYK 0 / 90 / 90 / 2

HEX #FB1818

RGB 251 24 24

HSL 0, 0.97%, 0.54%

LAB 53.2, 77.28, 60

 

CMYK 0 / 71 / 90 / 2

HEX #FB4818

RGB 251 72 24

HSL 12.69, 0.97%, 0.54%

LAB 57.28, 65.78, 62.74

 

CMYK 0 / 47 / 90 / 2

HEX #FB8518

RGB 251 133 24

HSL 28.81, 0.97%, 0.54%

LAB 67.54, 39.02, 69.99

 

CMYK 0 / 22 / 90 / 2

HEX #FBC318

RGB 251 195 24

HSL 45.2, 0.97%, 0.54%

LAB 81.62, 6.85, 80.44

 

CMYK 2 / 0 / 90 / 2

HEX #F7FB18

RGB 247 251 24

HSL 61.06, 0.97%, 0.54%

LAB 95.51, -22.72, 90.93

 

CMYK 26 / 0 / 90 / 2

HEX #B9FB18

RGB 185 251 24

HSL 77.44, 0.97%, 0.54%

LAB 91.4, -47.13, 85.94

 

CMYK 0 / 71 / 90 / 2

HEX #FB4818

RGB 251 72 24

HSL 12.69, 0.97%, 0.54%

LAB 57.28, 65.78, 62.74

 

CMYK 0 / 71 / 90 / 2

HEX #FB4818

RGB 251 72 24

HSL 12.69, 0.97%, 0.54%

LAB 57.28, 65.78, 62.74

 

CMYK 0 / 64 / 82 / 9

HEX #E9532B

RGB 233 83 43

HSL 12.63, 0.81%, 0.54%

LAB 55.77, 56.17, 52.6

 

CMYK 0 / 56 / 71 / 16

HEX #D65E3E

RGB 214 94 62

HSL 12.63, 0.65%, 0.54%

LAB 54.71, 45.23, 41

 

CMYK 0 / 46 / 58 / 24

HEX #C36951

RGB 195 105 81

HSL 12.63, 0.49%, 0.54%

LAB 54.34, 33.57, 29.4

 

CMYK 0 / 34 / 43 / 31

HEX #B07464

RGB 176 116 100

HSL 12.63, 0.32%, 0.54%

LAB 54.7, 21.69, 18.53

 

CMYK 0 / 90 / 60 / 2

HEX #FB1864

RGB 251 24 100

HSL 339.91, 0.97%, 0.54%

LAB 54.11, 79.86, 19.74

 

CMYK 0 / 90 / 84 / 2

HEX #FB1827

RGB 251 24 39

HSL 356.04, 0.97%, 0.54%

LAB 53.29, 77.53, 53.54

 

CMYK 0 / 73 / 90 / 2

HEX #FB4518

RGB 251 69 24

HSL 11.89, 0.97%, 0.54%

LAB 56.91, 66.8, 62.49

 

CMYK 0 / 48 / 90 / 2

HEX #FB8218

RGB 251 130 24

HSL 28.02, 0.97%, 0.54%

LAB 66.93, 40.52, 69.54

 

CMYK 0 / 24 / 90 / 2

HEX #FBBF18

RGB 251 191 24

HSL 44.14, 0.97%, 0.54%

LAB 80.65, 8.92, 79.71

 

CMYK 0 / 78 / 98 / 25

HEX #BE2A03

RGB 190 42 3

HSL 12.51, 0.97%, 0.38%

LAB 42.17, 56.64, 53.93

 

CMYK 0 / 77 / 98 / 9

HEX #E73404

RGB 231 52 4

HSL 12.69, 0.97%, 0.46%

LAB 51.21, 65.93, 62.53

 

CMYK 0 / 71 / 90 / 2

HEX #FB4818

RGB 251 72 24

HSL 12.69, 0.97%, 0.54%

LAB 57.28, 65.78, 62.74

 

CMYK 0 / 59 / 74 / 1

HEX #FC6841

RGB 252 104 65

HSL 12.51, 0.97%, 0.62%

LAB 62.49, 54.39, 49.67

 

CMYK 0 / 46 / 58 / 1

HEX #FD8869

RGB 253 136 105

HSL 12.57, 0.97%, 0.7%

LAB 69.12, 41.68, 36.47

 

CMYK 0 / 71 / 90 / 2

HEX #FB4818

RGB 251 72 24

HSL 12.69, 0.97%, 0.54%

LAB 57.28, 65.78, 62.74

 

CMYK 36 / 0 / 90 / 2

HEX #A0FB18

RGB 160 251 24

HSL 84.05, 0.97%, 0.54%

LAB 90.11, -56, 84.34

 

CMYK 90 / 73 / 0 / 2

HEX #1845FB

RGB 24 69 251

HSL 228.11, 0.97%, 0.54%

LAB 40.27, 54.44, -92.34

 

CMYK 0 / 71 / 90 / 2

HEX #FB4818

RGB 251 72 24

HSL 12.69, 0.97%, 0.54%

LAB 57.28, 65.78, 62.74

 

CMYK 90 / 0 / 73 / 2

HEX #18FB45

RGB 24 251 69

HSL 131.89, 0.97%, 0.54%

LAB 86.81, -81.55, 69.2

 

CMYK 73 / 90 / 0 / 2

HEX #4518FB

RGB 69 24 251

HSL 251.89, 0.97%, 0.54%

LAB 35.76, 75.25, -99.78

 

CMYK 0 / 71 / 90 / 2

HEX #FB4818

RGB 251 72 24

HSL 12.69, 0.97%, 0.54%

LAB 57.28, 65.78, 62.74

 

CMYK 36 / 0 / 90 / 2

HEX #A0FB18

RGB 160 251 24

HSL 84.05, 0.97%, 0.54%

LAB 90.11, -56, 84.34

 

CMYK 90 / 18 / 0 / 2

HEX #18CEFB

RGB 24 206 251

HSL 191.89, 0.97%, 0.54%

LAB 76.86, -26.01, -33.69

 

CMYK 54 / 90 / 0 / 2

HEX #7318FB

RGB 115 24 251

HSL 264.05, 0.97%, 0.54%

LAB 40.02, 78.08, -92.58

 

CMYK 0 / 71 / 90 / 2

HEX #FB4818

RGB 251 72 24

HSL 12.69, 0.97%, 0.54%

LAB 57.28, 65.78, 62.74

 

CMYK 63 / 0 / 90 / 2

HEX #5CFB18

RGB 92 251 24

HSL 102.03, 0.97%, 0.54%

LAB 87.65, -74.97, 81.31

 

CMYK 90 / 18 / 0 / 2

HEX #18CEFB

RGB 24 206 251

HSL 191.89, 0.97%, 0.54%

LAB 76.86, -26.01, -33.69

 

CMYK 27 / 90 / 0 / 2

HEX #B718FB

RGB 183 24 251

HSL 282.03, 0.97%, 0.54%

LAB 49.11, 85.3, -77.3

 

Description

Color code: HEX #FB4818CE | qconv.com Color code: HEX #FB4818CE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 72 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 72 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 73 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 73% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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