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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB0F5B it is the complementary color #04F0A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB0F5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB0F5B shade: #FF0F56, #FF2169, #FF337C, #FF458F and #FF57A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB0F5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB0F5B shade: #FB0F5B, #EA0048, #D90035, #C80022 and #B7000F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB0F5B shade: #FB0E5A, #FB0E1A and #FB0E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB0F5B shade: #FB0E5A, #FB0E9A, #FB0EDA, #DC0EFB and #9C0EFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB0F5B shade matches the following richer shades: #FB0E5A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB0F5B shade: #FB0E5A, #E82261, #D43568, #C0496F and #AC5D77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB0F5B shade: #FB0EDC, #FB0E9C, #FB0E5D, #FB0E1E and #FB3D0E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB0F5B shade: #B4033C, #DD0349, #FB0E5A, #FC3776 and #FD5F92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB0F5B shade: #FB0F5B, #FBDC0E and #0EBCFB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB0F5B shade: #FB0F5B, #5DFB0E and #0E5DFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB0F5B shade: #FB0F5B, #FBDC0E, #0EFBAC and #0E2EFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB0F5B shade: #FB0F5B, #D4FB0E, #0EFBAC and #350EFB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 64 / 2

HEX #FB0F5B

RGB 251 15 91

HSL 340.68, 0.97%, 0.52%

LAB 53.61, 80.33, 24.49

 

Complementary color

CMYK 98 / 0 / 32 / 6

HEX #04F0A4

RGB 4 240 164

HSL 160.68, 0.97%, 0.48%

LAB 84.5, -65.12, 23.55

 

CMYK 0 / 94 / 66 / 0

HEX #FF0F56

RGB 255 15 86

HSL 342.25, 1%, 0.53%

LAB 54.32, 81.02, 28.56

 

CMYK 0 / 87 / 59 / 0

HEX #FF2169

RGB 255 33 105

HSL 340.54, 1%, 0.56%

LAB 55.45, 79.79, 18.67

 

CMYK 0 / 80 / 51 / 0

HEX #FF337C

RGB 255 51 124

HSL 338.53, 1%, 0.6%

LAB 57.16, 77.41, 9.7

 

CMYK 0 / 73 / 44 / 0

HEX #FF458F

RGB 255 69 143

HSL 336.13, 1%, 0.64%

LAB 59.43, 73.93, 1.75

 

CMYK 0 / 66 / 36 / 0

HEX #FF57A2

RGB 255 87 162

HSL 333.21, 1%, 0.67%

LAB 62.24, 69.51, -5.18

 

CMYK 0 / 94 / 64 / 2

HEX #FB0F5B

RGB 251 15 91

HSL 340.68, 0.97%, 0.52%

LAB 53.61, 80.33, 24.49

 

CMYK 0 / 100 / 69 / 8

HEX #EA0048

RGB 234 0 72

HSL 341.54, 1%, 0.46%

LAB 49.45, 76.62, 29.96

 

CMYK 0 / 100 / 76 / 15

HEX #D90035

RGB 217 0 53

HSL 345.35, 1%, 0.43%

LAB 45.65, 71.89, 36.01

 

CMYK 0 / 100 / 83 / 22

HEX #C80022

RGB 200 0 34

HSL 349.8, 1%, 0.39%

LAB 41.84, 67.21, 41.87

 

CMYK 0 / 100 / 92 / 28

HEX #B7000F

RGB 183 0 15

HSL 355.08, 1%, 0.36%

LAB 38.02, 62.61, 46.65

 

CMYK 0 / 94 / 64 / 2

HEX #FB0E5A

RGB 251 14 90

HSL 340.76, 0.97%, 0.52%

LAB 53.56, 80.37, 25.03

 

CMYK 0 / 94 / 90 / 2

HEX #FB0E1A

RGB 251 14 26

HSL 356.96, 0.97%, 0.52%

LAB 52.84, 78.38, 58.98

 

CMYK 0 / 94 / 94 / 2

HEX #FB0E0E

RGB 251 14 14

HSL 0, 0.97%, 0.52%

LAB 52.79, 78.25, 63.07

 

CMYK 0 / 94 / 64 / 2

HEX #FB0E5A

RGB 251 14 90

HSL 340.76, 0.97%, 0.52%

LAB 53.56, 80.37, 25.03

 

CMYK 0 / 94 / 39 / 2

HEX #FB0E9A

RGB 251 14 154

HSL 324.56, 0.97%, 0.52%

LAB 55.23, 84.88, -11.02

 

CMYK 0 / 94 / 13 / 2

HEX #FB0EDA

RGB 251 14 218

HSL 308.35, 0.97%, 0.52%

LAB 57.93, 91.84, -43.96

 

CMYK 12 / 94 / 0 / 2

HEX #DC0EFB

RGB 220 14 251

HSL 292.15, 0.97%, 0.52%

LAB 54.55, 91.54, -68.21

 

CMYK 38 / 94 / 0 / 2

HEX #9C0EFB

RGB 156 14 251

HSL 275.95, 0.97%, 0.52%

LAB 44.73, 83.45, -84.64

 

CMYK 0 / 94 / 64 / 2

HEX #FB0E5A

RGB 251 14 90

HSL 340.76, 0.97%, 0.52%

LAB 53.56, 80.37, 25.03

 

CMYK 0 / 94 / 64 / 2

HEX #FB0E5A

RGB 251 14 90

HSL 340.76, 0.97%, 0.52%

LAB 53.56, 80.37, 25.03

 

CMYK 0 / 85 / 58 / 9

HEX #E82261

RGB 232 34 97

HSL 340.91, 0.81%, 0.52%

LAB 50.88, 73.53, 16.55

 

CMYK 0 / 75 / 51 / 17

HEX #D43568

RGB 212 53 104

HSL 340.75, 0.65%, 0.52%

LAB 48.94, 63.99, 9

 

CMYK 0 / 62 / 42 / 25

HEX #C0496F

RGB 192 73 111

HSL 340.84, 0.49%, 0.52%

LAB 48.41, 51.01, 3.52

 

CMYK 0 / 46 / 31 / 33

HEX #AC5D77

RGB 172 93 119

HSL 340.25, 0.32%, 0.52%

LAB 49.41, 35.2, -0.21

 

CMYK 0 / 94 / 12 / 2

HEX #FB0EDC

RGB 251 14 220

HSL 307.85, 0.97%, 0.52%

LAB 58.03, 92.09, -44.93

 

CMYK 0 / 94 / 38 / 2

HEX #FB0E9C

RGB 251 14 156

HSL 324.05, 0.97%, 0.52%

LAB 55.3, 85.06, -12.1

 

CMYK 0 / 94 / 63 / 2

HEX #FB0E5D

RGB 251 14 93

HSL 340, 0.97%, 0.52%

LAB 53.61, 80.52, 23.29

 

CMYK 0 / 94 / 88 / 2

HEX #FB0E1E

RGB 251 14 30

HSL 355.95, 0.97%, 0.52%

LAB 52.86, 78.44, 57.34

 

CMYK 0 / 76 / 94 / 2

HEX #FB3D0E

RGB 251 61 14

HSL 11.9, 0.97%, 0.52%

LAB 55.97, 69.22, 64.8

 

CMYK 0 / 98 / 67 / 29

HEX #B4033C

RGB 180 3 60

HSL 340.68, 0.97%, 0.36%

LAB 38.01, 62.94, 20.62

 

CMYK 0 / 99 / 67 / 13

HEX #DD0349

RGB 221 3 73

HSL 340.73, 0.97%, 0.44%

LAB 46.87, 73.39, 25.55

 

CMYK 0 / 94 / 64 / 2

HEX #FB0E5A

RGB 251 14 90

HSL 340.76, 0.97%, 0.52%

LAB 53.56, 80.37, 25.03

 

CMYK 0 / 78 / 53 / 1

HEX #FC3776

RGB 252 55 118

HSL 340.81, 0.97%, 0.6%

LAB 56.82, 75.2, 12.71

 

CMYK 0 / 62 / 42 / 1

HEX #FD5F92

RGB 253 95 146

HSL 340.63, 0.98%, 0.68%

LAB 62.63, 64.15, 4.59

 

CMYK 0 / 94 / 64 / 2

HEX #FB0F5B

RGB 251 15 91

HSL 340.68, 0.97%, 0.52%

LAB 53.61, 80.33, 24.49

 

CMYK 0 / 12 / 94 / 2

HEX #FBDC0E

RGB 251 220 14

HSL 52.15, 0.97%, 0.52%

LAB 87.84, -6.03, 86.42

 

CMYK 94 / 25 / 0 / 2

HEX #0EBCFB

RGB 14 188 251

HSL 195.95, 0.97%, 0.52%

LAB 71.57, -17.12, -41.92

 

CMYK 0 / 94 / 64 / 2

HEX #FB0F5B

RGB 251 15 91

HSL 340.68, 0.97%, 0.52%

LAB 53.61, 80.33, 24.49

 

CMYK 63 / 0 / 94 / 2

HEX #5DFB0E

RGB 93 251 14

HSL 100, 0.97%, 0.52%

LAB 87.66, -74.96, 82.49

 

CMYK 94 / 63 / 0 / 2

HEX #0E5DFB

RGB 14 93 251

HSL 220, 0.97%, 0.52%

LAB 45.48, 39.69, -83.77

 

CMYK 0 / 94 / 64 / 2

HEX #FB0F5B

RGB 251 15 91

HSL 340.68, 0.97%, 0.52%

LAB 53.61, 80.33, 24.49

 

CMYK 0 / 12 / 94 / 2

HEX #FBDC0E

RGB 251 220 14

HSL 52.15, 0.97%, 0.52%

LAB 87.84, -6.03, 86.42

 

CMYK 94 / 0 / 31 / 2

HEX #0EFBAC

RGB 14 251 172

HSL 160, 0.97%, 0.52%

LAB 88, -67.06, 24.27

 

CMYK 94 / 82 / 0 / 2

HEX #0E2EFB

RGB 14 46 251

HSL 231.9, 0.97%, 0.52%

LAB 36.01, 65.96, -99.43

 

CMYK 0 / 94 / 64 / 2

HEX #FB0F5B

RGB 251 15 91

HSL 340.68, 0.97%, 0.52%

LAB 53.61, 80.33, 24.49

 

CMYK 16 / 0 / 94 / 2

HEX #D4FB0E

RGB 212 251 14

HSL 69.87, 0.97%, 0.52%

LAB 93.02, -36.94, 89.02

 

CMYK 94 / 0 / 31 / 2

HEX #0EFBAC

RGB 14 251 172

HSL 160, 0.97%, 0.52%

LAB 88, -67.06, 24.27

 

CMYK 79 / 94 / 0 / 2

HEX #350EFB

RGB 53 14 251

HSL 249.87, 0.97%, 0.52%

LAB 34.06, 76.78, -102.64

 

Description

Color code: HEX #FB0F5B | qconv.com Color code: HEX #FB0F5B | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 15 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 15 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 64 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 64% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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