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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0E5DFB it is the complementary color #F1A204. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0E5DFB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0E5DFB shade: #135DF6, #246FFF, #3581FF, #4693FF and #57A5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0E5DFB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0E5DFB shade: #0E5DFB, #004BE8, #0039D5, #0027C2 and #0015AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0E5DFB shade: #0E5DFB, #0E1DFB, #3F0EFB, #7F0EFB and #BF0EFB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0E5DFB shade: #0E5DFB, #0E1DFB and #0E0EFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0E5DFB shade matches the following richer shades: #0E5DFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0E5DFB shade: #0E5DFB, #2264E8, #356AD4, #4971C0 and #5D77AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0E5DFB shade: #0EDCFB, #0E9CFB, #0E5DFB, #0E1EFB and #3D0EFB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0E5DFB shade: #033EB4, #034CDD, #0E5DFB, #3778FC and #5F94FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0E5DFB shade: #0E5DFB, #DC0EFB and #BCFB0E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0E5DFB shade: #0E5DFB, #FB0E5D and #5DFB0E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0E5DFB shade: #0E5DFB, #DC0EFB, #FBAC0E and #2EFB0E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0E5DFB shade: #0E5DFB, #FB0ED4, #FBAC0E and #0EFB35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 63 / 0 / 2

HEX #0E5DFB

RGB 14 93 251

HSL 220, 0.97%, 0.52%

LAB 45.48, 39.69, -83.77

 

Complementary color

CMYK 0 / 33 / 98 / 5

HEX #F1A204

RGB 241 162 4

HSL 40, 0.97%, 0.48%

LAB 72.59, 19.64, 76.14

 

CMYK 92 / 62 / 0 / 4

HEX #135DF6

RGB 19 93 246

HSL 220.44, 0.93%, 0.52%

LAB 45.11, 37.99, -81.58

 

CMYK 86 / 56 / 0 / 0

HEX #246FFF

RGB 36 111 255

HSL 219.45, 1%, 0.57%

LAB 50.64, 30.78, -77.52

 

CMYK 79 / 49 / 0 / 0

HEX #3581FF

RGB 53 129 255

HSL 217.43, 1%, 0.6%

LAB 55.76, 20.85, -69.2

 

CMYK 73 / 42 / 0 / 0

HEX #4693FF

RGB 70 147 255

HSL 215.03, 1%, 0.64%

LAB 61.12, 11.78, -60.55

 

CMYK 66 / 35 / 0 / 0

HEX #57A5FF

RGB 87 165 255

HSL 212.14, 1%, 0.67%

LAB 66.64, 3.66, -51.74

 

CMYK 94 / 63 / 0 / 2

HEX #0E5DFB

RGB 14 93 251

HSL 220, 0.97%, 0.52%

LAB 45.48, 39.69, -83.77

 

CMYK 100 / 68 / 0 / 9

HEX #004BE8

RGB 0 75 232

HSL 220.6, 1%, 0.45%

LAB 39.34, 43.62, -83.19

 

CMYK 100 / 73 / 0 / 16

HEX #0039D5

RGB 0 57 213

HSL 223.94, 1%, 0.42%

LAB 33.41, 47.71, -82.1

 

CMYK 100 / 80 / 0 / 24

HEX #0027C2

RGB 0 39 194

HSL 227.94, 1%, 0.38%

LAB 27.7, 51.27, -80.5

 

CMYK 100 / 88 / 0 / 31

HEX #0015AF

RGB 0 21 175

HSL 232.8, 1%, 0.34%

LAB 22.41, 53.6, -78

 

CMYK 94 / 63 / 0 / 2

HEX #0E5DFB

RGB 14 93 251

HSL 220, 0.97%, 0.52%

LAB 45.48, 39.69, -83.77

 

CMYK 94 / 88 / 0 / 2

HEX #0E1DFB

RGB 14 29 251

HSL 236.2, 0.97%, 0.52%

LAB 33.85, 72.43, -103.02

 

CMYK 75 / 94 / 0 / 2

HEX #3F0EFB

RGB 63 14 251

HSL 252.41, 0.97%, 0.52%

LAB 34.67, 77.08, -101.6

 

CMYK 49 / 94 / 0 / 2

HEX #7F0EFB

RGB 127 14 251

HSL 268.61, 0.97%, 0.52%

LAB 40.88, 80.73, -91.11

 

CMYK 24 / 94 / 0 / 2

HEX #BF0EFB

RGB 191 14 251

HSL 284.81, 0.97%, 0.52%

LAB 49.92, 87.56, -75.93

 

CMYK 94 / 63 / 0 / 2

HEX #0E5DFB

RGB 14 93 251

HSL 220, 0.97%, 0.52%

LAB 45.48, 39.69, -83.77

 

CMYK 94 / 88 / 0 / 2

HEX #0E1DFB

RGB 14 29 251

HSL 236.2, 0.97%, 0.52%

LAB 33.85, 72.43, -103.02

 

CMYK 94 / 94 / 0 / 2

HEX #0E0EFB

RGB 14 14 251

HSL 240, 0.97%, 0.52%

LAB 32.64, 76.14, -105.05

 

CMYK 94 / 63 / 0 / 2

HEX #0E5DFB

RGB 14 93 251

HSL 220, 0.97%, 0.52%

LAB 45.48, 39.69, -83.77

 

CMYK 94 / 63 / 0 / 2

HEX #0E5DFB

RGB 14 93 251

HSL 220, 0.97%, 0.52%

LAB 45.48, 39.69, -83.77

 

CMYK 85 / 57 / 0 / 9

HEX #2264E8

RGB 34 100 232

HSL 220, 0.81%, 0.52%

LAB 46.02, 29, -72.22

 

CMYK 75 / 50 / 0 / 17

HEX #356AD4

RGB 53 106 212

HSL 220, 0.65%, 0.52%

LAB 46.74, 19.39, -59.69

 

CMYK 62 / 41 / 0 / 25

HEX #4971C0

RGB 73 113 192

HSL 219.83, 0.49%, 0.52%

LAB 48.3, 10.86, -45.67

 

CMYK 46 / 31 / 0 / 33

HEX #5D77AC

RGB 93 119 172

HSL 220.25, 0.32%, 0.52%

LAB 50.1, 5.17, -31.19

 

CMYK 94 / 12 / 0 / 2

HEX #0EDCFB

RGB 14 220 251

HSL 187.85, 0.97%, 0.52%

LAB 80.87, -33.17, -27.53

 

CMYK 94 / 38 / 0 / 2

HEX #0E9CFB

RGB 14 156 251

HSL 204.05, 0.97%, 0.52%

LAB 62.37, 0.67, -56.44

 

CMYK 94 / 63 / 0 / 2

HEX #0E5DFB

RGB 14 93 251

HSL 220, 0.97%, 0.52%

LAB 45.48, 39.69, -83.77

 

CMYK 94 / 88 / 0 / 2

HEX #0E1EFB

RGB 14 30 251

HSL 235.95, 0.97%, 0.52%

LAB 33.96, 72.11, -102.85

 

CMYK 76 / 94 / 0 / 2

HEX #3D0EFB

RGB 61 14 251

HSL 251.9, 0.97%, 0.52%

LAB 34.54, 77.02, -101.82

 

CMYK 98 / 66 / 0 / 29

HEX #033EB4

RGB 3 62 180

HSL 220, 0.97%, 0.36%

LAB 31.25, 32.35, -66.34

 

CMYK 99 / 66 / 0 / 13

HEX #034CDD

RGB 3 76 221

HSL 219.91, 0.97%, 0.44%

LAB 38.57, 38.99, -78.2

 

CMYK 94 / 63 / 0 / 2

HEX #0E5DFB

RGB 14 93 251

HSL 220, 0.97%, 0.52%

LAB 45.48, 39.69, -83.77

 

CMYK 78 / 52 / 0 / 1

HEX #3778FC

RGB 55 120 252

HSL 220.2, 0.97%, 0.6%

LAB 53.25, 25.52, -71.61

 

CMYK 62 / 42 / 0 / 1

HEX #5F94FD

RGB 95 148 253

HSL 219.87, 0.98%, 0.68%

LAB 62.26, 14.24, -57.59

 

CMYK 94 / 63 / 0 / 2

HEX #0E5DFB

RGB 14 93 251

HSL 220, 0.97%, 0.52%

LAB 45.48, 39.69, -83.77

 

CMYK 12 / 94 / 0 / 2

HEX #DC0EFB

RGB 220 14 251

HSL 292.15, 0.97%, 0.52%

LAB 54.55, 91.54, -68.21

 

CMYK 25 / 0 / 94 / 2

HEX #BCFB0E

RGB 188 251 14

HSL 75.95, 0.97%, 0.52%

LAB 91.56, -46.16, 87.25

 

CMYK 94 / 63 / 0 / 2

HEX #0E5DFB

RGB 14 93 251

HSL 220, 0.97%, 0.52%

LAB 45.48, 39.69, -83.77

 

CMYK 0 / 94 / 63 / 2

HEX #FB0E5D

RGB 251 14 93

HSL 340, 0.97%, 0.52%

LAB 53.61, 80.52, 23.29

 

CMYK 63 / 0 / 94 / 2

HEX #5DFB0E

RGB 93 251 14

HSL 100, 0.97%, 0.52%

LAB 87.66, -74.96, 82.49

 

CMYK 94 / 63 / 0 / 2

HEX #0E5DFB

RGB 14 93 251

HSL 220, 0.97%, 0.52%

LAB 45.48, 39.69, -83.77

 

CMYK 12 / 94 / 0 / 2

HEX #DC0EFB

RGB 220 14 251

HSL 292.15, 0.97%, 0.52%

LAB 54.55, 91.54, -68.21

 

CMYK 0 / 31 / 94 / 2

HEX #FBAC0E

RGB 251 172 14

HSL 40, 0.97%, 0.52%

LAB 76.1, 18.71, 77.92

 

CMYK 82 / 0 / 94 / 2

HEX #2EFB0E

RGB 46 251 14

HSL 111.9, 0.97%, 0.52%

LAB 86.8, -82.35, 81.44

 

CMYK 94 / 63 / 0 / 2

HEX #0E5DFB

RGB 14 93 251

HSL 220, 0.97%, 0.52%

LAB 45.48, 39.69, -83.77

 

CMYK 0 / 94 / 16 / 2

HEX #FB0ED4

RGB 251 14 212

HSL 309.87, 0.97%, 0.52%

LAB 57.63, 91.09, -41.01

 

CMYK 0 / 31 / 94 / 2

HEX #FBAC0E

RGB 251 172 14

HSL 40, 0.97%, 0.52%

LAB 76.1, 18.71, 77.92

 

CMYK 94 / 0 / 79 / 2

HEX #0EFB35

RGB 14 251 53

HSL 129.87, 0.97%, 0.52%

LAB 86.67, -83.09, 73.98

 

Description

Color code: HEX #0E5DFB | qconv.com Color code: HEX #0E5DFB | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 93 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 93 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 63 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 63% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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