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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FAF5CF it is the complementary color #050A30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FAF5CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #FAF5CF: #FFF5CA, #FFFFDD, #FFFFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FAF5CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #FAF5CF: #FAF5CF, #E9E3BC, #D8D1A9, #C7BF96 and #B6AD83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 17 / 2

HEX #FAF5CF

RGB 250 245 207

HSL 53.02, 0.81%, 0.9%

LAB 96.05, -4.42, 18.92

 

Complementary color

CMYK 90 / 79 / 0 / 81

HEX #050A30

RGB 5 10 48

HSL 233.02, 0.81%, 0.1%

LAB 4.18, 10.85, -24.58

 

CMYK 0 / 4 / 21 / 0

HEX #FFF5CA

RGB 255 245 202

HSL 48.68, 1%, 0.9%

LAB 96.34, -3.35, 21.94

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDD

RGB 255 255 221

HSL 60, 1%, 0.93%

LAB 99.22, -5.56, 16.27

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFF0

RGB 255 255 240

HSL 60, 1%, 0.97%

LAB 99.64, -2.55, 7.15

 

CMYK 0 / 2 / 17 / 2

HEX #FAF5CF

RGB 250 245 207

HSL 53.02, 0.81%, 0.9%

LAB 96.05, -4.42, 18.92

 

CMYK 0 / 3 / 19 / 9

HEX #E9E3BC

RGB 233 227 188

HSL 52, 0.51%, 0.83%

LAB 89.81, -4.22, 19.81

 

CMYK 0 / 3 / 22 / 15

HEX #D8D1A9

RGB 216 209 169

HSL 51.06, 0.38%, 0.75%

LAB 83.48, -4, 20.75

 

CMYK 0 / 4 / 25 / 22

HEX #C7BF96

RGB 199 191 150

HSL 50.2, 0.3%, 0.68%

LAB 77.04, -3.74, 21.74

 

CMYK 0 / 5 / 28 / 29

HEX #B6AD83

RGB 182 173 131

HSL 49.41, 0.26%, 0.61%

LAB 70.5, -3.45, 22.79

 

CMYK 0 / 2 / 17 / 2

HEX #FAF5CF

RGB 250 245 207

HSL 53.02, 0.81%, 0.9%

LAB 96.05, -4.42, 18.92

 

CMYK 1 / 0 / 17 / 2

HEX #F8FAD0

RGB 248 250 208

HSL 62.86, 0.81%, 0.9%

LAB 97.18, -7.48, 19.96

 

CMYK 4 / 0 / 17 / 2

HEX #F1FAD0

RGB 241 250 208

HSL 72.86, 0.81%, 0.9%

LAB 96.67, -9.94, 19.17

 

CMYK 6 / 0 / 17 / 2

HEX #EAFAD0

RGB 234 250 208

HSL 82.86, 0.81%, 0.9%

LAB 96.17, -12.39, 18.4

 

CMYK 9 / 0 / 17 / 2

HEX #E3FAD0

RGB 227 250 208

HSL 92.86, 0.81%, 0.9%

LAB 95.69, -14.8, 17.65

 

CMYK 0 / 2 / 17 / 2

HEX #FAF5CF

RGB 250 245 207

HSL 53.02, 0.81%, 0.9%

LAB 96.05, -4.42, 18.92

 

CMYK 0 / 2 / 17 / 82

HEX #2E2D26

RGB 46 45 38

HSL 52.5, 0.1%, 0.16%

LAB 18.35, -1.09, 4.69

 

CMYK 0 / 2 / 18 / 62

HEX #615F50

RGB 97 95 80

HSL 52.94, 0.1%, 0.35%

LAB 40.09, -2.08, 8.88

 

CMYK 0 / 2 / 17 / 42

HEX #94917B

RGB 148 145 123

HSL 52.8, 0.1%, 0.53%

LAB 59.87, -2.8, 12.09

 

CMYK 0 / 2 / 17 / 22

HEX #C7C3A5

RGB 199 195 165

HSL 52.94, 0.23%, 0.71%

LAB 78.4, -3.63, 15.6

 

CMYK 0 / 2 / 17 / 2

HEX #FAF5CF

RGB 250 245 207

HSL 53.02, 0.81%, 0.9%

LAB 96.05, -4.42, 18.92

 

CMYK 17 / 0 / 15 / 2

HEX #D0FAD4

RGB 208 250 212

HSL 125.71, 0.81%, 0.9%

LAB 94.54, -20.5, 13.81

 

CMYK 9 / 17 / 0 / 2

HEX #E4D0FA

RGB 228 208 250

HSL 268.57, 0.81%, 0.9%

LAB 86.26, 14.61, -18.02

 

CMYK 0 / 2 / 17 / 2

HEX #FAF5CF

RGB 250 245 207

HSL 53.02, 0.81%, 0.9%

LAB 96.05, -4.42, 18.92

 

CMYK 17 / 0 / 2 / 2

HEX #D0FAF5

RGB 208 250 245

HSL 172.86, 0.81%, 0.9%

LAB 95.32, -14.36, -2.09

 

CMYK 2 / 17 / 0 / 2

HEX #F5D0FA

RGB 245 208 250

HSL 292.86, 0.81%, 0.9%

LAB 87.69, 20.1, -15.72

 

CMYK 0 / 2 / 17 / 2

HEX #FAF5CF

RGB 250 245 207

HSL 53.02, 0.81%, 0.9%

LAB 96.05, -4.42, 18.92

 

CMYK 17 / 0 / 15 / 2

HEX #D0FAD4

RGB 208 250 212

HSL 125.71, 0.81%, 0.9%

LAB 94.54, -20.5, 13.81

 

CMYK 17 / 15 / 0 / 2

HEX #D0D5FA

RGB 208 213 250

HSL 232.86, 0.81%, 0.9%

LAB 85.96, 5.66, -18.63

 

CMYK 0 / 17 / 2 / 2

HEX #FAD0F6

RGB 250 208 246

HSL 305.71, 0.81%, 0.9%

LAB 88.01, 21.02, -13.09

 

CMYK 0 / 2 / 17 / 2

HEX #FAF5CF

RGB 250 245 207

HSL 53.02, 0.81%, 0.9%

LAB 96.05, -4.42, 18.92

 

CMYK 17 / 0 / 10 / 2

HEX #D0FAE0

RGB 208 250 224

HSL 142.86, 0.81%, 0.9%

LAB 94.81, -18.36, 8.01

 

CMYK 17 / 15 / 0 / 2

HEX #D0D5FA

RGB 208 213 250

HSL 232.86, 0.81%, 0.9%

LAB 85.96, 5.66, -18.63

 

CMYK 0 / 17 / 6 / 2

HEX #FAD0EA

RGB 250 208 234

HSL 322.86, 0.81%, 0.9%

LAB 87.67, 18.93, -7.25

 

Description

Color code: HEX #FAF5CF | qconv.com Color code: HEX #FAF5CF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 245 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 245 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 17 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 17% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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