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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FAE36C it is the complementary color #051C93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FAE36C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FAE36C shade: #FFE367, #FFF57A, #FFFF8D, #FFFFA0 and #FFFFB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FAE36C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FAE36C shade: #FAE36C, #E9D159, #D8BF46, #C7AD33 and #B69B20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FAE36C shade: #FAE36B, #FABC6B, #FA966B, #FA6F6B and #FA6B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FAE36C shade: #FAE36B, #EAFA6B, #C4FA6B, #9EFA6B and #77FA6B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FAE36C shade matches the following richer shades: #FAE36B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FAE36C shade: #FAE36B, #EDDA78, #E1D284, #D5C990 and #C8C19D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FAE36C shade: #FA966B, #FABC6B, #FAE26B, #EBFA6B and #C5FA6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FAE36C shade: #F7D31C, #F8DB44, #FAE36B, #FBEA93 and #FDF2BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FAE36C shade: #FAE36C, #6BFA70 and #A96BFA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FAE36C shade: #FAE36C, #6BFAE2 and #E26BFA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FAE36C shade: #FAE36C, #6BFA70, #6B83FA and #FA6BF5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FAE36C shade: #FAE36C, #6BFA9B, #6B83FA and #FA6BCA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 57 / 2

HEX #FAE36C

RGB 250 227 108

HSL 50.28, 0.93%, 0.7%

LAB 90.02, -6.31, 59.91

 

Complementary color

CMYK 97 / 81 / 0 / 42

HEX #051C93

RGB 5 28 147

HSL 230.28, 0.93%, 0.3%

LAB 19.92, 41.39, -65.06

 

CMYK 0 / 11 / 60 / 0

HEX #FFE367

RGB 255 227 103

HSL 48.95, 1%, 0.7%

LAB 90.4, -4.63, 62.68

 

CMYK 0 / 4 / 52 / 0

HEX #FFF57A

RGB 255 245 122

HSL 55.49, 1%, 0.74%

LAB 95.15, -12.16, 59.62

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8D

RGB 255 255 141

HSL 60, 1%, 0.78%

LAB 97.91, -15.4, 54.17

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA0

RGB 255 255 160

HSL 60, 1%, 0.81%

LAB 98.16, -13.5, 45.4

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB3

RGB 255 255 179

HSL 60, 1%, 0.85%

LAB 98.45, -11.32, 36.42

 

CMYK 0 / 9 / 57 / 2

HEX #FAE36C

RGB 250 227 108

HSL 50.28, 0.93%, 0.7%

LAB 90.02, -6.31, 59.91

 

CMYK 0 / 10 / 62 / 9

HEX #E9D159

RGB 233 209 89

HSL 50, 0.77%, 0.63%

LAB 83.78, -5.49, 60.93

 

CMYK 0 / 12 / 68 / 15

HEX #D8BF46

RGB 216 191 70

HSL 49.73, 0.65%, 0.56%

LAB 77.46, -4.53, 61.76

 

CMYK 0 / 13 / 74 / 22

HEX #C7AD33

RGB 199 173 51

HSL 49.46, 0.59%, 0.49%

LAB 71.06, -3.39, 62.24

 

CMYK 0 / 15 / 82 / 29

HEX #B69B20

RGB 182 155 32

HSL 49.2, 0.7%, 0.42%

LAB 64.56, -2.05, 62.02

 

CMYK 0 / 9 / 57 / 2

HEX #FAE36B

RGB 250 227 107

HSL 50.35, 0.93%, 0.7%

LAB 90.01, -6.38, 60.35

 

CMYK 0 / 25 / 57 / 2

HEX #FABC6B

RGB 250 188 107

HSL 33.99, 0.93%, 0.7%

LAB 80.38, 13.65, 49.14

 

CMYK 0 / 40 / 57 / 2

HEX #FA966B

RGB 250 150 107

HSL 18.04, 0.93%, 0.7%

LAB 71.69, 33.53, 38.54

 

CMYK 0 / 56 / 57 / 2

HEX #FA6F6B

RGB 250 111 107

HSL 1.68, 0.93%, 0.7%

LAB 63.96, 52.85, 28.68

 

CMYK 0 / 57 / 57 / 2

HEX #FA6B6B

RGB 250 107 107

HSL 0, 0.93%, 0.7%

LAB 63.26, 54.69, 27.77

 

CMYK 0 / 9 / 57 / 2

HEX #FAE36B

RGB 250 227 107

HSL 50.35, 0.93%, 0.7%

LAB 90.01, -6.38, 60.35

 

CMYK 6 / 0 / 57 / 2

HEX #EAFA6B

RGB 234 250 107

HSL 66.71, 0.93%, 0.7%

LAB 94.71, -24, 65.29

 

CMYK 22 / 0 / 57 / 2

HEX #C4FA6B

RGB 196 250 107

HSL 82.66, 0.93%, 0.7%

LAB 92.21, -38.43, 61.79

 

CMYK 37 / 0 / 57 / 2

HEX #9EFA6B

RGB 158 250 107

HSL 98.6, 0.93%, 0.7%

LAB 90.18, -51.55, 58.95

 

CMYK 52 / 0 / 57 / 2

HEX #77FA6B

RGB 119 250 107

HSL 114.97, 0.93%, 0.7%

LAB 88.62, -62.84, 56.73

 

CMYK 0 / 9 / 57 / 2

HEX #FAE36B

RGB 250 227 107

HSL 50.35, 0.93%, 0.7%

LAB 90.01, -6.38, 60.35

 

CMYK 0 / 9 / 57 / 2

HEX #FAE36B

RGB 250 227 107

HSL 50.35, 0.93%, 0.7%

LAB 90.01, -6.38, 60.35

 

CMYK 0 / 8 / 49 / 7

HEX #EDDA78

RGB 237 218 120

HSL 50.26, 0.76%, 0.7%

LAB 86.75, -6.06, 50.21

 

CMYK 0 / 7 / 41 / 12

HEX #E1D284

RGB 225 210 132

HSL 50.32, 0.61%, 0.7%

LAB 83.84, -5.62, 40.48

 

CMYK 0 / 6 / 32 / 16

HEX #D5C990

RGB 213 201 144

HSL 49.57, 0.45%, 0.7%

LAB 80.7, -4.34, 30.04

 

CMYK 0 / 4 / 22 / 22

HEX #C8C19D

RGB 200 193 157

HSL 50.23, 0.28%, 0.7%

LAB 77.79, -3.41, 19.04

 

CMYK 0 / 40 / 57 / 2

HEX #FA966B

RGB 250 150 107

HSL 18.04, 0.93%, 0.7%

LAB 71.69, 33.53, 38.54

 

CMYK 0 / 25 / 57 / 2

HEX #FABC6B

RGB 250 188 107

HSL 33.99, 0.93%, 0.7%

LAB 80.38, 13.65, 49.14

 

CMYK 0 / 10 / 57 / 2

HEX #FAE26B

RGB 250 226 107

HSL 49.93, 0.93%, 0.7%

LAB 89.76, -5.88, 60.06

 

CMYK 6 / 0 / 57 / 2

HEX #EBFA6B

RGB 235 250 107

HSL 66.29, 0.93%, 0.7%

LAB 94.78, -23.61, 65.39

 

CMYK 21 / 0 / 57 / 2

HEX #C5FA6B

RGB 197 250 107

HSL 82.24, 0.93%, 0.7%

LAB 92.27, -38.07, 61.88

 

CMYK 0 / 15 / 89 / 3

HEX #F7D31C

RGB 247 211 28

HSL 50.14, 0.93%, 0.54%

LAB 85.22, -3, 82.33

 

CMYK 0 / 12 / 73 / 3

HEX #F8DB44

RGB 248 219 68

HSL 50.33, 0.93%, 0.62%

LAB 87.5, -5.42, 73.47

 

CMYK 0 / 9 / 57 / 2

HEX #FAE36B

RGB 250 227 107

HSL 50.35, 0.93%, 0.7%

LAB 90.01, -6.38, 60.35

 

CMYK 0 / 7 / 41 / 2

HEX #FBEA93

RGB 251 234 147

HSL 50.19, 0.93%, 0.78%

LAB 92.34, -6.02, 44.26

 

CMYK 0 / 4 / 26 / 1

HEX #FDF2BB

RGB 253 242 187

HSL 50, 0.94%, 0.86%

LAB 95.15, -4.6, 27.93

 

CMYK 0 / 9 / 57 / 2

HEX #FAE36C

RGB 250 227 108

HSL 50.28, 0.93%, 0.7%

LAB 90.02, -6.31, 59.91

 

CMYK 57 / 0 / 55 / 2

HEX #6BFA70

RGB 107 250 112

HSL 122.1, 0.93%, 0.7%

LAB 88.29, -65.17, 54.03

 

CMYK 32 / 57 / 0 / 2

HEX #A96BFA

RGB 169 107 250

HSL 266.01, 0.93%, 0.7%

LAB 57.9, 52.63, -62.61

 

CMYK 0 / 9 / 57 / 2

HEX #FAE36C

RGB 250 227 108

HSL 50.28, 0.93%, 0.7%

LAB 90.02, -6.31, 59.91

 

CMYK 57 / 0 / 10 / 2

HEX #6BFAE2

RGB 107 250 226

HSL 169.93, 0.93%, 0.7%

LAB 90.32, -44.2, -0.1

 

CMYK 10 / 57 / 0 / 2

HEX #E26BFA

RGB 226 107 250

HSL 289.93, 0.93%, 0.7%

LAB 64.63, 66.25, -51.47

 

CMYK 0 / 9 / 57 / 2

HEX #FAE36C

RGB 250 227 108

HSL 50.28, 0.93%, 0.7%

LAB 90.02, -6.31, 59.91

 

CMYK 57 / 0 / 55 / 2

HEX #6BFA70

RGB 107 250 112

HSL 122.1, 0.93%, 0.7%

LAB 88.29, -65.17, 54.03

 

CMYK 57 / 48 / 0 / 2

HEX #6B83FA

RGB 107 131 250

HSL 229.93, 0.93%, 0.7%

LAB 58.28, 25.59, -62.26

 

CMYK 0 / 57 / 2 / 2

HEX #FA6BF5

RGB 250 107 245

HSL 302.1, 0.93%, 0.7%

LAB 67.6, 71.33, -43.83

 

CMYK 0 / 9 / 57 / 2

HEX #FAE36C

RGB 250 227 108

HSL 50.28, 0.93%, 0.7%

LAB 90.02, -6.31, 59.91

 

CMYK 57 / 0 / 38 / 2

HEX #6BFA9B

RGB 107 250 155

HSL 140.14, 0.93%, 0.7%

LAB 88.86, -58.94, 34.24

 

CMYK 57 / 48 / 0 / 2

HEX #6B83FA

RGB 107 131 250

HSL 229.93, 0.93%, 0.7%

LAB 58.28, 25.59, -62.26

 

CMYK 0 / 57 / 19 / 2

HEX #FA6BCA

RGB 250 107 202

HSL 320.14, 0.93%, 0.7%

LAB 65.83, 64.81, -22.64

 

Description

Color code: HEX #FAE36C | qconv.com Color code: HEX #FAE36C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 227 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 227 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 57 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 57% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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